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I was preaching at the 10:30 service at Copthorne Chapel this morning. This interestingly figured panel is on the speaker's lectern. I have often admired it.
Besides other enjoyable things this two weeks bring Fr Hopper family and a pattern font or two much more closer to release date.
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Ya gotta love it when it comes up on patterns— 3:33 on 3/3
…. and it’s the third day of the week, too!
….. this is what happens when your mind is wide awake and ready to hit the ground running at the time when most ppl are soundly and blissfully asleep
Taken at Our Lady Of The Holy Spirit retreat center sanctuary in the Norwood suburb of Cincinnati Ohio. .
I really like to see patterns in nature. It fascinates me. I think I was first switched on to it when I saw a film called "pi" a long time ago. Weird film, but it started an interest, which is always good.
Portland Quilt Show. Chelsea has wonderful patterns of the cutest kids clothes. You can see her blog at vintagechic.typepad.com/
pattern art
#oneexposure #nophotoshoppainting #lightart #light #licht #moving
#dancelightning
made with manuell lense carl zeiss distagon zf2
Screen printing is starting up again soon. I think I may do a pattern series. This is from my sketchbook mock.
This is a pattern created in Pattern Artist with the same pattern template used to create the previously posted patterns Diamonds and Squares, Diamonds and Squares #2, and Pattern of Opportunity.
ⓒRebecca Bugge, All Rights Reserved
Do not use without permission
Some of the 847 floor stones found in the church.
The church is mostly known as Bath abbey - but the full name is the Abbey Church of Saint Peter and Saint Paul. It is now an Anglican church, but it started out as an abbey church to a Benedictine monastery. A church was first built on this spot in the 7th century - but the current building dates from the 12th to the 16th century (with some major restorations made in the 1860s) and is a prime example of the perpendicular style.
These photos were taken inside the Wawel Royal Castle, a place rarely still, shaped daily by footsteps, voices, and passing bodies. Yet here, none appear. Despite the constant presence of people, the frames hold only what remains when movement passes through without it staining.
What surfaces instead are patterns. Ceilings repeat themselves, corners and forms align with a certainty that no longer needs an audience. With no one to interrupt them, the rooms reveal themselves as frames rather than spaces, just arrangements that continue regardless of who enters and leaves. ️