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Explore # 71
3 exposure-HDRI (Photomatix), Cross-Processing (Alien Skin Exposure 2, Plug-In for PS), adding some textures, desaturate with the sponge-tool, Bleach Bypass (Nik Color Efex Pro, Plug-In for PS).
Info:
Exposures: 1/30Sec.; 1/125Sec.; 1/8Sec.
Aperture: f/1.4
ISO-Speed: 100
Focal Length: 30mm
~ Sigma 30mm f/1.4 strikes back !!! ~
On Black | Original Size | Facebook Fan Page
From Wikipedia:
ANZAC Square, which is named in honour of the Australian and New Zealand Army Corps, is a Queensland state memorial to men and women who participated in overseas armed service. It is located between Ann Street and Adelaide Street (opposite Post Office Square), in Brisbane, Queensland, Australia. ANZAC Square is adjacent to ANZAC Square Arcade.
ANZAC Square contains the Shrine of Remembrance and the 'Eternal Flame of Remembrance' held in a continuously lit bronze urn, dedicated on Tuesday, 11 November, 1930.
There is also the World War II Shrine of Memories. Daphne Mayo sculptured the Women's War Memorial that forms part of the memorial's wall.
The external wall of the Shrine of Memories is dedicated to the 60 000 Queenslanders who fought in World War I.[3] There are also war-related statues, for various wars, including memorial statues for the Queensland soldiers who fought during the Second Boer War (1899-1902), as well as World War II, the Vietnam War and campaigns in Korea, Borneo and New Guinea.
On 25 April, every year, a Dawn Service is held at the Shrine of Remembrance and ANZAC Square.
ANZAC Square was registered on the Register of the National Estate in 1980 and is listed on the Queensland Heritage Register.
Details:
Camera: Canon EOS 5D Mk II
Lens: Canon EF 24-70mm f/2.8L USM
Exposure: 3 exposures (-2,0,+2 EV)
Aperture: f/8
Focal Length: 24mm
ISO Speed: 100
Accessories: n/a (hand-held)
Date and Time: 24 February 2010 3.43pm
Post Processing:
Imported into Lightroom
Exported 3 exposures to Photomatix
Tonemap generated HDR using detail enhancer option
Exported HDR to CS3
Contrast adjustment
Lens Distortion filter
Unsharp mask filter
Exported back to Lightroom
Crop tool
Spot Removal tool
Added keyword metadata
Exported as JPEG
Cloud Gate is British artist Anish Kapoor's first public outdoor work installed in the United States. The 110-ton elliptical sculpture is forged of a seamless series of highly polished stainless steel plates, which reflect the city's famous skyline and the clouds above. A 12-foot-high arch provides a "gate" to the concave chamber beneath the sculpture, inviting visitors to touch its mirror-like surface and see their image reflected back from a variety of perspectives.
Inspired by liquid mercury, the sculpture is among the largest of its kind in the world, measuring 66-feet long by 33-feet high. Cloud Gate sits upon the At&T Plaza.
"What I wanted to do in Millennium Park is make something that would engage the Chicago skyline…so that one will see the clouds kind of floating in, with those very tall buildings reflected in the work. And then, since it is in the form of a gate, the participant, the viewer, will be able to enter into this very deep chamber that does, in a way, the same thing to one's reflection as the exterior of the piece is doing to the reflection of the city around."
-Anish Kapoor
Demonstrators on top of the statue Place de la Nation.
Merci de lire les explications en début d'album / Please read the explanations at the beginning of the set
Part of Régimes Spéciaux (Recommended as a slideshow)
YA RABBİ
Seni tarif etmektedir bütün güzel isimler
Sen güzel isimlerini aşikar etmezsen ruhum karanlıkta kalır
Esmaül Hüsnana şahit yaz beni...
Ya Rabbi
Sana söyleyeceklerim
Senin kudretin için Yeterli gelmez biliyorum
Ancak gözüme görünen
Gönlüme değdirdiğin güzellikler kadar
Cümle kurabilirim
Sen'den başkasına boyun eğdirme bizi...
Sevdirirsin kendini uyanık gönüllere.
Sevgini emzirirsin emziren annelere.
Sevgini dokundurursun açılan güllere.
Sevdiğin ve sevdirdiğin için bakar yüzler yüzlere.
Sevdiğin ve sevdirdiğin için güneş doğar günlere.
Sevdiğin ve sevdirdiğin için baharın gelir her yere.
Sevdiğin ve sevdirdiğin için kelamın değer dillere.
Sevdanı kalbimin karasına çal.
Gönlüme rahmetinin ırmağını sal.
Ruhumu zikrinin lezzetiyle al.
Son anımda vesveseye yol verme.
Son demde gönle yaramaz şeyler gösterme.
Sen ki Sana rağbet edenleri çok iyi bilirsin;
teveccühünle şereflendir beni.
Sen ki suskun gönüllerde saklı kalanları bilirsin;
gizli saklı arzularıma cevap ver de sevindir beni...
EL-VEDÛD C.C.
Seven, bütün mahlukatın hayrını isteyen, onlara ihsan eden.
Al-Wadud : The Loving One who loves good servants, and bestows its compassion upon them.
Cenab-ı Hak buyuruyor:
Rabbinizden bağışlanma dileyin; sonra O'na tevbe edin. Muhakkak ki Rabbim çok merhametlidir, çok sever" (Hud, 90)
Cumanız mübarek olsun...
Here is my 13th entry for the Colossal Castle Contest XVI. For my second entry in the Classic Castle category I decided to go with a truly classic approach – maintaining a very similar style to the castle sets of the 80s, with just a few more tiles. I was surprised by how difficult and time consuming it was to build in that simplistic style, and am especially pleased with the yellow and black tudor portion I based off of the old printed wall element from Black Falcon’s Fortress. The tower is hinged off the wall, and the tudor guardhouse has a hinging portion to allow access to the interior.
Set #6062 Battering Ram was the first castle set John and I ever got (no we’re not that old, we got it second hand), so Black Falcons have always been extra special to us. Building this brought back a lot of fond memories of playing with that old set.
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Stupid me forgot my tripod today aaaaaaaaaaaaaaargh !! thank god for a jessops bean bag and a pebble or two for support
VIEW MY GETTY COLLECTION HERE
www.gettyimages.com/search/search.aspx?assettype=image&am...
VIEW MY WEB SITE AND SHOP HERE
Here is my first published work even though i did it as a freebie its great seeing your work on a web site !
www.thewhitehartvillageinn.com/index.html
Here is the flickr set
Montseny. Catalonia.
Check it out my Portfolio: GETTY IMAGES
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Montseny Natural Park is a natural park that protects part of the Montseny massif. It was established in 1977 and is managed by the Barcelona Provincial Council since 1977 and the Council of Girona since 1978. Also since 1978 is a biosphere reserve by UNESCO. It was established as a national park in 1987. It covers part of the municipal Aiguafreda El Brull, Campins and Cànoves Samalús, Figaro-Montmany, hotbed of Montclús, La Garriga Gualba Montseny Palautordera St. Stephen, St. Peter Vilamajor Seva Tagamanent Arbúcies Breda , Rails Montseny, Sant Feliu de Buixalleu and Viladrau. The top of the park is the Turó de l'Home 1706.7 meters.
Badewald. Switzerland.
Check it out my Portfolio: GETTY IMAGES
Maybe you like this: / Facebook / 500px
Switzerland (German: Schweiz[note 3] [ˈʃvaɪts]; French: Suisse [sɥis]; Italian: Svizzera [ˈzvittsera]; Romansh: Svizra [ˈʒviːtsrɐ] or [ˈʒviːtsʁːɐ]), officially the Swiss Confederation (Latin: Confoederatio Helvetica, hence its abbreviation CH), is a federal parliamentary republic consisting of 26 cantons, with Bern as the seat of the federal authorities. The country is situated in Western and Central Europe,[note 4] where it is bordered by Germany to the north, France to the west, Italy to the south, and Austria and Liechtenstein to the east.
Switzerland is a landlocked country geographically divided between the Alps, the Swiss Plateau and the Jura, spanning an area of 41,285 km2 (15,940 sq mi). While the Alps occupy the greater part of the territory, the Swiss population of approximately 8 million people is concentrated mostly on the Plateau, where the largest cities are to be found. Among them are the two global cities and economic centres – Zürich and Geneva.
La fin de Suburbia: L’épuisement des réserves de pétrole et l’effondrement du rêve américain
Oil, smoke & mirrors - sous-titré français Video
wiki.les-verts.infini.fr/index.php/Accueil
Pierre Gevaert, le célèbre fondateur du groupe d'alimentation biologique belge "Lima" (à présent racheté par des Canadiens), fondateur de plusieurs éco-villages en France, et d'une école d'éco-agriculture au Sénégal, vient partager l'expérience de 80 années de vie, les écueils du retour au monde rural mal préparé, etc. Conférence Nature & Progrès, Marche-en-Famenne jeudi 10 avril 2008 Video
Entretien avec Jean Laherrère, fondateur d'ASPO Video
www.wolfatthedoor.org.uk/francais
Nous mangeons du pétrole by Dale Allen Pfeiffer texte original sur le site http://www.fromthewilderness.com/ (FTW)
(Sur le même thème voir aussi le texte en anglais Why Our Food is So Dependent on Oil de Norman Church)
© Copyright 2004, From The Wilderness Publications, www.copvcia.com. All Rights Reserved. May be reprinted, distributed or posted on an Internet web site for non-profit purposes only.
Note de l'éditeur (Michael C. Ruppert) Il y a quelques mois, interpellé par un rapport réalisé par le Professeur Kenneth Deffeyes de Princeton concernant son travail sur l'impact du pic de pétrole (Peak Oil) sur la production d'engrais, j'ai demandé à l'éditeur responsable de la section énergie de FTW, Dale Allen Pfeiffer d'étudier ce que produira la diminution de gaz naturel sur les coûts de production des engrais. Ses recherches le menèrent à étudier la production globale de nourriture aux USA et, puisque les USA et le Canada nourissent une partie du monde, les réponses ont une porté globale.
Ce qui suit est probablement l'article le plus effrayant que j'ai lu et la contribution la plus alarmante que FTW ait jamais publiée. Même si l'on a vu CNN, Britain's Independent ou Jane's Defence Weekly reconnaitre la réalité du pic de pétrole (Peak Oil and Gas) ces dernières semaines, admettant que les réserves mondiales de pétrole et de gaz sont inférieures de 80% à celles estimées, nous voyons le peu de réflexions consacrées à prévoir ces crises à venir ; au moins en terme de réflexions accessibles au public.
L'article qui suit est si sérieux dans ses implications que j'ai pris l'inhabituelle initiative de souligner certains points clés. J'ai fais cela avec l'intention que le lecteur considère chaque passage souligné comme un fait séparé incroyablement important. Chacun de ces faits doit être lu et digéré séparément pour assimiler son importance. Je me suis trouvé lisant un fait, me levant et marchant de long en large jusqu'à pouvoir revenir continuer (in)confortablement à lire la suite.
Tout ce que rapporte les recherches de Dale Allen Pfeiffer confirme les pires doutes de FTW à propos des conséquences du pic de pétrole, et pose de sérieuses questions sur ce qu'il faut faire après. La moindre n'est pas pourquoi, au cours d'une année d'élection présidentielle (aux USA) aucun des candidats n'a reconnu le problème. Aujourd'hui, il est clair que les réponses à ces questions, sans doute les plus importantes auxquelles l'humanité doit faire face, doivent nécessairement être trouvées par des individus et des collectivités privées, indépendamment d'aide gouvernementale. Savoir si la recherche de réponse débute maintenant, ou bien lorsque la crise deviendra inévitable, ne dépend que de nous. - MCR
3 octobre 2003, 1200 PDT, (FTW) -- Les humains (comme tous les autres animaux) tirent leur énergie de la nourriture qu'ils mangent. Jusqu'au siècle dernier, toute l'énergie de la nourriture disponible sur cette planète était dérivée de l'énergie solaire par photosynthèse. Soit vous mangiez des plantes soit vous mangiez des animaux qui se nourrissaient de plantes, mais l'énergie provenait finalement du soleil.
Il aurait été absurde de penser qu'un jour nous manquerions d'ensoleillement. Non, l'ensoleillement était une ressource abondante, renouvelable et le processus de photosynthèse nourrissait toute vie sur la planète. Il plaçait également une limite sur la quantité de nourriture qui pouvait être produite à chaque instant, et ainsi limiter la croissance de la population. L'énergie solaire a un flux limité sur la planète. Pour augmenter votre production de nourriture, il fallait augmenter la surface cultivable et déplacer vos concurrents. Il n'y avait pas d'autres moyens pour augmenter l'énergie disponible pour la production de nourriture. La population humaine crût en déplaçant tout et en s'appropriant de plus en plus de l'énergie solaire.
