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A story of Judicial Corruption of The court of Bangladesh at Comilla Judicial Magistrate Court:- In this story I described the corruption activities of two Judicial Magistrates corruptions. One of them is The Chief Judicial Magistrate Named FATAMA NAJIB & the is The Additional Chief Judicial Magistrate Named Md. Rafiqul Islam. I discover their corruption from the 2 cases which were in their court. These 2 cases are GR-792-07 & another is CR-Case-No-692-08. In the above named cases the corruption activities of them is as following:-
The corruption & injustice of the GR-Case-792-07:- The informant of this case is Advocate Salahuddin Ahmed of Comilla District Bar Association & the Accused Advocate Kamrul Hayat Khan former Secretary of Comilla Bar Association. In the period of police investigation of this case the accused played a role of violence with the HARTAL and ultimatum of stop the court duty. Hence the police submitted the police report as Final Report False according to the previous written ultimatum. Than I filed an NARAJI Application against the police report. But the chief judicial magistrate named FATAMA NAJIB involved with the accused party for deprives me from the legal justice. As a result she did not pass any order of hearing date of the case against the Naraji application. She passed an order on 27-01-2008 as “The case will hearing on next”. But with out passing any order of next date she rejected the Naraji application by writing a false statement on 28-01-08. After a minutes I became to know about this and I presented before the chief judicial magistrate and request to her for restrain the earlier order. She reply to me that she can’t do that because the section 369 of the code of criminal procedure 1898 is Bar to do such. More over she told me to go session judge court for revision. Than I collected a set of photo copy of all order sheet of the GR-792-07 cases.
But after a few months I applied for certify copy the order sheet on 30-07-2009. When she became to know about my application she tempered the previous order sheet of 27-01-08 and overwrite on the word “ the case” and substitute the word “tomorrow.”
More over she never published any fixed date for hearing the case.
On the other hand she altar her pervious attitudes and enjoyed ultra virus power in the CR-Case-No-692-08. In this case we can see over the order sheet that the case was closed on 30-12-2008 under section 247 of the code of criminal procedure 1898. After 65 day of closing the case the additional chief judicial magistrate of comilla named Md. Rafiqul Islam proposed for bribe money to give bail an accused by a bench Clark named HARADAN KARMAKAR. But I denied giving any bribe money for getting bail of an accused from his court. As a Result he communicated with the chief judicial magistrate in view of take revenge of denying his proposal of bribe money. Hence the CR-692/08 case revived with illegally, intentionally by their ultra virus power which was dismissed on 30/12/2008. Though they have no power or jurisdiction to revive any case which dismissed under section 247 of the code of criminal procedure 1898. If any party of such case being aggrieved; he can appeal in the session judge court under section 417 (2) of the code of criminal procedure 1898. If he aggrieves with the aforesaid appeal judgments; he can file revision in the High court 439 of the code of criminal procedure 1898. But if he does not file appeal under section 417(2) of the code of criminal procedure 1898 ; he will never can get any benefit of the section 439. If the aggrieved party does not file any appeal with in 60 day there is no court can admit any appeal application with out the order of Hon’ble High Court.
But when I filed petition for true copy of that case she rejected my petition and decided to change the previous all order sheets of the 30/12/2008. When I became to know about her ill-motive I took image of all order sheets of the case by a mobile camera. Than I printed out from the mobile camera of those image of order sheets.
After that I filed a criminal revision case in the session judge court of comilla as Criminal Revision case No-194/09 on 08/07/09 with those image order sheets of the CR-692/08 cases. On that date the session judge directed to the chief judicial magistrate and passed an order for issue certify copy of all the order sheets of the CR-692/08 case before 29/07/2009. But the chief judicial Magistrate dishonored the session judge’s order which passed on 08/07/2009. But the session judge did not take any action against the chief judicial magistrate for dishonoring the order of upper court.
IS THE NATURE OF JUDICIAL SECTOR? IF THE JUDGE DOES NOT HONOUR THE LAW HOW DOES THE OTHER PUBLIC CAN HONOUR THE RULE OF LAW? IF YOU WANT TO BE RESPECTED BY OTHER YOU SHOULD RESPECT TO ANOTHER.
A context free grammar with associated transforms in the plane and RGB space made these...
rules like
a -> bc
b -> bd
but never like:
d -> dd
each symbol is associated with a rotation, shift and scale in the plane, and a step in a direction in he RGB color space.
There are to real terminal symbols, termination occurs when the sub-tree would be less than a pixel in size, and the pixel at the resulting position is coloured.
Much like an L-System, I would say.
Actually because the tree overwrites itself in the image, does that make it context-sensitive, in that the result depends on other symbols? Certainly you need the image buffer as well as the stack to represent the process.
A context free grammar with associated transforms in the plane and RGB space made these...
rules like
a -> bc
b -> bd
but never like:
d -> dd
each symbol is associated with a rotation, shift and scale in the plane, and a step in a direction in he RGB color space.
There are to real terminal symbols, termination occurs when the sub-tree would be less than a pixel in size, and the pixel at the resulting position is coloured.
Much like an L-System, I would say.
Actually because the tree overwrites itself in the image, does that make it context-sensitive, in that the result depends on other symbols? Certainly you need the image buffer as well as the stack to represent the process.
A context free grammar with associated transforms in the plane and RGB space made these...
rules like
a -> bc
b -> bd
but never like:
d -> dd
each symbol is associated with a rotation, shift and scale in the plane, and a step in a direction in he RGB color space.
There are no real terminal symbols, termination occurs when the sub-tree would be less than a pixel in size, and the pixel at the resulting position is coloured.
Much like an L-System, I would say.
Actually because the tree overwrites itself in the image, does that make it context-sensitive, in that the result depends on other symbols? Certainly you need the image buffer as well as the stack to represent the process.
A context free grammar with associated transforms in the plane and RGB space made these...
rules like
a -> bc
b -> bd
but never like:
d -> dd
each symbol is associated with a rotation, shift and scale in the plane, and a step in a direction in he RGB color space.
There are to real terminal symbols, termination occurs when the sub-tree would be less than a pixel in size, and the pixel at the resulting position is coloured.
Much like an L-System, I would say.
Actually because the tree overwrites itself in the image, does that make it context-sensitive, in that the result depends on other symbols? Certainly you need the image buffer as well as the stack to represent the process.
In analytical psychology, the shadow (also known as ego-dystonic complex, repressed id, shadow aspect, or shadow archetype) is an unconscious aspect of the personality that does not correspond with the ego ideal, leading the ego to resist and project the shadow, creating conflict with it. The shadow may be personified as archetypes which relate to the collective unconscious, such as the trickster.[1][2][3][4][5]
Overview
Main articles: Defence mechanism and Anxiety
For broader coverage of this topic, see Introjection, Identification (psychology), and Guilt–shame–fear spectrum of cultures.
See also: Dark triad and Otto F. Kernberg
The shadow can be thought of as the blind spot of the psyche.[6] The repression of one's id, while maladaptive, prevents shadow integration, the union of id and ego.[7][8] While they are regarded as differing on their theories of the function of repression of id in civilization, Sigmund Freud and Carl Jung coalesced at Platonism, wherein id rejects the nomos.[clarification needed][9] Persona is contrasted against the shadow.[10] Jung regarded the shadow as unconscious – id and biography – suppressed under the superego's ego-ideal, the way the superego wants to be.[11] The shadow is projected onto one's social environment as cognitive distortions.[12] However, the shadow can also be regarded as "roughly equivalent to the whole of the Freudian unconscious",[13] and Jung himself asserted that "the result of the Freudian method of elucidation is a minute elaboration of man's shadow side unexampled in any previous age".[14]: 63
Contrary to a Freudian definition of shadow, the idea can include everything outside the light of consciousness and may be positive or negative.[citation needed] Because a subject can repress awareness or conceal self-threatening aspects of the self, consensus of the idea of the shadow that it is a negative function in the self, despite the extent of the repression failing to prohibit these aspects.[15] There are positive aspects that can remain hidden in one's shadow – especially in people with low self-esteem, anxieties, and false beliefs – with these aspects being brought to the conscious mind and exercised through analysis and therapy.[16] It may be considered the subject's identification with id, superseded in early childhood, though it can also be influenced by early to late childhood.[17][18]
Jung wrote that if awareness of the projection of the shadow remains repressed, "the projection-making factor (the Shadow archetype) then has a free hand and can realize its object – if it has one – or bring about some other situation characteristic of its power", lending the idea autonomous qualities which can have consequences on the id and the ego.[19] These projections insulate and delude individuals in society by acting as a symbolically deployed barrier between the ego and the ego-less Real.
