Linhof Technikardan S45

Rodenstock Grandagon-N 4.5/90

18mm front rise

5° right swing of both standards

f29

1/15th

Kodak T-Max 100 (EI 80)

Gitzo GT3532LS

Arca-Swiss Z1

Self developed in Pyrocat-HD 1:1:100 at 22 °C for 14 mins (minimal agitation) using a modified Paterson Orbital

Digitised using 16-shot pixel-shift capture

Toned

(best viewed fullscreen in the lightbox)

Pentax K-1, pixelshift, Natural light, Old glass, Silver Efex Pro 2

Pentax 6x7 MLU

SMC Takumar 2.4/105

f11

1/15th second

Rollei IR400 (effective EI 12)

Hoya R72

Gitzo GT3532LS

Arca-Swiss Z1

Self developed in DD-X 1:4 at 20 °C for 8 minutes

Digitised using 16-shot pixel-shift capture

Toned

Note: my images are processed to appear correct on a calibrated, professional grade colour-accurate monitor set to Adobe RGB output / 6500 K temperature / gamma 2.2. Many consumer grade screens (particularly mobile phone screens) at default settings will display these images with too much saturation and contrast, so please bear this in mind when viewing on such devices.

(best viewed fullscreen in the lightbox)

Fuji Velvia 50 (Alt)

Industrial plant in Kawasaki,japan

Pentax K1 Mark II

SMC PENTAX-M 1.7 50mm ASAHI OPT

A7RIV pixelshift, Zeiss Loxia 25mm

The day I saw a group of coyotes chasing a group of deer and turkeys in the woods. I had never been in the middle of such a hunt before. The coyotes saw me and kept their distance to pursue their prey, for a moment I thought I might have to fight. Later, after the coyotes had moved on, I got trapped in a group of large male deer, but was able to make a detour to get around them, and they did not pursue me as some braver ones had in the past. An exciting and unusual day.

The Bass Rock sits just beyond the mouth of the Firth of Forth in East Lothian, a volcanic outcrop now uninhabited but previously home to a hermit.

Part of the Daily In Challenge on Pentax Forums

Day 25

Shot with the In Camera Pixel Shift resolution

Lens: Pentax DA 50mm f/1.8 with the Raynox M-250

Crayfish Pool, Blue Mountains, NSW.

1938 Voigtlander Bessa with Voigtar 11cm f/4.5 lens, 1/150 shutter, and leather case. Beside it, 1972 Fuji Neopan SSS J120 200 ASA film box, wrapper, and instruction sheet. This black and white film was developed in the 50's as Fuji's answer to Ilford HP and Kodak Tri-X. Fuji started making film in the 30's, beginning with roll film and then 35mm, with speeds of around 40 ISO.

One of my favourite trees - I like the angle at which it reclines into the wind and the pure emptiness into the distance.

Unusual tricks: custom home-made sensor ICC profile; the ground is shot at 1/30s but the sky merged from a second exposure of over a minute. Fast and slow in one image.

My entry for this months 'Landscape in Color' comp from Pentax Forums.

The rich colours come from RNI (Really Nice Images) Preset Fuji Velvia 50 -03 and tweaked to taste.