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The Men Who Stare At Scapegoats ~
...Stupid religious fables suit the purposes of plutocrats who care nothing for the crap vomited out by churches, temples, synagogues and mosques. They know where their real truth of material wealth that spans immortal ages lies – in oil and minerals, factories and farms, workers and taxes. They’ve used various religions to blind and bind their landlocked wage serfs since Adam was a lad.
Most people fail to realise there are only around twenty million Jehovah-bedamned Jews in the entire world. There are around a BILLION followers of Islime, a BILLION Cathoholics, a BILLION other Christians, a BILLION Chinese and at least half a billion each of Hindus and Buddhists. Those who claim Jews run the world must have very low regard for their own people, or they must believe Jews are something more than human.
The Catholic Jesuit (NOT Jewish) Rothschild banking dynasty and all their egregious bankster associates have taken advantage of the stupidity of others to make money for centuries, but that particular Vatican-dominated ‘Court Jew’ banking cartel controls only a fraction of the world’s REAL wealth.
Ever hear of the House of Saud? How about all the other oil-rich Gulf nations? Do you think they entrust their wealth to their adversaries? What about the Chinese and Indians? What about Switzerland? How about Russia and Korea? Or the Vatican? It’s easier to blame the Jews for the crimes of all banksters than to recognise that the biggest Western banksters are members of a secretive cult of Jesuits, or that Jews probably only control about 10% of the world’s real wealth and monetary illusions.
Many claim the Vatican is the ultimate culprit, but like all gangster front organisations such as other governments, monarchies and banking corporations, the unholy Roman megacult is ruled by individual nonbelieving gangsters – rich, greedy, cynical fat cat men and women with names and addresses and an incredible amount to hide.
Do you think the Jesuit Rothschilds control or ‘own’ China or Russia or the Vatican trillions? Think again. They may own lots of money – but money doesn’t exist. It’s crappy pottage made for peons and taxable wage slaves. The real owners don’t use the stuff. It’s a distracting fable that helps hide the sources and repositories of true wealth. Knowledge isn’t power. Money isn’t power. Power is power, and the primary power of true ownership is the power to kill competitors and enforce dominance.
The real ‘owners’ are dynastic and monarchic in dust realists with legions of partisan followers who allow neuvo riche banksters and other apparent rivals to exist – it’s not the other way around, as many presume. Old Money still rules, because it has little to do with money and everything to do with real, vital resources. The banksters are a handy foil and shield for inbred, neotonous, nepotistic families that have been trained for millennia to believe they’re born to rule everyone else.
Most of the worst are supposed Catholics or WASPS; nonbelieving, domineering materialists who merely pretend to be Christians. They are racist, predatory, self-styled kings and queens, dukes and earls, barons and knights – warmongers in sheep’s clothing to whom the supremacy of bloodline is all that matters. They want everyone to believe that Jesus was their great-great grandfather so they have the ‘right’ to dominate all mere mortals.
And of course there are similar ‘divine’ aristocracies in most Eastern nations that hold superstitious, well-entrained people in servile salaryman thraldom, promoting mandatory belief in their fraudulent supernatural links - lineages descending from some primeval tribal god or goddess, or a bloodthirsty national bully. Today’s banking system simply suits their purposes as well as yesterday’s methods of command and control.
Only dynasties have a chance of maintaining the same territorial holdings and ongoing plans over many generations. Only dynasties and the cults they sponsor have the wherewithal to control and edit human history over many millennia. Only the victors get to write history and to control perceptions of reality on a daily basis.
It suits the purposes of the REAL global power mongers for people to believe that the Israelis are behind every calumny in the whole wide world - that they run the US and Britain and that the tail wags the dog. It’s a farcical perspective engendered by purblind Middle Eastern nations, spread far and wide by (other) racists and encouraged by Western countries to misdirect blame and assuage their own guilt.
Judaism is as inherently racist as, say, the Japanese nation and many others. In fact, virtually everyone who identifies with a particular ‘race’ is usually inherently racist. But the crazy tenets of all religions spawned by the followers of that Bronze Age Babylonian child molester Abraham are the prime excuses for humans to hate each other and to destroy the ecosystem – because this real, live, beautiful world just doesn’t matter to idiots who believe that Planet Earth can never be as good as some imaginary future afterlife. True Believers can’t accept the gift of the present. Masterfully trained to ultimately hate themselves and despise their existence, they only dream of pie in the sky.
All the Abrahamic sects are death cults. Followers of Christinanity, Moronism, Islime and heebie-jeebie-believing Jews are death worshipping fantasists who couldn’t live in the NOW if you rubbed their noses in it. They love an imaginary big brother in the clouds more than life– and consciousness - itself. Everything they touch turns to shit and arid desert.
Only some imaginary heavenly Bardo realm matters to them, not Paradise on Earth. As a result they’ve systematically trashed the planet to please their true masters –families of psychotic ex-monarchs who believe they and they alone are worthy to wield power over all others. The fabricated belief in a ‘divine right of kings’- spread by the cults they created - has brainwashed untold generations into serfdom and suffering.
By definition, monarchy is psychosis and monarchs are psychotics.
‘Intelligence’ Agents of Corpora(te Na)tions
Today’s self-styled monarchs are not the kings and queens of old, who in many cases were true representatives of their people. Ancient kingship derived from spiritual awareness and connectedness to the wider tribe. Today’s monarchic rule is rulership over territories, not people, and their territories are far-flung and fluid in the modern world. Today’s monarchs are largely invisible, while some (like the Belgian/Dutch rulers of Britain) hide in plain sight behind false names, masquerading as powerless figureheads. Their only allegiance is to members of their own immediate family, and as far as they’re concerned if you’re not in their family you’re not in their race.
This is paradoxically true of monarchs of every race and colour, a credo shared by reflexive insect hives and hunter-gatherer primate bands alike. It’s nothing unusual, but merely the default state of unselfconscious, unaware, unexamined existence. Racism is simply one of the nastier stigmata demarking the more insecure and less evolved elements of primate tribal nature.
Recognising that blood is thicker than water, that bloodlines rule and that only dynasties have a chance of maintaining the same territorial holdings and ongoing plans over many generations, lesser control freak organisations adopt similar nepotistic practices. They swap their own spouses and children with those of other powerful families and incorporate those of their rivals into their own families in biological ‘friendly mergers’.
Many successful political parties, financial transnationals and industrial conglomerates are now as interbred and inbred as royal families. They control holdings and private armies as extensive as the bloodlines they emulate and occasionally breed with. Many of these busynestmen like to believe they run the world through secret societies of brotherly lodges and deathly oaths that control the purloined prizes of global resources - including intelligence networks.
