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è un battito che d'improvviso si scioglie e che arriva con l' irruenza d'una scossa quel suo sguardo, ogni volta così...dritto al mio cuore.
Ma quante capocciate gli darei, quante ne combina!
Pablo Neruda ~ Tonight I Can Write The Saddest Words
Published on Mar 31, 2012
A sad love poem written by Pablo Neruda, the Nobel Prize winning poet and narrated by: Andy Garcia
Tonight I can write the saddest lines.
Write, for example, 'The night is starry and
the stars are blue and shiver in the distance.'
The night wind revolves in the sky and sings.
Tonight I can write the saddest lines.
I loved her, and sometimes she loved me too.
Through nights like this one I held her in my arms.
I kissed her again and again under the endless sky.
She loved me, sometimes I loved her too.
How could one not have loved her great still eyes?
Tonight I can write the saddest lines.
To think that I do not have her. To feel that I have lost her.
To hear the immense night, still more immense without her.
And the verse falls to the soul like dew to the pasture.
What does it matter that my love could not keep her?
The night is starry and she is not with me.
This is all. In the distance someone is singing. In the distance.
My soul is not satisfied that it has lost her.
My sight tries to find her as though to bring her closer.
My heart looks for her, and she is not with me.
The same night whitening the same trees.
We, of that time, are no longer the same.
I no longer love her, that's certain, but how I loved her.
My voice tried to find the wind to touch her hearing.
Another's. She will be another's. As she was before my kisses.
Her voice, her bright body. Her infinite eyes.
I no longer love her, that's certain, but maybe I love her.
Love is so short, forgetting is so long.
Because through nights like this one I held her in my arms
my soul is not satisfied that it has lost her.
Though this be the last pain that she makes me
Música por Siria es un proyecto solidario para concienciar sobre el problema en Siria, la música como medio para difundir el mensaje de paz y ayuda a las victimas del conflicto.
Él es Pablo Rodríguez y hace unos días pasó por el Garaje para hacer unas fotos como esta.
Sugerencia musical:
Sonatina de Leo Brower - Pablo Rodríguez
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VESPASIANO / MINAS GERAIS / BRASIL (18.06.2016) - Treino na Cidade do galo - Foto: Bruno Cantini/Atlético MG
Pablo Alfieri’s designs capture the chaos and creation of the universe, then skip through the birth of life, the horrible reign of tiny but brutal single-celled organisms, the magnificent life of dinosaurs, the grunts of hairy cro-magnon man, and the exploits of awesome cowboys to land us into the age of computers. His work mostly centers on type that is ornamented by chaotic formations like particles of dust, smoke, or falling geodes, but Pablo Alfieri has an eye to look into those seemingly chaotic things and see their minute structure under the surface, a structure expressed in the rigid geometric/ computer generated patterns in his work, and in this way his work spans all of creation. Find out more at www.creativetempest.com
Pablo Alfieri’s designs capture the chaos and creation of the universe, then skip through the birth of life, the horrible reign of tiny but brutal single-celled organisms, the magnificent life of dinosaurs, the grunts of hairy cro-magnon man, and the exploits of awesome cowboys to land us into the age of computers. His work mostly centers on type that is ornamented by chaotic formations like particles of dust, smoke, or falling geodes, but Pablo Alfieri has an eye to look into those seemingly chaotic things and see their minute structure under the surface, a structure expressed in the rigid geometric/ computer generated patterns in his work, and in this way his work spans all of creation. Find out more at www.creativetempest.com
Comprendre Guernica : description et analyse de Guernica
Oeuvre de dénonciation et de protestation contre le bombardement de la ville basque Guernica (qui a donné son nom au tableau), Guernica est une lutte révolutionnaire par la peinture, le manifeste politique de Picasso et l’emblème de la participation du peintre aux drames de son temps : la violence, la barbarie et la guerre. Pablo Picasso rejoint en ce sens Francisco Goya, devenu lui aussi témoin engagé des évènements de son époque (violences et répressions lors de la guerre de 1808).
Picasso utilise à ces fins une peinture aux formes dramatiques, aux contrastes violents et aux couleurs peu nombreuses (du gris-noir barré de jaune et blanc). Cette absence de couleur évoque la mort, à la fois la mort des victimes et la mort de la civilisation.
