View allAll Photos Tagged PATHOS
Aluna: Danielle Fernandes
Foto: Denise Wichmann
Modelo: Taís (JOY)
Cabelo/maquiagem: Johnny Left
Tratamento de imagem: Luly Salle
Trabalho desenvolvido para o editorial do livro Pathos Projeta-me (disciplina Desenvolvimento de Coleções II, a qual ministro), onde o aluno desfilará a sua coleção no dia 11 de dezembro na Feevale.
Deutsche Kriegsgräberstätte La Cambe, hier ruhen mehr als 21.000 deutsche Soldaten, die im Zweiten Weltkrieg gefallen sind.
Ein ganz anderer Friedhof als der der Amerikaner. Ohne Pathos, eher bedrückend. Jedes Grab ist eine Ermahnung zum Frieden.
Honestly one of my favorite parts of Watchmen is the scenes with Bernie and Bernie at the newspaper stands. Offering perspective on the world of Watchmen, a deeper human element, atmosphere, and pathos when they're finally eviscerated by the psychic Squid. Anyways, mostly I just wanted to touch on a part of Watchmen that nobody in the community has touched on before (To my knowledge).
Seymour: The shlubby guy from the newspaper Rorschach's journal ends up at. Hobbit hair, Shaggy head, CMF Pizza guy torso.
A Knot-top: Not any one of them in particular. Sumo hair, PoP head, Spider-Man torso, CMF Metal Rocker arms and legs.
Bernie: Cyborg head, city torso
Bernie: Gibbs head, City torso, CMF Dino Hunter legs.
Walter Kovacs: Harry Potter head, CMF Fighter Pilot torso, painted sign.
Basically at this point I'm just doing a mild Watchmen retrospective. Maybe I'll go back and read ""Before Watchmen" as well. *Shudders*. but maybe not.
Lemme know what you think!
Candour.
Отчеты о комиссиях кощунственные соратники свидетели судьи очевидные сделки спонтанные слова повествовательная вселенная автономные подразделения,
risultati inaspettati che stabiliscono osservazioni forme di corte morti complete manoscritti racconti stampa di uccelli ispirazioni durature autentico pellegrino,
forces décroissantes savant écrivain réputation visions expériences pathos différentes comédies portées étapes complexités génial psychologie légende,
transformări evidente excepții tonuri dimensiuni suplimentare dimensiuni sofisticare recreere exerciții serioase artele de emulare referințe transcendentale,
objetivos importantes jantares festivos espectro selvagem sentidos constantes pairando caos cosmos interesses respostas imediatas egoísta dizendo,
劇的な世代の独り言独り言批評家はスピーチの問題を表現し、プロローグは循環論法の社会心理学の重要なスタイルを解釈しますプロの印象.
Steve.D.Hammond.
Aluna: Milena Viegas
Foto: Denise Wichmann
Modelo: Janaina (JOY)
Cabelo/maquiagem: Johnny Left
Tratamento de imagem: Luly Salle
Trabalho desenvolvido para o editorial do livro Pathos Projeta-me (disciplina Desenvolvimento de Coleções II, a qual ministro), onde o aluno desfilará a sua coleção no dia 11 de dezembro na Feevale.
IN ENGLISH BELOW THE LINE
Foto presa amb una Nikon FM2n, fabricada cap al 1989-1991; Sigma Mini-Wide f2.8 / 28mm; Ilford FP4+ revelat "stand" en Rodinal durant 45minuts.
Un dels panteons més originals i espectaculars del cementiri de Sabadell és el de Sallarés Deu.
Construit en estil modernista el 1916, obra de Eduard Balcells.
www.patrimonifunerari.cat/artistes/arquitectes/eduard-mar...
www.academiadelpartal.org/files/n7_161_186.pdf
ca.wikipedia.org/wiki/Cementiri_de_Sabadell
======================
Picture taken with a Nikon FM2n, made c.1989-1991; Sigma Mini-Wide f2.8/28mm; Ilford FP4+ stand developed in Rodinal for 45 minutes.
In the cementery of Sabadell there are several impossing pantheons, mostly of former industrialist families of the late XIX and XX Centuries. The mausoleum of the Sallarés Deu family is one of the most original and spectacular ones. It was built in art nouveau style in 1916.
www.patrimonifunerari.cat/artistes/arquitectes/eduard-mar...