It suits the interests of ancient bloodlines that the New Money believes this to be the case, but other, even more remote powers rule their bourgeois roost.
In a world of ultimate surveillance, where everything outdoors is nakedly visible to spy satellites, drones or CCTV and almost all indoor areas are similarly observable - where phone lines, airwaves, emails, websites and records of all communications are routinely monitored and stored by systems Big Brother could only fantasise about – it’s gratifying to see the reaction of ‘statesmen’ and executives when their dirty laundry is hung out to dry by anonymous hackers.
Everyone is watched, but the age old question remains; who watches the watchers; who guards the guardians?
The compartmentalised structure of modern intelligence agencies has rendered the hidden work of spies more invisible and unchallengeable than the more grandiose schemes of any secret society of the past. ‘Need to know’ means that no-one really knows anything much - particularly who’s in charge of the vast black budgets provided by unwitting taxpayers. Unheard of weapons and transportation systems have already been deployed – systems that are sometimes under the control of no conventional government. Secret redoubts in extremely remote places, along with extraordinarily expensive means of access have been constructed at a cost of trillions of dollars over many decades by clandestine groups who believe, above all, in their own survival.
The greatest threat to peace, freedom, security and democracy comes not from terrorists, fanatics or even from ‘rogue elements’ within intelligence agencies, but from hidden hands that invisibly manipulate them from the summit of the food chain.
Throughout history there have always been those who occupy the position of puppet master. The real culprits in the ongoing manipulation of events are those with truly long term agendas cemented by the wealth, ties and loyalties attending all dynastic families. Only ruling houses have the wherewithal, endurance and indomitable ruthlessness to maintain control of the apparently headless horsemen of Industry, Finance and Intelligence through generations and centuries. They have long been the ‘secret chiefs’ of magical fraternities and masonic lodges, adept at high order subterfuge and codified control systems. They direct the course of technology and control its disbursal through carefully channelled funding, intimidation and murder. It’s been this way since the time of the Pharaohs, but both truth and change share an incorrigible habit of slipping past all gates, bars and razor wire.
Psychotic control freaks may believe they rule, yet even these indomitable dorks are merely pawns in the grander scheme of things. Even though the rapid desertification of the world’s land surfaces may appear to be an example of ‘unterraforming’ the planet to suit some putative alien invader with designs on local real estate, the truth is that the ecosystem is dying a death of a billion cuts, wielded by almost every human on Earth. Neither alien shapeshifters nor racist monarchies are actually responsible for the destruction of the planetary ecosystem. We all are. You’re the culprit. And, having come this far, you now have a choice to make.
Do you want to see a change?
Real Freedom
No-one likes to realise they’ve been fooled. No-one likes to realise they’ve been wrong. Very few like to admit that they – not some remote shadowy scapegoat - are the problem. Very few are willing to give up their distracting toys, illusory freedoms and toxic pseudo-luxuries and do what’s required – rethink their lives, change their lifestyles, abandon or alter their entrained expectations, resign from their destructive jobs, reconnect with life, grow food, replant the forests, learn to sing and play and play music again, find real friendship in interdependence, leave the toxic cities and get back to the EARTH.
That’s what it will take to save yourself, your soul, your children and your planet, friend; putting down real, solid roots in a healthy water table and extending your awareness into the light of delight.
Expanded consciousness can’t grow amid eternal distraction or ambient fear. It can’t expand while it’s focused on trivia or pain. Almost everyone lives in a hypnagogic, semiconscious, barely awake and scarcely aware state, at one remove from the world of the senses or any other version of true reality.
The world is made of mindstuff and run by hypnosis, and higher consciousness comes with inbuilt filters that make it impossible for anyone attached to material goods or emotional ties to achieve the only real freedom there is – the levity of enlightenment.
Conscious awareness is your true heritage - not temporary material goods, not the ongoing potage of daily distractions and nightly fantasies that comprise pointless existence in modern societies and civilisations. There’s no external truth or external god, but there is an eternal One, and you are it.
Only conscious awareness derived from relentless self-examination can set you free. Know thyself. No excess. The immortal dwells within. Meditate on nothing – nothing at all. It’s the hardest thing in the world, until you achieve it. Then it’s always at hand, ready and waiting for you to re-enter and maintain. Real truth is simpler and more pure than words can possibly convey.
The hippies were always right. Pollution kills. Consciousness is everything, and vice versa. You’re either part of the problem or part of the solution. Think globally, but ACT! Alternatives exist – live them. Grow your hair. Go barefoot. Live in a nice, healthy, comfortable place with a forgiving climate and clean water and air. You can. It’s much easier than those who lock themselves inside barred suburban cells every night can allow themselves to believe. Paradise awaits – we just have to replant it.
You can do MUCH better by putting no more of your time into today’s broken medieval feudal system. It’s easy – and fun – to jump off the rat wheel treadmill. Leave the toxic shitties that were built to keep blindsided workers in their accustomed places. Most cities are unliveable poison sumps now, and all they offer is more ways to lose your lifetime (in case you haven't noticed). Get down to earth - you have nothing to lose but your pains.
You CAN afford to; can you afford not to? If you’re in a position to buy or otherwise liberate some land and water from moneygrubbing destroyers then do it, even if you ‘only’ intend to allow it to return to wilderness. Share it with anyone who respects it, particularly any remaining native custodians with ancestral links to the place.
And it’s much easier to live off-grid these days than most people imagine. If you can’t afford land there are many communities, landholders and custodians who will help you and give you a place to live if you sincerely seek them out. Everyone needs a hand to heal the planet, and the only way to ensure your food is clean and wholesome is to have a hand in growing it yourself. Just leave all your insecurities and toxins behind and be prepared to CHANGE yourself. Only those who can learn to live with themselves can make the transition.
Turn on. Tune in. OPT OUT of the system with likeminded friends and family and create something new with the only things you really have or own – your time and energy! Together we can still recreate the best of all possible worlds.
Remember why you are alive?
by R. Ayana (who has lived in a tiny shack in a remote forest for 25 years)
Excerpted from nexusilluminati.blogspot.com.au/2014/02/the-men-who-stare...
Depiction of the family...parents and child..can be a depiction and perception of the Holy Family...
CONSCIOUSNESS IS QUANTIZED: Consciousness occurs in ‘time slices’ lasting only milliseconds, study suggests.
According to Herzog and fellow researcher Frank Scharnowski from the University of Zurich, neither the ‘continuous’ nor ‘discrete’ hypotheses can by themselves aptly describe how we process the world around us, as numerous studies testing people’s visual awareness seem to disprove both notions.
But what if elements of both hypotheses were taking place at the same time in a continuous interplay between conscious and unconscious thought?
