View allAll Photos Tagged Perception
9/10/10 - Day 266
The perception is these lines are vertical but, in reality, they are horizontal on a flat surface. Taken from the 66th floor sky lobby in Sears Tower today for Daily Shoot #299: "Find a strong series of horizontal lines or elements and make a photograph of it today."
Different transparency reviles some portions of already known stimulations that we saw in the beginning . But in the previous image, the stimuli was so obvious.
In the following image, the fuzzy perception will enriched with the use of a text message. Could a simple message or a simple word guide our thoughts and dominate our perception to a specific area of our knowledge? What would be the exact word which is connected with the visual stimuli? Why?
Young people from the North Down Alternatives START programme site took part in a research workshop with Faith Gordon from Queens and Sharon Whittaker from Include Youth exploring media, rights and perceptions.
PERCEPTION: Though the bird's face is not centered, the audience has a tendency to look toward's the bird's eyes by following the direction of the lines. The yellows in this image also help the viewer to find a place to direct their vision.
Almost always our depth perception within a photo is limited.
No matter how much we try to embrace the entirety of the subject in the photo, we are brought back to experiencing those adventures with our own true eyes.
sometimes could be a tutorial room for students access to other information, and present their knowledge
Participants were asked to write on a post it note an idea which they would take away from the day. These are the post it notes from people who were inspired by Kevin Hennah's presentation.
Predicting Perceptions: The 3rd International Conference on Appearance. Just a few pictures to share. Shoot at Heriot-Watt University, Our Dynamic Earth and National Museums of Scotland using a Canon 5D MKII and an HTC One S.
My work is an investigation into the limits of visual perception as a measure of external reality, and explores notions of time, duration, history, memory and surface.
Video, photographic and sculptural works blur the boundaries between still and moving imagery. Temporality and the space between the visual and mental encounter is investigated by focusing the viewers gaze on very specific pieces of visual information.
MMVI symbolically deconstructs the authority of television as a medium, by literally deconstructing the sanctity of the TV set itself as an object.
MMVI exists as a sequential series of 35 photographs which document the switching off sequence of a now obsolete technology - a cathode ray tubed television set.
Static was deliberately chosen so as not to influence the viewer, and to reference the fact that TV static was a visual manifestation of background radiation which was created after the 'Big Bang' which scientists believe created the universe.
MMVI documents a monitor that is in the process of constantly switching itself off.
A sequence that only lasts for a fraction of a second and was so ubiquitous it was probably never noticed by millions of viewers.
I find beauty and poignancy in sequences such as these.
MMVI also exists as a single or four channel video deconstruction which progressively slows this switching off sequence, stretching the length of the off sequence from its fraction of a second duration second toward a virtual stasis.
MMVI explores collective/mass experience and individual isolation.
MMVI explores the viewers relationship with an everyday object.
MMVI explores the viewers relationship to/with the screen and its imagery and sound.
As part of the driving theory test you are now required to pass a hazard perception section. The Driving Standards Agency decided to introduce a new section to the theory test at the end of 2002.
Nighttime changes our perception of things. It changes the way we think and feel as it casts inky shadows that morph surroundings into other worlds. Join Anthony Goicolea on an evening walk away from the city. No lights, no phones, no GPS. From there, Anthony will stage the group for the camera, as we play with light in the dark of the woods.
Dark Hour/Light Moment holds 10 people and is co-presented with Brooklyn Museum as part of the "Crossing Brooklyn" exhibition.
Photo by Niegel Smith