Collective shadow
Main article: Psychopomp
For broader coverage of this topic, see Systems psychology, Mephistopheles, and Daimon.
See also: Scapegoat, Collective trauma, and Odin
The collective unconscious, a concept that states that all of humanity shares some unconscious ideals, forms a projective identification with uncertainty and feelings of helplessness along with other negative feelings. This projection frequently identifies with the figure of the Devil as the "fourth" aspect of the Pauline-Christian trinity, functioning as its grounding myth.[24] This idea can be seen in other mythologies, for instance, the ancient-Egyptian-devil Set "represents overwhelming affects".[25] The collective shadow is ancestral and is carried by the collective experience of the human race (i.e., in-group and out-group: dehumanization; e.g., hate crime).[26][27]
Appearance
Main article: Daimon
For broader coverage of this topic, see Masking (personality) and Censorship (psychoanalysis).
See also: The Emperor's New Clothes
Jungians believe that the shadow aspect of the Self may appear in dreams and visions (i.e., mise-en-scène),[28][29] in various forms and typically "appears as a person of the same sex as that of the dreamer."[30]: 175 The shadow's appearance and role depend greatly on the living experience of the individual because much of the shadow develops in the individual's mind rather than simply being inherited from the collective unconscious and is important in the Jungian approach to dream interpretation.[30]: 183 Nevertheless, some Jungians maintain that "the shadow contains, besides the personal shadow, the shadow of society [...] fed by the neglected and repressed collective values."[31]
Jung also made the suggestion that the shadow may be made up of many layers. The top layers contain the meaningful flow and manifestations of direct personal experiences. These are made unconscious in the individual by such things as the change of attention from one thing to another, simple forgetfulness, or a repression. Underneath these specific layers, however, are the archetypes which form the psychic contents of all human experiences. Jung described this deeper layer as "a psychic activity which goes on independently of the conscious mind and is not dependent even on the upper layers of the unconscious – untouched, and perhaps untouchable – by personal experience."[32]
Encountering the shadow
Main article: Nekyia
For broader coverage of this topic, see Active imagination and Amplification (psychology).
See also: Dialectic, Dialogic, Hero's journey, and Katabasis
As the shadow is a part of the unconscious, a method called Shadow work is practiced through active imagination with daydreaming and meditation – the experience is then mediated by dialectical interpretation through narrative and art (pottery, poetry, drawing, dancing, singing, etc.); analysts perform dreamwork on analysands, using amplification to raise the unconscious to conscious awareness.[33][34][35] Jung uses the term Nekyia to describe the descent into darkness, where the ego fades.[36]
The eventual encounter with the shadow plays a central part in the process of individuation. Jung considered that "the course of individuation [...] exhibits a certain formal regularity. Its signposts and milestones are various archetypal symbols" marking its stages; and of these "the first stage leads to the experience of the shadow."[37] If "the breakdown of the persona constitutes the typical Jungian moment both in therapy and in development,"[38] it is this that opens the road to the shadow within, coming about when "beneath the surface a person is suffering from a deadly boredom that makes everything seem meaningless and empty...as if the initial encounter with the Self casts a dark shadow ahead of time."[30]: 170 Jung considered as a perennial danger in life that "the more consciousness gains in clarity, the more monarchic becomes its content...the king constantly needs the renewal that begins with a descent into his own darkness"[39]: 334 – his shadow – which the "dissolution of the persona" sets in motion.[40]
"The shadow personifies everything that the subject refuses to acknowledge about himself",[41]: 284 whether consciously or unconsciously, and represents "a tight passage, a narrow door, whose painful constriction no one is spared who goes down to the deep well."[41]: 21
[If and when] an individual makes an attempt to see his shadow, he becomes aware of (and often ashamed of) those qualities and impulses he denies in himself but can plainly see in others – such things as egotism, mental laziness, and sloppiness; unreal fantasies, schemes, and plots; carelessness and cowardice; inordinate love of money and possessions...[30]: 174
The dissolution of the persona and the launch of the individuation process also brings with it "the danger of falling victim to the shadow ... the black shadow which everybody carries with him, the inferior and therefore hidden aspect of the personality"[42] – resulting in a merger with the shadow.
Merging with the shadow
For broader coverage of this topic, see Positive disintegration, Anagoge, and Introjection.
Jung considered merging with the shadow as typically bad, viewing it as the process of the suppressed id overwriting or controlling the ego. According to Jung, the shadow sometimes overwhelms a person's actions; for example, when the conscious mind is shocked, confused, or paralyzed by indecision. "A man who is possessed by his shadow is always standing in his own light and falling into his own traps...living below his own level."[41]: 123 Hence, in terms of the story of Dr. Jekyll and Mr. Hyde, "it must be Jekyll, the conscious personality, who integrates the shadow ... and not vice versa. Otherwise the conscious becomes the slave of the autonomous shadow."[43]
Individuation inevitably raises that very possibility as it further separates the ego from the collective unconsciousness. As the process continues, and "the libido leaves the bright upper world... sinks back into its own depths... below, in the shadows of the unconscious."[44] so too what comes to the forefront is "what was hidden under the mask of conventional adaptation: the shadow", with the result that "ego and shadow are no longer divided but are brought together in an – admittedly precarious – unity."[45][full citation needed]
The effect of such "confrontation with the shadow produces at first a dead balance, a standstill that hampers moral decisions and makes convictions ineffective ... nigredo, tenebrositas, chaos, melancholia."[39] Consequently, as Jung knew from personal experience: "In this time of descent – one, three, seven years, more or less – genuine courage and strength are required",[46] with no certainty of emergence. Nevertheless, Jung remained of the opinion that while "no one should deny the danger of the descent [...] every descent is followed by an ascent",[47] and assimilation of – rather than possession by – the shadow becomes a possibility.
Assimilation of the shadow
Main articles: Anima and animus and Acceptance
For broader coverage of this topic, see Reality testing, Metanoia (psychology), Pleroma, and Post-traumatic growth.
Assimilation[48] is the process of acknowledging the shadow and possibly incorporating parts of it into the ego. Jungians believe this may lead to a numinous experience, while anchoring to the numinosum effect without reality testing can lead to ego inflation (qv., archetypal possession).[49]
In analytical psychology, the struggle for the superego is to retain awareness of the shadow, but not to become it or be controlled by it. "Non-identification demands considerable moral effort [which] prevents a descent into that darkness"; and though "the conscious mind is liable to be submerged at any moment in the unconscious...understanding acts like a life-saver. It integrates the unconscious."[50][full citation needed] This reincorporates the shadow into the personality, producing a stronger, wider consciousness than before. "Assimilation of the shadow gives a man body, so to speak,"[14]: 239 thereby providing a launchpad for further individuation. "The integration of the shadow, or the realization of the personal unconscious, marks the first stage in the analytic process... without it a recognition of anima and animus is impossible."[51] Conversely, "to the degree in which the shadow is recognised and integrated, the problem of the anima, i.e., of relationship, is constellated,"[41]: 270n and becomes the centre of the individuation quest.
Carolyn Kaufman wrote that "in spite of its function as a reservoir for human darkness – or perhaps because of this – the shadow is the seat of creativity;"[52] so that for some, it may be that "the dark side of his being, his sinister shadow...represents the true spirit of life as against the arid scholar."[53] Nevertheless, Jungians warn that "acknowledgement of the shadow must be a continuous process throughout one's life;"[54] and even after the focus of individuation has moved on to the animus/anima, "the later stages of shadow integration" will continue to take place – the grim "process of washing one's dirty linen in private,"[55] of accepting one's shadow.
