View allAll Photos Tagged Pablo
I saw these today at the Material Art Fair in Mexico City. I was told that each replicates a fragment of a larger piece by an assortment of notable artists.
1881 violinist and composer Pablo Sarasate.
He was born on 10th March 1844 in Pamplona, Spain and died on 20th Sept 1908 in Biarritz, France.
Bain News Service,, publisher.
Pablo Casals
[between ca. 1915 and ca. 1920]
1 negative : glass ; 5 x 7 in. or smaller.
Notes:
Title from unverified data provided by the Bain News Service on the negatives or caption cards.
Forms part of: George Grantham Bain Collection (Library of Congress).
Format: Glass negatives.
Rights Info: No known restrictions on publication.
Repository: Library of Congress, Prints and Photographs Division, Washington, D.C. 20540 USA, hdl.loc.gov/loc.pnp/pp.print
General information about the Bain Collection is available at hdl.loc.gov/loc.pnp/pp.ggbain
Higher resolution image is available (Persistent URL): hdl.loc.gov/loc.pnp/ggbain.23449
Call Number: LC-B2- 4087-13
BELO HORIZONTE/ MINAS GERAIS / BRASIL 02.03.2016 Atlético x América no estádio Arena Independência - Copa da Primeira Liga 2016 - foto: Bruno Cantini/Atlético MG
Still Life on a Pedestal Table in Front of a Window, 1919. Gouache and pencil on paper (1881-1973) LACMA
Fotos para el Web Magazine The Concert in Concert (www.theconcertinconcert.com/) Pablo Alborán - Palacio de Deportes - Madrid - 27/09/13
Tambien puedes seguirme en facebook o twitter:
(www.facebook.com/pages/Roberto-Fierro-Photography/2555424....)
(www.facebook.com/pages/THE-CONCERT-IN-CONCERT/23690438301....)
(www.facebook.com/RobertoFierroDiaz/)
(twitter.com/TheCinC)
Please do not copy or use images without permission
Por favor no copie o use imagenes sin mi permiso
Nude with Joined Hands, 1906. Oil on canvas (1881-1973) MOMA. William Paley Collection. de Young Museum
15.2.16: Grand Palais, Avenue du Général Eisenhower, Paris
From the Grand Palais website: The twenty or so solo or group exhibitions since 1973 that have focused on the study of the posterity of Pablo Picasso’s oeuvre testify to its impact on contemporary art. The exhibition at the Grand Palais takes a simultaneously chronological and thematic approach to the critical and artistic highlights of Picasso’s career and the myth that gradually built up around his name.
From Cubist still lifes to the Musketeers in the exhibitions in Avignon in 1970 and 1973, the exhibition is punctuated by works by Picasso from the collections of the Picasso Museum in Paris, the Musée National d’art Moderne, and the artist’s family. They are presented in a way reminiscent of the artist’s arrangements in his studios and the exhibitions that he personally supervised (Georges Petit gallery in Paris in 1932, Palais des Papes in Avignon in 1970, and 1973).
The great stylistic phases (Cubism, last work), and emblematic works by Pablo Picasso (Les Demoiselles d’Avignon, Guernica) are put alongside contemporary creations, grouped by artist (Hockney, Johns, Lichtenstein, Kippenberger..), or by theme, in a great variety of media and techniques (video, painting, sculpture, graphic arts, film, photography, installation).
An exhibition organised by the Réunion des musées nationaux – Grand Palais, the Centre Pompidou and the Musée national Picasso-Paris.
Pablo escobar's grave in Cementario Jardines de Montesacro, Itagui, Colombia. Photo was taken in July 2009
Three Musicians (Nous autres musiciens)
1921
Pablo Ruiz y Picasso (Spanish, 1881–1973)
Pablo Picasso had a large ambition for this monumental canvas: to look back at and say farewell to a key period in his own career, when he pioneered the transformative style known as Cubism. The composition is pieced together from paper-thin and angular planes that fit together only inconsistently to generate eye-fooling ambiguities. It is forcefully modern in style.
The subject, however, looks to the past. A three-man band sits at a table in a shallow, stage-like interior. The violinist wears the costume of the trickster Harlequin, and the figure in white with a clarinet or recorder is the melancholy Pierrot—both from the tradition of popular, improvisational theater in Europe. The third figure wears the costume of a monk and plays the accordion. These figures relate to costume designs made by Picasso for the Ballets Russes dance company’s 1920 production of Pulcinella, a modern ballet based on a scenario from an Italian manuscript of 1700.
Three Musicians is the title of two similar collage and oil paintings by Spanish artist Pablo Picasso. They were both completed in 1921 in Fontainebleau near Paris, France, and exemplify the Synthetic Cubist style; the flat planes of color and "intricate puzzle-like composition" echoing the arrangements of cutout paper with which the style originated. These paintings each colorfully represent three musicians wearing masks in the tradition of the popular Italian theater Commedia dell'arte.
*
The Philadelphia Museum of Art (PMoA), originally chartered in 1876 for the Centennial Exposition in Philadelphia, opened in a into its permanent home on Fairmount, a hill located at the northwestern end of the Benjamin Franklin Parkway, in 1928. The main building's Greek Revival design was the product of collaboration of the architectural firms of Horace Trumbauer and Zantzinger, Borie and Medary, but mostly credited to two architects in Trumbauer's firm--Howell Lewis Shay for the building's plan and massing, and Julian Abele, the first African American to graduate from University of Pennsylvania's Department of Architecture, for the detail work and perspective drawings. The museum houses more than 240,000 objects including major holdings of European, American and Asian origin, spread across more than 200 galleries spanning 2,000 years.
In 2007, the Philadelphia Museum of Art was ranked #24 on the AIA 150 America's Favorite Architecture list.