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Photographer: Joshua Diaz
All photos provided are the property of JMU Creative Services and may not be used without permission.
Please contact creative@jmu.edu if you are interested in using any photos included in our collection.
These are all the panels lining the ceiling of a theater in downtown Kamiyama. Most of the advertisements were made during the 30's. The Theater is 劇場寄井座 and it was built in 1929 as entertainment for the civic center of Kamiyama. Kamiyama was a major halfway point between where the cut down trees and Tokushima where the trees were milled down and shipped out to the rest of Japan.
PANEL: Animation - A discussion with Blue Sky Studios at 2011 Woodstock Film Festival with Chris Wedge, Galen Chu, John Donkin, Renato Falcão at 2011 Woodstock FIlm Festival.
More about these images:
This digital album contains images from my 2022-23 "Life is Drag" residency at The Cell in Chelsea, NYC. It includes video stills pulled from the 100+ video portraits created (performances documented), behind the scenes production shots taken during my 6 months at The Cell, and documentation of the two panels I produced and spoke with as a part of this residency -- at Symphony Space (in conjunction with the Municipal Art Society of New York), and at The Cell (in conjunction with Franklin Furnace and CADAF). More info below:
I create bodies of work that explore gender, artifice, and spectacle. Utilizing directorial, curatorial, and anthropological processes, I showcase exuberantly irrepressible personalities who revel in challenging clichés and taboos to rethink and reimagine the gender construct. A sampling of subjects include Girls Girls Girls - the world's first and only all-female Mötley Crüe tribute band, and Tazzie Colomb - the world's longest competing professional female bodybuilder and powerlifter. Since 2019, I have been working exclusively on "Life is Drag" - the largest living digital archive of drag in the United States.
Drag is a poetic synthesis of painting, sculpture, sound and performance. It is also an amalgam of self-discovery, transformation, permission, actualization, revolution, utopia, community, catharsis, and ultimately - radical self-expression. Drag is ART - and life IS drag. And "Life is Drag" has become my (Rachel Rampleman) life's work. I am a one-person production team - handling all research, curation, communication, lighting, shooting, editing, interviewing, archive building, residency outreach, and more. With "Life is Drag", I document the most innovative and singular performers - selected from a wide range of locations, backgrounds, cultures, and ages - who are currently exploding onto the national drag scene. This ever-evolving archive includes documentation of performances and interviews, and over the course of the last several years I have created 350+ video portraits, showcasing 200+ LGBTQIA performers - collaborating with them in my studio, as well as during residencies in New York City, Pittsburgh, Cincinnati, and New England (so far).
These documented performances and interviews are added to my online archive at lifeisdrag.com, as well as projected or featured as site-specific multi-channel installations at “brick and mortar” venues ranging from spaces like Wave Pool, a non-profit gallery in my hometown of Cincinnati, to the Carnegie Museum of Art in Pittsburgh. I have also produced live events and hosted panel discussions in partnership with organizations such as Symphony Space, Franklin Furnace, and The Municipal Art Society of New York -- about the importance of documenting this important but ephemeral art form, as well as about the current drag bans in the United States and New York’s radical resistance to these worsening restrictions.
Please consider supporting this project, and thank you for checking it out!
Project website:
My artist website:
Supporting institutions:
The Cell
Images:
www.flickr.com/photos/megalomediac/albums/72157718509246159/
Symphony Space & Municipal Art Society of New York
www.symphonyspace.org/programs/life-is-drag
Images:
www.flickr.com/photos/megalomediac/albums/72177720309589466
Franklin Furnace &
CADAF
Images:
www.flickr.com/photos/megalomediac/albums/72177720310312123
Wave Pool
www.wavepoolgallery.org/exhibitions-archive#/life-is-drag
Images:
www.flickr.com/photos/megalomediac/albums/72177720299700834
Bunker Projects & Bloomfield Garden Club
www.flickr.com/photos/megalomediac/albums/72157719733828390/
3S Artspace
Images:
www.flickr.com/photos/megalomediac/albums/72157714709930241/
The Watson, Jeopardy and the Future of Computing panel. From left to right: Joshua Slocum, David Larochelle and Mitchell Morris. I left my empty chair out of the photo because it does not compute.
The line for the Naze Nani Megatokyo panel was epic. It even suprised the staffers that a series they never heard of had a line for over an hour before it even started.
Line ended up wrapping all the way down the hall and back the other way. Still never seen a small room panel with a line like this.
Sorry for the low quality these were taking on an early 1.1 megapixel digital camera that used 3.5in floppies T_T
These are all the panels lining the ceiling of a theater in downtown Kamiyama. Most of the advertisements were made during the 30's. The Theater is 劇場寄井座 and it was built in 1929 as entertainment for the civic center of Kamiyama. Kamiyama was a major halfway point between where the cut down trees and Tokushima where the trees were milled down and shipped out to the rest of Japan.
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Sir Frank Brangwyn's 'Empire Panels', Memorial to the fallen of WW1 originally intended for the House of Lords - but homed from 1934 in Swansea's Brangwyn Guild Hall, built by Temple of Peace Architect Sir Percy Thomas, where they can be seen to this day.
Story of the Panels: gwallter.com/art/frank-brangwyns-british-empire-panels.html
These are all the panels lining the ceiling of a theater in downtown Kamiyama. Most of the advertisements were made during the 30's. The Theater is 劇場寄井座 and it was built in 1929 as entertainment for the civic center of Kamiyama. Kamiyama was a major halfway point between where the cut down trees and Tokushima where the trees were milled down and shipped out to the rest of Japan.
These are all the panels lining the ceiling of a theater in downtown Kamiyama. Most of the advertisements were made during the 30's. The Theater is 劇場寄井座 and it was built in 1929 as entertainment for the civic center of Kamiyama. Kamiyama was a major halfway point between where the cut down trees and Tokushima where the trees were milled down and shipped out to the rest of Japan.