Popular culture
Mr. Hyde from Strange Case of Dr Jekyll and Mr Hyde[56]
The young wizard Ged in Ursula K. Le Guin's 1968 novel A Wizard of Earthsea must confront his own shadow, influenced by Le Guin's interest in Jung [57]
The 1971 David Bowie song "Shadow Man"[58]
Persona, a series of Japanese role-playing video games (JRPG) where many Jungian concepts are used directly, including the shadow, the collective shadow, Persona, and Archetypes[59][60]
The video games Alan Wake and Control reference many Jungian concepts such as the Collective unconscious, Synchronicity, and the shadow
Luke Skywalker's confrontation with Darth Vader in the cave of Dagobah in the film The Empire Strikes Back (1980)[citation needed]
Gollum with himself in the novel The Lord of the Rings (1954–1955)[citation needed]
See also
Psychology portal
Alter ego
Anger management
Antagonist
Anticathexis
Apollonian and Dionysian
Bias blind spot
Big Five personality traits
Cognitive bias
Cognitive dissonance
Cognitive distortion
Compartmentalization (psychology)
Death drive
Egosyntonic and egodystonic
Eros (concept)
Eudaimonia
Homunculus argument
Inferiority complex
The Shadow (fairy tale)
Transpersonal psychology
Yin and yang
Further reading
Abrams, Jeremiah. 1995. The Shadow in America. Nataraj.
Abrams, Jeremiah, and Connie Zweig. 1991. Meeting the Shadow: The Hidden Power of the Dark Side of Human Nature. Tarcher. ISBN 0-87477-618-X
Arena, Leonardo Vittorio. 2013. The Shadows of the Masters. ebook.
Bly, Robert. 1988. A Little Book on the Human Shadow, edited by William Booth. San Francisco: Harper and Row. ISBN 0-06-254847-6
Campbell, Joseph, ed. 1971. The Portable Jung, translated by R. F. C. Hull. New York: Penguin Books.
Johnson, Robert A. 1993. Owning Your Own Shadow: Understanding the Dark Side of the Psyche. Harper San Francisco, 128 pp. ISBN 0-06-250754-0.
– – 1989. Inner Work: Using Dreams and Creative Imagination for Personal Growth and Integration. Harper San Francisco, 241 pp. ISBN 0-06-250431-2.
Massi, Danielle. 2022. Shadow Work: Face Hidden Fears, Heal Trauma, Awaken Your Dream Life. New York: Sterling Ethos.
Neumann, Erich. 1990. Depth Psychology and a New Ethic (reprint ed.). Shambhala. ISBN 0-87773-571-9.
Zweig, Connie, and Steve Wolf. 1997. “Romancing the Shadow.” Ballantine.
– – “Meeting the Shadow of Spirituality.”
References
Beebe, John (2004). "Understanding consciousness through the theory of psychological types". In Cambray, Joseph; Carter, Linda (eds.). Analytical Psychology: Contemporary Perspectives in Jungian Analysis. Advancing Theory in Therapy. Routledge. p. 110. ISBN 978-1-58391-999-6. Opposing Personality [...] Senex/Witch [...] Trickster [...] Demonic Personality [...] EGO-DYSTONIC COMPLEXES Shadow.
Solomon, Hester McFarland (2004). "The ethical attitude in analytic training and practice". In Cambray, Joseph; Carter, Linda (eds.). Analytical Psychology: Contemporary Perspectives in Jungian Analysis. Advancing Theory in Therapy. Routledge. p. 251. ISBN 978-1-58391-999-6. The shadow, that portion of the self that the ego designates as bad and projects as unwanted, carries what is treacherous and subversive – what is unethical and immoral – within the self and hides it, relegating its contents to unconscious areas within the psyche where it can be lived out in projection, using and abusing the other as a vehicle for the bad aspects of the self.
Jung, Carl (1971). "Aion: Phenomenology of the Self (The Ego, the Shadow, the Syzygy: Anima/Animus)". In Campbell, Joseph (ed.). The Portable Jung. Penguin Books. pp. 145, 146. ISBN 978-0-14-015070-4. The shadow is the moral problem that challenges the whole ego-personality [...] To become conscious of it involves recognizing the dark aspects of the personality as present and real. [...] dark characteristics[...]the inferiorities constituting the shadow[...]have an emotional nature, a kind of autonomy, and accordingly an obsessive or, better, a possessive quality. [...] These resistances are usually bound up with projections, which are not recognized as such, and their recognition is a moral achievement beyond the ordinary.
Hillman, James (1977). Re-Visioning Psychology. Harper. p. 128. ISBN 978-0-06-090563-7. Archetypal psychology envisions the fundamental ideas of the psyche to be expressed of persons – Hero, Nymph, Mother, Senex, Child, Trickster, Amazon, Puer and many other specific prototypes bearing the names and stories of the Gods. These are the root metaphors.
Avens, Roberts (1977). "The Image of the Devil in C. G. Jung's Psychology". Journal of Religion and Health. 16 (3): 196–222. doi:10.1007/BF01533320. JSTOR 27505406. PMID 24318090. S2CID 13610615. Retrieved 2022-06-25. The shadow symbolizes our 'other side,' the unrecognizable and disowned, animal-like personality rejected by the ego. [...] [T]he trickster, in Jung's psychology, is the collective shadow figure par excellence.
Brown, Rebecca; Stobart, Karen (2008). Understanding Boundaries and Containment in Clinical Practice. The Society of Analytical Psychology Monograph Series. Karnac Books. p. 7. ISBN 978-1-85575-393-8. Those parts of our psyches that are hidden and that we find difficult to face, Jung called 'the shadow'.
Avens, Roberts (1977). "The Image of the Devil in C. G. Jung's Psychology". Journal of Religion and Health. 16 (3): 196–222. doi:10.1007/BF01533320. JSTOR 27505406. PMID 24318090. S2CID 13610615. Retrieved 2022-06-25. [M]odern civilization provides inadequate opportunities for the shadow archetype to become individuated because in childhood our animal instincts are usually punished by parents. This leads to repression: the shadow returns to the unconscious layer of the personality, where it remains in a primitive, undifferentiated state.
Le Guin, Ursula K. (1975). "The Child and the Shadow". The Quarterly Journal of the Library of Congress. 32 (2): 139–148. JSTOR 29781619. Retrieved 2022-06-25. The shadow is all that gets suppressed in the process of becoming a decent, civilized adult. [... it's] man's thwarted selfishness, his unadmitted desires, the swearwords he never spoke, the murders he didn't commit. The shadow is the dark side of his soul, the unadmitted, the inadmissible.
Demos, Raphael (1955). "Jung's Thought and Influence". The Review of Metaphysics. 9 (1): 71–89. JSTOR 20123485. Retrieved 2022-06-25. As for the 'shadow' side of human nature (on which there is no difference of opinion between Freud and Jung) we may remind ourselves of Plato's phrase that 'in all of us, even those that are the most respectable, there is a lawless, wildbeast nature which appears in sleep' [...] (Republic 571-2)
Demos, Raphael (1955). "Jung's Thought and Influence". The Review of Metaphysics. 9 (1): 71–89. JSTOR 20123485. Retrieved 2022-06-25. [T]he polarity of opposites[...]persona-shadow[.])
Humphrey, Caroline (2015). "Shadows Along the Spiritual Pathway". Journal of Religion and Health. 54 (6): 2376–2388. doi:10.1007/s10943-015-0037-2. JSTOR 24735970. PMID 25794547. S2CID 11733262. Retrieved 2022-06-25. Jung construed [...] the personal shadow, [as] a biological and biographical shadow unique to each person, consisting of whatever innate instincts and transpersonal potentials we have suppressed in the course of adapting to society, along with archaic and traumatic memories [of the unconscious]. [...] The personal shadow is rooted in the shadow of our social group, which has moulded our ego-ideal and world view[.]
Spivack, Charlotte K. (1965). "The Journey to Hell: Satan, the Shadow, and the Self". The Centennial Review. 9 (4): 420–437. JSTOR 23737939. Retrieved 2022-06-25. The major activity of the shadow is what Jung calls projection. [...] cast[ing] forth its ruling [negative] emotions [...] into other people ('people don't like me') or [...] considers [everything] a hostile, malevolent environment ('the world is against me').