I kept taking whole around Mt. Fuji in a late fall for 1 day.
Beauty by which colored leaves are the rest exactly at the time of a peak
After NI noon spends most time on the photography.
When I close and notice, it's already the evening by and by.
I had approached and had come.
Along the lakeside where I see way home Mt. Fuji, car dispatch.
Darkness MU, that immediately before Mt. Fuji and lake are seen, with everything
The pathos you can't say is felt, I, this, it draws in and I go, earnestly.
I don't have that, please dissolve in the told view.
This moment was put back.
Bottrop
Ruhrgebiet
NRW
„…Ich bin an diesem Tag noch einmal hierhin zurück kommen, obwohl ich morgens schon einmal dort war. Pathos und Melancholie waren nicht der Auslöser. Klischees möchte ich nicht bedienen. Nein, der Auslöser war ich in diesem Fall selbst…Wenn mir jemand sagt, welche Orte ihm persönlich wichtig sind, dann sagt mir das etwas. Nicht nur über diese Person selbst, sondern auch über ihre Geschichte. Zumindest bilde ich mir das ein…Was sagen diese Orte über mich aus? Reflektiere ich meine Persönlichkeit auf sie? Wie würde ich mich selbst dort sehen? Schlicht und ergreifend? Ich glaube ja, denn irgendwie bin ich einfach…Zäune und Tore haben mich selten aufgehalten. Dabei war ich nie ein Grenzgänger. Mich beschäftigt halt nur der Gedanke, dass auch diese Stellen in meiner Stadt da sind. Trotz aller Verbote. Sie nicht wahrzunehmen würde für mich bedeuten, meine Augen verschließen zu müssen. Und das möchte ich nicht. Ich lese ja auch die Schlagzeilen in der Tageszeitung, und die sind ebenfalls nur selten wirklich schön…“
110 Bell B206L-3 Long Ranger III (51148) Cyprus Air Force - Andreas Papandreou Airbase , Pathos International Airport Cyprus 08-11-2019
nostalgic pathos
.. (sc)analog archival project
©MadDreamer ©2👽25/All rights reserved. Do not use without written permission from photographer/artist.
Cerro de Monserrate - Basilica Santuario del Señor Caído de Monserrate.
Un primo piano ravvicinato e laterale della celebre statua del Señor Caído de Monserrate.
- La raffigurazione:
L'opera rappresenta Gesù Cristo stremato, colto nel momento in cui cade a terra sotto il peso della croce lungo la salita verso il Calvario, subito dopo la flagellazione.
- L'anatomia e il pathos:
La scultura si distingue per il forte realismo drammatico tipico del barocco coloniale.
Si notano chiaramente le costole pronunciate, la schiena inarcata e ferita dalle sferzate, e le gocce di sangue che solcano la pelle scura.
- Elementi sacri e ornamenti:
• Sulla testa spiccano la corona di spine intrecciata in oro o metallo prezioso e le tre potenze (i tre raggi di luce metallici che partono dal capo), classico simbolo della divinità di Cristo nell'iconografia ispanica.
• Indossa una veste corta color verde finemente drappeggiata attorno alla vita, legata da una corda dorata.
• I capelli che scendono sul volto sono realizzati con capelli veri (una parrucca curata e sostituita periodicamente), elemento che accentua l'aspetto realistico e drammatico della figura.
- Il basamento:
La scultura poggia su una sontuosa portantina in legno intagliato e ricoperto di foglia d'oro, decorata con motivi vegetali e grappoli d'uva, che simboleggiano il vino eucaristico.
- Autore e origine:
La statua è un capolavoro di arte coloniale scolpito nel 1656 dal maestro d'arte locale Pedro de Lugo Albarracín.
Fu realizzata principalmente in legno e metallo fuso.
- Importanza religiosa:
È il fulcro spirituale di Bogotá e uno dei principali luoghi di pellegrinaggio di tutta la Colombia.
Milioni di fedeli salgono ogni anno sul monte per chiederle miracoli, sciogliere voti o pregare (molti compiono la salita a piedi o addirittura in ginocchio).
- I miti popolari:
Attorno a questa scultura sono nate nei secoli diverse leggende radicate nella cultura bogotana.
La tradizione popolare narra che ai capelli della statua continui a crescere la chioma e che il corpo diventi incredibilmente pesante, quasi impossibile da sollevare, ogni volta che si tenta di portarla via dal santuario per trasferirla giù in città senza un motivo di grave necessità.
