View allAll Photos Tagged Pixelshift
Linhof Technikardan S45
Nikkor-M 9/300
22mm front rise
12° upward tilt of camera
12° forward tilt of both standards
f32
5 seconds
Fuji Velvia 50
Gitzo GT3532LS
Arca-Swiss Z1
Lab development
Digitised using 16-shot pixel-shift capture
Note: my images are processed to appear correct on a calibrated, professional grade colour-accurate monitor set to Adobe RGB output / 6500 K temperature / gamma 2.2. Many consumer grade screens (particularly mobile phone screens) at default settings will display these images with too much saturation and contrast, so please bear this in mind when viewing on such devices.
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download the original huge file to see everything in great clarity. pentax kp, hugin tools, panorama acrotiri chania crete greece sunny day snow on top of the mountain souda port
As seen from the northern shore of lake Buttermere.
Linhof Technikardan S45
Fujinon A 9/240
36mm front rise
f25
1/15th second
Kodak Ektar 100
Gitzo GT3532LS
Arca-Swiss Z1
Lab development
Digitised using 16-shot pixel-shift capture with a 99 CRI light source.
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Swiped from a bouquet - it's starting to wilt a little.
72 focus stacked images in a single stack. Pentax K1, DFA 100 macro lens, pixel shift resolution.
MCCP2637-MCCP2709_DP_tu7
I walked up the slope and round a corner and stopped... This recumbent beech tree, wood bare exposed or covered in moss and lichen, great old boughs contorted and gnarly, was quite the eye-catcher.
Prints, masks and things are available via the website: Monster in the Woods.
The Peak District, Derbyshire.
Linhof Technikardan S45
Schneider-Kreuznach Super-Symmar 5.6/110 XL
LEE ProGlass 0.6 hard GND
10mm front fall
f27
1/8th second
Fuji Velvia 50
Lab development
Digitised using 16-shot pixel-shift capture with a 99 CRI light source and an IT8-calibrated custom profile.
Best viewed fullscreen in the lightbox (Press L + F11)
Photo taken with the new Pentax K-1. Testing the PIxel Shift feature with the moon... Finale image cropped to 1:2. See next image for comparison with the K-3II
This shot is wide open and focused on the center of the image, the base of the rightmost group of branches. The actual focus is about 4-6 cm towards the camera. This lens design experiences focus shift, with a close image like this focusing about 2 cm toward infinity for each f-stop closed. That implies that it will focus accurately somewhere around f/2.8 to f/4. Which may be pretty good, as the lens should be sharp there. However, when using it wide open I'll need to remember to step forward a couple inches after focusing. Further testing is required, I didn't use f/2-f/4 on this roll. Everything is great at f/5.6.