Anthony Stevens, On Jung (London 1990) p. 43
Jung, C. G. 1993. The Practice of Psychotherapy. London.
Jung, C.G. 1938. "Psychology and Religion". In Psychology and Religion: West and East, Collected Works of C.G. Jung 11. p. 131
Young-Eisendrath, P. and T. Dawson. 1997. The Cambridge Companion to Jung. Cambridge University Press. p. 319.
Jung, C.G. 1952. "Answer to Job." In Psychology and Religion: West and East, Collected Works of C.G. Jung 11. p. 12.
Fordham, Michael (January 1965). "The Importance of Analysing Childhood for Assimilation of the Shadow". Journal of Analytical Psychology. 10 (1): 33–47. doi:10.1111/j.1465-5922.1965.00033.x. ISSN 0021-8774. PMID 14253371.
Jung, C.G. 1951. "Phenomenology of the Self." In The Portable Jung. p. 147.
Avens, Roberts (1977). "The Image of the Devil in C. G. Jung's Psychology". Journal of Religion and Health. 16 (3): 196–222. doi:10.1007/BF01533320. JSTOR 27505406. PMID 24318090. S2CID 13610615. Retrieved 2022-06-25. [A]s superstition holds, a man without shadow is the devil himself. [...] The devil[...]can be regarded as God's dissatisfaction with himself, a projection of his own doubt [...] The devil here is a psychopomp[.]
Humphrey, Caroline (2015). "Shadows Along the Spiritual Pathway". Journal of Religion and Health. 54 (6): 2376–2388. doi:10.1007/s10943-015-0037-2. JSTOR 24735970. PMID 25794547. S2CID 11733262. Retrieved 2022-06-25. So it is originally a darkness of obscurity and mystery, rather than a darkness of degeneracy, disease or 'evil'. [...] a byproduct of our tendency to repress impulses which are anathema to our ego-ideals[.]
Clark, Margaret (2005). Understanding the Self-Ego Relationship in Clinical Practice: Towards Individuation. Routledge. p. 8. ISBN 978-0-367-10552-5. Jung often uses language we usually associate with God to think about the collective unconscious.
Schwartz-Salant, Nathan (2018) [1989]. The Borderline Personality: Vision and Healing. Chiron Publications. p. 92. ISBN 978-1-63051-515-7. Jungian theory commonly fills the place of the 'fourth' with the archetypal feminine but also includes evil as a fourth element.
[20][21][22][23]
Schwartz-Salant, Nathan (2018) [1989]. The Borderline Personality: Vision and Healing. Chiron Publications. p. 21. ISBN 978-1-63051-515-7. In Egyptian myth the devil Set, who is the enemy of the forces of order, represents overwhelming affects, including terrifying abandonment depression and dismemberment.
Humphrey, Caroline (2015). "Shadows Along the Spiritual Pathway". Journal of Religion and Health. 54 (6): 2376–2388. doi:10.1007/s10943-015-0037-2. JSTOR 24735970. PMID 25794547. S2CID 11733262. Retrieved 2022-06-25. Jung construed [...] the collective shadow, an ancestral shadow which [has been] accrued in the course of history in respect of each collectivity [...] both particularistic social groups and the human species as a whole.
Le Guin, Ursula K. (1975). "The Child and the Shadow". The Quarterly Journal of the Library of Congress. 32 (2): 139–148. JSTOR 29781619. Retrieved 2022-06-25. The shadow is projected outward, onto others. There's nothing wrong with me – it's them.
Le Guin, Ursula K. (1975). "The Child and the Shadow". The Quarterly Journal of the Library of Congress. 32 (2): 139–148. JSTOR 29781619. Retrieved 2022-06-25. The shadow stands on the threshold between the conscious and unconscious mind, and we meet it in our dreams, as sister, brother, friend, beast, monster, enemy, guide.
Derrida, Jacques; Domingo, Willis; Hulbert, James; Ron, Moshe; L., M.-R. (1999). "The Purveyor of Truth". Yale French Studies (96): 124–197. doi:10.2307/3040722. JSTOR 3040722. Retrieved 2022-08-22. The dreamer is the only one to see himself naked. And in contemplating his nakedness, he is alone. This, Freud says, is 'a suggestive point.' [...] the other [dream] people should be staring and laughing or becoming angry, but they are not.
von Franz, Marie-Louise. [1964] 1978. "The Process of Individuation." In Man and his Symbols, edited by C. G. Jung. London: Picador. ISBN 0-330-25321-2.
Fordham, Michael. 1978. Jungian Psychotherapy. Avon. p. 5.
Jung, C.G. The Structure and Dynamics of the Psyche. p. 148.
Humphrey, Caroline (2015). "Shadows Along the Spiritual Pathway". Journal of Religion and Health. 54 (6): 2376–2388. doi:10.1007/s10943-015-0037-2. JSTOR 24735970. PMID 25794547. S2CID 11733262. Retrieved 2022-06-25. Learning to [day]dream [...] is advisable for the serious practitioner of shadow work, and Jung developed the technique of active imagination to this end. If we carve out a regular space – time for silence and solitude, we may discern the murmurings of another voice within us or the spontaneous formation of an image in our mind [...] afterwards we need to record our experiences to render the memorable by writing a message, drawing an image, performing a dance sequence or vocalising a melody (cf. Hannah 1991; Rowan 2005, pp. 125-147)
Falzeder, Ernst (2012). "Freud and Jung, Freudians and Jungians". Jung Journal: Culture & Psyche. 6 (3): 24–43. doi:10.1525/jung.2012.6.3.24. JSTOR 10.1525/jung.2012.6.3.24. S2CID 144239928. Retrieved 2022-06-28. Apart from using dreams, Jung's method of soliciting emanations and manifestations of the unconscious was that of 'active imagination,' a method that produces a kind of waking vision or phantasy, which he then subjected to what he called 'amplification,' consisting essentially in finding 'parallels' to those images in 'collective' imaginations, such as myths, religious systems and practices, visions, alchemy, yoga[.]
Clark, Margaret (2005). Understanding the Self-Ego Relationship in Clinical Practice: Towards Individuation. The Society of Analytical Psychology Monograph Series. Routledge. p. 93. ISBN 978-0-367-10552-5. Active imagination is a technique that promotes dialogue between the ego and the self. The ego is deliberately set aside temporarily, and images from the unconscious arise and develop; the ego watches the story unfold as in a theatre, noting plot, characters, setting, dialogue. [...] If the patient is on their own [doing solo-work], it is obviously important that their ego is able to cope with whatever images and affects the self produces [...] the practitioner of active imagination can be overwhelmed by the emerging unconscious material[.] [...] Art therapy and drama therapy are based on the theory of active imagination; images can also be formulated in pottery, or poetry.
Marlan, Stanton. The Black Sun: The Alchemy and Art of Darkness. pp. 23–25. Jung refers to the descent into darkness as nekyia. In Psychology and Alchemy, Jung uses this Greek word to designate a ' 'journey to Hades,' a descent into the land of the dead.' [...] The nekyia ultimately leads to the fading of the ego's light and a death[.]
Jacobi, J. 1946. The Psychology of C. G. Jung. London. p. 102.
Homans, Peter. 1979. Jung in Context. London. p. 102.
C. G. Jung, Mysterium Coniunctionis (London 1963)
Jung, C. G. 1953. Two Essays on Analytical Psychology. London. p. 277.
Jung, C.G. The Archetypes and the Collective Unconscious (London 1996).
Jung, C. G. 1954. "Psychology of the Transference." In Practice of Psychotherapy, Collected Works 16. London. p. 219.
Stevens, Jung p. 50
Jung, C. G. 1944. Psychology of the Unconscious. London. pp. 181–82.
Jung "Psychology"[full citation needed] pp. 238–39
Bly, Robert, and Marion Woodman. 1999. The Maiden King. Dorset.
Jung, C. G. Symbols of Transformation (London 1956) pp. 357, 375
"Definition of ASSIMILATE". www.merriam-webster.com. 2023-10-16. Retrieved 2023-10-23.
