View allAll Photos Tagged Perception
re-edited and re-imagined
ACCIDENTS IN THE PERCEPTION OF TIME
"Modes of perception: between channels:
Wordless days, years, periods.
Centuries of drawing with black lead, or burnt sienna on the rock.
Restless scratches. Silhouettes of clumsy figures.
A tangle of lines (animals in motion).
Millennia of the word: winding of words around the body, lashing,
silhouettes of clumsy sentences. Space behind them.
Muting: and a surge of noisy images. Unravel. Span.
Look like you understand.
A hand for joy: draw.
A hand.
A hand: survive, kill.
A mouth for the voice (play, cheat). Open. For someone else.
Like with like (Picasso in the cave). And bridges!
For yourself. For someone else."
--by Mária Ferenčuhová
A beautiful depiction of Ganesha, remover of obstacles and the lord of new beginnings.
I have mixed feelings about seeing deities and Buddhas in commercial settings such as a garden centres, alongside garden gnomes, dragons and flowerpot people.
But looking beyond to when these figures are in people's homes and gardens and giving them pleasure and maybe inspiring peaceful contemplation and then my mood changes to something more open to compassion.
Love, Light and abiding Peace to all sentient beings.
! ' ✨♀️✨
Guess who finally got their hands on BG3 two years late? Meeee!! I haven’t done one of these animations in awhile and wanted to dip my toes in again. (hehe, lake pun)
Same day, same flowers just a different focus. Thankful for the joy of a beautiful spring day, of seeing the light of the sun on the flowers and the green grass, to see the ripples from the wind on the water and to feel the warmth. Thankful for this gift of a camera that we can capture these moments and share with our friends.
Hiking with my wife in Colorado we crossed this old bridge on our 8 mile hike, 4 of those miles in a cold rain!
This is arguably my favourite photo of this year so far. When exploring Torndirrup National Park on the south coast of Western Australia, I came across this scene which instantly sent out a "long exposure alert" in my mind. The glow of the fading light illuminated the canal between the rocks, the clouds moved quite fast in the sky and the water shimmered gently right in front of me. There was no dramatic wave action but there was just enough of water moving between the rocks to create a misty effect that I envisioned.
Understanding and managing perception, both our own and that of others, can lead to more effective communication, better relationships, and greater success in various aspects of life.
...........................ChatGPT
DSC01236
I see you as you are,
with your subtle flaws...
but your colors, are
oh so beautiful.
And you softly reflect light,
in your uniquely special way...
like mist in a dream, surrounding
a secrete place in your heart.
It can't be seen or touched...
only sensed with an unusual perception,
call it love.
It's the only way you can make yourself know to me,
and each thought is so delicate, and filled with meaning.
How do I begin to convey
the things you've shared with me.
«Підземний простір – нехарактерне для перебування людини середовище, у ній відсутні звичні сприйняття орієнтири, вона підпорядкована вимогам інженерної і конструктивної доцільності; це середовище складається з розрізнених, розташованих у різних рівнях елементів, що робить її складним сприйняття. Тут немає природного освітлення, архітектори називають такий простір безвіконним. Це замкнутий простір, в якому погляд людини впирається в якусь перешкоду або чорноту тунелю. Звідси виникає низка завдань, пов'язаних із створенням комфортного та безпечного середовища, з архітектурною організацією всього простору станції. У таких умовах світло стає головним інструментом і навіть матеріалом архітектора, з допомогою якого можна структурувати цю середу».
/Світло як інструмент формоутворення архітектури московського метрополітену. Ю. В. Дубровський/
Excerpt from the plaque:
A Portal Blooms in the Cradle of Night by Sienna Martz (Vermont, U.S.A.)
A Portal Blooms in the Cradle of Night is a sustainably-made immersive installation that invites viewers to step inside the artwork and experience a vividly imagined alternate world. The installation combines tactile soft sculptures, soundscapes, and lighting design to engage the senses and provoke a sense of wonder and exploration while fostering a deep connection between viewers and their surroundings, blurring the lines between reality and fantasy.
This vibrant ‘textile mural’ grows beyond the walls and onto the floor and is made of second-hand clothing, organic plant fibers, and recycled felt. The artist’s use of second-hand clothing embodies her sustainability initiatives and a powerful commentary on community and togetherness, weaving together the diverse experiences and identities of the garments’ past wearers.
A Portal Blooms in the Cradle of Night encourages visitors to contemplate their role within the collective tapestry of life, inspiring a deeper appreciation for both sustainability and the rich diversity that unites us all; and to reflect on their own experiences and the possibilities that lie just beyond their perception.
Mieczysław Karłowicz Philharmonie Szczecin.
Architects: Barozzi Veiga, Barcelona
Planning participants: Studio A4, Szczecin (execution, construction management); Boma SL, Barcelona/Szczecin (structural engineering); GLA Engineering and Elseco, Szczecin; and Anoche Iluminación Arquitectónica, Barcelona (technical installations); Arau Acustica, Barcelona (acoustics); Ferrés Arquitectos y Consultores, Barcelona (facade)
Client: City of Szczecin
Completion: 2014
Location: Ulica Malopolska 48, 70515 Szczecin, Poland