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Series DANCES OF THE WORLD in the painting. :: Title - FLAMENCO PERFORMANCE (nr. 12/2009). :: author - Renata Domagalska :: Year 2009. :: Mixed media - oil and acrylic on canvas. :: Size 90x90 cm.
renatadomagalska.pl/gallery_n.html
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Cykl kolorowe TAŃCE ŚWIATA w malarstwie :: Tytuł - FLAMENCO WYSTĘP (nr. 12/2009). :: autor - Renata Domagalska :: Rok powstania obrazu 2009. :: Technika mieszana - olej i akryl na płótnie. :: Format 90x90 cm.
KYOTO HANATOURO 2013 ---LANTERN FESTIVAL---
Located : Yasaka Shrine, Higashiyama district, Kyoto. Mar 9, 2013.
京都・花灯路2013 東山花街・宮川町の芸舞妓による奉納舞踊 八坂神社舞台
Canon EOS 5D MarkⅢ + EF300mmF2.8L IS USM + EF Extender×1.4
ISO 12800 f4 1/250
✨Blues-infused moment full of soul, power, and emotion✨
Two incredible voices will carry us across time, genre, and feeling – with a setting as lush and alive as the music itself.
🕛 12 PM SLT – MAPOO LITTLE (UK) 🎤💎
It’s her DecadencE debut – and we’re honoured to welcome this British powerhouse!
️ Singing since the age of two, Mapoo pours her soul into every note. From Motown to Soul, Pop to Jazz, she embodies musical variety with class and fire.
Her voice evokes legends like Aretha Franklin and Tina Turner – but make no mistake, Mapoo is truly one of a kind.
Dynamic, warm, and deeply engaging, her performances heal, uplift, and move the spirit.
🌟 Come feel what it means when a voice becomes a force.
🕐 1 PM SLT – UGLY BILL (UK) 🎸🔥
Our beloved blues rogue is back in the greenhouse with his signature mix of grit, charm, and raw soul.
From choir boy to bluesman, Ugly Bill sings like he’s lived every note – and maybe drank a few along the way.
🏆 SL’s infamous “Still Functions While Drunk” award winner, he’ll steal your heart with a single strum.
“With all due respect... you are a whole icon of sexy.” – Jesika Wirefly 💋
💚 Whether you're coming for the soul, the stories, or the swing, Blues in Bloom promises an afternoon of emotion, energy, and elegance under the glass canopy of DecadencE’s Greenhouse.
🎧 Bring your ears, your feels, and your best self.
We can’t wait to welcome you.
📌 maps.secondlife.com/secondlife/Secret%20Sanctuary/65/142/107
#BluesInBloom #DecadencE #GreenhouseLive #MapooLittle #UglyBill #LiveMusicSecondLife
At the right is a Mackie 32-channel board on a home-built desk, with a Behringer 16 channel board above it. The Beringer is used to mix the output of the multitrack into a stereo pair, then route it into the Mackie. While the Mackie can switch any number of channels into tape-in mode, when you do so, you can't use the channels for anything else; since a lot of what I do is play over material I've already laid down, that's not very convenient. Hence the auxiliary mixer.
All the Mackie's channels are dedicated to something, usually in pairs. 1/2: floor bass processor. 3/4: floor guitar processor. 5/6: Drum kit. 7/8: rack bass processor. 9/10: rack guitar processor. 11/12: Roland drum machine. 13: Bass output from Roland. 14: Bass output from Kawai. 15/16: Kawai band-in-a-box. 17/18: AM/FM tuner. 19/20/21/22: Vocalist harmony outputs. 23: Wired vocal mic. 24/25: Jamstation. 26/27: Behringer mixer. 28/29: Keyboard. 30/31: 2 GB, dual-core Intel Mac. 32 is the rack mic system. The cassette deck comes back into the Mackie's 2-track inputs, and the main outs go to the amp rack. The 8-buss outs go right to the Fostex 24-track recorder (which is limited to recording 8 tracks at once, anyway, though it can play back all 24 simultaneously.)
There are three equipment racks; one is recording gear, one is effects, and one is amplification.
At the top left is the 8U amp rack. Top to bottom, there is a power distribution/filtering unit, a 24-bit crossover, power amp for mid/high, poweramp for the subs, and an EQ. Mids are handled by a pair of 10" driver and horn cabinets, sub by a dual-12" Fender bassman cabinet. 200 watts RMS to the sub, 50 watts RMS to each of the mid/highs. Audio comes from the main outs of the Mackie, into the EQ, then the crossover, which feeds the sub and mid/high amps.