“According to our model, the elements of a visual scene are first unconsciously analysed. This period can last up to 400 ms and involves, amongst other processes, the analysis of stimulus features such as the orientation or colour of elements and temporal features such as object duration and object simultaneity,” the authors write in PLOS Biology.
After this analysis is complete, the researchers say the features we’ve detected are integrated into our conscious perception, compressing all the unconscious recording into something we’re actually aware of.
In other words, while we’re taking the world in, we’re not actually consciously perceiving it. Instead, we’re just mutely using our senses to record data for up to 400 ms at a time. Then, in what could be called a moment of clarity, we consciously perceive the stimuli that our senses have detected.
The team thinks this presentation of information to our consciousness lasts for about 50 milliseconds, during which we also stop taking new sensory information in. And then repeat.
Hmm. Or maybe this is evidence that we’re living in a computer simulation. Also see this.
“Objective perception means perceiving reality, all that confronts our awareness, as it is. It is a matter of seeing things as they are, rather than seeing them from a certain point of view or position. So by objective we do not mean the scientific positivist sense, in which objective means what exists physically outside us rather than in the mind. We also do not mean objective in the sense of not being emotional, or not being experiential. We mean seeing things, seeing internal or external things as they are, instead of subjectively. Subjective is the antithesis; it means according to our positions, feelings, filters, beliefs and attitudes. So objective perception means pure perception, free from all positions, bias, filters, conflicts, intentions etc. It is perceiving whatever it is without any obscuration or intermediacy, so we see it just the way it is in itself.” - A. Hameed Ali
How many passers-by actually perceived 4 and 5-year old Fabrício and Guilherme living on the streets of São Paulo?
Objectively or subjectively......?
I'll be telling their story in a new group later on..................and asking for your help too!
Flash Set-up:
Canon Speedlite 580EXII @ 1/8 power, 50mm zoom, fired through softbox 0.5m above/behind subject.
White paper reflectors positioned in front of subject on both sides.
triggered by Yongnuo RF-602 Tx/Rx.
EF-S 60mm f/2.8 macro USM @ f/5.0, 1/160s
Shiva, meaning "The Auspicious One"), also known as Mahadeva ("Great God"), is a popular Hindu deity. Shiva is regarded as one of the primary forms of God. He is the Supreme God within Shaivism, one of the three most influential denominations in contemporary Hinduism. He is one of the five primary forms of God in the Smarta tradition, and "the Destroyer" or "the Transformer" among the Trimurti, the Hindu Trinity of the primary aspects of the divine.
Shiva has many benevolent and fearsome forms. At the highest level Shiva is limitless, transcendent, unchanging and formless. In benevolent aspects, he is depicted as an omniscient Yogi who lives an ascetic life on Mount Kailash, as well as a householder with wife Parvati and his two children, Ganesha and Kartikeya and in fierce aspects, he is often depicted slaying demons. Shiva is also regarded as the patron god of yoga and arts.
The main iconographical attributes of Shiva are the third eye on his forehead, the snake Vasuki around his neck, the crescent moon adorning, the holy river Ganga flowing from his matted hair, the trishula as his weapon and the damaru as his instrument.
Shiva is usually worshiped in the aniconic form of Lingam. Temples of Lord Shiva are called shivalayam.
ETYMOLOGY & OTHER NAMES
The Sanskrit word Shiva (Devanagari: शिव, śiva) comes from Shri Rudram Chamakam of Taittiriya Samhita (TS 4.5, 4.7) of Krishna Yajurveda. The root word śi means auspicious. In simple English transliteration it is written either as Shiva or Siva. The adjective śiva, is used as an attributive epithet not particularly of Rudra, but of several other Vedic deities.
The other popular names associated with Shiva are Mahadev, Mahesh, Maheshwar, Shankar, Shambhu, Rudra, Har, Trilochan, Devendra (meaning Chief of the gods) and Trilokinath (meaning Lord of the three realms).
The Sanskrit word śaiva means "relating to the God Shiva", and this term is the Sanskrit name both for one of the principal sects of Hinduism and for a member of that sect. It is used as an adjective to characterize certain beliefs and practices, such as Shaivism. He is the oldest worshipped Lord of India.
The Tamil word Sivan, Tamil: சிவன் ("Fair Skinned") could have been derived from the word sivappu. The word 'sivappu' means "red" in Tamil language but while addressing a person's skin texture in Tamil the word 'Sivappu' is used for being Fair Skinned.
Adi Sankara, in his interpretation of the name Shiva, the 27th and 600th name of Vishnu sahasranama, the thousand names of Vishnu interprets Shiva to have multiple meanings: "The Pure One", or "the One who is not affected by three Gunas of Prakrti (Sattva, Rajas, and Tamas)" or "the One who purifies everyone by the very utterance of His name."Swami Chinmayananda, in his translation of Vishnu sahasranama, further elaborates on that verse: Shiva means "the One who is eternally pure" or "the One who can never have any contamination of the imperfection of Rajas and Tamas".
Shiva's role as the primary deity of Shaivism is reflected in his epithets Mahādeva ("Great God"; mahā "Great" and deva "god"), Maheśvara ("Great Lord"; mahā "great" and īśvara "lord"), and Parameśvara ("Supreme Lord").
There are at least eight different versions of the Shiva Sahasranama, devotional hymns (stotras) listing many names of Shiva. The version appearing in Book 13 (Anuśāsanaparvan) of the Mahabharata is considered the kernel of this tradition. Shiva also has Dasha-Sahasranamas (10,000 names) that are found in the Mahanyasa. The Shri Rudram Chamakam, also known as the Śatarudriya, is a devotional hymn to Shiva hailing him by many names.
The worship of Shiva is a pan-Hindu tradition, practiced widely across all of India, Nepal and Sri Lanka.
ASSIMILATION OF TRADITIONS
The figure of Shiva as we know him today was built up over time, with the ideas of many regional sects being amalgamated into a single figure. How the persona of Shiva converged as a composite deity is not well documented. According to Vijay Nath:
Visnu and Siva [...] began to absorb countless local cults and deities within their folds. The latter were either taken to represent the multiple facets of the same god or else were supposed to denote different forms and appellations by which the god came to be known and worshipped. [...] Siva became identified with countless local cults by the sheer suffixing of Isa or Isvara to the name of the local deity, e.g., Bhutesvara, Hatakesvara, Chandesvara."
Axel Michaels the Indologist suggests that Shaivism, like Vaishnavism, implies a unity which cannot be clearly found either in religious practice or in philosophical and esoteric doctrine. Furthermore, practice and doctrine must be kept separate.