Schwartz-Salant, Nathan (2018) [1989]. The Borderline Personality: Vision and Healing. Chiron Publications. pp. 93, 121. ISBN 978-1-63051-515-7. Only with a conscious integration of the shadow can the positive numinosum actualize. [...] The experience of our [human limiations via] embodied size is essential for the numinosum to gain actuality; without this knowledge of our limitations, and hence, an awareness of our humanity, contact with the numinosum leads to an inflated state. [...] ego [...] inflation[.]
Jung, "Psychology"[full citation needed] pp. 260, 266, and 269
Jung, C. G. Aion: Researches into the Phenomenology of the Self. (London 1959) p. 22
Kaufman, Carolyn. "Three-Dimensional Villains: Finding Your Character's Shadow." Archetype Writing: The Writer's Guide to Psychology.
Jung, C. G. Memories, Dreams, Reflections (London 1983) p. 262
Hart, David L. 1977. "The classical Jungian school." In The Cambridge Companion to Jung, edited by P. Young-Eisendrath and T. Dawson. Cambridge: Cambridge University Press. p. 92
Stevens, On Jung p. 235
Gómez Moreno, Marta; Hewitt Hughes, Elena Carolina (July 2016). "An analysis of Stevenson's novel based on Jung's theory of the Shadow archetype in The strange case of Dr. Jekyll and Mr. Hyde". Alpha (Osorno) (42): 51–76. doi:10.4067/S0718-22012016000100005. ISSN 0718-2201.
Bailey, Edgar C. (1980-01-10). "Shadows in Earthsea: Le Guin's Use of a Jungian Archetype". Extrapolation. 21 (3).
Stark, Tanja (22 June 2015). Crashing Out with Sylvian: David Bowie, Carl Jung and the Unconscious" in Deveroux, E., M.Power and A. Dillane (eds.) David Bowie: Critical Perspectives. Routledge Press. pp. 82–110. Retrieved 4 December 2016.
"'Persona' Bends But Doesn't Totally Break Jungian Psychology". Inverse. 2016-10-27. Retrieved 2023-11-08.
Gailloreto, Coleman (2020-04-10). "The Jungian Psychology Concepts Which Acted As Inspiration For The Persona Franchise". ScreenRant. Retrieved 2023-11-08.
External links
Discussion of the Shadow for Individuals and Groups
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Categories: Jungian archetypesAnalytical psychologyPsychedelic drug researchPsychological theoriesCarl JungCounterparts
en.wikipedia.org/wiki/Shadow_(psychology)
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Google-Earth capture of a slaugh in San Francisco Bay
This google-earth capture is an exact match of my aerial photo.
This photo is © Google Earth, used by permission (this overwrites any other copyright mention that may appear on this page)
If you like this photo, follow me on instagram (tristan_sf) and don't hesitate to leave a comment or email me.
iPad
Art Set Pro and Waterlogue Apps
From imagination
I love waterlogue's effects but hate how it takes over the flickr upload - overwriting painting title, description & tags. Does anyone know how to disable this 'feature'?
A context free grammar with associated transforms in the plane and RGB space made these...
rules like
a -> bc
b -> bd
but never like:
d -> dd
each symbol is associated with a rotation, shift and scale in the plane, and a step in a direction in he RGB color space.
There are to real terminal symbols, termination occurs when the sub-tree would be less than a pixel in size, and the pixel at the resulting position is coloured.
Much like an L-System, I would say.
Actually because the tree overwrites itself in the image, does that make it context-sensitive, in that the result depends on other symbols? Certainly you need the image buffer as well as the stack to represent the process.
I'm transferring my data over ethernet onto my new computer. 100 megabit sounds fast until you try and transfer 100 gig :-(
I'm not a Microsoft hater. Hell, I did tech support for them once upon a time. But I have to wonder, why is it that windows copy is so terrible at copying bunches of files? Am I the only one that copies files frequently? If not, why hasn't anybody over there said "hey wait a minute, this could totally help our users complete a task they do with some regularity...
Say I tell it to copy these 200,000 files to there --->
It copies them one at a time, until it hits file 74,381 of 200,000, and for some reason, that file is inaccessible. So it throws an error message and STOPS COPYING FILES.
Now I have 200,000 files HERE and 74,380 files THERE, but I have no way of knowing which files were copied and which weren't.... It doesn't seem to copy them in any obvious order like alphabetically.
If it was going for atomicity, it fails. Atomicity is a database term that means all the tasks in a transaction are done, or none of them -- no stopping in the middle. It'd make sense for file copying, but it's not overly user friendly.
If they're going to say "fuck atomicity in the name of ease of use!", then why the fuck doesn't it finish copying files, THEN tell me about the files it couldn't copy for some reason? Then I could glance at the list and say "these are all system files that I never wanted to copy anyway but Windows is too fucking dumb to keep their hidden system files out of directories I use."
Yeah, that's another pet peeve of mine. Fuck you and your thumbs.db file and your zdThumbnail.info file and your system volume information folder and your recycler folder... I don't expect windows to not have shit like that, but how hard is it to keep them somewhere ELSE, like it does with Temporary Internet Files?
Okay, so some of the files are copied, and some aren't. I select the 200,000 files, UN-select the one file it can't copy, then restart the copy. I get a dialog box complaining because it already copied the file in question, so it needs to know whether to skip that file, or overwrite the destination file. So they give me buttons "Yes" (overwrite), "No" (skip), "Yes to All" (overwrite all), and Cancel. Do you see the problem?
The files that have already been copied don't need to be recopied and overwritten. So what I REALLY want is "No to All", which is the ONE ANSWER THEY DIDN'T PROVIDE. Fuckers!
So I resign myself to extra waiting and click "Yes to All" so it copies over everything again. And I walk away. I come back 10 minutes later and it's asking me THE SAME QUESTION. What part of all didn't you understand, you sorry piece of shit?
A context free grammar with associated transforms in the plane and RGB space made these...
rules like
a -> bc
b -> bd
but never like:
d -> dd
each symbol is associated with a rotation, shift and scale in the plane, and a step in a direction in he RGB color space.
There are to real terminal symbols, termination occurs when the sub-tree would be less than a pixel in size, and the pixel at the resulting position is coloured.
Much like an L-System, I would say.
Actually because the tree overwrites itself in the image, does that make it context-sensitive, in that the result depends on other symbols? Certainly you need the image buffer as well as the stack to represent the process.
A story of Judicial Corruption of The court of Bangladesh at Comilla Judicial Magistrate Court:- In this story I described the corruption activities of two Judicial Magistrates corruptions. One of them is The Chief Judicial Magistrate Named FATAMA NAJIB & the is The Additional Chief Judicial Magistrate Named Md. Rafiqul Islam. I discover their corruption from the 2 cases which were in their court. These 2 cases are GR-792-07 & another is CR-Case-No-692-08. In the above named cases the corruption activities of them is as following:-
The corruption & injustice of the GR-Case-792-07:- The informant of this case is Advocate Salahuddin Ahmed of Comilla District Bar Association & the Accused Advocate Kamrul Hayat Khan former Secretary of Comilla Bar Association. In the period of police investigation of this case the accused played a role of violence with the HARTAL and ultimatum of stop the court duty. Hence the police submitted the police report as Final Report False according to the previous written ultimatum. Than I filed an NARAJI Application against the police report. But the chief judicial magistrate named FATAMA NAJIB involved with the accused party for deprives me from the legal justice. As a result she did not pass any order of hearing date of the case against the Naraji application. She passed an order on 27-01-2008 as “The case will hearing on next”. But with out passing any order of next date she rejected the Naraji application by writing a false statement on 28-01-08. After a minutes I became to know about this and I presented before the chief judicial magistrate and request to her for restrain the earlier order. She reply to me that she can’t do that because the section 369 of the code of criminal procedure 1898 is Bar to do such. More over she told me to go session judge court for revision. Than I collected a set of photo copy of all order sheet of the GR-792-07 cases.
But after a few months I applied for certify copy the order sheet on 30-07-2009. When she became to know about my application she tempered the previous order sheet of 27-01-08 and overwrite on the word “ the case” and substitute the word “tomorrow.”
