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patterns created with ink and a fork in a George Sand biography
Musterbuch.
Muster mit Tusche und einer Gabel in einer Biographie von George Sand.
It's a merry day in the meadow, with cute flowers, charming children, plus a little chaos and destruction.
I worked on this cross-stitch pattern back in January, when springtime was a far-off fantasy. I'm so happy it's finally here!
A tribute to Rolling Stones....
Sweethearts together
We've only just begun
Sweethearts together
We'll take life as it comes
Sweathearts forever
Two hearts together as one
Everybody needs someone
To tell their troubles to
To share the pain and laughter
In a world beset with fools
To help you with your ups and downs
Someone to heal your wounds
So we're
Best wishes to everybody in a new year!
“Rectangular Patterns (Horizontal)” — Patterns formed by light, paint, shadows, and structure on an urban building.
This is one of a pair of photographs of the same structure. I’ll bet you might not be surprised to hear that the companion photograph is called “Rectangular Pattern (Vertical).” Working on this pair got me to thinking about a series that I might call “Urban Geometries” featuring such photographs, both from my existing archives and from some new work. You can look at this as a photograph of a real scene or, if you work at it, you may be able to see it as an abstract composition of forms and colors.
The location is an area that was acquired by a (very) big company for a huge future corporate campus. Then came the pandemic. Now their plans appear to be on hold, though they still hold rights to the properties. I suspect, but do not know for certain, that they did some “sprucing up” of the area to avoid charges that they are allowing it to degrade. Right now it is largely a sort of urban dead zone… though it has nice paint.
This was created by taking a macro shot of oil sitting on water, I used various backgrounds underneath the glass bowl.
Strobist:
Single 580exii flagged lighting the background, triggered using YN622