An example of assimilation took place in Maharashtra, where a regional deity named Khandoba is a patron deity of farming and herding castes. The foremost center of worship of Khandoba in Maharashtra is in Jejuri. Khandoba has been assimilated as a form of Shiva himself, in which case he is worshipped in the form of a lingam. Khandoba's varied associations also include an identification with Surya and Karttikeya.
INDUS VALLEY ORIGINS
Many Indus valley seals show animals but one seal that has attracted attention shows a figure, either horned or wearing a horned headdress and possibly ithyphallic figure seated in a posture reminiscent of the Lotus position and surrounded by animals was named by early excavators of Mohenjo-daro Pashupati (lord of cattle), an epithet of the later Hindu gods Shiva and Rudra. Sir John Marshall and others have claimed that this figure is a prototype of Shiva and have described the figure as having three faces seated in a "yoga posture" with the knees out and feet joined.
This claim has been criticised, with some academics like Gavin Flood and John Keay characterizing them as unfounded. Writing in 1997 Doris Srinivasan said that "Not too many recent studies continue to call the seal's figure a 'Proto-Siva'", rejecting thereby Marshall's package of proto-Siva features, including that of three heads. She interprets what John Marshall interpreted as facial as not human but more bovine, possibly a divine buffalo-man. According to Iravatham Mahadevan symbols 47 and 48 of his Indus script glossary The Indus Script: Texts, Concordance and Tables (1977), representing seated human-like figures, could describe Hindu deity Murugan, popularly known as Shiva and Parvati's son.
INDO-EUROPEAN ORIGINS
Shiva's rise to a major position in the pantheon was facilitated by his identification with a host of Vedic deities, including Purusha, Rudra, Agni, Indra, Prajāpati, Vāyu, and others.
RUDRA
Shiva as we know him today shares many features with the Vedic god Rudra, and both Shiva and Rudra are viewed as the same personality in Hindu scriptures. The two names are used synonymously. Rudra, the god of the roaring storm, is usually portrayed in accordance with the element he represents as a fierce, destructive deity.
The oldest surviving text of Hinduism is the Rig Veda, which is dated to between 1700 and 1100 BCE based on linguistic and philological evidence. A god named Rudra is mentioned in the Rig Veda. The name Rudra is still used as a name for Shiva. In RV 2.33, he is described as the "Father of the Rudras", a group of storm gods. Furthermore, the Rudram, one of the most sacred hymns of Hinduism found both in the Rig and the Yajur Vedas and addressed to Rudra, invokes him as Shiva in several instances, but the term Shiva is used as an epithet for the gods Indra, Mitra and Agni many times. Since Shiva means pure, the epithet is possibly used to describe a quality of these gods rather than to identify any of them with the God Shiva.
The identification of Shiva with the older god Rudhra is not universally accepted, as Axel Michaels explains:
Rudra is called "The Archer" (Sanskrit: Śarva), and the arrow is an essential attribute of Rudra. This name appears in the Shiva Sahasranama, and R. K. Sharma notes that it is used as a name of Shiva often in later languages.
The word is derived from the Sanskrit root śarv-, which means "to injure" or "to kill", and Sharma uses that general sense in his interpretive translation of the name Śarva as "One who can kill the forces of darkness". The names Dhanvin ("Bowman") and Bāṇahasta ("Archer", literally "Armed with arrows in his hands") also refer to archery.
AGNI
Rudra and Agni have a close relationship. The identification between Agni and Rudra in the Vedic literature was an important factor in the process of Rudra's gradual development into the later character as Rudra-Shiva. The identification of Agni with Rudra is explicitly noted in the Nirukta, an important early text on etymology, which says, "Agni is also called Rudra." The interconnections between the two deities are complex, and according to Stella Kramrisch:
The fire myth of Rudra-Śiva plays on the whole gamut of fire, valuing all its potentialities and phases, from conflagration to illumination.
In the Śatarudrīya, some epithets of Rudra, such as Sasipañjara ("Of golden red hue as of flame") and Tivaṣīmati ("Flaming bright"), suggest a fusing of the two deities. Agni is said to be a bull, and Lord Shiva possesses a bull as his vehicle, Nandi. The horns of Agni, who is sometimes characterized as a bull, are mentioned. In medieval sculpture, both Agni and the form of Shiva known as Bhairava have flaming hair as a special feature.
INDRA
According to Wendy Doniger, the Puranic Shiva is a continuation of the Vedic Indra. Doniger gives several reasons for his hypothesis. Both are associated with mountains, rivers, male fertility, fierceness, fearlessness, warfare, transgression of established mores, the Aum sound, the Supreme Self. In the Rig Veda the term śiva is used to refer to Indra. (2.20.3, 6.45.17, and 8.93.3.) Indra, like Shiva, is likened to a bull. In the Rig Veda, Rudra is the father of the Maruts, but he is never associated with their warlike exploits as is Indra.
The Vedic beliefs and practices of the pre-classical era were closely related to the hypothesised Proto-Indo-European religion, and the Indo-Iranian religion. According to Anthony, the Old Indic religion probably emerged among Indo-European immigrants in the contact zone between the Zeravshan River (present-day Uzbekistan) and (present-day) Iran. It was "a syncretic mixture of old Central Asian and new Indo-European elements", which borrowed "distinctive religious beliefs and practices" from the Bactria–Margiana Culture. At least 383 non-Indo-European words were borrowed from this culture, including the god Indra and the ritual drink Soma. According to Anthony,
Many of the qualities of Indo-Iranian god of might/victory, Verethraghna, were transferred to the adopted god Indra, who became the central deity of the developing Old Indic culture. Indra was the subject of 250 hymns, a quarter of the Rig Veda. He was associated more than any other deity with Soma, a stimulant drug (perhaps derived from Ephedra) probably borrowed from the BMAC religion. His rise to prominence was a peculiar trait of the Old Indic speakers.
LATER VEDIC LITERATURE
Rudra's transformation from an ambiguously characterized deity to a supreme being began in the Shvetashvatara Upanishad (400-200 BCE), which founded the tradition of Rudra-Shiva worship. Here they are identified as the creators of the cosmos and liberators of souls from the birth-rebirth cycle. The period of 200 BCE to 100 CE also marks the beginning of the Shaiva tradition focused on the worship of Shiva, with references to Shaiva ascetics in Patanjali's Mahabhasya and in the Mahabharata.
Early historical paintings at the Bhimbetka rock shelters, depict Shiva dancing, Shiva's trident, and his mount Nandi but no other Vedic gods.
PURANIC LITERATURE
The Shiva Puranas, particularly the Shiva Purana and the Linga Purana, discuss the various forms of Shiva and the cosmology associated with him.
TANTRIC LITERATURE
The Tantras, composed between the 8th and 11th centuries, regard themselves as Sruti. Among these the Shaiva Agamas, are said to have been revealed by Shiva himself and are foundational texts for Shaiva Siddhanta.