Nella storia, la statua è stata infatti spostata e fatta scendere a Bogotá soltanto in pochissime occasioni eccezionali (per esempio durante epidemie, gravi siccità o la recente pandemia).
Cerro de Monserrate – Sanctuary Basilica of the Fallen Lord of Monserrate (Señor Caído de Monserrate).
A close-up, side-angle view of the renowned statue of the Fallen Lord of Monserrate.
- The Depiction:
The work portrays an exhausted Jesus Christ at the moment He falls to the ground under the weight of the cross during the ascent to Calvary, shortly after the scourging.
- Anatomy and Pathos:
The sculpture is distinguished by the intense, dramatic realism characteristic of the colonial Baroque style.
Clearly visible are the prominent ribs, the arched back—scarred by lashes—and droplets of blood tracing paths across the dark-toned skin.
- Sacred Elements and Ornaments:
• On His head, one can see a crown of thorns—fashioned from gold or a precious metal—along with the *tres potencias* (three metallic rays of light emanating from the head), a classic symbol of Christ’s divinity in Hispanic iconography.
• He wears a short, green-colored garment, finely draped around His waist and secured by a golden cord.
• The hair falling over His face is made of real human hair—a wig that is carefully maintained and periodically replaced—which further enhances the figure’s realistic and dramatic appearance.
- The Base:
The sculpture rests upon a sumptuous *andas* (processional platform) made of carved wood covered in gold leaf, adorned with botanical motifs and clusters of grapes, which symbolize the Eucharistic wine.
- Creator and Origin:
The statue is a masterpiece of colonial art, carved in 1656 by the local master artist Pedro de Lugo Albarracín.
It was crafted primarily from wood and cast metal. - Religious significance:
It serves as the spiritual hub of Bogotá and is one of the primary pilgrimage sites in all of Colombia.
Every year, millions of the faithful ascend the mountain to seek miracles, fulfill vows, or offer prayers—many making the climb on foot, or even on their knees.
- Popular myths:
Over the centuries, various legends rooted in the culture of Bogotá have grown up around this sculpture.
According to popular tradition, the statue’s hair continues to grow, and its body becomes incredibly heavy—nearly impossible to lift—whenever an attempt is made to remove it from the sanctuary and take it down to the city without a truly urgent reason.
In fact, throughout history, the statue has been moved and brought down to Bogotá on only a few exceptional occasions (such as during epidemics, severe droughts, or the recent pandemic).
IMG20260208100831M
Sorry about the decreased amount of images uploaded. I'm putting together several projects and nothing can be shown at this time. More later..........
WEEKENDSALES JUST WENT LIVE!
This week's rotation includes the following pieces:
HAPPY WEEKEND: PATHOS Necklace
THE SATURDAY SALE: PATHETIK Earrings
CRAFTY WEEKEND: PERLE Sunglasses
ALPHA WEEKEND: AVOIDANCE Croptop
Grab them while you can!
Taxi: maps.secondlife.com/secondlife/Madame%20Noir/69/149/31
Grubby Curtains.
Cendres littérature balayant humains passions drames pendaison poésie pathos universel âmes méprisantes rançon motifs souffrance prétextes,
оружие сердца могучие поступки вестник вино далекие путешествия бесполезные цели уродливые умы дыхание звуки хроники старое безумие степени,
различни неволји бронзени планови минирање полиња треперливи глави војни почви сомнителни работи неплодни рогови испарувања усти пошумени гребени,
ombres no iniciats alt caos entrellaçant roba cercles que flueixen cordes desbordants forces perilloses angoixa proves salvatges estrangeres,
ฝีมือที่ยอดเยี่ยม ขั้นบันไดตาบอด ประตูที่ก้าวไปข้างหน้า พลังสั่นสะเทือน แรงงานมหาศาล กำแพงที่น่ารังเกียจ คนงานคร่ำครวญ,
財団は透明な開口部を夢見ている画像の記念碑と緑の出来事を行います異常な叫び激しい土地の競争散在する群衆の命令そびえ立つ悲惨さ表示.
Steve.D.Hammond.
When William Morris, the multimillionaire philanthropist and founder of Morris Motors, died 50 years ago, he left a fortune but no heir. Those were days of greater discretion, so we don't know why Lord and Lady Nuffield never had children. But we do know he would have liked to: visiting a mother and baby in the 1950s, he sighed: "I would have given all my millions for one of those."