Le besoin d'augmenter la production agricole est l'une des causes qui motiva la plupart des guerres, associé à l'accroissement des besoins énergétiques (et la production agricole est vraiment une partie essentielle des besoins énergétiques.) Quand les Européens ne purent plus étendre leur surfaces agricoles, ils commencèrent à conquérir le monde. Les explorateurs furent suivis des conquérants, puis des commerçants et des colons. Les raisons annoncées de l'expansion pouvait être le commerce, l'avarice, l'empire ou simplement la curiosité, mais à l'origine, tout était question d'augmentation de la productivité agricole. Où que les explorateurs et conquérants voyagèrent, ils ont pu ramener des butins, mais ont laissé des plantations. Ensuite, les colons travaillent à rendre la terre cultivable pour y établir leur propre ferme. Ces conquêtes ont duré tant qu'il y avait des terres pour s'étendre. Jusqu'à aujourd'hui, les propriétaires terriens et les fermiers luttent et réclament plus de terres pour la production agricole, mais ils se battent pour des restes. Aujourd'hui, virtuellement toutes les terres productives de cette planète sont exploitées pour l'agriculture. Ce qui reste inutilisé est trop escarpé, trop humide, trop sec ou sur un sol trop pauvre en nutriment.1
Au moment où la production agricole ne peut plus s'étendre par accroissement de la surface, de nouvelles innovations rendent possible une meilleure productivité des terres disponibles. Le processus de déplacement des "nuisibles" et d'appropriation pour l'agriculture, accéléré par la révolution industrielle et la mécanisation de l'agriculture, a accéléré le nettoyage et le labourage de la terre et augmenté la taille des exploitations qui pouvaient être tenues par une seule personne. A chaque accroissement de la production agricole, la population humaine augmentait aussi.
A présent, les humains se sont approprié environ 40% des capacités de photosynthèse de toutes les terres.2 Aux USA, c'est plus de la moitié de l'énergie capturée par photosynthèse.3 Nous nous sommes approprié la meilleure moitié de la planète. Le reste de la nature est forcé de faire avec ce qui reste. Ceci est le premier facteur d'extinction des espèces et du stress de l'écosystème.
La Révolution Verte
Dans les années 1950 et 1960, l'agriculture a subit une transformation radicale souvent appelée la Révolution Verte. La révolution verte est le résultat de l'industrialisation de l'agriculture. Une partie des avancées provint de nouvelles plantes hybrides, donnant des récoltes bien plus productives. Entre 1950 et 1984, alors que la révolution verte transformait l'agriculture dans le monde entier, la production de semence mondiale crût de 250%.4 C'est un accroissement considérable de la quantité de nourriture disponible pour la consommation humaine. Cet accroissement d'énergie ne provenait pas d'une augmentation de l'ensoleillement, ni de l'apparition de nouveaux horizons de terres agricoles. L'énergie de la révolution verte provenait des énergies fossiles sous la forme d'engrais (gaz naturel), de pesticides (pétrole) et d'irrigation motorisée.
La Révolution Verte a accru la quantité d'énergie consommé par l'agriculture de 50 fois en moyenne par rapport à l'agriculture traditionnelle.5 Dans les cas les plus extrêmes, la consommation d'énergie de l'agriculture a été multipliée par 100 ou plus. 6
Aux USA, 730 kg d'équivalent pétrole (400 gallons) sont dépensés par an pour nourrir chaque Américain (données de 1994). 7 La consommation d'énergie pour l'agriculture se répartie comme suit :
31% pour la fabrication d'engrais non organique
19% pour les engins agricoles
16% pour le transport
13% pour l'irrigation
08% pour élever le bétail (sans sa nourriture)
05% pour l'assèchement des récoltes
05% pour la production de pesticide
08% divers8
Les coûts énergétiques pour emballer, refroidir, transporter vers les revendeurs finals et cuisiner ne sont pas pris en compte dans ces chiffres.
Pour donner une idée au lecteur du besoin en énergie de l'agriculture moderne, la production d'un kg d'azote pour les engrais requiert l'énergie équivalente de 1,4 à 1,8 litres de diesel. Sans considérer le gaz naturel de base.9 Selon le Fertilizer Institute (http://www.tfi.org/), du 30 juin 2001 au 30 juin 2002 les USA ont utilisés 12 009 300 tonnes d'engrais azoté.10 En utilisant le chiffre bas de 1,4 litres de diesel équivalent par kilogramme d'azote, ceci correspond à l'énergie contenue dans 15,3 milliards de litres de diesel, soit 96,2 millions de barils.
Bien sûr, ceci n'est qu'une comparaison grossière pour aider à comprendre les besoins d'énergie de l'agriculture moderne.
Dans un sens littéral, nous pouvons dire que nous mangeons du pétrole. Cependant, à cause des lois de la thermodynamique, il n'y a pas de correspondance directe entre l'énergie consommée et l'énergie produire par l'agriculture. Tout au long du processus, il y a une perte d'énergie. Entre 1945 et 1994, l'énergie utilisée par l'agriculture a été multipliée par 4 tandis que les récoltes ont été multipliées par 3.11 Depuis lors, l'énergie consommée n'a cessé d'augmenter sans augmentation correspondante des récoltes. Nous avons atteint le point des retours marginaux décroissants. A cause de la dégradation des sols, de la demande croissante de gestion des nuisibles et des coûts pour l'irrigation (qui sont détaillés ci-dessous), l'agriculture moderne doit continuer d'augmenter ses dépenses énergétiques simplement pour maintenir sa production actuelle. La révolution verte va à la faillite.
Les coûts du pétrole fossile
L'énergie solaire est une ressource renouvelable limitée seulement par le flux de lumière du soleil vers la terre. Le pétrole fossile, au contraire, est une ressource stockée qui peut être utilisée à un taux presque sans limite. Cependant, à échelle de temps humaine, le pétrole fossile est non renouvelable. Il représente un stock d'énergie planétaire dans lequel nous pouvons piocher au rythme que nous voulons, mais qu'on finira par épuiser sans renouvellement. La Révolution Verte exploite ce dépôt d'énergie pour améliorer la production agricole.
Le total de pétrole fossile utilisé par les USA a été multiplié par 20 dans les 40 dernières années. Aux USA, nous consommons 20 à 30 fois plus d'énergie issue de pétrole fossile par personne que dans les nations en développement. L'agriculture compte directement pour 17% de toute l'énergie utilisée dans ce pays.12 En 1990, nous utilisions approximativement 1000 litres (6,41 barils) de pétrole pour produire de la nourriture avec un hectare de terre.13
En 1994, David Pimentel et Mario Giampietro estimaient que le rapport produits/intrants de l'agriculture était environ 1,4. 14 Pour 0,7 kcal d'énergie fossile consommée, l'agriculture des USA produisait 1 kcal de nourriture. Le chiffre d'entrée de ce ratio était basé sur des statistiques de la FAO (Food and Agriculture Organization des Nations Unies) qui ne considère que les engrais (sans inclure la matière de base des engrais), l'irrigation, les pesticides (sans inclure la matière de base des pesticides), et les engins agricoles et leur carburant. Les autres énergies en entrée de l'agriculture qui ne sont pas considérées étaient l'énergie et les machines pour assécher les récoltes, le transport des intrants et des produits de et vers la ferme, l'électricité, et la construction et l'entretien des bâtiments et infrastructures. Ajouter dans les estimations ces coûts énergétiques conduisent le ration produits/intrants vers une valeur proche de 1.15 Ceci n'inclut pas non plus les dépenses d'énergie de l'emballage, du transport vers les détaillants, le refroidissement ou la cuisson finale.
Dans un rapport ultérieur de la même année (1994), Giampietro et Pimentel réussirent à construire un ratio plus précis de l'utilisation de l'énergie fossile dans l'agriculture.16 Dans cette étude, les auteurs définirent deux types d'énergie en entrée : l'énergie endosomatique et l'énergie exosomatique. L'énergie endosomatique est générée par la transformation métabolique de l'énergie de la nourriture en énergie musculaire dans le corps humain. L'énergie exosomatique est générée par la transformation de l'énergie en dehors du corps humain, comme brûler du pétrole dans un tracteur. Cette donnée permet aux auteurs de se concentrer sur les entrées de fuel fossile uniquement et de son ratio par rapport aux autres entrées.
Avant la révolution industrielle, virtuellement 100% des énergies endomatiques et exosomatiques étaient d'origine solaire. Le pétrole fossile représente maintenant 90% de l'énergie exosomatique utilisée aux USA et dans les autres pays développés.17 La ratio typique exo/endo des sociétés pré-industrielles, basées sur le soleil, est environ de 4 pour 1. Le ratio a décuplé dans les pays développés, passant à 40 pour 1. Aux USA, il est supérieur à 90 pour 1.18 La nature de la manière dont on utilise l'énergie endosomatique a évolué de la même manière.
La grande majorité de l'énergie endosomatique n'est plus dépensée pour produire de la puissance dans les processus économiques. La majorité de l'énergie endosomatique est maintenant utilisée pour générer le flux d'information dirigeant le flux d'énergie exosomatique pour conduire les machines. En considérant le ration de 90/1 aux USA, chaque kcal d'énergie endosomatique dépensée aux USA induit la circulation de 90 kcal d'énergie exosomatique. Par exemple, un petit moteur à essence peut convertir les 38000 kcal d'un gallon (3,785 litres) d'essence en 8,8 kWh (kilowatt heure), ce qui équivaut à environ 3 semaines de travail pour un humain.19
Dans leur étude plus précise, Giampietro et Pimentel trouvèrent que 10 kcal d'énergie exosomatique étaient requises pour produire et fournir 1 kcal de nourriture au consommateur Américain. Ceci inclut l'emballage et toutes les dépenses de livraison, mais exclut la cuisson. 20 Le système d'alimentation Américain consomme 10 fois plus d'énergie qu'il produit en nourriture. Cette asymétrie repose sur les stocks de pétrole fossile non renouvelable.
Avec une hypothèse de 2500 kcal par personne pour une ration quotidienne aux USA, le ratio de 10/1 se traduit en un coût de 35000 kcal d'énergie exosomatique par personne et par jour. Cependant, considérant que le retour moyen d'une heure de travail endosomatique aux USA est d'environ 100000 kcal d'énergie exosomatique, le flux d'énergie exosomatique réquis pour fournir la ration quotidienne est atteint en seulement 20 minutes de travail dans notre système actuel. Malheureusement, si l'on supprime l'énergie fossile de l'équation, la ration quotidienne requiert 111 h de travail endosomatique par personne ; c'est-à-dire, qu'il faudrait près de 3 semaines de travail par personne pour produire la ration quotidienne américaine.
Assez simplement, quand la production de pétrole commencera à diminuer dans les années à venir, il y aura moins d'énergie disponible pour produire de la nourriture.
Sol, terre arable et eau
L'agriculture intensive moderne n'est pas durable. L'agriculture améliorée technologiquement augmente l'érosion du sol, pollue et surconsomme les eaux souterraines et de surface, et même (essentiellement à cause de l'usage des pesticides) provoque de sérieux problèmes d'environnement et de santé publique. L'érosion du sol, les terres surexploitées et les ressources en eau surutilisées conduisent à leur tour à une encore plus grande utilisation des hydrocarbures. On utilise plus d'engrais à base d'hydrocarbure, ainsi que plus de pesticide ; l'irrigation par pompage consomme aussi plus d'énergie ; et les pétroles fossiles sont utilisés pour traiter l'eau polluée.
Il faut 500 ans pour remplacer 2,56 cm de terre arable.21 En environnement naturel, la reconstitution de la terre se fait par décomposition des matières végétales, protégée de l'érosion par les plantes qui apparaissent. Dans les sols fragilisés par l'agriculture l'érosion réduit la productivité de 65% tous les ans.22 Les prairies, qui constitue l'essentiel des terres aux USA, ont perdu la moitié de la couche arable après environ 100 ans d'exploitation fermière. Ce sol s'érode 30 fois plus vite qu'il ne se forme.23 Les récoltes sont bien plus gourmandes que l'herbe qui couvrait les Grandes Plaines. En conséquence, la terre arable restante est de plus en plus pauvre en nutriments. L'érosion du sol et l'appauvrissement en minéraux coute environ 20 milliards de dollars en nutriments à l'agriculture américaine chaque année.24 Le sol de la Grande Plaine est maintenant en grande partie comme une éponge qu'il faut alimenter en engrais carbonés pour pouvoir produire les récoltes.
