View allAll Photos Tagged PRESSED

This restaurant is famous for its pressed duck. They give you a little card which has the number of your duck counted from the first one which was numbered over a century ago.

 

It was delicious. The meat was not oily at all and the sauce was very rich in flavour.

porcelain greenware

obviously this will need a lot of cleaning up once it's fired....if it survives the firing!

The top flower had that whiteish vibe to all of the flowers in all of them so I grabbed one. Only one I've seen like that. Taken in Sand Dunes State Forest.

PRECIOSA ORNELA presents the new PRECIOSA Pip™ pressed bead from the PRECIOSA Traditional Czech Beads brand.

The bead’s dimensions of 5 x 7 mm comply with the current trend for mini beads. The axially symmetric flattened shape of the small core enables the realisation of half metal coating on both sides of the bead with the resulting effect of an overall decoration. The strung beads fit together tightly and create an interlocking zip effect. Six beads connected in a circle can easily be used to create an application in the shape of a flat flower which is a suitable accessory for seed bead embroidery. Thanks to its small protrusion, this bead is an excellent accessory to the two-hole PRECIOSA Twin™ beads and seed beads, like PRECIOSA Solo™.

 

TECHNICAL INFORMATION:

Article number: 111 01 346

Size: 5 x 7 mm

ca KS / KG: 6600

 

NEWS

PRECIOSA Pip™ - pressed bead

 

PROJECTS

Flowering Meadow ON-LINE

Ring Around The Rosie ON-LINE

Wire Jewelry Making With PRECIOSA Pip™ ON-LINE

Kumihimo and PRECIOSA Pip™ ON-LINE

 

Design by Iva Jarolínová

  

WEBSITE | FACEBOOK | YOUTUBE | GOOGLE+ | PINTEREST

Pressed Pennies

Hula Hut, Avila Beach, CA

1) Avila Beach Banner with small image of pier

2) Whale

3) Beach House

4) Sea Otter

WIRE JEWELRY MAKING WITH PRECIOSA PIP™

 

PRECIOSA ORNELA presents the new PRECIOSA Pip™ pressed bead from the PRECIOSA Traditional Czech Beads brand.

The bead’s dimensions of 5 x 7 mm comply with the current trend for mini beads. The axially symmetric flattened shape of the small core enables the realisation of half metal coating on both sides of the bead with the resulting effect of an overall decoration. The strung beads fit together tightly and create an interlocking zip effect. Six beads connected in a circle can easily be used to create an application in the shape of a flat flower which is a suitable accessory for seed bead embroidery. Thanks to its small protrusion, this bead is an excellent accessory to the two-hole PRECIOSA Twin™ beads and seed beads, like PRECIOSA Solo™.

 

TECHNICAL INFORMATION:

Article number: 111 01 346

Size: 5 x 7 mm

ca KS / KG: 6600

 

NEWS

PRECIOSA Pip™ - pressed bead

 

PROJECTS

Wire Jewelry Making With PRECIOSA Pip™ ON-LINE

Flowering Meadow ON-LINE

Ring Around The Rosie ON-LINE

Kumihimo and PRECIOSA Pip™ ON-LINE

 

Design by Iva Mastníková

  

WEBSITE | FACEBOOK | YOUTUBE | GOOGLE+ | PINTEREST

I met an awesome seller at an antique fair last weekend, and I bought a Blue Tulips and Spring Blossom baker from her. She let me know she had some more Pyrex at home, including the 443 I needed to finish my Friendship set! I got the rest of these from her at a very discreet McDonald's parking lot exchange :)

 

Friendship 045

Friendship 473

Friendship 443

Pressed Flowers 043

  

blogged on froog and doog

I have taken these photos in order to use them for 3D modeling. I like mapping images onto surfaces, and putting decals onto them. These photos are raw JPEGs which haven't undergone any treatment at all - no reduction, no re-sizing, no auto contrast or auto levels or anything. Please feel free to grab anything you like and use it for your projects. Some may require cropping and sharpening, colour calibration, etc., but you surely know all that. Best of luck with your projects.

SADF "browns" (1979-1989). Pretoria, South Africa. May 28, 2013.

Canon AE-1 w/Ilford Delta 100

A couple of the pressed flowers in my wild flower book. In the mid 1980's we did a lot of camping & hiking in the Drakensberg and I used to take along my paints and book and when I found a flower I would paint/draw it and colour it as I saw it, then press one of them in the page!

 

ANSH - Round 33 - Scavenger #5 - Pressed flowers

Pressing sugar into our Santa Fe frame Chef David Ramirez cast and assembled this chocolate sugar piece.

Just popping in to say hi...busy week, so I will catch up with everyone soon.

 

Not sure what it was about this little church in Rockville, but it caught my attention several times, and I finally asked Mike to stop so I could take a shot. I think it was the colorful little clock out front that coordinated nicely with the trim on the church :-)

 

Have a great Thursday, and as always, thanks for all your visits and comments!!!!!

