View allAll Photos Tagged Performance
Performance by Martin Campillo at Erg (École de Recherche Graphique), Brussels, October 20, 2016.
—
Erg (École de Recherche Graphique), Arts Numériques-Atelier, 2016-2017.
Professor : Marc Wathieu.
By Hangzhou Performing Art Group at the Amphitheate, VivoCity during the Chinese New Year 2015 festival celebrations,
The year ahead is like a circus performance in a world devoid of gravity. The show begins with the illusion of control – a ringmaster in a tall hat calls the audience to attention, his voice trembling with uncertainty while straining to sound authoritative. The curtain rises, but instead of solid ground beneath their feet, everything is consumed by an endless weightlessness.
The clowns float aimlessly, their painted smiles stretched in desperation as they try to catch props that constantly slip from their grasp. The audience watches, but it’s unclear whether they are mere spectators or part of the performance – their faces flicker like holograms, always on the verge of disappearing.
In the centre ring, the trapeze artists launch themselves, but there is no safety net to catch them. Their flight seems infinite, directionless. They drift apart, their hands reaching for something invisible – a dream or a reality they can no longer grasp. The acrobats stretch the laws of physics to their breaking point, but their movements feel more like desperate attempts to cling to their own essence than to impress the crowd.
And then, there’s the hall of mirrors – a strange sideshow tent in the circus. Here, every projection is cast back at us – our hopes, our fears, our masked faces. But the mirrors are shattered, and each fragment reflects a different version of the year, a different story. Which one is real? Who can say?
The music is chaotic – a cacophony of pompous trumpets and distorted violins that cuts to the soul. It has no rhythm, no beginning, no end, only a constant sensation of something suspended in the air – a decision, a conclusion, an escape.
The circus goes on, floating in a vacuum between the real and the artificial. The performance never ends, for there is no “next act” – only an eternal, weightless dance towards something indefinable. The audience does not applaud. They cannot decide whether the show is beautiful or tragic. Perhaps it is both. Perhaps it is neither.
Poem:
The ringmaster calls with a tremor concealed,
In a voice that wavers, its authority steeled.
The curtain lifts; the ground is lost,
In a realm where gravity pays the cost.
The clowns float by with painted grins,
Hiding despair as the show begins.
Their juggling acts, a futile fight,
To hold the pieces in the weightless night.
Above, trapeze artists leap and soar,
Reaching for dreams they can’t restore.
No net below, no tethered line,
They drift apart in endless time.
The mirrored tent reflects our fears,
A kaleidoscope of fractured years.
Each shard a tale, a fleeting face,
Reality scattered in time’s embrace.
The music wails, a discordant plea,
A symphony born of entropy.
No rhythm to guide, no end in sight,
Only the weightless, eternal flight.
And still the circus spins its tale,
A cosmic jest, a fragile frail.
No applause, no final bow,
Just weightless dancers lost in the now.
Haikus:
Endless trapeze arcs,
No ground beneath, only air,
Dreams dissolve mid-flight.
Mirrors fracture truth,
Faces flicker, fade, and blur,
What’s real disappears.
Painted smiles drift on,
Clowns juggle what they can’t hold,
Laughter turns to dust.
Gravity undone,
The circus spins in the void,
Time is the tightrope.
Lenggang Legenda : Merintis Sejarah (Legendary Lengang : Tracing Origins) performed by Sriwana, Sri Warisan and Era Dance Theatre at the Esplanade Outdoor Theatre during Pesta Raya, Malay Festival of Arts 2018.
Performance of "La Fortuna – Lady with an Ermine” by the Cracovia Danza Court Ballet at pl. Szczepański, a reconstruction of the legendary "Il Paradiso" court ballet, for which Leonardo da Vinci himself designed the set.
Krakow, Poland
A fascinating, hilarious and slightly disturbing performance by Athur Elsenaar at Technarte Bilbao.
“Perfect Paul: On Freedom of Facial Expression”
Chicks on Speed’s Alexandra Murray-Leslie and Melissa E.Logan perform OBJEKTINSTRUMENTS. The group live-compose their self-made electroacoustic objects; High Heeled Shoe Guitar, Self-contained amplified hats &Theremin Tapestry culminating in an audiovisual performance art spectacle. The performance is in collaboration with technologist Dr. Sam Ferguson & costumes by Nina Kraine, Julio Escudero, department of Fashion&Technology, The University of the Art and Design Linz.
Credit: Wolf-Dieter Grabner.
Closing Performance at the World Economic Forum on Africa 2017 in Durban, South Africa, 2017. Copyright by World Economic Forum / Benedikt von Loebell
Performance by Martin Campillo at Erg (École de Recherche Graphique), Brussels, October 20, 2016.
—
Erg (École de Recherche Graphique), Arts Numériques-Atelier, 2016-2017.
Professor : Marc Wathieu.
Edo Street performance by Asakusa Zatsugeidan. At Mukojima Hyakkaen, Tokyo.
As for the street performance, it has been got close to the common people widely from the Edo era (about 200 years ago) by itinerant entertainers.
It is succeeded to the present, and it is sometimes held as events by Asakusa Zatsugeidan.
I am interested in such Japanese street performances to be left as the history of the entertainment of the common people of the Edo era.
Asakusa Zatsugeidan san,
Thanks for the permission of the post on our site.