Chaque année aux USA, plus de 800 000 ha de terre agricole sont perdues à cause de l'érosion, du sel ou du (water logging ?). De plus, l'urbanisation, la construction de route et les besoins industriels requièrent annuellement 400 000 ha de terre.24 Approximativement 3/4 des terres aux USA sont dédiées à l'agriculture et à l'exploitation forestière.25 L'expansion de la population humaine ajoute une pression croissante sur les disponibilité de terre. En conséquence, seulement une petite partie de la surface des USA reste disponible pour les technologies d'énergies solaires nécessaires à une économie basée sur l'énergie solaire. La surface pour exploiter la biomasse est également limitée. Pour cette raison, le développement du solaire et de la biomasse doit se faire au détriment de l'agriculture.
L'agriculture moderne contraint également nos ressources en eau. L'agriculture consomme 85% de toutes les ressources américaines en eau douce.26 De nombreuses ressources d'eau de surface sont surexploitées, particulièrement à l'ouest et au sud. L'exemple typique est la rivière Colorado, qui est détourné goutte après goutte avant qu'il n'atteigne le Pacifique. L'eau de surface ne représente que 60% de l'eau utilisée pour l'irrigation. Le reste, et par endroit la majorité de l'irrigation, vient de nappes phréatiques. Les nappes phréatiques se remplissent doucement par percolation de l'eau de pluie au travers de la croûte terrestre. Moins de 0,1% de l'eau souterraine stockée et puisée par an est remplacé par la pluie.27 La grande nappe Ogallala qui fournit l'eau pour l'agriculture, l'industrie et les foyers des états du sud et du centre des USA est exploité à 160% de son taux de rechargement. La nappe d'Ogallala deviendra improductive d'ici quelques dizaines d'années.28
Nous pouvons illustrer la demande que place l'agriculture moderne sur les ressources en eau en regardant un champs de maïs. Une récolte de maïs qui produit 118 boisseaux/acre/an (104 quintaux/hectare/an) requiert plus de 500.000 gallons/acre d'eau (4.731 mètres cubes/hectare) pendant la croissance. La production d'un kilo de maïs requiert 1.400 litres d'eau.29 A moins de faire quelque chose pour réduire cette consommation, l'agriculture moderne va propulser les USA dans une crise de l'eau.
Ces vingts dernières années, l'utilisation de pesticide aux USA a été multiplié par 33, et chaque année, il y a plus de pertes dues aux parasites.30 C'est le résultat de l'abandon de la pratique traditionnelle de rotation des cultures. Près de 50% des surfaces de maïs américain est dédiée uniquement à la monoculture du maïs.31 Cela provoque une augmentation des parasites du maïs, qui à son tour déclenche l'utilisation de plus de pesticides. L'utilisation des pesticides sur les récoltes de maïs a été multipliée par 1000 même avant l'introduction de maïs résistant aux pesticides par génie génétique. Et cependant, les pertes de maïs ont tout de même été multipliée par 4.32
L'agriculture moderne n'est pas durable. Elle abîme la terre, en drainant les ressources en eau et polluant l'environnement. Et ceci requiert de plus en plus de pétrole fossile pour pomper l'eau pour irriguer, pour remplacer les nutriments, pour protéger des parasites, pour compenser l'environnement et simplement maintenir le niveau de production constant. Pourtant cette entrée nécessaire de combustible fossile va devoir affronter la diminution de la production de combustible fossile.
La consommation des USA
Aux USA, chaque personne consomme une moyenne de 987 kg de nourriture par an. Cela fournit au consommateur américain une moyenne d'apport quotidien d'énergie de 3600 kcal. La moyenne mondiale est de 2700 kcal par jour.33 Aux USA, 19% des apports en calorie proviennent directement des fast food. Les fast food participent pour 34% à la consommation totale de nourriture des citoyens américains. Le citoyen moyen mange en dehors de chez lui une fois sur quatre.34
Un tiers des apports caloriques des américains moyens provient de sources animales (y compris les produits laitiers), pour un total de 363 kg par personne et par an. Ce régime signifie que les citoyens américains dérivent 40% de leurs calories de graisse - près de la moitié de leur régime.35
Les Américains sont également de gros consommateurs d'eau. Il y a 10 ans, les Américains consommaient 4589 litres/jour/personne (l/j/p), la plus grande part utilisée pour l'agriculture. En tenant compte de l'augmentation de population prévue, la consommation d'ici 2050 est estimée à 2650 l/j/p, que les hydrologistes considèrent comme minimaux pour les besoins humains.36 C'est sans compter sur le déclin de la production de carburant fossile.
Pour fournir toute cette nourriture, il faut 600 000 tonnes de pesticide par an en Amérique du Nord. C'est plus d'un cinquième du total mondial des pesticides utilisés, estimé à 2,5 millions de tonnes.37 Au niveau mondial, on utilise plus d'engrais azoté par an que la nature ne peut en produire. De même, l'eau est pompée des nappes phréatiques à rythme supérieur à celui qu'elles ne se remplissent. Les stocks de minerais importants comme le phosphore ou le potassium s'approchent rapidement de l'épuisement.38
Le total d'énergie consommée par les USA est trois fois le montant de l'énergie solaire collectée sous forme de produits forestiers ou de récoltes. Les USA consomment annuellement 40% plus d'énergie que le montant total d'énergie solaire capturée en un an par toute la biomasse des USA. L'Amérique du Nord utilise par habitant cinq fois plus de carburant fossile que la moyenne mondiale.39
Notre prospérité est construite sur le principe d'épuisement le plus rapide possible des ressources mondiales, sans considération pour nos voisins, les autres formes de vie de la planète, ou nos enfants.
Population et développement durable
En considérant un taux d'accroissement de 1,1% par an, la population des USA devrait doubler d'ici 2050. Comme la population croît, environ 0,4 ha de terre sera perdu pour chaque nouvelle personne ajoutée à la population des USA. A ce jour, il y a 0,73 ha de terre cultivable pour chaque citoyen américain. D'ici 2050, ceci devrait passer à 0,24 ha. Pour maintenir les rations standards il faut 0,48 ha par personne.40
Aujourd'hui, seules deux nations dans le monde sont des exportateurs majeurs de grain : les USA et le Canada.41 D'ici 2025, il est prévu que les USA cessent d'être un exportateur de nourriture à cause de la demande intérieure. L'impact sur l'économie américaine pourrait être désastreuse, puisque les exportations de nourriture rapportent 40 milliards de dollars annuellement aux USA. Plus important, des millions de gens pourraient mourir de faim dans le monde sans les exportations de nourriture américaines.42
Aux USA, 34,6 millions de gens vivent dans la pauvreté selon des données du recensement 2002.43 Ce nombre continue d'augmenter à un rythme alarmant. Trop de ces gens n'ont pas de ration quotidienne suffisante. Comme la situation s'aggrave, ce nombre augmentera et les USA seront témoin d'un nombre de plus en plus important de morts de famine.
Il y a plusieurs choses que nous pouvons faire pour alléger cette tragédie. On pourrait améliorer l'agriculture pour qu'elle se débarrasse des pertes, gaspillages et mauvaise gestion pour réduire la consommation d'énergie dédiée à la production de nourriture de moitié.35 On pourrait utiliser les engrais issus du bétail qui sont gaspillés pour remplacer les engrais basés sur le pétrole. On estime que les engrais issus du bétail contiennent 5 fois la quantité d'engrais utilisé chaque année.36 Le plus efficace serait peut-être de supprimer la viande de nos repas.37
Mario Giampietro et David Pimentel estiment qu'il serait possible d'avoir un système d'alimentation durable si quatre conditions étaient réalisées :
1. Des technologies agricoles environnementalement saines doivent être mises en place.
2. Des énergies renouvelables doivent être utilisées.
3. Des augmentations majeures de l'efficacité énergétique doivent réduire la consommation d'énergie exosomatique par personne.
4. La taille et la consommation de la population doivent être compatibles avec le maintient de la stabilité des processus environnementaux.
Si les trois premières conditions sont réalisées, avec une réduction de moins de la moitié de consommation d'énergie exosomatique par personne, les auteurs estiment à 200 millions la population maximale dans une économie durable.39 Plusieurs autres études ont produit des chiffres de cet ordre(Energy and Population, Werbos, Paul J. http://www.dieoff.com/page63.htm; Impact of Population Growth on Food Supplies and Environment, Pimentel, David, et al. http://www.dieoff.com/page57.htm).
Sachant que la population des USA actuelle est de 292 millions, 40 cela signifie une diminution de 92 millions. Pour réaliser une économie durable et éviter un désastre, les USA doivent réduire leur population d'au moins un tiers. La peste noire du XIVe siècle tua environ un tiers de la population européenne (et plus de la moitié de la population Asiatique et Indienne), plongeant le continent dans une période difficile dont il fallut près de deux siècles pour sortir.41
Aucune de ces études ne considère l'impact de la baisse de la production de pétrole. Les auteurs de toutes ces études croient que la crise de l'agriculture ne commencera à avoir un impact qu'après 2020, et ne deviendra pas critique avant 2050. Le pic actuel de production de pétrole (et le déclin qui va suivre), associé au pic de production du gaz naturel d'Amérique du Nord va très vraissemblablement provoquer cette crise de l'agriculture plus tôt que prévu. Il est fort probable qu'une réduction d'un tiers de la population des USA ne sera pas très efficace pour la durabilité ; la réduction nécessaire pourrait dépasser la moitié. Au niveau mondial, la durabilité ne pourrait être atteinte qu'après une réduction de la population de 6,32 milliards d'habitants42 à 2 milliards - une réduction de 68% ou plus des deux-tiers. La fin de cette décennie pourrait voir des prix de la nourriture se développer sans contrôle. La décennie suivante pourrait voir apparaître des famines à niveau jamais subit par la race humaine.
Trois choix
Considérant l'absolue nécessité de la réduction de population, il y a trois choix évidents devant nous.
Nous pouvons, comme une société devenue consciente de ses options faire lucidement le choix de ne plus augmenter notre population. C'est la solution la plus raisonnable des trois options : choir volontairement et librement de réduire de manière responsable la population. Cependant, cela heurte notre impératif biologique de procréation. C'est aussi compliqué par la capacité de la médecine moderne d'étendre notre longévité, et par le refus des Religions d'accepter des règles de gestion de la population. Et puis, il y a aussi un fort lobby pour maintenir un niveau élevé d'immigration pour maintenir bas le coût du travail. Bien que ce soit probablement notre meilleur choix, il y a peu de chance qu'il soit retenu.
Si l'on n'arrive pas à diminuer volontairement notre population, on peut forcer des réductions dans la population à travers des règlements gouvernementaux. Est-il nécessaire de préciser à quel point cette option peut être désastreuse ? Combien d'entre nous choisiraient de vivre dans un monde de stérilisation forcée et de quotas de population maintenus par des lois ? Avec quelle facilité ceci pourrait mener à un sélection de la population utilisant des principes d'eugénisme ?
Reste le troisième choix, qui, à lui seul, présente une indicible image de souffrance et de mort. Si nous devions échouer à reconnaître cette crise à venir et décider de la gérer, nous ferions face à une décroissance dont la civilisation ne se remettra peut-être jamais. Nous perdrions probablement plus que le nécessaire pour assurer la durabilité. Avec ce scénario de décroissance, les conditions se détérioreraient tellement que les survivants seraient une fraction négligeable de la population actuelle. Ces survivants vivraient dans le souvenir de la mort de leur civilisation, leurs voisins, leurs amis et leurs familles. Ces survivants auront vu leur monde s'effrondrer.
Les questions que nous devons nous poser maintenant sont, comment peut-on laisser cela se produire, et que peut-on faire pour l'empêcher ? Notre façon de vivre actuelle signifie-t-elle tant que nous nous placions nous même et nos enfants devant cette tragédie approchant rapidement pour quelques années de consommation de plus ?
Note de l'auteur
C'est probablement l'article le plus important que j'ai écris à ce jour. C'est certainement le plus effrayant, et la conclusion est la plus triste que j'ai jamais écrite. Cette article va probablement déranger le lecteur ; il m'a sans aucun doute perturbé. Pourtant, il est important pour notre futur que cet article soit lu, compris et discuté.
Je suis par nature positif et optimiste. En dépit de cet article, je continue à croire que nous trouverons une solution positive aux multiples crises qui nous font face. Bien que cet article puisse provoquer de nombreux courriels haineux, c'est un simple rapport factuel de données et de la conclusion évidente qui en découle.