Below that is the 16U FX rack. Top to bottom, power distribution/filtering, Digitech's Vocalist voice harmony system, a guitar / bass tuner, a two channel compressor / expander, a sub-bass and harmonic enhancer, an EQ, an SGX bass FX / preamp unit, GSP-21 guitar FX / preamp unit, Digitech IPS-33 guitar harmony generator, and a DBX RF mic unit with enhancement FX. Underneath the rack units, you can just see a Roland drum machine.
The right 16U rack is the recording gear, top to bottom, power distribution / filtering, power supply for the Mackie board, Nikko tuner, Fostek 24-track digital HD recorder, Tascam 2-track cassette recorder, Vestax 6-track cassette recorder.
Elsewhere are a Jamstation, a Kawai band in a box, a fender twin, a Behringer twin, a GNX-3 guitar FX floor unit, and a Digitech bass pedal.
Seven guitars, two basses, a drum kit, various mikes and a 61-key keyboard round out the studio.
I have a vintage Gibson Les Paul and a Fender Strat. Neither really suits me; the Strat's neck is too narrow, and the LP's is too flat (no appreciable radius.) I use them when I want that signature sound, which isn't all that often. Of all of my instruments, the guitars I prefer are a Washburn MG-74 and an Ibanez "Flying Squid", and the best bass (by far) is also an Ibanez, an SRX-705 5-string.
Modern technology has done so much to improve the necks, pickups and resonance characteristics of the bodies, it is almost a given that if you go out and play these, you'll be able to find a superb instrument for under a grand.
Taken in 2007.
The Berklee Performance Center at the Berklee College of Music in Boston's Back Bay. We had recently heard Randy Newman here.
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Artist: Fenia Schina, actor (Greece).
"Art must be beautiful. Artist must be beautiful".
Re-performance, 8hours.
In Art Must Be Beautiful. Artist Must Be Beautiful (1975), originally performed and documented at the Charlottenburg Art Festival, Copenhagen, Abramović sits, naked, holding a brush in one hand and a comb in the other. For just under an hour, she brushes her hair forcefully. yanking. tugging and even tearing at it. while repeating the mantra 'art must be beautiful, artist must be beautiful". For several minutes at a time, she falls silent and with a still gaze. she stares blankly into the distance before recommencing the punitive beauty routine. This is the first time that this work will be re-performed in Europe and has only been re-performed on one other occasion, in 2016 in Shanghai as part of the project '15 Rooms'.
STEFANIA VISCONTI attrice, modella, actress, model, performer, trasformista, disponibile per collaborazioni artistiche di vario genere, teatro, cinema, tv, cortometraggi, shooting fotografici, esibizioni dal vivo. Disponibilità di spostamento in tutta Italia e all'Estero.
Per qualsiasi informazione ulteriore e collaborazione potete scrivere a viscontistefy@libero.it
STEFANIA VISCONTI is an Italian transgendered actress, model, chameleon-like performer, and activist. She is available for a variety of arts and entertainment projects, including theatrical performances, long and short films, TV programs, photo shootings, live performances. She is willing to travel anywhere in Italy and abroad. For further information, write to viscontistefy@libero.it. You will find other links to some of her personal pages below
STEFANIA VISCONTI attrice, modella, actress, model, performer, trasformista, disponibile per collaborazioni artistiche di vario genere, teatro, cinema, tv, cortometraggi, shooting fotografici, esibizioni dal vivo. Disponibilità di spostamento in tutta Italia e all'Estero.
Per qualsiasi informazione ulteriore e collaborazione potete scrivere a viscontistefy@libero.it
STEFANIA VISCONTI is an Italian transgendered actress, model, chameleon-like performer, and activist. She is available for a variety of arts and entertainment projects, including theatrical performances, long and short films, TV programs, photo shootings, live performances. She is willing to travel anywhere in Italy and abroad. For further information, write to viscontistefy@libero.it. You will find other links to some of her personal pages below
It was all happening in the street. These singers are part of a larger dance troupe. Besides the two guitarists you see here, there was a drummer. Dancers were whirling all around me. I had to try to get the shot without getting in the way.