Picasso se sert aussi de symboles empruntés à la mythologie espagnole, le taureau et le cheval ; le taureau c’est la brutalité et le cheval c’est le peuple. Dans la période qui suit les années vingt, Picasso exécute déjà des œuvres tourmentées de corrida qui préfiguraient Guernica et en 1935, dans une eau-forte, la « Minotauromachie », il exécute une représentation, aux formes torturées, du Minotaure, annonçant une tension qui se terminera deux ans plus tard dans Guernica.
ce tableau est réalisé en faïence et exposé dans une rue de Guernica .
In Regensburg, Bavaria, Germany
In Regensburg, Bayern
A Ratisbona, Baviera, Germania
Sony A7RIII & Zeiss Loxia 21/2.8
1/125sec f/11.0 ISO500
Cuando yo era pequeño mi madre me decía: "Si te haces soldado, llegarás a general. Si te haces cura, llegarás a Papa." Yo quería ser pintor y he llegado a Picasso.
Pablo Picasso, Guernica, May 1–June 4, 1937 (Paris), oil on canvas, 349.3 x 776.6 cm (Museo Nacional Centro de Arte Reina Sofía, Madrid) © Estate of Pablo Picasso
Pablo Neruda (July 12, 1904 – September 23, 1973) was the pen name and, later, legal name of the Chilean poet and politician Neftalí Ricardo Reyes Basoalto. He chose his pen name after Czech poet Jan Neruda.Nobel Prize in Literature.
The 1st picture is a painding entering his house in Isla Negra, Chile, next, the house itself and the last 3 pictures the surrounding space and the view to Pacific Ocean.
Inside the house which is also museum, there is a large and important exhibition of objects collected by the poet during his diplomatic career and beyond.
196 - RT.- Pablo. ........ ¿2005
Retrato ocasional .... Pablo en el sofa....
EBN:196-IM000924.HP
Gracias por compartir
Muchas gracias por vuestra visita, atención y comentarios.
Thank you very much for your visit and comments.
Molt agraït per la vostra visita, atencions i comentaris.
Très reconnaissant pour votre visite, l'attention et les commentaires.
Agradezco a todos su seguimiento atención y amables comentarios….
I thank you all for your kind attention and comments follow…...…. Thank, Merci , Gracias…
COPYRIGHT© PHOTO-D.G.V. VALOR-PHOTO
Artist: M. Büttinghausen
Date/place: unknown
Subject: Pablo Casals
Medium: photographic positive, B&W
Notes: Spanish Catalan cellist and conductor . Greeting to Edvard Grieg written under the photo
Persistent URL:
Original belongs to the Edvard Grieg Archives at Bergen Public Library
Original reference: EGM0399
15.2.16: Grand Palais, Avenue du Général Eisenhower, Paris
From the Grand Palais website: The twenty or so solo or group exhibitions since 1973 that have focused on the study of the posterity of Pablo Picasso’s oeuvre testify to its impact on contemporary art. The exhibition at the Grand Palais takes a simultaneously chronological and thematic approach to the critical and artistic highlights of Picasso’s career and the myth that gradually built up around his name.
From Cubist still lifes to the Musketeers in the exhibitions in Avignon in 1970 and 1973, the exhibition is punctuated by works by Picasso from the collections of the Picasso Museum in Paris, the Musée National d’art Moderne, and the artist’s family. They are presented in a way reminiscent of the artist’s arrangements in his studios and the exhibitions that he personally supervised (Georges Petit gallery in Paris in 1932, Palais des Papes in Avignon in 1970, and 1973).
The great stylistic phases (Cubism, last work), and emblematic works by Pablo Picasso (Les Demoiselles d’Avignon, Guernica) are put alongside contemporary creations, grouped by artist (Hockney, Johns, Lichtenstein, Kippenberger..), or by theme, in a great variety of media and techniques (video, painting, sculpture, graphic arts, film, photography, installation).
An exhibition organised by the Réunion des musées nationaux – Grand Palais, the Centre Pompidou and the Musée national Picasso-Paris.
I wanted to surprise my better half last night with some kind of "inventional cooking."
The wintery weather made me think hot food.
I decided to make a couple of taco de harina´s.
Simple, wrapped up, easy to eat thingies.
Bad idea.
The tortillas was way to small to fit my excessive fillings.
It became a knife and fork dinner instead but she was pleased with the result.
"You can make this again, dear" she said.
Looking at my creation, I got some strange pictures in my head and decided to name my dish Pablo´s.
Some people out there might see the connection.
If a certain Texan have some copyright issues regarding the name, I will immediately rename it.