---
Notes
1 Availability of agricultural land for crop and livestock production, Buringh, P. Food and Natural Resources, Pimentel. D. and Hall. C.W. (eds), Academic Press, 1989.
2 Human appropriation of the products of photosynthesis, Vitousek, P.M. et al. Bioscience 36, 1986. http://www.science.duq.edu/esm/unit2-3
3 Land, Energy and Water: the constraints governing Ideal US Population Size, Pimental, David and Pimentel, Marcia. Focus, Spring 1991. NPG Forum, 1990. http://www.dieoff.com/page136.htm
4 Constraints on the Expansion of Global Food Supply, Kindell, Henry H. and Pimentel, David. Ambio Vol. 23 No. 3, May 1994. The Royal Swedish Academy of Sciences. http://www.dieoff.com/page36htm
5 The Tightening Conflict: Population, Energy Use, and the Ecology of Agriculture, Giampietro, Mario and Pimentel, David, 1994. http://www.dieoff.com/page69.htm
6 Op. Cit. See note 4.
7 Food, Land, Population and the U.S. Economy, Pimentel, David and Giampietro, Mario. Carrying Capacity Network, 11/21/1994. http://www.dieoff.com/page55.htm
8 Comparison of energy inputs for inorganic fertilizer and manure based corn production, McLaughlin, N.B., et al. Canadian Agricultural Engineering, Vol. 42, No. 1, 2000.
9 Ibid.
10 US Fertilizer Use Statistics. http://www.tfi.org/Statistics/USfertuse2.asp
11 Food, Land, Population and the U.S. Economy, Executive Summary, Pimentel, David and Giampietro, Mario. Carrying Capacity Network, 11/21/1994. Résumé, Rapport complet
12 Ibid.
13 Op. Cit. See note 3.
14 Op. Cit. See note 7.
15 Ibid.
16 Op. Cit. See note 5.
17 Ibid.
18 Ibid.
19 Ibid.
20 Ibid.
21 Op. Cit. See note 11.
22 Ibid.
23 Ibid.
24 Ibid.
25 Op Cit. See note 3.
26 Op Cit. See note 11.
27 Ibid.
28 Ibid.
29 Ibid.
30 Op. Cit. See note 3.
31 Op. Cit. See note 5.
32 Op. Cit. See note 3.
33 Op. Cit. See note 11.
34 Food Consumption and Access, Lynn Brantley, et al. Capital Area Food Bank, 6/1/2001. http://www.clagettfarm.org/purchasing.html
35 Op. Cit. See note 11.
36 Ibid.
37 Op. Cit. See note 5.
38 Ibid. 39 Ibid.
40 Op. Cit. See note 11.
41 Op. Cit. See note 4.
42 Op. Cit. See note 40
www.burnham-on-sea.com/berrow-wreck.shtml
VIEW MY GETTY COLLECTION HERE
www.gettyimages.com/search/search.aspx?assettype=image&am...
VIEW MY WEB SITE AND SHOP HERE
Here is my first published work even though i did it as a freebie its great seeing your work on a web site !
www.thewhitehartvillageinn.com/index.html
Here is the flickr set
Thank you for comments, adding to fav's - and your time :-)
© All Rights Reserved - no usage allowed in any form without my written permission.
Heavy is the lord on my mind
Gotta get thing off my chest
I'm just out here trying to do my best
I don't wanna hurt noone
So just wake me up when this is done
Sometimes change is hard to witness
Forget who I ever was
I got something all because I'm
changing for you
I'm changing for you
Forget who I ever was
I got something all because I'm
changing for you
I'm changing for you
Cover up my eyes with my hands
but I know you see right through it
Come on there is nothing to it
I am sure of this one thing
When you started to work in me
You continue until the day is finshed
Forget who I ever was
I got something all because I'm
changing for you
I'm changing for you
Forget who I ever was
I got something all because I'm
changing for you
I'm changing for you
'Pensée gitane' Large On Black
Voici mes premières photos argentiques (scannées) réalisées avec un Canon F1, commercialisé dans les années 70, avec un objectif 50mm 1-14 SSC, amicalement prêté par un ami .
cf : 35mm-compact.com/reflex/canonf1.htm
Ce sont mes premières "vraies" photos, et plus que d'éloges j'ai réellement besoin de vos avis, critiques et conseils, alors merci d'avance...
.......................................................................................................
Here my first silver photographs (scan) taken with a Canon F1, marketed in the Seventies, with an objective 50mm 1-14 SSC, and friendly lent by a friend .
cf : 35mm-compact.com/reflex/canonf1.htm
These are my first "true" photographs, and more than of the praises I need really your opinions, criticisms and councils, then thank you in advance...
Modèle : Léane
Natural light, not retouched, just framed
Another hazy sunset shot from a few weeks ago when the fires were blazing all around the Cape. All of that smog makes for beautiful (if hazy) sunsets.
Sweet dreams to everyone on their way to dreamland. Wishing everyone a super-sexy Friday. I'm still in bed with flu and feeling worse than on Monday - is that even possible?!!!
Some clouds in life have a golden lining, not only silver. Always remember that whatever you're going through, you can be sure it's going to change - things always change. Don't give up. This is in honour of the One Friend that knows just what to say at the very right time - the One Friend we all have... Thank you for loving me!
.
View On Black please, it's much better there.
I don't know if you all know but this year's Vday clashes with the first day of the Lunar New Year.
And to be honest, I can't be arsed with both.
I don't celebrate V-day, even if I'm attached, I just don't see the point. I'd rather have a good make out session than a bouquet of flowers or a box of chocolates, but that's just me.
And Chinese New Year?
I really dislike visiting people, especially certain relatives whom my family members aren't on good terms with.
And this year, my Chinese New Year break is pathetic because I've got 2 major assignments due right when school starts again. One good thing though, is that I've gotten my hands on Dante's Inferno Death Edition, I have ALWAYS been fascinated with the poem and it's awesome that there's a game based on it!!! Will probably do an inspired shot or something soon =)
I think the next game I want to get my hands on will be Heavy Rain.
This shot was pretty spontaneous, I wore that qipao thingy and was wondering what to shoot, so I just randomly threw my quilt on the floor, grabbed some random items from my table and took some photos.
I had quite a few different edits for this shot and an outtake which will be in the comments.
Happy Vday to all and Happy CNY to asian flickrites =)
(Ps. I hope the colour looks ok on your screen cause on some screens it can tend to look toooo yellow, sorry if on your screen it does!)
Copyright © Argazkilari 64- 2009- All rights reserved
Au royaume d'Albanie, ancêtre du comté d'Albany, le roi Elinas chassait dans la forêt et rencontra à une fontaine une magnifique jeune femme qu'il salua bien humblement:
– "Ma chère dame, je désire plus que tout avoir votre bon amour et votre bonne grâce.
– Donc, si vous me voulez prendre pour épouse, jurez que vous ne chercherez jamais à me voir au temps de mes couches."
Ainsi parla la fée Persine (ou Presine). Ils se marièrent et eurent trois filles, toutes aussi belles que leur mère. L'aînée s'appelait Mélusine, la deuxième Mélior et la dernière Palestine. Mataquas, fils du premier lit d'Elinas, jaloux du bonheur de sa belle-mère, poussa son père dans la chambre où Persine baignait ses filles.
– Faux roi, tu as manqué à ta parole, cria la mère, il t'en mésaviendra, tu m'as à jamais perdue !
Persine s'exila avec ses trois filles au sud, sur l'île magique d'Avalon, où elles montaient chaque matin sur la colline d'Elénos, la montagne fleurie, d'où elles pouvaient apercevoir la lointaine Albanie.
– Filles, voyez là-bas où vous êtes nées et où vous auriez eu votre sort sans la fausseté de votre père qui vous a réduites à une misère sans fin. Et chaque fois elle répétait son malheur, si bien que l'aînée, Mélusine, déclara à ses sœurs :
– Je suis d'avis, s'il vous semble bon, d'enfermer le parjure en la merveilleuse montagne de Northumberland, appelée Brumblerio, d'où il ne sortira plus jamais. Ce qu'elles firent.
Leur mère s'en montra fort courroucée :
– Toi Mélusine, qui es l'aînée, tu sera la première punie. Désormais tu seras tous les samedis Serpente au-dessous du nombril. Si toutefois tu trouves un homme qui te veuille épouser à la condition de ne jamais te voir le samedi, tu vivras le cours naturel d'une vie de femme et tu mourras naturellement. De toutes façons de toi sortira une noble et très grande lignée qui accomplira de belles et hautes prouesses. Mais si jamais tu te sépares de ton mari, sache que tu retourneras au tourment d'auparavant sans fin.
Mélior fut condamnée à garder un épervier merveilleux dans un château en Arménie. Quant à Palestine, elle fut enfermée dans le mont Canigou avec le trésor de son père jusqu'à ce qu'un preux chevalier la délivre.
Mélusine signifie "merveille" ou "brouillard de la mer". Pour les Lusignan, on l'appelle "Mère Lusigne" (la mère des Lusignans), fondatrice de leur lignée. Dans le dictionnaire Littré, elle est appelée Merlusigne, ce qui pourrait faire penser à une connotation aquatique.
Certains lui donnent une origine bretonne insulaire. En breton son nom devient Melizenn et se traduit par La Mielleuse.
Le nom de sa mère Persina trouve sa racine bretonne dans le mot Berz ou Berziñ signifiant selon le contexte avertissement, interdit, férié, prohibition, injonction, mise en garde. Ce qui correspond bien à son rôle face à son époux. (Wilkipedia)
Le nom de sa sœur Melior pourrait venir de Meler en breton, le fabricant de miel, mais Miliour en breton signifie aussi La Flatteuse
Pour sa sœur Palestine, on pourrait faire un rapprochement avec Bac'h C'hestenn, Bac'h signifiant cellule et la mutation de Kestenn, signifiant la Ruche en breton. Peut-être à rapprocher du fait qu'elle demeure prisonnière de la montagne telle une nymphe d'abeille dans l'alvéole de la ruche. Cependant, Bac'h Laezenn est plus proche de son rôle dans l'histoire ; Bac'h signifiant aussi séquestre et Laez-enn signifiant la hauteur, le monticule.
Le nom de la colline de Brumblerio tire aussi son nom du breton et s'approche de la colline appelée Bryn y Briallu, connue aujourd'hui sous le nom de Primrose Hill et qui signifie La colline aux Primevères
Quant à la montagne de Canigou on peut la retrouver au Gwynedd, Pays de Galles dans la montagne de Carnguwch qui culmine à 359 mètres sur le territoire de la commune de Pistyll. Son sommet est constitué d'amoncellement de pierres tel un cairn naturel.
Pour en savoir davantage : fr.wikipedia.org/wiki/M%c3%a9lusine_(f%c3%a9e)
From the Website
The Tower Hamlets Trayned Bandes were, of course, by their nature, a social as well as military organisation. This is also especially true of the re-created regiment, and is reflected in the civilian roles: craftsmen make useful items and repair equipment, musicians entertain us and the public, preachers watch out for our moral wellbeing, servants and clerks bring order to the lives of officers and goodwives and families lend their support and cater to the inner man!
Upcoming Events
14th/15th August 2010, Tattershall Castle, Lincolnshire
28th/29th/30th August 2010, Basing House, Hampshire (Major Muster)
11th September 2010, St John the Evangelist Church, Leeds.
Texture by
Sterling Silver
Skeletal Mess (bruised ego)
One of the machine is blowing artificial "snow", for the joy of the children :-) It's also safe for the cameras apparently ;-)
Part of "Le Grand Répertoire", a set on this exhibition at the Grand Palais in Paris.
www.meucat.com/maps/mapa_satelite.php?COD=roma&NOME=P...
Fontana dei Quattro Fiumi
Following, a text, in english, from Wikipedia, the free encyclopedia:
The Fontana dei Quattro Fiumi or "Fountain of the Four Rivers" is a fountain in Rome, Italy, located in the Piazza Navona. Designed by Gianlorenzo Bernini, it is emblematic of the dynamic and dramatic effects sought by High Baroque artists. It was erected in 1651 in front of the church of Sant'Agnese in Agone, and yards from the Pamphilj Palace belonging to this fountain's patron, Innocent X (1644-1655).
The four gods on the corners of the fountain represent the four major rivers of the world known at the time: the Nile, Danube, Ganges, and Plate. The design of each god figure has symbolic importance.
