View allAll Photos Tagged PerformingArts

I have seen a sax player play 2 saxophones at once, but this is the first time I have seen play bass and sax. Of course, it helps if you have 3 hands. Park goers were lucky not only with the weather, but also to hear Charlotte with Patrick Smith, Chris and Brian at Trinity Bellwoods.

 

81. TMR 04. Apr 2021, P1460201; Uploaded 30. Apr 2021. Lmx -ZS100. Trinity Bellwoods.

   

Marketa sings with the 'Mole's Wing' since they started playing. Most members of the orchestra keep their social media files thin and their lives private. Her last name is not important. She could be a star, but this orchestra may be only public place she sings.

Lead by Tomas Kozák (sax, clarinet), the 'Mole's Wing Orchestra', plays only every few months, so I was lucky to catch them in action in Oct, 2024. I seen them in 2023 and enjoyed their interpretation of the classic big band tunes. Their faces are young, but as far I have gathered, they met in a High School and the core group continues playing about 10 years. Some play music in other bands, some do not play music anymore, but come to support their friends. I do not remember all their names, but here are some of the musicians who make the big band sound really good.

 

Tomas Kozák - leader, clarinet, saxophone

Dominik Štorek- MC, saxophone

Jakub Beranek, saxophone

Gustav Sedelmayer - trumpet

Markéta (Líbalova?) Goliášová - voice

Lukas Dvorak - piano

Václav Hadrava - bass

Štěpán Krtička - drums

 

382. Prague; Taken 2024-Oct 18. P1230043; Upload 2024-Nov 15.

   

Jorge Luis Pacheco, currently based in Germany, is one of the leading pianists of the new generation of jazz in Cuba. He is also a percussionist, composer and musical director. He studied piano and percussion at the music school Alejandro García Caturla, later graduated as a percussionist in the conservatory Amadeo Roldán, and worked as a professor at the conservatory Guillermo Thomas. He has participated in concerts and festivals in Cuba, Europe, South and Central America, Canada and the USA. He shared stage with 3 other world class pianists in the wonderful Teatro Marti (1884). I very happy to see him on the program 'El Arte del Piano Cubano' in Havana with Dayramir Gonzalez (Cuba/USA), Emmet Cohen (USA) and Manon Mullener (Switzerland).

 

298. Havana P1050079; Taken 2024-Jan 26. Upload 2024-Feb 29.

   

Dr. Zaldivar is from Camaguey, Cuba where many Canadians go for vacation and experience Cuban music. Rafael Zaldivar got solid musical education in Havana and graduated from Université de Montréal and later McGill. He is part of Canadian music scene for the last 20 years. Saxophonist Luis Deniz (also originally from Cuba) and bassist Rémi-Jean LeBlanc were completing the trio. The show was in a place I call "The Cave', as the lights are turned completely off during a performance, save for a spotlight on the stage. It is so dark, that you do not see who is sitting beside you. Otherwise (about 400 cap) L'Astral, which is part of Montreal Jazz Fest since 2009, is perfect for a concert.

 

230. Montreal P1650565; Taken 2023-July 04. Upload 2023-Aug 13.

   

It must be that this question can often torment us if you went to a NON-professional in your field. This definitely cannot happen if you contact us or another trusted professional in your field. Why is that?🤔 I can answer this question by summarizing them on the main points😊😁

🎆You are definitely beautiful in your own way. And this beauty can only be captured by a professional in his field. Why is that? Yes, because only a professional will be able to perfectly choose the place, pose and other little things for your best photo😁

Also, a professional in any case can retouch and correct any flaws in the appearance or background of the photo. It is unlikely that a beginner can handle such work perfectly ⠀

 

🎆A good specialist will also not be lazy👆 to work on shadows and light in a photo. Such elaboration often makes the photo better and emphasizes any expressive features of appearance😌😁

I can describe such flaws in my work for a long time, but I think that the essence is very clear. You should not go to a layman and then regret the resulting photos. Instead, you can, for example, contact us! We have work experience and we really know our work😊😸

 

#lip #eye #mouth #humanbody #jaw #flashphotography #entertainment #performingarts #eyelash #headgear #NikonD4

The enduring appeal of "The Lion King", inspired by Shakespeare’s Hamlet at the Lyceum Theatre.

 

If you find yourself crying,it’s out of joy and wonderment.The story centres on Courage,Loyalty,and Love of Home and Family values.

 

A lyrical,dramatic and epic musical show that dazzles all ages with the evocative rhythms of Africa set against the majesty of the Serengeti Plains.Compelling storyline and light effects,

evocative stage and costume design,and most rousing music.

A real feast to the senses of the audience.

 

Good, my lord,you suited the action to the word,the word to the action,with this special observance,that you o'erstepped not the modesty of nature.I saw the players well bestowed and used ; for they are the abstract and brief chronicles of the time.

Hamlet (1600-02)

 

Life's but a Walking Shadow ..

 

Everywhere the Light Touches is our Kingdom ...

 

The Metropolitan Opera Building illuminated in Lincoln Center Plaza at New York City during twilight.

