View allAll Photos Tagged Perception

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View On Black

 

my Photos on Flickriver

 

Nokia 6230i cell phone camera. Postwork in PSP X.

Title is derived from the name of the place which is called "Sinne" ... thus perception in English.

"Verdi" restaurant, Bern.

© Image Copyrighted

 

2006, April

morning fog on the Athabasca river

Live at JC Den Eglantier, Sint-Niklaas Belgium

Instax Square + Fujifilm XS10

Instax Square + Fujifilm XS10

Oil on canvas 44" x 29".

Eye-squinting water glitter creating a mesmerising perception of distance.

My artistic flower display in my office. The lavender is actually real, but dried.

 

I love how the contrast colours came out in this one. From the deep purples and blues, to the browns in the background -- it all compliments each other.

 

All natural lighting.

Is life Half Full or Half empty?

 

Looks a lot better in the light box viewer

 

www.flickr.com/photos/roxasurban/8412154239/in/photostrea...

Sweetz offers over 30 flavours of ice cream, premium milkshakes and mouthwatering sundaes. Barista coffee made with love. Buy fresh waffle & crepe instore. Visit our Glasgow Southside city store.

 

Click here : www.sweetz.uk/

  

Sweetz Dessert Co

  

The Sweetz story began in 2019. After some thorough retail marketplace research, our first store site became available in 2020 and was opened in 2021. Sweetz dessert company was founded by twins with a vision to bringing fresh, cost-effective and delicious dessert perceptions to the people of their birth town of Glasgow.

  

SweetzCo592@outlook.com

 

Richmondville NY

Statue of Mahishasura at Chamundi Hills in Mysore.

The combination of a wide open focus and a tilt of the camera causes tall buildings to become leaning towers. This is generally why you should hold your camera at a 90 degree angle to your subject, unless you really like fucking with perception, as I do.

Red means danger, Do I look dangerous ?

2008

© Laurel Daugherty-Seto

ƒ/6.3 18.0 mm 1/320 1600

some building in seattle

 

I like this angle, capturing the height of both monuments and distorting the perceptions of height.

Oil on canvas, 60 x 80 cm, 2014

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