More over she never published any fixed date for hearing the case.
On the other hand she altar her pervious attitudes and enjoyed ultra virus power in the CR-Case-No-692-08. In this case we can see over the order sheet that the case was closed on 30-12-2008 under section 247 of the code of criminal procedure 1898. After 65 day of closing the case the additional chief judicial magistrate of comilla named Md. Rafiqul Islam proposed for bribe money to give bail an accused by a bench Clark named HARADAN KARMAKAR. But I denied giving any bribe money for getting bail of an accused from his court. As a Result he communicated with the chief judicial magistrate in view of take revenge of denying his proposal of bribe money. Hence the CR-692/08 case revived with illegally, intentionally by their ultra virus power which was dismissed on 30/12/2008. Though they have no power or jurisdiction to revive any case which dismissed under section 247 of the code of criminal procedure 1898. If any party of such case being aggrieved; he can appeal in the session judge court under section 417 (2) of the code of criminal procedure 1898. If he aggrieves with the aforesaid appeal judgments; he can file revision in the High court 439 of the code of criminal procedure 1898. But if he does not file appeal under section 417(2) of the code of criminal procedure 1898 ; he will never can get any benefit of the section 439. If the aggrieved party does not file any appeal with in 60 day there is no court can admit any appeal application with out the order of Hon’ble High Court.
But when I filed petition for true copy of that case she rejected my petition and decided to change the previous all order sheets of the 30/12/2008. When I became to know about her ill-motive I took image of all order sheets of the case by a mobile camera. Than I printed out from the mobile camera of those image of order sheets.
After that I filed a criminal revision case in the session judge court of comilla as Criminal Revision case No-194/09 on 08/07/09 with those image order sheets of the CR-692/08 cases. On that date the session judge directed to the chief judicial magistrate and passed an order for issue certify copy of all the order sheets of the CR-692/08 case before 29/07/2009. But the chief judicial Magistrate dishonored the session judge’s order which passed on 08/07/2009. But the session judge did not take any action against the chief judicial magistrate for dishonoring the order of upper court.
IS THE NATURE OF JUDICIAL SECTOR? IF THE JUDGE DOES NOT HONOUR THE LAW HOW DOES THE OTHER PUBLIC CAN HONOUR THE RULE OF LAW? IF YOU WANT TO BE RESPECTED BY OTHER YOU SHOULD RESPECT TO ANOTHER.
How I did it: Lifepixel-modified UVIR Panasonic GF2 + Tiffen hot mirror, then Hoya R72. In Photoshop, desaturate IR exposure, then in non-IR exposure copy green channel to blue channel, red to green, then overwrite red channel with desaturated IR exposure. Apply VSCO 04 EV100VS landscape filter. Finally pretend the whole thing is art (and promise to take exposures with less ghosting next time). Honestly, the whole thing was in the Aerochrome .pdf!
A context free grammar with associated transforms in the plane and RGB space made these...
rules like
a -> bc
b -> bd
but never like:
d -> dd
each symbol is associated with a rotation, shift and scale in the plane, and a step in a direction in he RGB color space.
There are to real terminal symbols, termination occurs when the sub-tree would be less than a pixel in size, and the pixel at the resulting position is coloured.
Much like an L-System, I would say.
Actually because the tree overwrites itself in the image, does that make it context-sensitive, in that the result depends on other symbols? Certainly you need the image buffer as well as the stack to represent the process.
A context free grammar with associated transforms in the plane and RGB space made these...
rules like
a -> bc
b -> bd
but never like:
d -> dd
each symbol is associated with a rotation, shift and scale in the plane, and a step in a direction in he RGB color space.
There are to real terminal symbols, termination occurs when the sub-tree would be less than a pixel in size, and the pixel at the resulting position is coloured.
Much like an L-System, I would say.
Actually because the tree overwrites itself in the image, does that make it context-sensitive, in that the result depends on other symbols? Certainly you need the image buffer as well as the stack to represent the process.
A story of Judicial Corruption of The court of Bangladesh at Comilla Judicial Magistrate Court:- In this story I described the corruption activities of two Judicial Magistrates corruptions. One of them is The Chief Judicial Magistrate Named FATAMA NAJIB & the is The Additional Chief Judicial Magistrate Named Md. Rafiqul Islam. I discover their corruption from the 2 cases which were in their court. These 2 cases are GR-792-07 & another is CR-Case-No-692-08. In the above named cases the corruption activities of them is as following:-
The corruption & injustice of the GR-Case-792-07:- The informant of this case is Advocate Salahuddin Ahmed of Comilla District Bar Association & the Accused Advocate Kamrul Hayat Khan former Secretary of Comilla Bar Association. In the period of police investigation of this case the accused played a role of violence with the HARTAL and ultimatum of stop the court duty. Hence the police submitted the police report as Final Report False according to the previous written ultimatum. Than I filed an NARAJI Application against the police report. But the chief judicial magistrate named FATAMA NAJIB involved with the accused party for deprives me from the legal justice. As a result she did not pass any order of hearing date of the case against the Naraji application. She passed an order on 27-01-2008 as “The case will hearing on next”. But with out passing any order of next date she rejected the Naraji application by writing a false statement on 28-01-08. After a minutes I became to know about this and I presented before the chief judicial magistrate and request to her for restrain the earlier order. She reply to me that she can’t do that because the section 369 of the code of criminal procedure 1898 is Bar to do such. More over she told me to go session judge court for revision. Than I collected a set of photo copy of all order sheet of the GR-792-07 cases.
But after a few months I applied for certify copy the order sheet on 30-07-2009. When she became to know about my application she tempered the previous order sheet of 27-01-08 and overwrite on the word “ the case” and substitute the word “tomorrow.”
More over she never published any fixed date for hearing the case.
On the other hand she altar her pervious attitudes and enjoyed ultra virus power in the CR-Case-No-692-08. In this case we can see over the order sheet that the case was closed on 30-12-2008 under section 247 of the code of criminal procedure 1898. After 65 day of closing the case the additional chief judicial magistrate of comilla named Md. Rafiqul Islam proposed for bribe money to give bail an accused by a bench Clark named HARADAN KARMAKAR. But I denied giving any bribe money for getting bail of an accused from his court. As a Result he communicated with the chief judicial magistrate in view of take revenge of denying his proposal of bribe money. Hence the CR-692/08 case revived with illegally, intentionally by their ultra virus power which was dismissed on 30/12/2008. Though they have no power or jurisdiction to revive any case which dismissed under section 247 of the code of criminal procedure 1898. If any party of such case being aggrieved; he can appeal in the session judge court under section 417 (2) of the code of criminal procedure 1898. If he aggrieves with the aforesaid appeal judgments; he can file revision in the High court 439 of the code of criminal procedure 1898. But if he does not file appeal under section 417(2) of the code of criminal procedure 1898 ; he will never can get any benefit of the section 439. If the aggrieved party does not file any appeal with in 60 day there is no court can admit any appeal application with out the order of Hon’ble High Court.
But when I filed petition for true copy of that case she rejected my petition and decided to change the previous all order sheets of the 30/12/2008. When I became to know about her ill-motive I took image of all order sheets of the case by a mobile camera. Than I printed out from the mobile camera of those image of order sheets.
After that I filed a criminal revision case in the session judge court of comilla as Criminal Revision case No-194/09 on 08/07/09 with those image order sheets of the CR-692/08 cases. On that date the session judge directed to the chief judicial magistrate and passed an order for issue certify copy of all the order sheets of the CR-692/08 case before 29/07/2009. But the chief judicial Magistrate dishonored the session judge’s order which passed on 08/07/2009. But the session judge did not take any action against the chief judicial magistrate for dishonoring the order of upper court.
IS THE NATURE OF JUDICIAL SECTOR? IF THE JUDGE DOES NOT HONOUR THE LAW HOW DOES THE OTHER PUBLIC CAN HONOUR THE RULE OF LAW? IF YOU WANT TO BE RESPECTED BY OTHER YOU SHOULD RESPECT TO ANOTHER.