 

© Darlene Bushue - All of my images are protected by copyright and may not be used on any site, blog, or forum without my permission.

found this rose pressed between the pages of an antique German book of Christian martyrs. The printing in the book was gorgeous enough to merit a photo but the rose was a perfect addition and surprise when I opened the pages.

For centuries, pressed between paper remains the best way to preserve plants.

All Saints, Barrow, Suffolk

 

I recently revisited Barrow after half a dozen years. I wrote the following after two visits in quick succession in 2002 and 2003. I'm going to do a new entry for the Suffolk Churches site, and so this one will be necessarily retired. I offer it to you for the last time now.

 

Barrow: A Fantasy in Two Parts

 

Part I: The League of Gentlemen

 

It was late summer, 2002: I had never been to Barrow before. I had not expected it to be so big. It seemed a very pleasant place, a proper village, with a mix of old and new housing. It had a couple of shops, a decent pub, one of those funny little Baptist chapels, a village green, several ponds right beside the busy road - I have not seen so many squashed ducks before, which was mildly diverting.

 

But no church, apparently. I didn't have my OS map with me, so I asked a man who was tending his garden by the crossroads. "Well now", he said, standing upright slowly and scratching his head, "there's a church over Denham way, about a mile up the road over there. Or there's the chapel, if that's the one you want." I thanked him, and picked my way through the squashed ducks, thinking it curious that someone in a Suffolk village should not know where their village church was. Perhaps he was a Londoner, working on his holiday home. A sign outside the Baptist chapel said Strict Communion, which brought to mind a Minister in leather holding a whip. Just beyond it, a group of boys were fishing for tiddlers in the pond, so I asked them where All Saints was. Unfortunately, this resulted in an argument; one said that it was further up the high street, another claimed vigorously that there were no churches around here, and I left hurriedly, before one of them pushed the other in the water.

 

It took the nice Asian lady in the village shop to put me right, and she sold me a fine pie into the bargain. I followed her directions up the road towards Cavenham, passing the Hall, and, a great curiosity, half a Volkswagen sitting on the verge. It was the front half. I mused on it for a moment, wondering if this was St Edmundsbury Borough Council's idea of public installation art, or if someone was working on it, or if there had been a particularly nasty but very clean accident. I could now see the church tower in the distance, and hurried on, only to find about a hundred yards further down the road another half of a Volkswagen. And, get this, it was another front half. Not sure if this strengthened the case for installation art or accidents, it was with some relief that I reached All Saints, at a very tight bend in the road (ah, that explains the Volkswagens!).

 

The graveyard here is huge, and pretty well full of three centuries of gravestones. It must be a fascinating place to potter about. I did a quick circumnavigation of the church, which has obviously been given a thorough going over by the Victorians. It was hard to tell what was medieval and what was renewed, although it is all done well, and looking fine.

 

The door was locked. To be honest, I hadn't expected this; I had spent the day meandering around the area between Bury and Newmarket, and this was the first locked church I'd found all day. There was a sign giving keyholders' details, but it was pretty useless, being of the Thatched Cottage, Barrow, variety. It gave telephone numbers, but it didn't give the area code. I come across this again and again in porches - anyone phoning a keyholder from a church is, by definition, going to be using a mobile phone. You can't call a number from a mobile phone without an area code, but these notices rarely, if ever, give the code. I had no idea what the area code for Barrow was, and none of the other notices in the porch seemed prepared to reveal it.

 

Miserably, I wandered around to the north side, and found a modern building that might just have been the Rectory. There wasn't a sign saying so, but it had all the hallmarks of clerical occupancy - two small cars, an untidy front garden, jam jars in the porch, a view of bookshelves and a computer through the window. A television was playing, very loudly. I pressed on the doorbell, and waited. And waited. I pressed again, but nobody came. I wandered slowly back to the road, still expecting the door to open, and someone in a dog-collar to greet me.

 

But they didn't. I stood on the verge, wondering what to do next. An old lady cycled along the road towards me. She had two baskets, front and back. Small, noisy dogs sat in both. She smiled at me, a big beaming smile - 'Hello dear!', she called. As she passed me, and headed on up the road towards Cavenham, she waved, and I swear she took both hands off of the handlebars. She must have been about seventy.

 

I had a sudden panic that I had somehow stumbled on to the set of an episode of The League of Gentlemen. I got on my bike, and headed in the opposite direction as fast as I could, until Barrow was several miles behind me. Obviously, I'm never going back.