POSITION WITHIN HINDUISM
SHAIVISM
Shaivism (Sanskrit: शैव पंथ, śaiva paṁtha) (Kannada: ಶೈವ ಪಂಥ) (Tamil: சைவ சமயம்) is the oldest of the four major sects of Hinduism, the others being Vaishnavism, Shaktism and Smartism. Followers of Shaivism, called "Shaivas", and also "Saivas" or "Saivites", revere Shiva as the Supreme Being. Shaivas believe that Shiva is All and in all, the creator, preserver, destroyer, revealer and concealer of all that is. The tantric Shaiva tradition consists of the Kapalikas, Kashmir Shaivism and Shaiva Siddhanta. The Shiva MahaPurana is one of the purāṇas, a genre of Hindu religious texts, dedicated to Shiva. Shaivism is widespread throughout India, Nepal, and Sri Lanka, mostly. Areas notable for the practice of Shaivism include parts of Southeast Asia, especially Malaysia, Singapore, and Indonesia.
PANCHAYATANA PUJA
Panchayatana puja is the system of worship ('puja') in the Smarta sampradaya of Hinduism. It is said to have been introduced by Adi Shankara, the 8th century CE Hindu philosopher. It consists of the worship of five deities: Shiva, Vishnu, Devi, Surya and Ganesha. Depending on the tradition followed by Smarta households, one of these deities is kept in the center and the other four surround it. Worship is offered to all the deities. The five are represented by small murtis, or by five kinds of stones, or by five marks drawn on the floor.
TRIMURTI
The Trimurti is a concept in Hinduism in which the cosmic functions of creation, maintenance, and destruction are personified by the forms of Brahmā the creator, Vishnu the maintainer or preserver and Śhiva the destroyer or transformer. These three deities have been called "the Hindu triad" or the "Great Trinity", often addressed as "Brahma-Vishnu-Maheshwara."
ICONOGRAPHY AND PROPERTIES
ATTRIBUTES
Shiva's form: Shiva has a trident in the right lower arm, and a crescent moon on his head. He is said to be fair like camphor or like an ice clad mountain. He wears five serpents and a garland of skulls as ornaments. Shiva is usually depicted facing the south. His trident, like almost all other forms in Hinduism, can be understood as the symbolism of the unity of three worlds that a human faces - his inside world, his immediate world, and the broader overall world. At the base of the trident, all three forks unite.
Third eye: (Trilochana) Shiva is often depicted with a third eye, with which he burned Desire (Kāma) to ashes, called "Tryambakam" (Sanskrit: त्र्यम्बकम् ), which occurs in many scriptural sources. In classical Sanskrit, the word ambaka denotes "an eye", and in the Mahabharata, Shiva is depicted as three-eyed, so this name is sometimes translated as "having three eyes". However, in Vedic Sanskrit, the word ambā or ambikā means "mother", and this early meaning of the word is the basis for the translation "three mothers". These three mother-goddesses who are collectively called the Ambikās. Other related translations have been based on the idea that the name actually refers to the oblations given to Rudra, which according to some traditions were shared with the goddess Ambikā. It has been mentioned that when Shiva loses his temper, his third eye opens which can destroy most things to ashes.
Crescent moon: (The epithets "Chandrasekhara/Chandramouli")- Shiva bears on his head the crescent moon. The epithet Candraśekhara (Sanskrit: चन्द्रशेखर "Having the moon as his crest" - candra = "moon"; śekhara = "crest, crown") refers to this feature. The placement of the moon on his head as a standard iconographic feature dates to the period when Rudra rose to prominence and became the major deity Rudra-Shiva. The origin of this linkage may be due to the identification of the moon with Soma, and there is a hymn in the Rig Veda where Soma and Rudra are jointly implored, and in later literature, Soma and Rudra came to be identified with one another, as were Soma and the moon. The crescent moon is shown on the side of the Lord's head as an ornament. The waxing and waning phenomenon of the moon symbolizes the time cycle through which creation evolves from the beginning to the end.
Ashes: (The epithet "Bhasmaanga Raaga") - Shiva smears his body with ashes (bhasma). The ashes are said to represent the end of all material existence. Some forms of Shiva, such as Bhairava, are associated with a very old Indian tradition of cremation-ground asceticism that was practiced by some groups who were outside the fold of brahmanic orthodoxy. These practices associated with cremation grounds are also mentioned in the Pali canon of Theravada Buddhism. One epithet for Shiva is "inhabitant of the cremation ground" (Sanskrit: śmaśānavāsin, also spelled Shmashanavasin), referring to this connection.
Matted hair: (The epithet "Jataajoota Dhari/Kapardina") - Shiva's distinctive hair style is noted in the epithets Jaṭin, "the one with matted hair", and Kapardin, "endowed with matted hair" or "wearing his hair wound in a braid in a shell-like (kaparda) fashion". A kaparda is a cowrie shell, or a braid of hair in the form of a shell, or, more generally, hair that is shaggy or curly. His hair is said to be like molten gold in color or being yellowish-white.
Blue throat: The epithet Nīlakaṇtha (Sanskrit नीलकण्ठ; nīla = "blue", kaṇtha = "throat"). Since Shiva drank the Halahala poison churned up from the Samudra Manthan to eliminate its destructive capacity. Shocked by his act, Goddess Parvati strangled his neck and hence managed to stop it in his neck itself and prevent it from spreading all over the universe, supposed to be in Shiva's stomach. However the poison was so potent that it changed the color of his neck to blue. (See Maha Shivaratri.)
Sacred Ganges: (The epithet "Gangadhara") Bearer of Ganga. Ganges river flows from the matted hair of Shiva. The Gaṅgā (Ganges), one of the major rivers of the country, is said to have made her abode in Shiva's hair. The flow of the Ganges also represents the nectar of immortality.
Tiger skin: (The epithet "Krittivasana").He is often shown seated upon a tiger skin, an honour reserved for the most accomplished of Hindu ascetics, the Brahmarishis.
Serpents: (The epithet "Nagendra Haara" or 'Vasoki"). Shiva is often shown garlanded with a snake.
Deer: His holding deer on one hand indicates that He has removed the Chanchalata of the mind (i.e., attained maturity and firmness in thought process). A deer jumps from one place to another swiftly, similar to the mind moving from one thought to another.
Trident: (Trishula): Shiva's particular weapon is the trident. His Trisul that is held in His right hand represents the three Gunas— Sattva, Rajas and Tamas. That is the emblem of sovereignty. He rules the world through these three Gunas. The Damaru in His left hand represents the Sabda Brahman. It represents OM from which all languages are formed. It is He who formed the Sanskrit language out of the Damaru sound.
