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Panel de discusión celebrado en Madrid el pasado jueves 20 de octubre de 2011 en el Salón Duque del Hotel Velázquez. La organización corrió a cargo de la Asociación de Iberoamericanos por la Libertad (AIL)
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These are all the panels lining the ceiling of a theater in downtown Kamiyama. Most of the advertisements were made during the 30's. The Theater is 劇場寄井座 and it was built in 1929 as entertainment for the civic center of Kamiyama. Kamiyama was a major halfway point between where the cut down trees and Tokushima where the trees were milled down and shipped out to the rest of Japan.
From Words to Action: Effectively Driving Trade by International Road Transport through Dedicated Public-Private Initiatives
Promoting and Further Facilitating International Road Transport to Drive Trade between Europe, Asia and Africa
NATCA Executive Vice President Andrew LeBovidge moderated a panel about maintaining medical evaluations, which included FAA Federal Air Surgeon Susan Northrup and Aviation Medicine Advisory Service (AMAS) President/CEO Quay Snyder, M.D., M.S.P.H. Medical evaluations for air traffic controllers are essential to maintain their health, ensure their capability to handle the demands of the job, and ultimately contribute to the overall safety and efficiency of air travel, but medical requirements create unique employment and personal challenges for those in aviation safety careers. AMAS has been providing consultation regarding FAA medical certification issues to the nation’s largest aviation unions since 1969.
PANEL: Case Study: Escape From Tomorrow with John Sloss and Richard Abramowitz, at 2013 Woodstock Film Festival. Photo: Tom Smith (heytomsmith.com)
New York Times video journalist Rob Harris speaks about a project he did on the death of an immigration detainee during a panel discussion on web video at the CUNY Graduate School of Journalism on Tuesday, Feb. 10, 2009.
Panel de Blue Beetle con Xolo Maridueña, Joel Novoa; moderado por Héctor trejo en el marco de las actividades de la 40 edición del Festival Internacional de cine en Guadalajara. 13 de Junio de 2025 Foto © FICG / Guillermo Gálvez
These are all the panels lining the ceiling of a theater in downtown Kamiyama. Most of the advertisements were made during the 30's. The Theater is 劇場寄井座 and it was built in 1929 as entertainment for the civic center of Kamiyama. Kamiyama was a major halfway point between where the cut down trees and Tokushima where the trees were milled down and shipped out to the rest of Japan.
Panelist Natalie Ross, Senior Director of Global Philanthropy and Partnerships, Council on Foundations, leads panel on why the SDGs are relevant in the USA and how philanthropy is involved.
Panel discussion between some exceptional individuals which included Prof. Jacinta D'souza, Chairperson; Erik Zepka, Researcher; Dr. Subhojit Sen, RLS Fellow and Jatin Khaimani, After iGEM Ambassador.
PANEL: Case Study: Escape From Tomorrow with John Sloss and Richard Abramowitz, at 2013 Woodstock Film Festival. Photo: Tom Smith (heytomsmith.com)
Panel realizado con recortes de revista, pintura acrílica y un pequeño montaje en photoshop que recrea el inicio del impacto en el edificio.
In the Library
Two Temple Place
John Loughborough Pearson, 1895
Completed in 1895, Two Temple Place is a dazzling neo-Gothic gem on the Victoria Embankment, designed by gothic revivalist architect, John Loughborough Pearson, & commissioned by & built for William Waldorf Astor, as his estate office.
Two Temple Place was commissioned in the early 1890s by one of the richest men in the world, the American William Waldorf Astor, to be his London estate office. Designed by the famous gothic revivalist architect, John Loughborough Pearson, it is an extraordinary celebration of late-Victorian design and craftsmanship.
Astor was born in New York City in 1848 as the only child of John Jacob Astor III and Charlotte Augusta Gibbes. Only two generations earlier, his great grandfather, John Jacob Astor I, had left the village of Walldorf, near Heidelberg in South West Germany, to find a future for himself across the Atlantic. He made massive profits through fur trading and a vast shipping empire, later he putting that money into property on Manhattan Island, earning the title the ‘Landlord of New York’.