The pathos of that sentiment hangs in the air at Nuffield Place, his Oxfordshire country home, now open to the public as a 1930s time warp. A handsome Lutyens-style mansion on the edge of the Chilterns, it was built in 1914 and bought and modernised by the Nuffields in 1933. On Morris's death on 22 August 1963, he left it to Nuffield College in Oxford (which he founded in 1937), stipulating that the house remain intact. Over the years, the college has sold off chunks of his estate, including two farms and a pub, and the house's future was in doubt until, last year, they gave it to the National Trust.
Today, the visitor enters a world of Bakelite phones and Dry Sack medium sherry. A sweet smell of tobacco lingers in the oak-panelled billiard room, which, according to one National Trust volunteer, they have piped in. The house was designed by Oswald Partridge Milne, a pupil of Lutyens and fashionable Edwardian architect, but the building isn't really the main attraction. The magic comes from feeling you are entering another period, and penetrating the private home of one of the richest men of the 20th century.
www.independent.co.uk/property/interiors/the-original-mor...
I kept taking whole around Mt. Fuji in a late fall for 1 day.
Beauty by which colored leaves are the rest exactly at the time of a peak
After noon spends most time on the photography.
When I close and notice, it's already the evening by and by.
I had approached and had come.
Along the lakeside where I see way home Mt. Fuji, car dispatch.
Darkness, that immediately before Mt. Fuji and lake are seen, with everything
The pathos you can't say is felt, I, this, it draws in and I go, earnestly.
I don't have that, please dissolve in the told view.
This moment was put back.
813 Mil Mi-35P Hind-F/ Panther (023364) Cyprus Air Force -
Andreas Papandreou Airbase , Pathos International Airport Cyprus 08-11-2019
The grave stele of an Athenian wife and mother, dating to ca 370 BC. An inscription giving her name, Phylonoe, is inscribed on the epistyle of the naiskos framing the scene:
Ενθάδε Φιλονόη κείται θυγάτηρ Σώφρων Ευσύνετος πάσαν έχο[υσ᾽ άρετή]ν
Here lies Phylonoe, a wise, intelligent daughter, endowed with every virtue.
The woman dressed in chiton and himation, is seated on a diphros to the left, her feet resting on a footstool. Her right arm is bent, the hand lightly resting against her right shoulder, while the left forearm rests on her lap. Her head is inclined, and when the relief is seen from some distance, it seems as if she is actually supporting her chin with her right hand.
Facing Phylonoe, there stands a woman holding an infant in her arms. Despite the grave expression on her face, she does not look at the deceased, as is often the case with secondary figures on classical Attic grave reliefs. Her gaze is directed at the infant that extends one hand to its mother, the other hand unfortunately not preserved. Phylonoe does not react to her baby’s dramatic gesture. She no longer belongs to the world of the living, where her offspring still resides. The infant’s obvious longing for its mother is not reciprocated by the deceased, who is rather detached and immersed in deep melancholy. Even though the grave stele honours Phylonoe, it is the infant’s gesture that captures the spectator’s gaze first. The image of the baby trying in vain to attract its dead mother’s attention, enhances the iconography of the relief that marked the grave of a mother by creating a particularly tragic contrast between the baby’s pathos, and the mother’s impassivity. Thus, the iconography of the stele does not focus on the sad fate of the young mother alone, but also on the motherless baby she left behind, as well as the grievous separation of the two. Death and orphanhood are juxtaposed on the stele of Phylonoe, closely linked to one another. Hence, it is not surprising that the standing woman’s gaze is not directed at the deceased, but at the unfortunate infant that has been forever deprived of its mother.
Source: Katia Margariti, "A mother's gaze: Death and orphanhood on classical attic grave reliefs", Annual Papers on Mediterranean Archaeology 91 (2016).
Pentelic marble funerary stele
Preserved height: 150 cm.; width: 110 cm.
Ca. 370 – 360 BC
From Psychiko, Attica
Athens, National Museum Inv. No. 3790
Tokyo Stray Cats
@Kanda, Tokyo
LEITZ WETZLAR SUMMICRON-R 50mm/F2 (2-cam)
© 2020 M's photography
Takashi MATSUZAWA All rights reserved.