Drum: A small drum shaped like an hourglass is known as a damaru (ḍamaru). This is one of the attributes of Shiva in his famous dancing representation known as Nataraja. A specific hand gesture (mudra) called ḍamaru-hasta (Sanskrit for "ḍamaru-hand") is used to hold the drum. This drum is particularly used as an emblem by members of the Kāpālika sect.
Axe: (Parashu):The parashu is the weapon of Lord Shiva who gave it to Parashurama, sixth Avatar of Vishnu, whose name means "Rama with the axe" and also taught him its mastery.
Nandī: (The epithet "Nandi Vaahana").Nandī, also known as Nandin, is the name of the bull that serves as Shiva's mount (Sanskrit: vāhana). Shiva's association with cattle is reflected in his name Paśupati, or Pashupati (Sanskrit: पशुपति), translated by Sharma as "lord of cattle" and by Kramrisch as "lord of animals", who notes that it is particularly used as an epithet of Rudra. Rishabha or the bull represents Dharma Devata. Lord Siva rides on the bull. Bull is his vehicle. This denotes that Lord Siva is the protector of Dharma, is an embodiment of Dharma or righteousness.
Gaṇa: The Gaṇas (Devanagari: गण) are attendants of Shiva and live in Kailash. They are often referred to as the bhutaganas, or ghostly hosts, on account of their nature. Generally benign, except when their lord is transgressed against, they are often invoked to intercede with the lord on behalf of the devotee. Ganesha was chosen as their leader by Shiva, hence Ganesha's title gaṇa-īśa or gaṇa-pati, "lord of the gaṇas".
Mount Kailāsa: Mount Kailash in the Himalayas is his traditional abode. In Hindu mythology, Mount Kailāsa is conceived as resembling a Linga, representing the center of the universe.
Varanasi: Varanasi (Benares) is considered to be the city specially loved by Shiva, and is one of the holiest places of pilgrimage in India. It is referred to, in religious contexts, as Kashi.
LINGAM
Apart from anthropomorphic images of Shiva, the worship of Shiva in the form of a lingam, or linga, is also important. These are depicted in various forms. One common form is the shape of a vertical rounded column. Shiva means auspiciousness, and linga means a sign or a symbol. Hence, the Shivalinga is regarded as a "symbol of the great God of the universe who is all-auspiciousness". Shiva also means "one in whom the whole creation sleeps after dissolution". Linga also means the same thing—a place where created objects get dissolved during the disintegration of the created universe. Since, according to Hinduism, it is the same god that creates, sustains and withdraws the universe, the Shivalinga represents symbolically God Himself. Some scholars, such as Monier Monier-Williams and Wendy Doniger, also view linga as a phallic symbol, although this interpretation is disputed by others, including Christopher Isherwood, Vivekananda, Swami Sivananda, and S.N. Balagangadhara.
JYOTIRLINGA
The worship of the Shiva-Linga originated from the famous hymn in the Atharva-Veda Samhitâ sung in praise of the Yupa-Stambha, the sacrificial post. In that hymn, a description is found of the beginningless and endless Stambha or Skambha, and it is shown that the said Skambha is put in place of the eternal Brahman. Just as the Yajna (sacrificial) fire, its smoke, ashes, and flames, the Soma plant, and the ox that used to carry on its back the wood for the Vedic sacrifice gave place to the conceptions of the brightness of Shiva's body, his tawny matted hair, his blue throat, and the riding on the bull of the Shiva, the Yupa-Skambha gave place in time to the Shiva-Linga. In the text Linga Purana, the same hymn is expanded in the shape of stories, meant to establish the glory of the great Stambha and the superiority of Shiva as Mahadeva.
The sacred of all Shiva linga is worshipped as Jyotir linga. Jyoti means Radiance, apart from relating Shiva linga as a phallus symbol, there are also arguments that Shiva linga means 'mark' or a 'sign'. Jyotirlinga means "The Radiant sign of The Almighty". The Jyotirlingas are mentioned in Shiva Purana.
SHAKTI
Shiva forms a Tantric couple with Shakti [Tamil : சக்தி ], the embodiment of energy, dynamism, and the motivating force behind all action and existence in the material universe. Shiva is her transcendent masculine aspect, providing the divine ground of all being. Shakti manifests in several female deities. Sati and Parvati are the main consorts of Shiva. She is also referred to as Uma, Durga (Parvata), Kali and Chandika. Kali is the manifestation of Shakti in her dreadful aspect. The name Kali comes from kāla, which means black, time, death, lord of death, Shiva. Since Shiva is called Kāla, the eternal time, Kālī, his consort, also means "Time" or "Death" (as in "time has come"). Various Shakta Hindu cosmologies, as well as Shākta Tantric beliefs, worship her as the ultimate reality or Brahman. She is also revered as Bhavatārini (literally "redeemer of the universe"). Kālī is represented as the consort of Lord Shiva, on whose body she is often seen standing or dancing. Shiva is the masculine force, the power of peace, while Shakti translates to power, and is considered as the feminine force. In the Vaishnava tradition, these realities are portrayed as Vishnu and Laxmi, or Radha and Krishna. These are differences in formulation rather than a fundamental difference in the principles. Both Shiva and Shakti have various forms. Shiva has forms like Yogi Raj (the common image of Himself meditating in the Himalayas), Rudra (a wrathful form) and Natarajar (Shiva's dance are the Lasya - the gentle form of dance, associated with the creation of the world, and the Tandava - the violent and dangerous dance, associated with the destruction of weary worldviews – weary perspectives and lifestyles).
THE FIVE MANTRAS
Five is a sacred number for Shiva. One of his most important mantras has five syllables (namaḥ śivāya).
Shiva's body is said to consist of five mantras, called the pañcabrahmans. As forms of God, each of these have their own names and distinct iconography:
Sadyojāta
Vāmadeva
Aghora
Tatpuruṣha
Īsāna
These are represented as the five faces of Shiva and are associated in various texts with the five elements, the five senses, the five organs of perception, and the five organs of action. Doctrinal differences and, possibly, errors in transmission, have resulted in some differences between texts in details of how these five forms are linked with various attributes. The overall meaning of these associations is summarized by Stella Kramrisch:
Through these transcendent categories, Śiva, the ultimate reality, becomes the efficient and material cause of all that exists.
According to the Pañcabrahma Upanishad:
One should know all things of the phenomenal world as of a fivefold character, for the reason that the eternal verity of Śiva is of the character of the fivefold Brahman. (Pañcabrahma Upanishad 31)
FORMES AND ROLES
According to Gavin Flood, "Shiva is a god of ambiguity and paradox," whose attributes include opposing themes.[168] The ambivalent nature of this deity is apparent in some of his names and the stories told about him.
