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I was thrilled to discover this tree in the Forbidden City. An absolute gem of a tree; no photo can do it justice. A name tag identified it as a Pinus bungeana Zucc.
Taken with an Agfa Isolette and uncoated f/4.5 f`=8.5cm Apotar on HP5+ @ 200 developed in Caffenol-C-H (rs) 10 minutes 20 °C.
....made by an artistic mind and enhanced by the sun!
Wandering the narrow lanes of Bastakia in Dubai.
For this pendant I used a convergence pattern inspired by a quilting template (by Ricky Tims) combined with an extruder cane pattern by Bettina Welker.
Für diesen Anhänger habe ich ein Quilt Muster nach Ricky Tims mit Extruder Cane-Mustern nach Bettina Welker kombiniert. Der Anhänger unten rechts war ein Versuch mit einer anderen Reihenfolge der Streifen (so la-la...).
Week 15 - Patterns at Compositionally Challenged
One of many greenhouses at DeGoede Bulb Farm and Gardens. www.degoedebulb.com/
35mm macro shot on Olympus E-30 body.
The Universe is a case of recurring patterns and winning formulas. This principle is not bound by the concept of scale for the idea of a scale is merely the result of our perspective on the fabric.
"Heaven and earth will pass away, but My words will never pass away. "
Matthew 24:35
" .. but the word of the Lord endures forever. " 1 Peter 1:25
The theme for this month for my office photo club was "Patterns and Repetition", and despite having taken a reasonable number of photos over the month, none of them really fit the theme all that well. So, I broke out a bag of clear glass marbles to see what I could come up with. After one or two failed concepts, I decided to just arrange them carefully in one of my aluminum sheet pans, taking the "pattern" idea quite literally.
I was happy with the initial shots, but they captured the room in each individual sphere, which could have been interesting in some other room, but wasn't all that flattering in my kitchen. To compensate, I arranged a makeshift light tent around the marble (I just leaned two pieces of white foam core board in a A-frame shape, and covered the rear opening with parchment paper.) Shot one of my SB-700s through the paper, and dialed in an exposure that I liked. Cropped in post, added a little structure in Nik Viveza, and boosted vibrance just a hair in Aperture. The one marble with a bit more color was happy circumstance; I think it was picking up a marble that wasn't completely clear combined with a little of the incandescent room light peeking in through the front from just the right angle. I really like the end result.
Nikon D7000 w/Nikkor 18-300mm @ 300mm, 1/250s @ Æ’/22, ISO100. Single SB-700 @ 1/10 power, 24mm zoom, shot from about 2' behind the subject through parchment with white bounce cards left and right (as described above.)