Design
Bernini's design was selected in competition. The circumstances of his victory are described as follows:
So strong was the sinister influence of the rivals of Bernini on the mind of Innocent that when he planned to set up in Piazza Navona the great obelisk brought to Rome by the Emperor Caracalla, which had been buried for a long time at Capo di Bove for the adornment of a magnificent fountain, the Pope had designs made by the leading architects of Rome without an order for one to Bernini. Prince Niccolò Ludovisi, whose wife was niece to the pope, persuaded Bernini to prepare a model, and arrange for it to be secretly installed in a room in the Palazzo Pamphili that the Pope had to pass. When the meal was finished, seeing such a noble creation, he stopped almost in ecstasy. Being prince of the keenest judgment and the loftiest ideas, after admiring it, said: “This is a trick … It will be necessary to employ Bernini in spite of those who do not wish it, for he who desires not to use Bernini’s designs, must take care not to see them.”
Paraphrase from Filippo Baldinucci, The life of Cavaliere Bernini (1682)
Public fountains in Rome served multiple purposes: first, they were highly needed sources of water for neighbors in the centuries prior to home plumbing. Second, they were monuments to the papal patrons. Earlier Bernini fountains had been the Fountain of the Triton in Piazza Barberini, the fountain of the Moor in the southern end of Piazza Navona erected during the Barberini papacy, and the Neptune and Triton for Villa Montalto, whose statuary now resides at Victoria and Albert Museum in London.
Each has animals and plants that further carry forth the identification, and each carries a certain number of allegories and metaphors with it. The Ganges carries a long oar, representing the river's navigability. The Nile's head is draped with a loose piece of cloth, meaning that no one at that time knew exactly where the Nile's source was. The Danube touches the Papal coat of arms, since it is the large river closest to Rome. And the Río de la Plata is sitting on a pile of coins, a symbol of the riches America could offer to Europe (the word plata means silver in Spanish). Also, the Río de la Plata looks scared by a snake, showing rich men's fear that their money could be stolen. Each is a river god, semi-prostrate, in awe of the central tower, epitomized by the slender Egyptian obelisk (built for the Roman Serapeum in AD 81), symbolizing by Papal power surmounted by the Pamphili symbol (dove). In addition, the fountain is a theater in the round, a spectacle of action, that can be strolled around. Water flows and splashes from a jagged and pierced mountainous disorder of travertine marble. A legend, common with tour-guides, is that Bernini positioned the cowering Rio de la Plata River as if the sculpture was fearing the facade of the church of Sant'Agnese by his rival Borromini could crumble against him; in fact, the fountain was completed several years before Borromini began work on the church.
The dynamic fusion of architecture and sculpture made this fountain revolutionary when compared to prior Roman projects, such as the stilted designs Acqua Felice and Paola by Fontana in Piazza San Bernardo (1585-87) or the customary embellished geometric floral-shaped basin below a jet of water such as the Fontanina in Piazza Campitelli (1589) by Giacomo della Porta.
Unveiling
he Fontana dei Quattro Fiumi was unveiled to the populace of Rome on 12 June 1651. According to a report from the time, an event was organised to draw people to the Piazza Navona. Beforehand, wooden scaffolding, overlaid with curtains, had hidden the fountain, though probably not the obelisk, which would have given people an idea that something was being built, but the precise details were unknown. Once unveiled, the full majesty of the fountain would be apparent, which the celebrations were designed to advertise. The festival was paid for by the Pamphili family, to be specific, Innocent X, who had sponsored the erection of the fountain. The most conspicuous item on the Pamphili crest, an olive branch, was brandished by the performers who took part in the event.
The author of the report, Antonio Bernal, takes his readers through the hours leading up to the unveiling. The celebrations were announced by a woman, dressed as the allegorical character of Fame, being paraded around the streets of Rome on a carriage or float. She was sumptuously dressed, with wings attached to her back and a long trumpet in her hand. Bernal notes that "she went gracefully through all the streets and all the districts that are found among the seven hills of Rome, often blowing the round bronze [the trumpet], and urging everyone to make their way to that famous Piazza." A second carriage followed her; this time another woman was dressed as the allegorical figure of Curiosity. According to the report, she continued exhorting the people to go towards the piazza. Bernal describes the clamour and noise of the people as they discussed the upcoming event.
The report is actually less detailed about the process of publicly unveiling the fountain. However, it does give ample descriptions of the responses of the spectators who had gathered in the Piazza. Once there, Bernal notes, the citizens of the city were overwhelmed by the massive fountain, with its huge life-like figures. The report mentions the "enraptured souls" of the population, the fountain, which "gushes out a wealth of silvery treasures" causing "no little wonder" in the onlookers. Bernal then continues to describe the fountain, making continuous reference to the seeming naturalism of the figures and its astonishing effect on those in the piazza.
The making of the fountain was met by opposition by the people of Rome for several reasons. First, Innocent X had the fountain built at public expense during the intense famine of 1646-48. Throughout the construction of the fountain, the city murmurred and talk of riot was in the air. Pasquinade writers protested the construction of the fountain in September 1648 by attaching hand-written invectives on the stone blocks used to make the obelisk. These pasquinades read, "We do not want Obelisks and Fountains, It is bread that we want. Bread, Bread, Bread!" Innocent quickly had the authors arrested, and disguised spies patrol the Pasquino statue and Piazza Navona
The streetvendors of the market also opposed the construction of the fountain, as Innocent X expelled them from the piazza. The Pamphilij pope believed they detracted from the magnificence of the square. The vendors refused to move, and the papal police had to chase them from the piazza. Roman Jews, in particular, lamented the closing of the Navona, since they were allowed to sell used articles of clothing there at the Wednesday market.
Navona Square (Piazza Navona).
Following, a text, in english, from Wikipedia, the free encyclopedia:
Piazza Navona is a city square in Rome, Italy. It is built on the site of the Stadium of Domitian, built in first century AD, and follows the form of the open space of the stadium.[1] The ancient Romans came there to watch the agones ("games"), and hence it was known as 'Circus Agonalis' (competition arena). It is believed that over time the name changed to 'in agone' to 'navone' and eventually to 'navona'.
Defined as a public space in the last years of 15th century, when the city market was transferred to it from the Campidoglio, the Piazza Navona is a significant example of Baroque Roman architecture and art. It features sculptural and architectural creations: in the center stands the famous Fontana dei Quattro Fiumi or Fountain of the Four Rivers (1651) by Gian Lorenzo Bernini; the church of Sant'Agnese in Agone by Francesco Borromini and Girolamo Rainaldi; and the Pamphilj palace also by Rainaldi and which features the gallery frescoed by Pietro da Cortona.
The Piazza Navona has two additional fountains: at the southern end is the Fontana del Moro with a basin and four Tritons sculpted by Giacomo della Porta (1575) to which, in 1673, Bernini added a statue of a Moor, or African, wrestling with a dolphin, and at the northern end is the Fountain of Neptune (1574) created by Giacomo della Porta. The statue of Neptune in the northern fountain, the work of Antonio Della Bitta, was added in 1878 to make that fountain more symmetrical with La Fontana del Moro in the south.
At the southwest end of the piazza is the ancient 'speaking' statue of Pasquino. Erected in 1501, Romans could leave lampoons or derogatory social commentary attached to the statue.
During its history, the piazza has hosted theatrical events and other ephemeral activities. From 1652 until 1866, when the festival was suppressed, it was flooded on every Saturday and Sunday in August in elaborate celebrations of the Pamphilj family. The pavement level was raised in the 19th century and the market was moved again in 1869 to the nearby Campo de' Fiori. A Christmas market is held in the piazza.
Other monuments on the Piazza Navona are:
Stabilimenti Spagnoli
Palazzo de Cupis
Palazzo Torres Massimo Lancellotti
Church of Nostra Signora del Sacro Cuore
Palazzo Braschi (Museo di Roma)
Sant'Agnese in Agone
Literature and films
The piazza is featured in Dan Brown's 2000 thriller Angels and Demons, in which the Fontana dei Quattro Fiumi "The Fountain of the four rivers"(the Danube, the Gange, the Nile and the River Plate) is listed as one of the Altars of Science. During June 2008, Ron Howard directed several scenes of the film adaptation of Angels and Demons on the southern section of the Piazza Navona, featuring Tom Hanks.
The piazza is featured in several scenes of director Mike Nichols' 1970 adaptation of Joseph Heller's novel, Catch-22.
The Fontana dei Quattro Fiumi was used in the 1990 film Coins in the Fountain. The characters threw coins into the fountain as they made wishes. The Trevi Fountain was used in the 1954 version of the film.
A Fontana Dei Quattro Fiumi, é maior das três fontes, localizada no centro da praça. Na fonte dos rios, Bernini projetou quatro estátuas representando os rios dos quatro continentes: o Nilo, o Danúbio, o rio da Prata e o Ganges. As estátuas estão montadas sobre um obelisco egípcio, sendo circundadas por leões e outros animais fantásticos, tendo no cume uma pomba em bronze, símbolo da paz no mundo e da família Pamphili. Para realçar a rivalidade entre Bernini e Borromini, que fez a igreja de Santa Agnese, os romanos criaram uma lenda em torno da fonte dos rios, que fica em frente a esta igreja. Segundo os romanos, as estátuas duvidam da solidez do projeto de Borromini. A que retrata o rio da Prata, tem a mão erguida, a proteger o corpo do desabamento da igreja; a que retrata o Nilo, traz a cabeça coberta por um véu, a recusar a ver a obra de Borromini.
A seguir um texto, em português, da Wikipédia a Enciclopédia Livre:
Fontana dei Quattro Fiumi
Fontana dei Quattro Fiumi (Fonte dos Quatro Rios), foi esculpida por Gian Lorenzo Bernini entre 1648 e 1651, artista do barroco italiano, foi concebida por uma ordem do Papa Inocencio X o Papa da familia Pamphili, cujo tinha sua casa nesta praça.
Esta localizada na Praça de Navona, em Roma. Ela representa os quatro principais continentes do mundo cortados por seus principais rios: Rio Nilo, na África; Rio Ganges, na Ásia, Rio da Prata, na América e o Rio Danúbio, na Europa.
A seguir, texto em português do site Wiki lingue:
A escultura da Fonte dos Quatro Rios, encontra-se na Piazza Navona de Roma (Itália) e foi criada e talhada pelo escultor e pintor Gian Lorenzo Bernini em 1651 baixo o papado de Inocencio X, em plena época barroca, durante o período mais prolífico do genial artista e cerca da que em outro tempo fué a Chiesa dei San Giacomo de gli Spagnoli
A fonte compõe-se de uma base formada de uma grande piscina elíptica, coroada em seu centro de uma grande mole de mármol, sobre a qual se eleva um obelisco egípcio de época romana, o obelisco de Domiciano .
As estátuas que compõem a fonte, têm umas dimensões maiores que na realidade e são alegorias dos quatro rios principais da Terra (Nilo, Ganges, Danubio, Rio da Prata), a cada um deles em um dos continentes conhecidos na época. Na fonte a cada um destes rios está representado por um gigante de mármol .
As árvores e as plantas que emergem da água e que se encontram entre as rochas, também estão em uma escala maior que na realidade. Os animais e vegetales, gerados de uma natureza boa e útil, pertencem a espécies grandes e potentes (como o leão, cavalo, cocodrilo, serpente, dragão, etc.). O espectador, girando em torno da fonte, descobre novas formas que dantes estavam escondidas ou cobertas pela massa rocosa. Com esta obra, Bernini quer suscitar admiração em quem olha-a, criando um pequeno universo em movimento a imitação do espaço da realidade natural.
A fonte foi submetida a restauração, um trabalho que se deu por concluído em dezembro de 2008. Constitui um dos palcos finque da novela e o filme Anjos e Demónios, à qual é arrojado um dos cardeais sequestrados, e Robert Langdon (Tom Hanks) se lança à água para lhe salvar.
Os animais da fonte
A fonte apresenta figuras de sete animais, além de uma pequena pomba e o emblema dos Pamphili. Para poder observá-las basta com dar uma volta ao redor da fonte. As figuras são: um cavalo, uma serpente de terra (na parte mais alta, cerca do obelisco), uma serpente de mar, um delfín (que funciona também como desagüe), um cocodrilo, um leão e um dragão. Notar também a vegetación esculpida que parece real.
Praça Navona.
