Highlights were badly burned from overdevelopment (and maybe camera overexposure of a black subject too). The Epson was rendering them featureless white, but the DSLR scan brought back a usable level of detail. In this case, I believe the strength of your backlight is key.

Pediasia trisecta

Fishia illocata

Ben Lawers and adjacent mountains, from the top of the moor between Amulree and Kenmore.

As seen from Sublime Point.

This shot taken in exactly the same location as the previous panorama, I was about to move off and snap something else when I glanced up and saw this photo opportunity, and honestly I much prefer this shot.

I had to wait a little while for some more interesting cloud formations to appear instead of a dull blanket of white/grey. I think the patience paid off.

music

"Did you focus?"

"Yes."

"Are you sure?"

"Yes."

:)

Bradgate Park, Leicestershire.

Hasselblad 501CM

Carl Zeiss Distagon 4/40 T* CF FLE

Hoya R72 filter

f16

1/15th second

Gitzo GT3532LS

Arca-Swiss Z1

Rollei IR400 (effective EI 25)

Developed in Ilfotec DD-X 1:4 at 20 C for 8 mins

Digitised using 16-shot pixel-shift capture

Toned

Best viewed fullscreen in the lightbox (press L + F11)

The characteristic ice-cool pale wisps of noctilucent clouds in the distance (at 80km, their altitude far exceeds any other normal cloud up to 12km). As I watched a low-lying cloud of mist formed over Strathearn and made its way west over Crieff.

Eno River State Park

Pentax K-1 (pixel-shift mode)

Rokinon 24/3.5 tilt/shift

lens shifted down + tilted forward

Iridient Developer

Where ever I can I prefer to use Pixelshift with my old SMC Pentax-A 24/2.8, it seems to be one of those lenses that drastically improves in sharpness with that feature on.

This shot here is a 4-5 panorama stitch with each shot in pixelshift mode.

I'm in the states, the stupa is half a kilometer away in Canada, and the balloon is a mile away in the states again. Crazy, huh? There wasn't much time to catch them together.