  

Part II: Very Graham Norton

 

I went back to Barrow in the early summer of 2003. I went to the aid of a distressed clergyman. His name was Father Peter MacLeod-Miller. He had been horrified to discover that I thought there was something rotten in the state of Barrow. I must come again, and I must come now. Well, trivialities conspired against me shooting straight over (a full-time job, a family, the lassitude that accompanies mid-life crisis, general fear of the unknown, etc) but within a few weeks I rolled up outside All Saints again. It was 9am on a Saturday morning, but already energetic parishioners were out and about giving the graveyard its first cut of the year after the late Spring flowers had seeded.

 

My eyes were on the glory of the church door - it was open. As we walked up to it, we were approached quickly in turn by Father Peter MacLeod-Miller himself. I flinched, but he didn't punch me. Instead, he shook our hands energetically, and turned out to be really, really pleasant. This was a plus point for Barrow - a jolly minister. Some are, and some aren't; you tend to remember the ones who aren't. But Father Peter MacLeod-Miller is something else you don't find every day in a Church of England minister - he is energetic. And even rarer than that, he's Australian. This struck me as a very affable combination.

 

He led us into the church, and proudly showed us around. I can tell you that Barrow church is very nice inside. It is obviously much loved, and well-cared for. I expect you think I'm going to say that it is completely normal, not odd at all, not the least bit Royston Veasyish. Well, you are wrong. There are several ways in which it is most unusual.

 

Firstly, there's the smell. Not damp, not wood polish, not even flowers, but the smell of incense. Incense is simply not something you find in rural Anglican churches in Suffolk. Outside of the four big towns, there is probably only Mendlesham where you encounter it. Mind you, they use enough at Mendlesham to make up for the rest.

 

No; in my experience, rural Suffolk protestants are allergic to incense. If you want to empty your church pretty swiftly, use it. Father Peter MacLeod-Miller has started burning it here, and at Risby and Great Saxham. And here's the thing - the congregations are actually growing. There is obviously something unusual and special going on here. And I think I know what it is. I'll tell you in a moment.

 

Another thing odd about Barrow is that there are still people in the parish important enough to have seats reserved for them. I loved that. There's Lady this, and Sir that, but there's also a health food millionaire who hands out samples of Emu oil after services.

 

Anything else odd? There's a most unusual tryptich on the altar in the south aisle. It shows St Michael contending with a dragon. The style is - how can I put this? - a prog-rock album from the mid-1970s. I was surprised to learn that it is rather more recent than this.

 

I suppose you want to know what else is in the church. Well, there's the font with its painted shields ; you can see something similar a few miles away at Horringer. Here, the shields show both ecclesiastical and secular powers, ranging from the Diocese of Ely to the State of France. It was repainted in the 1960s, according to Mortlock. The odd one out is to the local Despencer family.

 

In a lancet in the north wall are two curious shapes of medieval painted figures. Obviously, they were exposed by the Victorians, and the white plaster had been regularly renewed up to their outline. Unfortunately, the exposed figures have now faded completely; only their ghosts in the plaster show us where they once were.

 

Up in the chancel, there is a lively painted memorial to Clement Heigham, a rather more sober one to his wife who predeceased him, and one from a century earlier in the sanctuary to one of his forebears. There are some brasses, some of which are replicas of ones now in the British Museum.

 

The benches are mostly modern, except for a couple of very rustic ones in the south aisle and some bench ends up in the chancel. Father Peter MacLeod-Miller wants to clear the modern ones and replace them with chairs, so that he can have processions. I am sure they will prove very popular.

 

Barrow was the parish where the last wolf in England was killed. How do I know this? Father Peter MacLeod-Miller told me so.

 

So, what is the magic ingredient that is causing this parish to thrive against all apparent odds? I think it is Father Peter MacLeod-Miller himself. He strides energetically about his church, waving his arms. His long flowing hair is tied back with a large black ribbon. His flamboyance reminds me very much of the actor Graham Norton. I don't dare tell him so, of course.

 

Let's finish with something else unusual. Father Peter MacLeod-Miller is lucky enough to have a sibling at the Royal Opera House. Because of this, he has a number of stars on tap for fund-raising events. A recent musical evening at the Rectory, Opera to Broadway, included the percussionist Evelyn Glennie. But, because the Rectory isn't very big, they hold the events out of doors, and he keeps his piano on the lawn.

 

I doubt very much that anyone at Diocesan House reads my site (other than the lawyers, of course) but a memo to them just in case they do; I think you've found a winning formula. Let's have a Father Peter MacLeod-Miller in every moribund rural Anglican parish!

 

2011 postscript: Since I originally wrote this in 2003, Father Peter MacLeod-Miller has moved on to pastures new. Barrow church still seems to be very well-kept and much-loved, and this time I found it open.

pressed waste rubbish garbage on a dump bottles green white plastic

Hey, ya'll - Letter Pressed just released these.

 

They are 6" x 8", two-color on Lettra 100% cotton paper each signed and numbered in an edition of 50. You can pick up your own print here

My mother made wonderful cards decorated with pressed flowers.

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