DESTROYER AND BENEFACTOR
In the Yajurveda, two contrary sets of attributes for both malignant or terrific (Sanskrit: rudra) and benign or auspicious (Sanskrit: śiva) forms can be found, leading Chakravarti to conclude that "all the basic elements which created the complex Rudra-Śiva sect of later ages are to be found here". In the Mahabharata, Shiva is depicted as "the standard of invincibility, might, and terror", as well as a figure of honor, delight, and brilliance. The duality of Shiva's fearful and auspicious attributes appears in contrasted names.
The name Rudra (Sanskrit: रुद्र) reflects his fearsome aspects. According to traditional etymologies, the Sanskrit name Rudra is derived from the root rud-, which means "to cry, howl". Stella Kramrisch notes a different etymology connected with the adjectival form raudra, which means "wild, of rudra nature", and translates the name Rudra as "the wild one" or "the fierce god". R. K. Sharma follows this alternate etymology and translates the name as "terrible". Hara (Sanskrit: हर) is an important name that occurs three times in the Anushasanaparvan version of the Shiva sahasranama, where it is translated in different ways each time it occurs, following a commentorial tradition of not repeating an interpretation. Sharma translates the three as "one who captivates", "one who consolidates", and "one who destroys". Kramrisch translates it as "the ravisher". Another of Shiva's fearsome forms is as Kāla (Sanskrit: काल), "time", and as Mahākāla (Sanskrit: महाकाल), "great time", which ultimately destroys all things. Bhairava (Sanskrit: भैरव), "terrible" or "frightful", is a fierce form associated with annihilation.
In contrast, the name Śaṇkara (Sanskrit: शङ्कर), "beneficent" or "conferring happiness" reflects his benign form. This name was adopted by the great Vedanta philosopher Śaṇkara (c. 788 - 820 CE), who is also known as Shankaracharya. The name Śambhu (Sanskrit: शम्भु), "causing happiness", also reflects this benign aspect.
ASCETIC AND HOUSEHOLDER
He is depicted as both an ascetic yogi and as a householder, roles which have been traditionally mutually exclusive in Hindu society.[185] When depicted as a yogi, he may be shown sitting and meditating. His epithet Mahāyogi ("the great Yogi: Mahā = "great", Yogi = "one who practices Yoga") refers to his association with yoga. While Vedic religion was conceived mainly in terms of sacrifice, it was during the Epic period that the concepts of tapas, yoga, and asceticism became more important, and the depiction of Shiva as an ascetic sitting in philosophical isolation reflects these later concepts. Shiva is also depicted as a corpse below Goddess Kali, it represents that Shiva is a corpse without Shakti. He remains inert. While Shiva is the static form, Mahakali or Shakti is the dynamic aspect without whom Shiva is powerless.
As a family man and householder, he has a wife, Parvati and two sons, Ganesha and Kartikeya. His epithet Umāpati ("The husband of Umā") refers to this idea, and Sharma notes that two other variants of this name that mean the same thing, Umākānta and Umādhava, also appear in the sahasranama. Umā in epic literature is known by many names, including the benign Pārvatī. She is identified with Devi, the Divine Mother; Shakti (divine energy) as well as goddesses like Tripura Sundari, Durga, Kamakshi and Meenakshi. The consorts of Shiva are the source of his creative energy. They represent the dynamic extension of Shiva onto this universe. His son Ganesha is worshipped throughout India and Nepal as the Remover of Obstacles, Lord of Beginnings and Lord of Obstacles. Kartikeya is worshipped in Southern India (especially in Tamil Nadu, Kerala and Karnataka) by the names Subrahmanya, Subrahmanyan, Shanmughan, Swaminathan and Murugan, and in Northern India by the names Skanda, Kumara, or Karttikeya.
Some regional deities are also identified as Shiva's children. As one story goes, Shiva is enticed by the beauty and charm of Mohini, Vishnu's female avatar, and procreates with her. As a result of this union, Shasta - identified with regional deities Ayyappa and Ayyanar - is born. Shiva is also mentioned in some scriptures or folktales to have had daughters like the serpent-goddess Manasa and Ashokasundari. Even the demon Andhaka is sometimes considered a child of Shiva.
NATARAJA
he depiction of Shiva as Nataraja (Tamil: நடராஜா,Kannada: ನಟರಾಜ, Telugu: నటరాజు, Sanskrit: naṭarāja, "Lord of Dance") is popular. The names Nartaka ("dancer") and Nityanarta ("eternal dancer") appear in the Shiva Sahasranama. His association with dance and also with music is prominent in the Puranic period. In addition to the specific iconographic form known as Nataraja, various other types of dancing forms (Sanskrit: nṛtyamūrti) are found in all parts of India, with many well-defined varieties in Tamil Nadu in particular. The two most common forms of the dance are the Tandava, which later came to denote the powerful and masculine dance as Kala-Mahakala associated with the destruction of the world. When it requires the world or universe to be destroyed, Lord Śiva does it by the tāṇḍavanṛtya. and Lasya, which is graceful and delicate and expresses emotions on a gentle level and is considered the feminine dance attributed to the goddess Parvati. Lasya is regarded as the female counterpart of Tandava. The Tandava-Lasya dances are associated with the destruction-creation of the world.
DAKSHINAMURTHY
Dakshinamurthy, or Dakṣiṇāmūrti (Tamil:தட்சிணாமூர்த்தி, Telugu: దక్షిణామూర్తి, Sanskrit: दक्षिणामूर्ति), literally describes a form (mūrti) of Shiva facing south (dakṣiṇa). This form represents Shiva in his aspect as a teacher of yoga, music, and wisdom and giving exposition on the shastras. This iconographic form for depicting Shiva in Indian art is mostly from Tamil Nadu. Elements of this motif can include Shiva seated upon a deer-throne and surrounded by sages who are receiving his instruction.
ARDANARISHVARA
An iconographic representation of Shiva called (Ardhanārīśvara) shows him with one half of the body as male and the other half as female. According to Ellen Goldberg, the traditional Sanskrit name for this form (Ardhanārīśvara) is best translated as "the lord who is half woman", not as "half-man, half-woman". According to legend, Lord Shiva is pleased by the difficult austerites performed by the goddess Parvati, grants her the left half of his body. This form of Shiva is quite similar to the Yin-Yang philosophy of Eastern Asia, though Ardhanārīśvara appears to be more ancient.