The art of the equilibrium.

To see more photos please visit: thelifearound.me or my Instagram @stemonx.

 

Secret Cinema Presents: The Third Man

Photo by Graeme Wilmot

Facebook: Graeme Wilmot Photography

Flickr: bluerockpile

Twitter: @bluerockpile

田村友一郎さんのノベルティ人形。右から竹下(当時蔵相)さん、英のローソン蔵相、西独のシュトルテンベルク財務省、仏のベレゴヴォワ経財相、米のベイカー財務長官のはず。プラザ合意のメンバーですね。

@Yakimono walk, Tokoname city, Aichi pref. (愛知県常滑市 やきもの散歩道 国際芸術祭あいち2022)

Nikon D700+60mm 2.8D micro

 

Please don't use this image on websites, blogs or other media without my explicit permission.

www.photoexposure.in

© All rights reserved

1953 --- Desi and Lucy Arnaz are shown with "Emmy" awards for --- Image by © Bettmann/CORBIS

2017 Women's College Gymnastics - University of Wisconsin-Eau Claire

2017 Women's Gymnastics - Illinois State University

Sometimes you want to give up the guitar, you'll hate the guitar. But if you stick with it, you're gonna be rewarded.

Jimi Hendrix

To see more photos please visit: thelifearound.me or my Instagram @stemonx.

 

To see more photos please visit: thelifearound.me or my Instagram @stemonx.

 

#backlighting #concert #lensflare #performance #performingarts

isted 11/27/2018

Madison, Tennessee

Reference number: 100003154

   

Rainbow Ranch (Hank Show House, Office, and Studio), located in Davidson County, Tennessee, is listed on the National Register of Historic Places. Rainbow Ranch is closely associated with the rise of the Nashville music business and recording industry in the post-World War II period from 1950-1979. As well, Rainbow Ranch is closely associated with musician Hank Snow, as his former home, office, and studio.

   

National Register of Historic Places Homepage

   

Rainbow Ranch

  

 

National Register of Historic Places on Facebook

 

The Performing Arts block at Oxstalls Campus of the University of Gloucestershire.

 

Picture by Clint Randall www.pixelprphotography.co.uk

LVPA-YCC-2015_1069

Listed 1/8/2014

Hindman, Knott County, Kentucky

Reference number: 13001053

 

The Hiram and Art Stamper House in Knott County, Kentucky is significant as the home of two master fiddlers: Hiram Stamper (1893 - 1992) and Arthur “Art” Stamper (1933-2005). Their house was constructed in 1931 and remained important in the development of the Stamper fiddle music tradition. Hiram Stamper was a well-known fiddler within the genre of traditional Old-Time music and his son, Art Stamper, learned Old-Time fiddling from his father. Hiram Stamper is recognized for his important part in maintaining the purity of Kentucky fiddle music and the old traditions. This music is considered a critical heritage to the southeast Kentucky region. Art Stamper is also known for his contributions to other music forms, including Bluegrass Music and Mountain Music, as evidenced by the increasing popularity of his recordings throughout his career. Although he found success in multiple styles, Art Stamper continued to revere the Old-Time tunes on which he had been raised.

 

Both Stampers' mastery of the fiddle has its roots in their home place, the isolated hollow in Knott County, Kentucky. Due to this isolation, in the early 20th century, when outsiders "discovered" Eastern Kentucky and the rest of Appalachia, they came to regard it as a place where an 18th- and 19th-century way of life persisted. Certainly this view was applied to the understanding of music produced in this mountainous area; rather than focusing on how musicians innovated in creating music over time, folklorists who document mountain musicians observe how those players have maintained centuries old traditions. A large share of both Stampers' significance as fiddle players relates to archaic methods, fiddle tunings, and style of play; however, place becomes an important element of this analysis. Both Hiram and Art had exposure to the world beyond Knott County, as both served in the military overseas. After 1934, Hiram remained in his Knott County home and his music is noted for its purer connection to Knott County's musical past. Art Stamper, on the other hand, did not return to his home after military service and migrated to a number of Kentucky towns, including Louisville. Consequently, his musical expressions have a greater range. Both Stamper fiddlers help us reflect on the way that folk music serves as more than a mere pastime. Because traditional music results from, transmits, reinforces, and is symbolic of the culture that produces it, this music can help us understand the cultural significance that it carries.

   

National Register of Historic Places Homepage

   

Hiram and Art Stamper House

  

 

National Register of Historic Places on Facebook

isted 11/27/2018

Madison, Tennessee

Reference number: 100003154

   

Rainbow Ranch (Hank Show House, Office, and Studio), located in Davidson County, Tennessee, is listed on the National Register of Historic Places. Rainbow Ranch is closely associated with the rise of the Nashville music business and recording industry in the post-World War II period from 1950-1979. As well, Rainbow Ranch is closely associated with musician Hank Snow, as his former home, office, and studio.