Please don't freely use this photograph on Tumblr, Blog, Facebook, Twitter and others.
The Niobides square is a fountain created by Balthus, from casts of ancient sculptures. Michel Bourbon (1976) made the molds The Academy of France, created by Louis XIV in 1666, was transferred to the city of Medici in 1804, by Napoleon. The villa was restructured in 1564 on behalf of Cardinal Giovanni Ricci di Montepulciano before becoming the property of the Medici. Today it depends on the French Ministry of Culture. The building is characteristic of Roman villas of the 16th and 17th centuries, with loggia, facade decorated with ancient elements, statues and Italian garden with alleys, fountains, sculptures, studiolo. www.villamedici.it/ In the garden, all of the sculptures of Niobe and his children: the Niobids have been reconstructed using casts and staged in their original environment, the originals are kept in a museum in Rome . The sumptuous staging of the Niobids reveals the destiny reserved for those who dare to challenge the power of the Gods. In Greek mythology, Niobe, wife of the king of Thebes, Amphion, and proud mother of seven sons and seven daughters, laughed at Leto, who had only given birth to Apollo and Artemis. The latter, to take revenge, killed the children of Niobe with arrows. It was then that Niobe asked and obtained from Zeus to be changed into a weeping statue. This ancient set of sculptures, unique in its kind by virtue of the number of statues, was discovered thanks to archaeological excavations dating from the end of the 12th century and was subsequently acquired by Ferdinand de Medici. The forms of these sculptures, rich in pathos, have served as a model for many artists, including Nicolas Poussin (Écho and Narcisse). extract from the official site of the Medici villa
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© 2020 François de Nodrest / Pantchoa - All rights reserved.
Well, its just coxless eight, or yellow infinity floating without a rudder on the water of Styx (what the pathos! :) )...
Or just the paper eight sleeping on the floor. :)
______________________
shortcuts, for your convenient:
or images arranged by theme:
I have known the inexorable sadness of pencils,
Neat in their boxes, dolor of pad and paper weight,
All the misery of manilla folders and mucilage,
Desolation in immaculate public places,
Lonely reception room, lavatory, switchboard,
The unalterable pathos of basin and pitcher,
Ritual of multigraph, paper-clip, comma,
Endless duplicaton of lives and objects.
And I have seen dust from the walls of institutions,
Finer than flour, alive, more dangerous than silica,
Sift, almost invisible, through long afternoons of tedium,
Dropping a fine film on nails and delicate eyebrows,
Glazing the pale hair, the duplicate grey standard faces.
--"Dolor" by Theodore Roethke
St Nicholas' Church Garden, Liverpool.
Homeless Jesus, is a bronze sculpture by Canadian sculptor Timothy Schmalz depicting Jesus as a homeless person, sleeping on a park bench. The original sculpture was installed at Regis College, University of Toronto, in early 2013. Over 100 casts of the statue have been installed worldwide since 2016.
Taken between heavy showers which for me added pathos.
Cragged topped Mountain on the way back down to Skagway from The summit of White Pass in the Yukon. The lonely tree adds some pathos ( for me anyroads )
I came upon this heap of discarded jack-o-lanterns awaiting their fate the day after Halloween. The scene was visually jarring yet highly appealing. I was struck with a sense of sadness looking at the tangle of carved faces. Each one imbued with a sense of individuality, as varied as the people that created them. Hours before, they had radiated a glow of soft warmth, illuminated against the cold night sky by small candles. The flickering light added feelings of comfort and animation. My imagination and childhood memories took it from there. But lying here, purpose fulfilled and stripped of their original joyful context, fantasy and reality collided abruptly. I watched the decline of the jack-o-lanterns over the next couple of days. The carved features quickly took on a gummy appearance and the pumpkins seemed to settle into the earth. The end came suddenly when the jack-o-lanterns were tossed unceremoniously into the bed of a truck and hauled off for hog food. Dust unto dust.
Tenement house with shops built in 1901. Architect Konstantīns Pēkšēns. The neo-Baroque facades of the building are saturated with ornamental elements, balustrades, cartouches, groups of sculptures in pathos and other plastic elements. The house, together with the buildings at 5 and 7/9 Kr.Barona Street, forms a single architectural ensemble, the architecture of which reflects the development of Konstantīns Pēkšēns' creative handwriting, from luxurious, pompous eclecticism to rational, applied Art Nouveau.