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Sanjog – Uniting Tradition & Modernity by Natya STEM Dance Kampni (India) at the Esplanade Outdoor Theatre during Kalaa Utasavan - Indian Festival of Arts 2023.
Performed by Sim San Loke Hup Athletic Association during the Singapore Heritage Festival @ Bukit Pasoh.
Masako Egawa, Professor Hitotsubashi University at the World Economic Forum - Annual Meeting of the New Champions in Dalian, People's Republic of China 2015. Copyright by World Economic Forum / Jakob Polacsek
We shot literally two days before the wedding - the day after I returned from a three week roadtrip of endurance. Just enough time, to the hour, to process the film, make the prints and prepare the panel for the oilgraph painting for the ceremony. Sleep would have to come the next week.
Tonight I prepare the panel for Saturday's performance at Black Cat Gallery in which they both will appear again.
It will be much different than this one however....
Ok...back to prep.
oilgraph on wooden panel - 30x24
Traditional court dances from Joseon dynasty performed by SYC Cultural Alliance during the Seoul Awesome Weekend Festival at the Asian Civilisations Museum.
This group of primary school girls performed along Eu Tong Sen Street during the official lighted up of the Mid-Autumn Festival 2012 celebration in Chinatown
By Shelia Ann Smith (Canada) at the walkway of Wisma Aitria, Orchard Road for the Christmas Festival 2017 celebrations.
60 minute social media facilitated participatory performance at Allegheny College, Meadville, PA on August 31, 3013 at 10:00 am
View complete performance here youtu.be/qb6QP-xhUUk
More of MC Gee
in collaboration with Edith Abeyta + TRASHED
Backstage action: The puppeteers lit lamps, play music, sing songs and speak dialogues for the shadow puppets which dance in front of the transclucent white screen. A traditional shadow puppet performance from Kerala is called Tolpavakoothu. Leather-made puppets are placed in front of a white screen, while being lit by lamps placed in a row on the other side of the screen. Musicians and puppeteers stand backstage and maneouver the puppets with the aid of sticks attached to the slim leather figures.
Chinese cultural performances from Xi'an Tang Dynasty Art Troupe from China at the Amphitheatre, VivoCity during the Chinese New Year 2014 Festival celebrations.
Concept~
Light signifies the beautifully lit stage
And the mask symbolize the performance acted on the stage
Theater in allen Räumen 2017
Foto: Regula Bearth © Hochschulkommunikation ZHdK. Freie Verwendung im Rahmen von Ankündigung und Berichterstattung zur Produktion
508 alphorn players on the Gornergrat ridge breaking the world record for the largest alphorn group performance.
Performed by NUS Dance Blast! and NUS Chinese Dance at the Esplanade Outdoor Theatre during Huayi 2019, Chinese Festival of Arts.
Festival Tanzende Stadt 2024
IRENE K.
Liege (B) 07.09.2024
Compagnie Irene K. (B): Le regard
Cercle, sans issue elle tourne. L’univers se restreint.
Aux yeux grands ouverts se dessinent moultes chemins
Chorégraphie : Irene Kalbusch
Danse : Gold Mayanga, Ilke Teerlinck
Musique : Shana Mpunga
Foto: Rolf K. Wegst
Dance performance in Nowohuckie Centrum Kultury, devoted to the remembrance of the choreographer and pedagogue Professor Janina Strzembosz. Kraków, Poland
By Hangzhou Performance Art School at the Amphitheatre, VivoCity during the Spring in the City and Happy Chinese New Year celebrations.
Miyagawa-cho maiko : Toshiteru-san
Located : The special maiko performance on The Nijo Castle, Kyoto. Aug 14, 2011.
Tuesday 8 July 7:30 pm, Ensemble SINAWI's performance was held at LSO St Luke's, 161 Old Street.
Ensemble SINAWI combined traditional Korean folk music and pansori, an epic chant, with a contemporary edge to create a sound that it is entirely new.
Ensemble SINAWI released their first album, 'Cadenza for soul' in 2011, and released the second, 'into the Time' in 2012.
The Performance was a part of the 'Seoul in the City' festival. Korea brought 'Seoul in the City' festival to the 'City of London' in 2014.
In stop, Repair, Prepare: Variations on "Ode to Joy" for a Prepared Piano (2008), Jennifer Allora (American, born 1971) and Guillermo Calzadilla (Cuban born, 1971) combine the mediums of performance art and sculpture. A Pianist emerges throught a hole carved in a grand piano to play the fourth movement of Ludwig von Bethoveen`s famous ninth symphony of 1824 (widely known as "Ode to Joy") while making aroung the Atrium.
By modifying the instrument, the artist have fundamentally changed the dynamic between pianist and instrument; leaning very far forward, the performer must read the keyboard upsidedown and backward. Furtermore the hole renders two octaves of holes inoperative, The result is a structurally incomplete version of the signature melody , played with great efford - a contradictory and ambiguous performance of a song that gas long been invoked as a symbol of humanist values and national pride.
A Performance at the Museum of Modern Art.