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【Today’s Outfit】
■*barberyumyum*(+bangs) (F)
■*barberyumyum*81 - [brown]
■miwa's airship - Slash Hoodie #Red
@The Project Se7en Dec 2017
■[PPD] Workout Babe Sneakers
Backdrop：GLOWMAGIC!
Tried some beverage photography photos. Using the Nikon D750 and 60mm micro
Strobist info:
2 300w studio strobes left and right of subject with reflector dish thru scrim @ 1/4
1 300w studiostrobe with reflector dish back of subject pointing at background @ 1/2
Mug and tiles, photographed on white paper.
96 of 365 for 2022.
Nikon D700
Tamron Adaptall-2 35-70mm f/3.5-4.5
Vivitar 285 flash with shoot thru umbrella
Many Thanks to the +14,590,000 visitors of my photographic stream
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© Ioan C. Bacivarov
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When Fujifilm’s Acros II was announced, I had mixed feelings. It reminded me of when I went to see the Cure on their farewell tour in the early 1990s. I cried throughout the show at the Wembley Arena, believing that I’d never again see the band that had just released what I thought to be the greatest record of all time, Disintegration.
When they returned a few years later, I never quite forgave them, and still think that they never made any music that was close to comparing to the magnificent gloominess of Disintegration. That may have been because I’d moved on, but it could well have been because of the emotions that they put me through by going away, and returning before my cheeks were dry.
You see, I’d had quite an attachment to Fujifilm’s Neopan Acros before it was discontinued. I’d taken many of my favourite pictures using it, often at night, taking advantage of the film’s unmatched abilities to handle long exposures.
While I was pretty disappointed when it was announced that it was to be discontinued (note: we shoot film in the 21st century and therefore cannot have any expectations that companies will continue to make what is barely even a niche product), I set about auditioning a new favourite and settled quickly on Ilford’s FP4+. I’d moved on.
Acros II was initially released in Japan, and a friend of a friend arranged to import a few rolls privately. We came to an arrangement that meant I would end up with two rolls of the film in 120 format. By way of an experiment, I headed out into last night’s fog and shot a few of what both Graeme on Sunny 16, and Mike on the Negative Positives refer to as my ‘signature image’, that is a lone LED street light in the dark.
I shot the roll at EI160 and mostly around f/5.6-f/8 and am delighted to report that the new formulation (which is made in the UK) does everything that the old version did. The detail is superb, with endless tones in the grey areas, lovely dark blacks and not a hint of grain.
It is exactly how I like my film to look…
On this occasion, I didn’t expose anything for more than about six seconds, so reciprocity wasn’t an issue. On the next roll, I’ll push things further and see how if performs when exposures get up towards a couple of minutes. If as I expect, it’s like the old stuff, it’ll be just fine.
Gubbins:
Mamiya C330f, Fujifilm Neopan Acros II exposed at EI160. Processed for 11 minutes in Ilford Ilfotec DD-X at 1:4 and scanned at home.
At GettyImages you can buy some of my pictures.
Nikon D810 with Nikkor 105mm/2.8G: 105mm - ISO800 - 1/30 - f16
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From Gitzo.com:
"With such a good ratio of compact folded length to extended open height, the Traveler is the ideal tripod to carry with you around the world. Gitzo’s unique patented 180º folding mechanism accommodates the head inside the folded tripod legs and makes this the smallest folded tripod for its open size and number of sections. Matching this compactness with the sturdiness of lightweight carbon fiber and good speed in setup makes the Travelers the ultimate tripods."
This was our Studio Photography Assignment Results: Composite Shot. More details here: www.photigy.com/studio-photography-assignment-composite-s...
Back to work and in my home made home studio (card,skrims,table lol) The Gin glass was the only nice one I had but "sadly" no gin. I wanted to practice some product photography and go for a brighter result for a change.
BEST Products was a chain of catalog retail showrooms in business from 1957 to 1997. The company is best known for its nine unique stores built in the 1970s and '80s and for its corporate headquarters north of Richmond.
The two eagles at the entrance to the headquarters were rescued from a demolished building in New York. There's a plaque at the base of one of them that reads:
"The limestone eagles were created by Rene Chambellan in 1940 for the top the the Airlines Terminal Building, Park Avenue and 42nd Street, New York. The architect of the building was John Peterkin.
"When the building was demolished in 1978 for the new headquarters of Philip Morris, Inc., the eagles were dismantled and transported to Richmond. They were reinstalled at the Best Products Co., Inc. corporate headquarters building in 1980."
The Wikipedia entry for Best Products is a good overview of the company.
The clear cases however do look good on display and on shop shelves but I feel that packaging has to serve more of a purpose than just being pretty.
I do plan to make sturdy clear carry cases in the future though.
View more at www.dannychoo.com/en/post/27252/Product+Package+Design.html
See which I picked here.
Attempting to decide between this and the above photo for a scholarship I have coming up. Your opinion would be greatly appreciated; likes, dislikes, and opinions on either. Let me know!
I recently did a product shoot for a new hard cider called Crispin. It was a lot of fun and I was very please with the results. I also directed and shot four commercials for them as well. They can be viewed at:
www.crispincider.com/crispin_tv.html
Enjoy!
Strobist info: Bottle under lit, top lit, and one on backdrop.