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This photo was taken on July 6, 2011.
Maiko Fukuho-san from Miyagawacho.
She retired in last December.
宮川町 舞妓 ふく帆さん
ふく帆さんは昨年12月に引退されました。
ふく帆さん撮らせていただき、大変ありがとうございました。
今後益々のご活躍をお祈りいたします。
This impressive theatre was designed by the same architect who designed the Bird’s Nest Stadium for the 2008 Beijing Olympics
When we were there, the theatre was showing the "Encore Melaka" performance, a fly through the history of Malacca from the days of the Prince of Palembang, Parameswara, to the arrival of the Chinese Admiral Cheng Ho, to the days of the Peranakans who contributed so much to the culture and ethos of Malacca.
Class demonstration by 1st Year students at the Royal Opera House's Linbury Theatre.
©2021 The Royal Ballet School/Photography by ASH
Union Square, New York
Along the Detroit River, a man plays his Marimba for donations from passerby. He's a very carefree individual as he even let my friends and I play with the instrument with him (instructing us which keys to play when). He doesn't have much but he's fun loving and spends his days with his passion: music. It's cool how there's always something to learn from everyone, even those you least expect it from.
An early-'70s Mustang fastback parked beside a late-'60s Pontiac Firebird. I still say those chrome bumpers look good. On many of today's cars all you see out back is a vertical wall of colored plastic. But back to the Firebird: I'm a tad confused about the actual model year. If I had to guess, I'd say 1968.
By the Singapore Chinese Dance Theatre at the Esplanade Outdoor Theatre during Chinese Dance Fiesta.
STEFANIA VISCONTI attrice, modella, actress, model, performer, trasformista, disponibile per collaborazioni artistiche di vario genere, teatro, cinema, tv, cortometraggi, shooting fotografici, esibizioni dal vivo. Disponibilità di spostamento in tutta Italia e all'Estero.
Per qualsiasi informazione ulteriore e collaborazione potete scrivere a viscontistefy@libero.it
STEFANIA VISCONTI is an Italian transgendered actress, model, chameleon-like performer, and activist. She is available for a variety of arts and entertainment projects, including theatrical performances, long and short films, TV programs, photo shootings, live performances. She is willing to travel anywhere in Italy and abroad. For further information, write to viscontistefy@libero.it. You will find other links to some of her personal pages below
The Performance Direct Girls .. feat miss Hayley G and Michaela Louise Richards (Mickey Lou). pose with a ford escort mk2
Performance’, Original Soundtrack, 1970. I love this film directed by Nic Roeg. Starring James Fox and Mick Jagger, it was shot in 1968 when the Stones were at the height of meaningful Satanic Majesty-ness. The film was delayed until 1970 because Warner Brothers hated it. Famously at a pre-screening an Executive’s wife threw up, so soiled and nasty were the images on screen.
There have been umpteen books written about the film and lots of tales, which I won’t bother to go into here. Oh alright, just one. Co-star James Fox had a breakdown after filming, left acting and became a Christian missionary for 10 years. Suffice to say it’s one of the best British films of the Sixties or any decade. It captures the zeitgeist better than anything else from that period. The ultimate sex, drugs, rock n roll experience.
The soundtrack works on its own. Some rockers like ‘Gone Dead Train, moody atmospheric slide guitar by Ry Cooder on ‘Powis Square’, jaw harp, tablas and sitar on ‘The Hashishin’, eerie early synth drones, scary vocals from Merry Clayton (who sang on the Stones’ ‘Gimme Shelter’), trippy flute and strings on Jack Nitzche produced tracks, a lush MOR instrumental in ‘Harry Flowers’, proto-rap in The Last Poets ‘Wake Up, Niggers’ and a solo Jagger tune in ‘Memo to Turner’. This is not ‘The Sound of Music’…
If you’ve never seen the film, do.
The air has been most algid lately. I am certain it could be much worse but there is still discomfort when one is out and about for too long. And so many are due to the holiday. It saddens me to see so many wander past that theatre...
The people here are a peculiar sort. They are as crass as they are kind. Or, perhaps, it is me seeing it through what one has called an "artist's lens." But they tend to talk to me when I play and even go so far as to drop a few notes into my case. Unnecessary, yet no less appreciated.
—From the journal of Acland Carriére
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Taken at The Crack Den's Theater House
Pete Doherty performing with his band Babyshambles at the Infinity Club in central London to a small intimate crowd.
December 5, 2004.
© Guy Eppel / Retna UK
Credit all uses
Performed by the Republic Polytechnic Dharma Endari at the Esplanade Outdoor Theatre during In Youthful Company.