Only three generations of property development later, the William Waldorf Astor was part of one of the richest ever dynasties in US history.
But Astor’s relationship saw America as ‘no fit place for a gentleman.
In 1890 he emigrated to England, after a failed electoral campaign, repeated threats of kidnap, and press who reviled him as a slumlord. He had soon commissioned for the construction of this lavish building in central London. Through it we get an insight into Astor’s own interests and aspirations. He handed his architect, the acclaimed John Loughborough Pearson, an unlimited budget for Two Temple Place and the result reads like a short biography of Astor, created for him by some of greatest craftsmen of the time.
The exterior of the building is made of Portland stone and carved with gargoyles and grotesque figures.
The gilded weather vane crafted by J. Starkie Gardner sails above the parapets – intended to be a representation of Christopher Columbus' ship the Santa Maria.
Before the front door stand two bronze lamp standards, modelled by William Silver Frith, which were at one time exhibited at the Royal Academy. Each is crowned by a miniature ship and decorated with androgynous putti who represented the marvels of electrical illumination and the latest technology - the telephone.
The floor of the Staircase Hall is of inlaid semi-precious stones: marble, porphyry, onyx and jasper, in the Cosmati style, as seen at Westminster Abbey.
The paneling in this space is British oak and the staircase mahogany. The carved figures represent the chief characters from William Waldorf Astor’s favourite book – Alexandre Dumas’ The Three Musketeers: D’Artagnan, Madame Bonacieux, Aramis, Milady de Winter, Bazin, Athos and Porthos.
The arcade surrounding the Gallery on the first floor has ten columns of irreplaceable solid ebony. On six of these stand carved characters from three American novels: Uncas, the last Mohican and The Pathfinder from James Fenimore Cooper’s Leatherstocking Tales; Hester Prynne and Reverend Arthur Dimmesdale from Nathaniel Hawthorne’s Scarlet Letter; Rip van Winkle and his daughter, Judith Gardenier, from Washington Irving’s Knickerbocker Tales.
Above these figures are four oak panel friezes in high relief by Thomas Nicholls, portraying memorable scenes from Shakespeare’s Henry VIII, Othello, Antony and Cleopatra and Macbeth.
The Library of Astor's is designed as a wholly private retreat. It is paneled in satinwood, a fashionable lighter wood chosen because it could be polished to help reflect light into the room, which during Astor's time was overshadowed by the nearby Middle Temple Library.
The mahogany door is elegantly adorned with cupid figures imitating Renaissance grotesques. Above door and bookcases are a number of panels modeled in delicate low relief by William S Frith. Between them are finely carved putto figures representing the Arts and Sciences - each carrying scientific and musical instruments.
This was William Waldorf Astor’s office, which VIP visitors entered through a central carved-mahogany door. The inside of this door has nine decorative panels in silver-gilt by Sir George Frampton, depicting nine heroines of the Arthurian Legend.
The hammer-beam ceiling is richly carved in Spanish mahogany and the wall panels are pencil-cedar, used for its apparently calming sent.
The gilded frieze includes 54 characters from history and literature, all chosen by Astor himself. Among them are Pocahontas, Machiavelli, Bismarck, Anne Boleyn and Marie Antoinette.
Above this are twelve carved figures which represent characters from Sir Walter Scott’s Ivanhoe, including Robin Hood, Maid Marian, Gurth, Wamba and Friar Tuck. All carved by Nathaniel Hitch, as most of the room. Hitch reluctantly gilded these figures on Astor's request, as he struggled to see them due to his short-sightedness.
[*Open House Festival]
Taken during Open House Festival 2024
Just Pinned to panels: This scene was really crowded as far as panels-per-page, but I really wanted to draw Thomas kicking some ass whilst trying not to kill anyone. ift.tt/2O4w3zQ
In heel Europa worden citizens’ panels georganiseerd in aanloop naar de Europese verkiezingen in mei. Wat vind jij dat er op de agenda moet als het gaat om jouw data? Biedt de digitalisering nieuwe mogelijkheden of zie je vooral de keerzijden?
Meer informatie over dit event vind je hier: waag.org/nl/event/citizens-panel-amsterdam