A seguir, um texto em português, da Wikipédia a Enciclopédia livre:
A Praça Navona (em italiano: Piazza Navona) é uma das mais célebres praças de Roma. A sua forma assemelha-se à dos antigos estádios da Roma Antiga, seguindo a planificação do Estádio de Domiciano (também denominado entre os italianos de Campomarzio, em virtude da natureza rude e esforçada dos exercícios - manejo de armas - e desportos atléticos que aí se realizavam). Albergaria até 20 mil espectadores sentados nas bancadas. A origem do nome deve-se ao nome pomposo que lhe foi dado ao tempo do Imperador Domiciano (imperador entre 81-96 d.c.): "Circo Agonístico" (do étimo grego Agonia, que significa precisamente - exercício, luta, combate). Actualmente o nome corresponde à corruptela da forma posterior in agone, depois nagone e finalmente navone, que por mero acaso significa também "grande navio" na língua italiana.
As casas que entretanto e com o passar dos anos foram sendo construídas sobre as bancadas, delimitariam e circunscreveriam até à actualidade o tão afamado Circo Agonístico.
A Navona passou de fato a caracterizar-se como praça nos últimos anos do século XV, quando o mercado da cidade foi transferido do Capitólio para aí. Foi remodelada para um estilo monumental por vontade do Papa Inocêncio X, da família Pamphili e é motivo de orgulho da cidade de Roma durante o período barroco. Sofreu intervenções de Gian Lorenzo Bernini (a famosa Fontana dei Quattro Fiumi (Fonte dos Quatro Rios, 1651) ao centro); de Francesco Borromini e Girolamo Gainaldi (a igreja de Sant'Agnese in Agone); e de Pietro de Cortona, que pintou a galeria no Palácio Pamphilj, sede da embaixada do Brasil na Itália desde 1920.
O mercado tradicional voltou a ser transferido em 1869 para o Campo de' Fiori, embora a praça mantenha também um papel fundamental em servir de palco para espectáculos de teatro e corridas de cavalos. A partir de 1652, em todos os Sábados e Domingos de Agosto, a praça tornava-se num lago para celebrar a própria família Pamphili.
A praça dispõe ainda duas outras fontes esculpidas por Giacomo della Porta - a Fontana di Nettuno (1574), na área norte da praça, e a Fontana del Moro (1576), na área sul.
Na extremidade norte da praça, por debaixo dos edifícios, foram postas a descoberto ruínas antiquíssimas, a uma cota muito abaixo da actual, comprovando a primeva utilização daquele imenso terreiro. Outros monumentos com entrada para a praça:
Stabilimenti Spagnoli
Palazzo de Cupis
Palazzo Torres Massimo Lancellotti
Church of Nostra Signora del Sacro Cuore
Curiosidades
Na Piazza Navona, está localizado o Palazzo Pamphilj, propriedade da República Federativa do Brasil, sede da Embaixada Brasileira e da Missão Diplomática do Brasil para a Itália.
Better- View On Black
Annual Honesty (Lunaria annua) is a tall (height about 1 m), hairy-stemmed biennial plant native to the Balkans and south west Asia, and naturalized throughout Europe, North America, and parts of Asia. It has large, pointed oval leaves with marked serrations. The common name "Honesty" arose in the 16th century, and it may be due to the translucent seed-pods which are like flattened pea-pods and borne on the plant through winter. In South-East Asia and elsewhere, it is called the Money Plant, because its seed pods have the appearance of silver coins. In the United States it may also be known as "Silver Dollars," also because of the seed pods. In Denmark it is known as Judaspenge and in The Netherlands as Judaspenning (coins of Judas), an allusion to the story of Judas Iscariot and the thirty pieces of silver he was paid.
.wikipedia.org/wiki/Lunaria_annua
There are very few elements as dynamic as the backdrift of the sea lit up by a fiery sun! I find it very satisfying to capture such a scene. A cold February evening at Orrisdale beach.
Shot taken with Canon EOS5D mkII, 17-40 L @ 17mm, f/22, shutter-1 second, used a reverse GND 0.9.
Copyright © Suddhajit Sen Photography.
This photo may not be used in any form without prior permission. All rights reserved
You can buy a print of this image from here
A little break from the California trip. This is from last evening on the VA side of Great Falls Park.
Sort of a 3 part story. The Good = this shot. I was happy with the location I found right down on the water coupled with the pretty tones in the sky. The Bad = the below shot. Not that it's terrible or anything, but I wish it were 'epic' or something along those lines, because I paid for it. The result of the below shot, was The Ugly. A cracked filter, and more painful, a cracked knee...it's an evening I won't soon forget.
A reminder that bad things can happen very very quickly. Stay safe out there...
Thanks for looking!
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Comments and constructive criticism always appreciated.
See where this picture was taken. [?]
This day in Disney history:
(2003) Walt Disney World hosted a railway celebration in honor of Walt Disney's fascination with trains. The event also served as a reminder that the original Disneyland park was partly inspired by Walt's hobby. It was not simply that Walt was a train buff; trains became a major element in his conception of an amusement park. As early as 1948, he wrote a memo describing his idea for a park that featured a railroad station and was circumnavigated by the tracks. A railway is also a major feature of Disney World's Magic Kingdom, and miniature trains run through the Epcot World Showcase pavilion, Germany.
Engine No. 4 – Roy O. Disney - Walt Disney World Railroad
Mickey's Toontown Fair
Magic Kingdom
Walt Disney World Resort
Lake Buena Vista, Florida
June, 2008
Thanks for visiting, Flickr friends!
View On Black | My Photostream on Black | Desktop Background
It's always tricky trying to choose a good day to photograph the beach
especially when you live an hour away so a lot of it is based on Internet
research before making the trip. I have found that webcams can offer some
insight as to beach conditions and I have many bookmarked which I check
before making the choice to head to the beach. The weather is even more
difficult to judge. Many times I have left dramatic skies only to find the
clear skies over the Pacific. Then there are the surf conditions.
Granted there are sites that cover the surf but reading them is somewhat
tricky. Finally I use Google Earth with the weather maps and cloud maps
turned on. If I am going for the sunset, I will also take a peek at a free
program called The Photographer's Ephemeris which shows the angle and times
of the sunset. This can be very helpful in determining when and where the
sun will set in relation to the land. In the end though, there is still an
element of lucky. I've gone out on great days only to be shut down by a
storm on the beach. Other days I have gone out when the weather really
sucked and to find it open up and become perfect right at the sunset. On
those rare occasions I am often the only one on the beach. Not so on this
day. There was a group of photographers crowded along the beach. I
thought to stop and chat but was busy catching the last bits of light.
Turned out that there were several people there who I have listed as
contacts on Flickr. Perhaps next time.
Darv
© Darvin Atkeson
"Delicatessen"
To view my interestig picture go to interestingby.isaias.com.mx/pm.php?id=84745314@N00
Cunit, Tarragona (Spain).
ENGLISH
Already it is spring here, and it is not the one of the Corte Inglés (a Spanish chain of department store that always bosats to wear the seasons of the year before the others). It has arrived today at 6:48, and in Spain it is predicted that it brings cold to us…
I take advantage to dedicate to this photo to Maytevidri, that arrived at this world with spring, since tomorrow day 21 is its birthday. Congratulations Mayte!
By the way this one will be my last photo… until next Monday or Tuesday, when I come back. Happy Easter for all!
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CASTELLANO
Ya está aquí la primavera, y no es la del Corte Inglés (una cadena española de grandes almacenes que siempre presume de estrenar las estaciones del año antes que los demás). Ha llegado hoy a las 6:48, y en España está previsto que nos traiga frío...
Aprovecho la ocasión para dedicar esta foto a Maytevidri, que llegó a este mundo con la primavera, ya que mañana día 21 es su cumpleaños. ¡Felicidades Mayte!
Por cierto que ésta será mi última foto... hasta el lunes o martes que viene. ¡Feliz Semana Santa a todos!
Best Viewed BLACK
Taken Saturday morning following our temple run..
Canal life has long been a part of Thai culture. The Europeans used to call Bangkok "Venice of the East". That was fifty years ago, when Bangkok still had hundreds of canals (klongs). In the mid-nineteenth century, the mighty Chao Phraya River flowed through a city with two-thirds of its residents living on floating houses. Then they started filling in and paving over the canals, to make roads.
Today there are many fewer klongs and most people take the roads instead of the waterways, but a klong is still an attraction. The many klongs that snake through Bangkok offer multiple opportunities and provide a unique look into the everyday lives of the population.
Many Thais live along the waterways, in small wooden houses that rise out of the water on wooden stilts. As you pass by, you can see them doing laundry or bathing while small children are playing. They are wonderful people..
Long flat boats can be seen laden with exotic produce and colorful fare plying the waterways as they have done for centuries. This pic depicts in some ways a feel for life as it was decades ago. Truly impressive ... and hot.. :-) enjoy my man in blue (MIB).. LOL..
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Prise lors de ma sortie de Samedi.. cette photo lance une mini serie sur la vie et les images que l'on peut trouver le long des canaux renommes de Bangkok.. On s'est bien amuse a marche sur pres de 6 Km. A vous maintenant de decouvrir et la serie continue.. ..
Bonne semaine a toutes et a tous.. :-)
www.algarvewildlife.com/reserves-guadiana.php
There are many reasons to visit this beautiful part of Portugal: in spring the wildflowers are wonderful, in autumn the fungi are fabulous, but whatever time of year you visit, the birds are brilliant, and this is what the region is most famous for.
The parque itself is designated as a SPA – Special Protection Area. (There is an explanation of conservation designations on the First Nature website...) It is a large area around the little town of Castro Verde, which lies off the western edge of the Parque.
The countryside is a mixture of wooded hills clad with pine or introduced eucalyptus, grasslands studded with holm oak trees under which the famous black pigs forage for acorns in the autumn, and the largest area of rolling steppes in Portugal – even in high summer when the overall impression is of a desert the landscape is unforgettable.
This outstanding natural park partly lies along the Portuguese border with Spain and is best accessed (from the Algarve) by driving to Castro Marim on the Spanish border and heading north along the IC27 and then Route 122 in the direction of Beja. Parque Natural do Vale do Guadiana is a huge area covering almost 700 square kilometres and, in order to see all that it has to offer, a stay of two or three days in the area would be ideal.
The Hotel Beira Rio in the lovely little town of Mertola is ideal. The hotel is in Rua Dr. Afonso Costa and well signed from all entry points into Mertola, although you should be ready for some interesting driving around the narrow, cobbled streets on the way! The hotel is simple but immaculately clean and comfortable and has excellent views up and down the River Guadiana, which it overlooks. Breakfast is available but there is no restaurant in the hotel for other meals. The staff supply a map with all the nearby restaurants marked, along with the main tourist attractions.
huge area covering almost 700 square kilometres and, in order to see all that
Access and Facilities
There are a number of routes of varying distances throughout and around the Parque which are easy to follow. The road (route 123) between Mertola and Castro Verde and then back via the IP2 (to Trinidade) and then the 122 returning to Mertola is a triangular route and will give you a really good feel for the area.
Another really enjoyable, and not too long, route is marked off the N267 as Circuto de Serras. It passes through some outstanding mountain scenery with several ideal spots to pause and admire the surroundings. Also, not too distant (about 31 kilometres) from Mertola, is Puolo do Lobo, which is an impressive waterfall on the River Guadiana. Considering how seldom one sees water in rivers in the Algarve, and bearing in mind that Parque Natural do Vale do Guadiana sits in the centre of the hottest and most arid region of Portugal with rain well below average, it is quite a surprise to see such a waterfall. Puolo do Lobo is accessed through gates around a kilometre before the waterfall which can be found at the bottom of a steep track. There are parking places and a vehicle turning area very close to the cascade.
Close to Castro Verde there is an Environmental Education Centre run by the Liga da Protectao da Natureza - see the paragraph below for more details.
The Birds of Parque Natural do Vale do Guadiana
Any description of the birdlife of Parque Natural do Vale do Guadiana has to include both the Little Bustard and the Great Bustard, although excessive pressure from birdwatchers has had a negative impact on the breeding success of these two species in recent years. Before attempting to find and photograph these birds it is a good idea to visit the LPN (Liga da Protecao da Natureza) Castro Verde Environmental Education Centre which lies about 10 minutes drive to the east of Castro Verde itself. The centre is open from 9am – 5pm except on Sundays and Mondays, and the English-speaking staff there will explain the various measures that should be adopted when observing Little Bustards and Great Bustards. There is also information available on all the bird-watching hotspots, including walking trails, that exist in the area.
Of the two species of Bustard to be found in the Parque, the Little Bustard is the more common of the two and most likely to be spotted from the roadside. In Spring the head of male bird, perched on its long black neck, can be seen protruding above the tall grasses as he patrols the nest in the absence of his mate. The Great Bustard is a much shyer bird and more rarely seen by the casual visitor to the area. At a weight of around 18 kilogrammes this monster is Europe's heaviest bird and it seems nothing short of a miracle that it is able to take to the air. Even more sensitive to habitat destruction than the Little Bustard, this amazing bird is on the Endangered List and afforded the highest levels of protection.