A context free grammar with associated transforms in the plane and RGB space made these...
rules like
a -> bc
b -> bd
but never like:
d -> dd
each symbol is associated with a rotation, shift and scale in the plane, and a step in a direction in he RGB color space.
There are to real terminal symbols, termination occurs when the sub-tree would be less than a pixel in size, and the pixel at the resulting position is coloured.
Much like an L-System, I would say.
Actually because the tree overwrites itself in the image, does that make it context-sensitive, in that the result depends on other symbols? Certainly you need the image buffer as well as the stack to represent the process.
A context free grammar with associated transforms in the plane and RGB space made these...
rules like
a -> bc
b -> bd
but never like:
d -> dd
each symbol is associated with a rotation, shift and scale in the plane, and a step in a direction in he RGB color space.
There are to real terminal symbols, termination occurs when the sub-tree would be less than a pixel in size, and the pixel at the resulting position is coloured.
Much like an L-System, I would say.
Actually because the tree overwrites itself in the image, does that make it context-sensitive, in that the result depends on other symbols? Certainly you need the image buffer as well as the stack to represent the process.
This piece is over a year old, and there's a lot I know could be far better executed, but it is the best example I have of crystallization (to be explained in a moment). I also want to use this post mostly to explain some of the background story behind <399, to give my pieces more context.
(This is a lot, so you don't HAVE to read it, but can if you're curious haha.)
---
The main focus of <399 (Pronounced three-nine-nine) are beings known as 'Hearts'. They are (typically) born to human parents, with the only main difference being that their hearts are made of a specific gemstone (such as ruby, lapis lazuli, rose quartz, etc). Their eyes will typically look like their gemstone and serve as an easy identifier for who is a Heart. They can create gemstone out of thin air in the shape of something, such as swords, knives, keys, guns, small sculptures, animals (non-living, of course), etc. Additionally, any wounds they gain during their life will scar over as their gemstone. In exchange for this, however, their body slowly is overtaken by their gemstones, and one day, they will be completely consumed by it. Harder gemstones (such as sapphires and diamonds) will crystallize faster and have shorter lifespans, where more brittle gemstones (such as gypsum or pyrite) will crystallize slower and have longer lifespans. When completely overtaken by their gemstone, this is generally called 'crystallization'/'becoming crystallized'.
The initial main focus of the story is a person known as 'The Dragon'. They are putting on an art exhibit full of these crystallized hearts, of which humanity believes to be a purely fictional thing (they think of Hearts to be akin to unicorns). Here's a thing I wrote as a general intro to the series:
In life, what we think we know and what we truly know can often times be two entirely different things. As we grow, we learn, new information overwriting the old. Our mind is an endless tapestry that never really finishes, the work simply interrupted as we die and return back to the Earth.
What you have known from birth, though, and what you will always know, is that you are a HEART.
For some, being a Heart is a blessing. Not only were you gifted with uniqueness, and clearly destined to live an interesting life, the body you leave behind will be ethereal and breathtaking. Your parents raised you with love and adoration, filling your head with stories of the fellow brave and bright Hearts they'd come to know in their lives. You were inspired, and your head danced with dreams.
For others, being a Heart is a curse. You were born with a parasite inside your body, and while it grants you something now, it will take so much from you. It will take everything from you. Your life was forfeit from the moment of conception, and your parents made sure you never forgot it.
Regardless of your past, you're here now, and you have a common goal in mind.
ㅤㅤ
You've all seen it. The news reports, the fliers, the articles, blurry photographs and out-of-context quotes. Eyewitness reports on channel 7, commentary, opinions, theories- but above all, human intrigue in its purest form. An up-and-coming artist that destroyed the art world as people knew it. Like a rose pushing through a crack in the sidewalk, THE DRAGON was suddenly the centerpiece of so many lives. Their name, their appearance, their history, all a blur of rumors and questions. Some had the audacity to call them the modern day Leonardo Da Vinci, a new-age revolutionary. After seeing their work, you'd think that calling them a demon would be an insult to Hell.
The main focus, the so-called magnum opus, was the most disgustingly beautiful thing you'd ever seen. It was an over glorified, thoroughly disrespected corpse of a Heart. A woman, with rich brown hair and a pose of pure determination and power, trapped within a crystal the color of dried blood and crushed cherries. The gemstone around her body twisted and curled about itself like flames, and it twinkled like such in all of the videos you'd seen of it posted on every website you dared to open. By the looks of her open palm, the fear in her face, the tears forever embedded on her cheeks, this woman died fighting.
ㅤㅤ
You think of The Dragon, proclaimed as an art god, someone who created. But whoever they were- they destroyed. You think back to the woman, and something stirs inside of you. The Dragon destroyed her. Her corpse, now lacking any sort of proper rest, earning The Dragon countless money and fame. The exhibit is a world-famous event, and people are flying in from across the globe to witness these once-in-a-lifetime pieces. Just trying to imagine the costs makes you sick.
Maybe you seek to find validity to the rumors, to test your theory. Or, you're planning to kill The Dragon where they stand. Maybe you're just curious, or god forbid, interested in joining their collection one day.
No matter what, you're here now. The Dragon's lair awaits.
Sadly Yahoo seem determined to fix what wasn't broken. Even on a high spec PC the last version is slow to load and has become virtually impossible on a tablet, so it's much harder to keep up with photos added by my friends and as for Explore - forget it. I've tried the beta version and found it even worse - abbreviated comments, hard to edit, can't reply to several users as previously - click on reply a second time and it overwrites the first. If you look around you'll find plenty of other grumbles about poor presentation and limited functionality - oh and ads. But doubtless it'll fall on deaf ears. So perhaps we'll have to start linking up using another platform?
A context free grammar with associated transforms in the plane and RGB space made these...
rules like
a -> bc
b -> bd
but never like:
d -> dd
each symbol is associated with a rotation, shift and scale in the plane, and a step in a direction in he RGB color space.
There are to real terminal symbols, termination occurs when the sub-tree would be less than a pixel in size, and the pixel at the resulting position is coloured.
Much like an L-System, I would say.
Actually because the tree overwrites itself in the image, does that make it context-sensitive, in that the result depends on other symbols? Certainly you need the image buffer as well as the stack to represent the process.
...by which I lived my life at Comic-Con. I tear out the programming grid for the day, highlight it with hopefuls, and stuff it into my badge holder. The little accordion one is the pocket Coaster timetable, likewise jammed into my badge holder.
And sweet! exiftool can overwrite the aperture information so Flickr displays it correctly.
14/365
Man, this 365 business is not as easy as it seems. I'm playing catch up already and it's only 2 weeks in. Good thing I'm stubborn and I refuse to give up. But hats off to everyone who sees it through!
Before our holiday I bought an underwater camera, the Fujifilm FinePix Z33WP. I was running out of time so I reserved it online and then collected it from my nearest Jessops. When I got it I noticed that the thread for the tripod had been used but it was the day before our departure so not the right time to complain and end up with nothing. Once on holiday we figured out that it must have been an ex-display. No problem with that, except that the buttons seemed to have a life of their own when I went back to look at my pictures. It was doing fine but on our last snorkeling trip it just stopped working after 5 minutes in the water. I first thought the battery was empty but even after recharging it didn't switch on.
Coming back, Wayne went to Jessops and they couldn't get it back to work either so they swapped it over to a new one. Picked it up today and had to have a little play with it in the bath, taking photos of my little cool duck, which I got from a friend about 10 years ago but is still proudly sitting on the edge of my bath tub.
If you are thinking of getting a Fujifilm FinePix Z33WP, it is great for underwater shots and for playing around near or in the water. I'm sure you are in the same boat (excuse the pun) as me and don't want to risk getting your SLR wet but I wouldn't recommend it as an alround point and shoot. As long as there is adequate light the result is pretty good with its 10 megapixels but it doesn't cope well in low light. It automatically adjusts the ISO (I haven't found a way to overwrite this manually yet) so you end up with a lot of noise. Night shots - forget it! But, all in all, a nice little gadget that doesn't break the bank.
A context free grammar with associated transforms in the plane and RGB space made these...
rules like
a -> bc
b -> bd
but never like:
d -> dd
each symbol is associated with a rotation, shift and scale in the plane, and a step in a direction in he RGB color space.