   

National Register of Historic Places Homepage

   

Rainbow Ranch

  

 

National Register of Historic Places on Facebook

 

Listed 1/8/2014

Hindman, Knott County, Kentucky

Reference number: 13001053

 

The Hiram and Art Stamper House in Knott County, Kentucky is significant as the home of two master fiddlers: Hiram Stamper (1893 - 1992) and Arthur “Art” Stamper (1933-2005). Their house was constructed in 1931 and remained important in the development of the Stamper fiddle music tradition. Hiram Stamper was a well-known fiddler within the genre of traditional Old-Time music and his son, Art Stamper, learned Old-Time fiddling from his father. Hiram Stamper is recognized for his important part in maintaining the purity of Kentucky fiddle music and the old traditions. This music is considered a critical heritage to the southeast Kentucky region. Art Stamper is also known for his contributions to other music forms, including Bluegrass Music and Mountain Music, as evidenced by the increasing popularity of his recordings throughout his career. Although he found success in multiple styles, Art Stamper continued to revere the Old-Time tunes on which he had been raised.

 

Both Stampers' mastery of the fiddle has its roots in their home place, the isolated hollow in Knott County, Kentucky. Due to this isolation, in the early 20th century, when outsiders "discovered" Eastern Kentucky and the rest of Appalachia, they came to regard it as a place where an 18th- and 19th-century way of life persisted. Certainly this view was applied to the understanding of music produced in this mountainous area; rather than focusing on how musicians innovated in creating music over time, folklorists who document mountain musicians observe how those players have maintained centuries old traditions. A large share of both Stampers' significance as fiddle players relates to archaic methods, fiddle tunings, and style of play; however, place becomes an important element of this analysis. Both Hiram and Art had exposure to the world beyond Knott County, as both served in the military overseas. After 1934, Hiram remained in his Knott County home and his music is noted for its purer connection to Knott County's musical past. Art Stamper, on the other hand, did not return to his home after military service and migrated to a number of Kentucky towns, including Louisville. Consequently, his musical expressions have a greater range. Both Stamper fiddlers help us reflect on the way that folk music serves as more than a mere pastime. Because traditional music results from, transmits, reinforces, and is symbolic of the culture that produces it, this music can help us understand the cultural significance that it carries.

   

National Register of Historic Places Homepage

   

Hiram and Art Stamper House

  

 

National Register of Historic Places on Facebook

Listed 1/8/2014

Hindman, Knott County, Kentucky

Reference number: 13001053

 

The Hiram and Art Stamper House in Knott County, Kentucky is significant as the home of two master fiddlers: Hiram Stamper (1893 - 1992) and Arthur “Art” Stamper (1933-2005). Their house was constructed in 1931 and remained important in the development of the Stamper fiddle music tradition. Hiram Stamper was a well-known fiddler within the genre of traditional Old-Time music and his son, Art Stamper, learned Old-Time fiddling from his father. Hiram Stamper is recognized for his important part in maintaining the purity of Kentucky fiddle music and the old traditions. This music is considered a critical heritage to the southeast Kentucky region. Art Stamper is also known for his contributions to other music forms, including Bluegrass Music and Mountain Music, as evidenced by the increasing popularity of his recordings throughout his career. Although he found success in multiple styles, Art Stamper continued to revere the Old-Time tunes on which he had been raised.

 

Both Stampers' mastery of the fiddle has its roots in their home place, the isolated hollow in Knott County, Kentucky. Due to this isolation, in the early 20th century, when outsiders "discovered" Eastern Kentucky and the rest of Appalachia, they came to regard it as a place where an 18th- and 19th-century way of life persisted. Certainly this view was applied to the understanding of music produced in this mountainous area; rather than focusing on how musicians innovated in creating music over time, folklorists who document mountain musicians observe how those players have maintained centuries old traditions. A large share of both Stampers' significance as fiddle players relates to archaic methods, fiddle tunings, and style of play; however, place becomes an important element of this analysis. Both Hiram and Art had exposure to the world beyond Knott County, as both served in the military overseas. After 1934, Hiram remained in his Knott County home and his music is noted for its purer connection to Knott County's musical past. Art Stamper, on the other hand, did not return to his home after military service and migrated to a number of Kentucky towns, including Louisville. Consequently, his musical expressions have a greater range. Both Stamper fiddlers help us reflect on the way that folk music serves as more than a mere pastime. Because traditional music results from, transmits, reinforces, and is symbolic of the culture that produces it, this music can help us understand the cultural significance that it carries.

   

National Register of Historic Places Homepage

   

Hiram and Art Stamper House

  

 

National Register of Historic Places on Facebook

Taken at a dance rehearsal in Usuki, Japan

isted 11/27/2018

Madison, Tennessee

Reference number: 100003154

   

Rainbow Ranch (Hank Show House, Office, and Studio), located in Davidson County, Tennessee, is listed on the National Register of Historic Places. Rainbow Ranch is closely associated with the rise of the Nashville music business and recording industry in the post-World War II period from 1950-1979. As well, Rainbow Ranch is closely associated with musician Hank Snow, as his former home, office, and studio.

   

National Register of Historic Places Homepage

   

Rainbow Ranch

  

 

National Register of Historic Places on Facebook

 

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