Many of the other birds to be found here are classified as rare or endangered. There are a few pairs of Bonelli’s Eagles and Golden Eagles for instance, and Great Spotted Cuckoos, Golden Oriels, Black-shouldered Kites and Blue Rock Thrushes can all be found in the Parque. A recent study of the presence of breeding Eagle Owls in the Parque revealed the highest density of these birds ever recorded. Azure-winged Magpies are common in the area and also many Lapwings, which have become so rare in other parts of Europe where they were once common birds. Other notable species present in the Parque include the European Roller, Bee Eater, Black-bellied Sandgrouse, Montague’s Harrier, Calandra Lark, Common Crane, Lesser Kestrel, Eurasian Griffon Vulture and Eurasian Black Vulture. There have even been sightings of Spanish Imperial Eagles soaring over the area.
Other birds to look out for include the Rufous-tailed Robin, a Black-shouldered Kite, several Buzzards, Red Kites, and numerous Red-legged Partridges scurrying across the roads.
Less affected by visiting birdwatchers and naturalists than some of the rarer birds are the Storks - their nesting colonies are frequently found in trees on the roadsides of the Park. Although common throughout the Iberian Peninsula they nevertheless create huge interest for visitors from other parts of the world.
General Wildlife of Parque Natural do Vale do Guadiana
Although best known for being a mecca for bird watchers Parque Natural do Vale do Guadiana is also an excellent place to see many of the wildflowers that occur in southern Portugal, and in autumn, the Parque is an outstanding place to see numerous species of fungi.
One of the earliest of the spring flowers in the area is the cute-looking Friar's Cowl (Arisarum vulgare) which pops up from the base of the plant's arrowhead-shaped leaves as early as December or January. Once the flower season gets underway the roadsides and river banks are consumed with the yellows and purples of early sping as Jonquil, Yellow Hoop-petticoat Daffodil and Barbary Nut burst into flower. They are quickly followed by bright pink Catchflly (Silene colorata) and deep purple Viper's-bugloss (Echium vulgare). The grasslands are a paradise for various members of the pea family including the darkly beautiful Vicia Benghalensis with its thickly hairy stems. In spring the landscape resembles a view through a kaleidoscope with its ever-changing colour as one dominant species of wildflower gives way to the next and so on. By the end of May the extensive crop fields are ripe and golden, but once harvested, this arid area becomes almost desert-like with no indication of the glorious pageant of colour that has gone before. Despite being one of the more instensively farmed parts of the Algarve, the lower useage of herbicides and pesticides on the land than in other parts of Europe means that Mother Nature can still remind us of her power to beautify the countryside with a diversity of flowers and plants beyond the wildest imaginings of even the greatest of our garden designers.
Lying in wait for the first hint of autumn rains are the numerous species of fungi which pop up on the roadsides and in the woodlands of the Parque. One of the more obvious of them is the Parasol mushroom (Macrolepiota procera) which is particularly numerous on the edge of wooded roads throughout the area. It is particularly good to eat and, in a good year, locals sell their excess to passers-by. Chanterelles (Cantharellas cibarius) are another excellent edible species that can be found in both spring and autumn in the Algarve in vast numbers.
Although the temperatures in the Parque in mid summer are very high and the coastal sea breezes seldom penetrate so far inland, this vast open grassland area of the Algarve is well worth a visit at any time of year and provides a very different perspective of southern Portugal from the mainly over-developed coastal area where most of us spend our time on holiday.
I've always been a big fan of large earthworks art and Olrick Thorson's Standing stones in Acasia California is one of the most impressive I've ever seen. The sheer size of this project is almost hard to believe. ( over 120 feet tall) The remote location near the Oregonian border in Northern Califronia makes it hard to visit, ten mile dirt road and then a hard scramble down to the shore. But once you make the hike, it's so worth it.
The dream of philanthropist William Waits, who grew up on a small dairy farm not far from this spot, the Balance Rocks is the work of famed Norwegian Sculpture Olrick Thorson. This project took almost two years of his life and cost what must be huge sums of money. (because the Waits foundation is completely private entity and wont disclose the cost, no one knows how much. Unbelieveably these are free standing rocks and are not attached at all. Apparently the sheer mass of the rock is far greater than the wind sheer forces of even the strongest winds and once the proper balance is acheived they are very hard to move at all. (I would still think twice about kayacking by on a windy day however!)
Thorson is known for his wry sense of humor and it shows here in his clever use of pre-carving the massive rocks to give them the shape of smaller river rocks one usually associates with these carrins. An entire village of japansese masons lived in the town of Acasia for a whole year preparing the rocks the shape of which were designed with hi tech computers to ensure the proper mass and and size for optimal balancing.
Tragically, Thorson's younger Brother Yanni was crushed to death in a freak accident early on in the carving process. A plaque dedicating the work to his memory sits at the end of the trail not far from where I took this picture. If you're ever in Acasia California, you gotta go check this thing out!
(In a strange coincidence note Olrick's Father Tor was a confidant of my great uncle arthur and they used to hunt mushrooms togeather.)
[main ver.] digi*ana*logue
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Come on a my 1st photograph exhibition!
2008/6/28(Sat) to 2008/7/12(Sat) Hours: 11:30-26:00 (Tuesday closed)
Closing Party: 2008/7/12(Sat) 19:00start to 23:00close
Door: 1500yen (petit food + 1drink)
Location: torse
Address: 2F, 2-20-9 Takaban , Meguro-ku, Tokyo 152-0004 Japan. Tel: 03-6909-2336 Fax: 03-6909-2337 / Google Map
[main ver.] digi*ana*logue
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私、ヨシダユキヒロの初の個展となる
写真展を開かさせて頂くことになりました！
場所は学芸大学駅から徒歩１分ぐらいの場所に
新しくできたtorse（トルス）というステキなカフェ＆ギャラリーです。
なお、この写真展がこのお店の展示のこけら落としでもあります！
ぜひ足をお運び頂き、ご高覧ください。
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【ヨシダユキヒロ 1st 写真展 「白い霧の向こう」】
2008/6/28(Sat)〜2008/7/12(Sat）@ 学芸大学駅前 "torse"
Closing Party 2008/7/12(Sat) 19:00〜23:00
1500yen (ちょっとしたフード＋１ドリンク)
白い夢のような世界。何かに傷ついても、また夢を見て、
もやもやしたその先へ踏み出したい。
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＊ 作者プロフィール
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ヨシダユキヒロ
カメラを持ってお散歩をしながらこの世の秘密を探っている旅人。
一見、水と油に見えるような対立する関係をデジタルとアナログに見立てて
いまの自分の世界の向こう側を探り、解け合って行きたいというコンセプ
トを持つ「digi*ana*logue」（デジタルとアナログの対話）というセルフ
ユニットにて活動中。
digi*ana*logue
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2005年04月 cubismo grafico, capsule, HALFBYがゲストDJ参加のイベントフライヤー用に写真提供
2005年06月 OOSP アナログ１２インチレコードジャケット用に写真提供
2005年08月 OOSP 1st アルバム ＣＤブックレット用に写真提供
2005年12月 DJ鈴木雅尭氏がゲストDJ参加の配布用MIXCDジャケットをデザイン+写真提供
2006年03月 名古屋造形芸術大学写真部展のＤＭをデザイン+写真提供
2005月10月 「カメラ日和 vol.4」2005年12月号に掲載
2007年10月 月刊「psiko」2007年11月号に掲載
2007年10月 「女子カメラ vol.4」2007年12月号に掲載
2008年05月 「カメラ日和 vol.19」2008年7月号に掲載
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＊ 場所の詳細
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torse（トルス）
〒152-0004
東京都目黒区鷹番2-20-9 torse 2F
東急東横線 学芸大学駅 徒歩1分
Tel:03-6909-2336 Fax:03-6909-2337
11:30-26:00
火曜定休
info@torse.jp
Googleマップ
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＊ クロージングパーティ
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Closing Party 7/12(Sat) 19:00 - 23:00 @ torse
1500yen (ちょっとしたフード＋１ドリンク)
代官山のヨーロッパの女の子のお部屋をイメージしたセレクトショップBRIQUEのオーナー。またアクセサリーや洋服を中心としたブランド Lilimelliaデザイナーとして全国セレクトショップにて展開中。そしてフランス音楽、ジャズを中心としたラウンジ音楽イベントshamrock 他、音楽イベントのオーガナイザー。
60年代の音楽を中心にスピンするDJ。そしてDJと平行して歌手エルナ・フェラガ〜モの主宰するレーベルマドレーヌ・エージェンシーにてLes Petits名義で歌手としても活動している。年内スタート予定のラウンジイベントshamrockのメンバーでもある。
イラストレーター兼 DJ。現在エディトリアル媒体を中心に、企業広告、雑誌広告、音楽雑誌、CD カバーアート、Web 、クラブイベントにおいてイラストレーションを発表＆展開中。2002年から、イラストレーター・絵本作家・編集者などといったクリエーターを志望するための学校「パレットクラブ」にて「イラストコース」「イラスト基礎コース」の講師も始める。
My buddy Domino. She passed away in 2007, but lives on in my heart. I'm feeling nostalgic today.
(7 Feb. 2010) I got tagged, and this one's interesting: Who or what is the love of your life? List 14 reasons why. Well, I'm sentimental when it comes to pets (and animals in general), so it shouldn't surprise people who know me that Domino was/is the "love of my life" (and I'm man enough to admit it).
1. Domino was the first cat I ever adopted (after having had two dogs while growing up).
2. She had the sweetest disposition of any pet (dog or cat) that I've ever known.
3. When she was little more than a kitten, she accidentally pulled an unaffixed drawing tabletop down on top of herself, giving her a concussion. We drove her to the emergency vet at midnight; I held her in the passenger seat on a stiff piece of cardboard to try to keep her from being jostled. I talked to her the entire way to keep her with us. She was at the vet overnight, unconscious, with an IV in her leg, and they really didn't know how she'd come out of it. At 4am, the vet called and said she would be fine; she was just small enough that the table didn't do more than give her a good knock on the head (the tabletop's rails were just tall enough that she wasn't badly crushed by the tabletop). From that day forward, she was my buddy; I really think my talking to her created a strong bond. She never left my side after that.
4. She purred and it sounded so musical, unlike any other purr I've ever heard.
5. She was definitely the Yin to my other adopted cat Whisper's Yang. (Funny that Domino was mostly black and Whisper was all white.) Nothing at all against Whisper (the devilish little brat), but Domino was the "good" cat. :)
6. She was very, very social and loved everyone, which at the time I thought was rare for a cat.
7. She loved to be picked up and held (and purred while she was held).
8. She insisted on going outside on my balcony but was never angry if I took my time letting her out. I could always count on her to stay safely away from the edge.
9. She learned how to beg for food, but would be content after one tiny scrap of meat, after which she'd walk away from the table satisfied.
10. Domino loved eating unbuttered, unsalted popcorn. She daintily ate one piece at a time and never ate more than three pieces.
11. She loved other cats and even my family's dog.
12. She never complained (well, almost never), and she seemed very wise.
13. She never gave anyone a reason to dislike her.
14. She gave me joy every day I had her, and even now, nearly three years after her passing, I smile when I think of her. I love my current cat Lily Bean more than I can say, but Domino will always be what I told her she was: the best cat in the world.
VIEW MY WEB SITE AND SHOP HERE
MY GETTY COLLECTION HERE
www.gettyimages.com/search/search.aspx?assettype=image&am...
Here is my first published work even though did it as a freebie its great seeing your work on a web site
www.thewhitehartvillageinn.com/index.html
Here is the flickr set
North of Keswick in the English Lake District and measuring over 3,000 ft is the mighty Skiddaw mountain. I shot both photos whilst on a hike within the eastern part of Whinlatter Forest (west of Keswick).
This was was my birthday weekend away and we had a pretty cool time.
You think that sounds good? Well, the previous year I was in Las Vegas, New Mexico and the year before I was in Tombstone, Arizona. Of course, we made up for it this year as I was in Fredericksburg Texas!