*Return to the Body - Return to Renaissance*
Έκθεση - Αφιέρωμα στην έρευνα του International Research Laboratory of Performing Arts ΑlmaKalma με εικαστικά φωτογραφήματα και visual - audio installation, στην γαλλερύ του metamatic:taf στην Αθήνα.
Το Wesen, φιλοσοφικός όρος του Martin Heidegger, είναι ένα σημαίνον ενεργοποίησης. Είναι η σχέση μας με τις υπαρκτότητες, η σχέση μας με το βλέμμα στον ορίζοντα του αόρατου. Είναι η έξαρση της στιγμής, γεμάτη χάος, που όλα κινούνται στη φορά της ορμής προς μια μεγάλη επιστροφή. Την επιστροφή στο "σώμα", την επιστροφή στην "αναγέννηση".
Η έκθεση είχε σκοπό την παρουσίαση, μέσω οπτικοακουστικών εγκαταστάσεων και φωτογραφιών, της έρευνας που πραγματοποιείται από το International Research Laboratory of Performing Arts-AlmaKalma, το οποίο λειτουργεί στη Θεσσαλονίκη υπό τη διεύθυνση του Γιάννη Μήτρου.
Τα έργα παρήχθησαν σε βάθος χρόνου για τις εκάστοτε ανάγκες των performance του Research Laboratory στην γκαλερί Χ-ART-Ι, στο Θέατρο Αθήναιον, στους δημόσιους χώρους του ΑΠΘ και στο Μακεδονικό Μουσείο Σύγχρονης Τέχνης (MMCA).
Την ημέρα των εγκαινίων πραγματοποιήθηκε performance / installation του Research Laboratory σε σκηνοθεσία του Γιάννη Μήτρου στην οποία συμμετείχαν οι:
Μαρία Χαρέλα, Μάρω Θεοδοσίου, Σεμπάστιαν Τσιφής, Ιωάννα Σκαντζέλη, Χάρης Μεσηνιώτης, Manuel Baldassare, Emma Grace, Χριστίνα Σιριοπούλου, Φωτεινή Τερζή, Αθανάσιος Μαργούτας, Σοφία Δρακοπούλου, Σοφία Στεργίου
Συμμετείχαν οι εικαστικοί:
Φωτογραφία: Βασίλης Καρκατσέλης.
Ποιήματα της Ιωάννας Σκαντζέλη παρουσιαζόμενα φωτογραφικά από τον Βασίλη Καρκατσέλη.
Εικαστικό πορτέτο του Χρήστου Πειραλή, αρχιτέκτωνα- ζωγράφου, βασισμένο στην performance, με θέμα τον Van Gogh, του Εργαστηρίου Έρευνας. Performer: Σεμπάστιαν Τσιφής.
Video Art: Yiota Chatzi, Daniela Prost.
Slide show με φωτογραφίες από την performance του Εργαστηρίου Έρευνας: F-F or Santa Sangre (2014).
Ηχητική εγκατάσταση: Manuel Baldassare
Επιμέλεια έκθεσης: Στέλλα Μανικάτη, Ιστορικός Τέχνης.
By Guangzhou Acrobatic Troupe at the Supertree Grove, Gardens by the Bay during the Mid-Autumn Festival @ The Gardens 2014.
Director Christie True hosted a celebration for DNRP's nominees for the 2023 King County Performance Excellence Awards.
We have a yellow bat to enforce employee performance. (Kidding!)
---
Learn more about the team at Infusionsoft at www.infusionsoft.com.
Gustavo Thomas and Mary Jordan.
Carmona, Andalucía, España. 2011-09-25
If you are interested in using any of these images, please, contact Getty Images (see the link on the right side of every photo page).
If you think your case is special and you are not intended to get any money with my photograph (or you don't get paid for working with them) then, please, contact me by flickr mail.
Si existe algún interés en usar usar alguna de estas imágenes por favor, contacte primero Getty Images (ver la liga sobre el lado izquierdo de la página, donde se pide la "licencia" de la foto).
Si se piensa que es un caso especial y no se tiene la intención de comercializar con la imagen (o no se recibe un pago o salario por usarla) entonces, por favor, contactar a Gustavo Thomas a través del correo de flickr.
27 y 28 de Febrero de 2010-02-07
19:00
LA ESENCIA CONTENIDA EN LA ESCENA
Dirigida por Pilar Heras
Alumna de 4º de Escultura en la Facultad de Bellas Artes de Salamanca.
Vestuario/estilismo: Amoelbarroco
Fotografía: Alejandra Vacuii
Postpodrucción/vídeo: Twins Factory & Lorena García
Colabora: 4esculturas
Las series intervenidas serán: “Cheesmen”, “Fashion Victims”, “Royal Blood” y “Paradise the Club”
Battery Dance Company din New York s-a aflat la Bucuresti pentru o serie de ateliere de dans si un spectacol de dans modern, proiect organizat in colaborare si finantat de Ambasada SUA la Bucuresti si Departamentul de Stat al SUA. Cei cinci artisti dansatori ai Battery Dance Company au lucrat cu adolescenti si tineri din Bucuresti pentru a crea numere de coregrafie puse apoi in scena la Sala Mare a Palatului National al Copiilor. Publicul prezent la spectacol pe 21 martie a ovationat cu entuziasm creatiile de dans ale participantilor romani, care au dansat alaturi de cei cinci americani de la Battery Dance Company - www.batterydance.org (Lucian Crusoveanu / Public Diplomacy Office)