TRIRUPANTAKA
Shiva is often depicted as an archer in the act of destroying the triple fortresses, Tripura, of the Asuras. Shiva's name Tripurantaka (Sanskrit: त्रिपुरान्तक, Tripurāntaka), "ender of Tripura", refers to this important story.[216] In this aspect, Shiva is depicted with four arms wielding a bow and arrow, but different from the Pinakapani murti. He holds an axe and a deer on the upper pair of his arms. In the lower pair of the arms, he holds a bow and an arrow respectively. After destroying Tripura, Tripurantaka Shiva smeared his forehead with three strokes of Ashes. This has become a prominent symbol of Shiva and is practiced even today by Shaivites.
OTHER FORMS, AVATARS IDENTIFICATIONS
Shiva, like some other Hindu deities, is said to have several incarnations, known as Avatars. Although Puranic scriptures contain occasional references to "ansh" avatars of Shiva, the idea is not universally accepted in Saivism. The Linga Purana speaks of twenty-eight forms of Shiva which are sometimes seen as avatars. According to the Svetasvatara Upanishad, he has four avatars.
In the Hanuman Chalisa, Hanuman is identified as the eleventh avatar of Shiva and this belief is universal. Hanuman is popularly known as “Rudraavtaar” “Rudra” being a name of “Shiva”. Rama– the Vishnu avatar is considered by some to be the eleventh avatar of Rudra (Shiva).
Other traditions regard the sage Durvasa, the sage Agastya, the philosopher Adi Shankara, as avatars of Shiva. Other forms of Shiva include Virabhadra and Sharabha.
FESTIVALS
Maha Shivratri is a festival celebrated every year on the 13th night or the 14th day of the new moon in the Shukla Paksha of the month of Maagha or Phalguna in the Hindu calendar. This festival is of utmost importance to the devotees of Lord Shiva. Mahashivaratri marks the night when Lord Shiva performed the 'Tandava' and it is the day that Lord Shiva was married to Parvati. The holiday is often celebrated with special prayers and rituals offered up to Shiva, notably the Abhishek. This ritual, practiced throughout the night, is often performed every three hours with water, milk, yogurt, and honey. Bel (aegle marmelos) leaves are often offered up to the Hindu god, as it is considered necessary for a successful life. The offering of the leaves are considered so important that it is believed that someone who offers them without any intentions will be rewarded greatly.
BEYOND HINDUISM
BUDDHISM
Shiva is mentioned in Buddhist Tantra. Shiva as Upaya and Shakti as Prajna. In cosmologies of buddhist tantra, Shiva is depicted as active, skillful, and more passive.
SIKHISM
The Japuji Sahib of the Guru Granth Sahib says, "The Guru is Shiva, the Guru is Vishnu and Brahma; the Guru is Paarvati and Lakhshmi." In the same chapter, it also says, "Shiva speaks, the Siddhas speak."
In Dasam Granth, Guru Gobind Singh have mentioned two avtars of Rudra: Dattatreya Avtar and Parasnath Avtar.
OTHERS
The worship of Lord Shiva became popular in Central Asia through the Hephthalite (White Hun) Dynasty, and Kushan Empire. Shaivism was also popular in Sogdiana and Eastern Turkestan as found from the wall painting from Penjikent on the river Zervashan. In this depiction, Shiva is portrayed with a sacred halo and a sacred thread ("Yajnopavita"). He is clad in tiger skin while his attendants are wearing Sodgian dress. In Eastern Turkestan in the Taklamakan Desert. There is a depiction of his four-legged seated cross-legged n a cushioned seat supported by two bulls. Another panel form Dandan-Uilip shows Shiva in His Trimurti form with His Shakti kneeling on her right thigh. It is also noted that Zoroastrian wind god Vayu-Vata took on the iconographic appearance of Shiva.
Kirant people, a Mongol tribe from Nepal, worship a form of Shiva as one of their major deity, identifying him as the lord of animals. It is also said that the physical form of Shiva as a yogi is derived from Kirants as it is mentioned in Mundhum that Shiva took human form as a child of Kirant. He is also said to give Kirants visions in form of a male deer.
In Indonesia, Shiva is also worshiped as Batara Guru. His other name is "Sang Hyang Jagadnata" (king of the universe) and "Sang Hyang Girinata" (king of mountains). In the ancient times, all kingdoms were located on top of mountains. When he was young, before receiving his authority of power, his name was Sang Hyang Manikmaya. He is first of the children who hatched from the eggs laid by Manuk Patiaraja, wife of god Mulajadi na Bolon. This avatar is also worshiped in Malaysia. Shiva's other form in Indonesian Hindu worship is "Maharaja Dewa" (Mahadeva). Both the forms are closely identified with the Sun in local forms of Hinduism or Kebatinan, and even in the genie lore of Muslims. Mostly Shiva is worshipped in the form of a lingam or the phallus.
WIKIPEDIA
Practical Mysticism If the doors of perception were cleansed, said Blake, everything would appear to man as it is—Infinite. But the doors of perception are hung with the cobwebs of thought; prejudice, cowardice, sloth. Eternity is with us, inviting our contemplation perpetually, but we are too frightened, lazy, and suspicious to respond: too arrogant to still our thought, and let divine sensation have its way. It needs industry and goodwill if we would make that transition: for the process involves a veritable spring-cleaning of the soul, a turning-out and rearrangement of our mental furniture, a wide opening of closed windows, that the notes of the wild birds beyond our garden may come to us fully charged with wonder and freshness, and drown with their music the noise of the gramophone within.
-EVELYN UNDERHILL
31/7/2011 - it feels like ages since i've taken any pictures with a real camera.
just returned recently from my 3 week trip of north america. feels great to be back.
i was very lucky to get the chance to test out a tilt shift lens, the Nikkor PC 28mm f/3.5 AI. this image was taken with this lens, shifted up.
will try my best to take more pictures these few days!
#239 March 5th 2009
Taken at Vat Pho Bankok Thailand
Please no multiple invites in the same comment & NO BLUERIBBON invitation and Glitter graphics!!!
At the Art Institute during the 2012 Lichtenstein exhibit.
More about this painting: blog.artic.edu/blog/2012/08/24/lichtenstein-of-the-week-14/
© Andy Marfia 2012
Strobist: 1 nissin di8662 in front of the wine glass below the table it was placed on. Triggered using cactus v5s.
Nothing's ever right or wrong. It's merely a flow of thoughts: perception!
I'm never stimulated by the ideas, my art is the constant reflection of my perception. Sometimes Stimulated and sometime Virtual, but always its on my perception. May be depth is required to enable to quench the thirst.
There are things known and things unknown and in between are the doors of perception
14mm - ISO 800 - 1/50 - f11
copyright, 2012, Ferran Cubedo.
SALE OF PRINTED ARTS > : society6.com/ferrancubedo/Perception-Nature_Framed-Print#...