Three outta four ain't bad at all. . . . :))
The church stands on a plain at the foot of the road. It is a building with a single nave with a semicircular apse oriented east, the two bodies together directly through the opening arc of the apse. The nave is covered with a barrel vault point, reinforced by two arcs that twist off a simple imposta. The apse is covered by a fourth round of a sphere. Four windows give light to the interior: two in front of the lunch, one in the west and the center of the apse, all with double-stroke and a round arch, the inner monolithic adovellat and a la outside. The entrance gate is located on one side of the south wall and is composed of two semicircular arches adovellats and degradation. The walls that enclose the sides of the ship lift and speaker, beyond the height of the roof with a gable double arc located on the west. This wall was a door open late to edge which was walled up in the restoration done by the Barcelona between 1970 and 1973, while reopening the door for lunch. The work is arranged in small blocks horizontal rows and tied with lime mortar rather sandy. Front door, a bastion of low wall was a small close where there is a sink stone named above were on the inside. We must remember that in the era of the house there are Santamaria anthropomorphic tombs that are part of the ancient necropolis of the church and is now hidden.
The first document which mentions Santa Maria is the consecration of the church of the monastery of San Lorenzo near Bagà, dated 21 November 983, in which the count of Cerdanya-Oliba Besalú and his wife Ermegarda donations made between some underwater the Sta. Maria has five houses, lands, tithes and first, and in a more clear: "Et in Avizano ecclesiam Sanctae Marie et hamlets V et terras et vineas, cum suas decimas et primitias (Parchment n. 1110, AM). The church was therefore within the limits of the old county of Berga and under the ecclesiastical jurisdiction of the Bishop of Urgell, depending on the Benedictine monastery of San Lorenzo near Bagà. The 1003 Count Oliba Cabreta the cedi to the monastery of Santa Maria de Serrateix (which depended on St. Lawrence nearly Bagà). In the tenth century Bishop of Urgell religious communities became the rule of Saint Benedict, taking care of the Benedictine parishes dependents. For this reason, some historians believe that Santamaria's house, next to the church, could have been the seat of a monastery that women would care about the cult of the Virgin Mary. The year 1312 remained the category of the parish as confirmed at the deanery of Berga. Currently depends on the parish of St. Martí as a covered (BENEDICT, 1993). During the Civil War (1936-1939) was leaving the cult and was converted into storage until 1970, the Heritage Service of the Barcelona are carried out important restoration work, returning the cult on 14 May 1973 . From inside the church comes to the front altar of Santa Maria attributed to the Master of Avià, preserved in the National Art Museum of Catalonia and which n'exposa back inside the church . The Virgin Mary was venerated Avià of this church and was known as Our Lady of La Leche, because it calls for pregnant women to assist in the delivery and give them strength to have the baby milk (Joys of Santa Maria de Avià).
The wheel bug is poised to grab this honeybee. He will use his hooked legs to hold her and then impale the bee with his beak. The beak (rostrum) extends (folds out), impales and then injects toxin and digestive juices into prey. By reversing flow this beak then serves as a straw.
In this photograph the wheel bug's posture reminds me of Count Dracula trying to hypnotize a victim he plans to impale. It did not work as this time the bee escaped.
Rostrum: www.amentsoc.org/insects/glossary/terms/rostrum
The Wheel Bug Rap
Said (or sung) with a funky beat
Your nose is a hypodermic needle,
Your back has wings to fly,
Your legs have hooks to grasp your prey,
And hold them till they die.
(Chorus)
They call you wheel bug,
Cause your back is a wheel,
It's shape is kinda rough.
You're a real bug!
With wings, six legs,
And lots of other insect stuff.
Your head is shaped like two arrows,
Right On It ... a beak and three eyes,
With two feelers of red, you're a sight to dread!
Mr. Wheel Bug ... you're a scary guy.
(Chorus)
Your beak extends like a switch blade,
It's pointed and hollow and kills!
It's a real poison pen ... but there's more!
It's a straw to drink your meals.
(Chorus)
Wheel bug you're so ... prehistoric,
It's good you're only ... one inch long,
I'm glad you're a bug and I'm not one,
And that's the end of this song.
Link to the wheel bug rap: www.flickr.com/photos/drphotomoto/3002340775/
Knee high socks are now my favorite! They keep my legs nice and warm in the cold weather. (and don't you think they look awesome with converse?!?) ;)
Today is the first day of classes for the semester! A new beginning for me! I'm excited about new classes and teachers, but really nervous cause i'm taking some pretty hard classes (at least that's what i've been told...). I'm going to try really hard not to procrastinate, and i say that every semester, but last semester I actually did pretty good on not procrastination (except for on the papers), so this semester i'm going to try and do even better! =)
And on Mondays I don't have class until 2! so most of the time i should be able to get a bench monday up (if i remember!) :)
anyways, HBM!!! :D
p.s. Finally made it to explore! thanks so much everyone :D
STOP THE GENOCIDE www.SaveDarfur.org
The Save Darfur Coalition is an alliance of over 180 faith-based, advocacy and humanitarian organizations whose mission is to raise public awareness about the ongoing genocide in Darfur and to mobilize a unified response to the atrocities that threaten the lives of more than two million people in the Darfur region. To learn more, please visit www.SaveDarfur.org.
Weather with me again so as i had planned the Winter will be coastal back to my passion !!! We were treated to one amazing cloud show after this was taken so moved down the beach for wet reflections. Did a small stop on the way home at Mewslade low tide some amazing rocks there , its 70 miles from home to get here , then the horrible steps down and even worse the climb back UP .
The 'Helvetia'
Rhossili shipwreck
The gales around the Gower coast on the morning of 1st November 1887 caused two ships, heavily laden with timber, to be stranded off Mumbles' Head. Unable to navigate the stormy seas to dock at Swansea Harbour, the struggling ships found themselves being blown down the Bristol Channel by the increasingly strong south-easterly winds. One ship luckily managed to reach the shelter of Lundy Island, but the oak-constructed barque of the Helvetia, struck the dangerous sandbank of Helwick Sands. With the next turbulent swell, the ship gained freedom from the shallow waters but was swept precariously around Worm's Head into the shallow waters of Rhossili Bay.
The captain of the Helvetia dropped anchor here and was taken ashore by the coastguard. However, he refused to abandon his ship altogether, leaving the crew aboard the barque, afraid that given the chance, someone might steal her. Unfortunately, the wind refused to die down and when it changed direction suddenly, it forced the ship to drag her anchor. With nightfall rapidly approaching, the decision was finally made for the crew to abandon ship. The tortured wreck of the Helvetia was discovered the next morning, laid to rest upon the sands and surrounded by her cargo of 500 tons of wood.
During the following weeks the timber was systematically collected from the beach and gathered for auction sale, where South Wales timber merchants purchased the cargo at a bargain price. Arrangements were made for the timber to be taken by ship during the summer months. It was during this phase of the wood clearance operation that the sea brought a second disaster to the area.
The steamboat Cambria, from Llanelli, and a small Mumbles sailing vessel, having loaded the Helvetia’s timber from the bay, were both caught short by the tide. The captain of the sailing vessel carried his anchor out to low water to assist in leaving the bay later, but the propeller driven Cambrian needed to wait for high tide.
As the tide came in, the wind picked up pace causing the waves to intensify and swell. As the Cambria started to float with the rising water, it unfortunately turned sideways onto the strengthening waves, and looked as if it would surely be wrecked. However, with the help from the coastguard, the ship was stabilized and the crew managed to sail away safely later the same day. The ship's anchor had been left behind, however, and so some local men were hired to carry the anchor over the sands at low water, to the nearby area of the bay known as Kitchen Corner. There they attached a buoy to the anchor, making it ready for collection when the ship returned later.
When the ship returned to the bay several months later, the Cambria’s master sent a boat ashore with some day-tripping landlubbers. After spending the day at the Rhossili public house 'The Ship Inn', these men finally recovered the anchor. Unfortunately, the weight of the anchor, accompanied by the weight of the six rescuers, proved too much for the boat, eventually causing it to capsize. All six men were thrown into the ocean. Only one of the men made it to the shore alive.
The wreck of the Helvetia itself was sold cheaply to a local man, but before he had a chance to strip the precious copper keel from the vessel, she had started to settle in the sand. Nevertheless, he made good salvage of the ship's deckboards by flooring his kitchen with its wood.
Rhossili was not a stranger to profit from shipwrecks, previous centuries had witnessed the violence of the Rhossili Wreckers - who lured in unsuspecting ships caught in troubled seas to be smashed against the rocks, in order to acquire their cargo. Such purposeful wrecking confined to the past, the locals would still always make good use of the wreckwood from the beaches, and nearly all of the surviving old farm buildings down the far end of the peninsula are constructed from such reclamation.
The ocean-stripped oak carcass of the Helvetia shipwreck is today an easily recognised landmark of Rhossili and must be one of the most photographed of objects on the Gower peninsula as a whole.
Located 8 miles north of Salisbury, UK rests Stonehenge.
Coming from the Old English words "stān" meaning "stone", and either "hencg" meaning "hinge" (because the stone lintels hinge on the upright stones) or "hen(c)en" meaning "gallows" or "instrument of torture". Stonehenge is a "henge monument" meaning that it consists of menhirs (large rocks) in a circular formation.
The first circular monument is dated to 3100 BC with the last known construction in 1600 BC. In total there were 8 different stages of development.
I now have two books of my work available...
The Feeding of the Birds... The photography of Allan Ellerby Book Preview
Click Here
Also available is the more comprehensive...
Ver grande y en negro / View On Black & Large
La casa Botines, o casa Fernández y Andrés es un edificio de estilo modernista, situado en la ciudad de León, capital de la provincia homónima, España. Originalmente almacén comercial y residencia particular, fue construido y diseñado por el arquitecto español Antoni Gaudí entre 1891 y 1894, siendo esta una de sus tres obras fuera de Cataluña, junto al palacio episcopal de Astorga, también en León y al Capricho de Gaudí de Comillas, en Cantabria.
Ubicado junto al palacio de los Guzmanes, sede de la Diputación de León, de estilo renacentista, fue restaurado en 1951, declarado Monumento Histórico en 1969, es en la actualidad la sede de Caja España, entidad que lo rehabilitó en 1996, actividad que le valió el premio Europa Nostra.
El término casa Botines deriva del apellido del fundador de la sociedad, Joan Homs i Botinàs, empresario y comerciante español asentado en la capital leonesa, que dirigían Mariano Andrés Luna y Simón Fernández Fernández, responsables del encargo de la casa a Antoni Gaudí.
Ahora sí que cambio de tercio, ahora toco un poco de otras cosas que no sean fotos de Cuenca, esta foto es de archivo, la tenía ya procesada, de ahí que tenga la firma antigua, como ya habré comentado alguna vez que otra, este tipos de fotos son las que más me gustan. Puerto De Mazarrón – Mazarrón (Murcia)
Nota: No Es HDR, procesado con objetos inteligentes, y procesado por zonas.
Cámara: D40
Modo De Exposición: Manual
ISO: 200
Velocidad: 1/50
Focal: 18.0 mm
F/ 22.0
Objetivo: 18.0-55.0 mm F/ 3.5 -5.6
Procesado: Light room 2
Camera Raw 4.3
Photoshop Cs 3
Foto Explere #429 - 3 Nov. 2009
Built on top Colina da Penha or Penha Hill, also known as Bishop Hill because of the Bishop Residence, is a Chapel of Our Lady of Penha which was first built in 1622.
The first chapel was erected by the crew and passengers of a ship which had a narrow escape from the Dutch.
Later the chapel served as shrine for sailors embarking on often hazardous voyages.
The chapel today dates back to 1837 when it was completely rebuilt along with the Bishop's Palace.
It is open daily from 9:00 am to 5:30 pm.
The bell tower of the Church is very distinctive and can be seen anywhere from the harbor.
On one side of the large open courtyard fronting the church is a marble image of the Blessed Virgin Mary facing the border of China, as if praying for that magnificent land.
Her prayers are definitely bearing fruit because now thousands of Chinese tourist dutifully climb up her little hill.
At the foot of a flight of stone steps is a popular grotto of Our Lady of Lourdes.
Along the grotto is also a nice garden with fountains, seating and children's playground.
Nearby is a bronze gravestone with Portuguese inscriptions indicating the resting place of Bishop John Bouner of Macau who was buried here on 18 February 1918
On a clear day the panoramic view from here includes not only Macau but across the Pearl River into China.
One can see the whole harbor and a great collection of old and modern architecture: the Chief Executive's Palace, other colonial residences, the Macau Tower, and the man-made lakes.
macauEvery year, on the 13th of May, thousand of faithful joins the image of Our Lady of Fatima for a pilgrimage and procession.
The procession begins from Sto. Domingo Church and meanders through the narrow streets of Macau.
The procession finally ends in the little courtyard of Penha Church.
Every year at this day, thousands of devotees coming from all over, never fails to accompany the Blessed Virgin Mary.