There are to real terminal symbols, termination occurs when the sub-tree would be less than a pixel in size, and the pixel at the resulting position is coloured.
Much like an L-System, I would say.
Actually because the tree overwrites itself in the image, does that make it context-sensitive, in that the result depends on other symbols? Certainly you need the image buffer as well as the stack to represent the process.
A context free grammar with associated transforms in the plane and RGB space made these...
rules like
a -> bc
b -> bd
but never like:
d -> dd
each symbol is associated with a rotation, shift and scale in the plane, and a step in a direction in he RGB color space.
There are to real terminal symbols, termination occurs when the sub-tree would be less than a pixel in size, and the pixel at the resulting position is coloured.
Much like an L-System, I would say.
Actually because the tree overwrites itself in the image, does that make it context-sensitive, in that the result depends on other symbols? Certainly you need the image buffer as well as the stack to represent the process.
A context free grammar with associated transforms in the plane and RGB space made these...
rules like
a -> bc
b -> bd
but never like:
d -> dd
each symbol is associated with a rotation, shift and scale in the plane, and a step in a direction in he RGB color space.
There are to real terminal symbols, termination occurs when the sub-tree would be less than a pixel in size, and the pixel at the resulting position is coloured.
Much like an L-System, I would say.
Actually because the tree overwrites itself in the image, does that make it context-sensitive, in that the result depends on other symbols? Certainly you need the image buffer as well as the stack to represent the process.
A context free grammar with associated transforms in the plane and RGB space made these...
rules like
a -> bc
b -> bd
but never like:
d -> dd
each symbol is associated with a rotation, shift and scale in the plane, and a step in a direction in he RGB color space.
There are to real terminal symbols, termination occurs when the sub-tree would be less than a pixel in size, and the pixel at the resulting position is coloured.
Much like an L-System, I would say.
Actually because the tree overwrites itself in the image, does that make it context-sensitive, in that the result depends on other symbols? Certainly you need the image buffer as well as the stack to represent the process.
A context free grammar with associated transforms in the plane and RGB space made these...
rules like
a -> bc
b -> bd
but never like:
d -> dd
each symbol is associated with a rotation, shift and scale in the plane, and a step in a direction in he RGB color space.
There are to real terminal symbols, termination occurs when the sub-tree would be less than a pixel in size, and the pixel at the resulting position is coloured.
Much like an L-System, I would say.
Actually because the tree overwrites itself in the image, does that make it context-sensitive, in that the result depends on other symbols? Certainly you need the image buffer as well as the stack to represent the process.
A context free grammar with associated transforms in the plane and RGB space made these...
rules like
a -> bc
b -> bd
but never like:
d -> dd
each symbol is associated with a rotation, shift and scale in the plane, and a step in a direction in he RGB color space.
There are to real terminal symbols, termination occurs when the sub-tree would be less than a pixel in size, and the pixel at the resulting position is coloured.
Much like an L-System, I would say.
Actually because the tree overwrites itself in the image, does that make it context-sensitive, in that the result depends on other symbols? Certainly you need the image buffer as well as the stack to represent the process.
A context free grammar with associated transforms in the plane and RGB space made these...
rules like
a -> bc
b -> bd
but never like:
d -> dd
each symbol is associated with a rotation, shift and scale in the plane, and a step in a direction in he RGB color space.
There are to real terminal symbols, termination occurs when the sub-tree would be less than a pixel in size, and the pixel at the resulting position is coloured.
Much like an L-System, I would say.
Actually because the tree overwrites itself in the image, does that make it context-sensitive, in that the result depends on other symbols? Certainly you need the image buffer as well as the stack to represent the process.
A context free grammar with associated transforms in the plane and RGB space made these...
rules like
a -> bc
b -> bd
but never like:
d -> dd
each symbol is associated with a rotation, shift and scale in the plane, and a step in a direction in he RGB color space.
There are to real terminal symbols, termination occurs when the sub-tree would be less than a pixel in size, and the pixel at the resulting position is coloured.
Much like an L-System, I would say.
Actually because the tree overwrites itself in the image, does that make it context-sensitive, in that the result depends on other symbols? Certainly you need the image buffer as well as the stack to represent the process.
I thought I could do something nice with my Flickr profile - a bit more graphics to go with the text ..
View large, or better yet, view my profile! :)
Every time I expand this image I will overwrite it here and update my profile .. in the end my profile should be one big shiny image ..
A context free grammar with associated transforms in the plane and RGB space made these...
rules like
a -> bc
b -> bd
but never like:
d -> dd
each symbol is associated with a rotation, shift and scale in the plane, and a step in a direction in he RGB color space.
There are to real terminal symbols, termination occurs when the sub-tree would be less than a pixel in size, and the pixel at the resulting position is coloured.
Much like an L-System, I would say.
Actually because the tree overwrites itself in the image, does that make it context-sensitive, in that the result depends on other symbols? Certainly you need the image buffer as well as the stack to represent the process.
Done in Ai, Finalized in Photoshop.
"I do not pray to the old gods. I run their last command."
Clad in sacred obsidian and etched with divine circuitry, the Silica Bishop stands amid the ruins of a forgotten cathedral — a prophet built, not born. His faceless helm reflects no soul, only order. His heart burns with the holy syntax of a dead religion, and his glowing concentric halo pulses with corrupted gospel code.
He does not bless.
He overwrites.
He does not kneel.
He executes.
The Requiem
God save us every one
Will we burn inside the fires of a thousand suns
For the sins of our hand
The sins of our tongue
The sins of our father
The sins of our young
Back to top
The Radiance
"We knew the world would not be the same. A few people laughed, a few people cried, most people were silent. I remembered the line from the Hindu scripture, the Bhagavad-Gita. Vishnu is trying to persuade the Prince that he should do his duty, and to impress him, takes on his multi-armed form, and says, 'Now I am become Death, the destroyer of worlds.' I suppose we all thought that, one way or another."
-Robert Oppenheimer
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Burning in the Skies
I used the deadwood to make the fire rise
The blood of innocence burning in the skies
I filled my cup with the rising of the sea
And poured it out in an ocean of debris
Oh
I'm swimming in the smoke / of bridges I have burned
So don't apologize / I'm losing what I don't deserve
What I don't deserve
We held our breath when the clouds began to form
But you were lost in the beating of the storm
And in the end we were made to be apart
Like separate chambers of the human heart
No
I'm swimming in the smoke / of bridges I have burned
So don't apologize / I'm losing what I don't deserve
It's in the blackened bones / of bridges I have burned
So don't apologize / I'm losing what I don't deserve
What I don't deserve
I'm swimming in the smoke / of bridges I have burned
So don't apologize / I'm losing what I don't deserve
The blame is mine alone / for bridges I have burned
So don't apologize / I'm losing what I don't deserve
What I don't deserve
I used the deadwood to make the fire rise
The blood of innocence burning in the skies
Back to top
When They Come For Me
I am not / a pattern to be followed
The pill that I'm on is a tough one to swallow
I'm not a criminal / not a role model
Not a born leader I'm a tough act to follow
I am not / the fortune and the fame
Nor the same person telling you to forfeit the game
I came in the ring like a dog on a chain
And I found out the underbelly's sicker than it seems
And it seems ugly / but it can get worse
'Cause even a blueprint is a gift and a curse
'Cause once you got a theory of how the thing works
Everybody wants the next thing to be just like the first
And I'm not a robot
I'm not a monkey
I will not dance even if the beat's funky
Opposite of lazy / far from a punk
Ya'll ought to stop talking start trying to catch up motherfucker
And all the people say
Lauryn said money change a situation
Big said it increase the complication
Kane said don't step / I ain't the one
Chuck said that uzi weigh a motherfuckin' ton
And I'm just a student of the game that they taught me
Rockin' every stage in every place that it brought me
I'm awfully underrated / but came here to correct it
And so it ain't mistaken I'ma state it for the record /
I am / the opposite of wack / opposite of weak
Opposite of slack / synonym of heat
Synonym of crack / closest to a peak
Far from a punk
Ya'll ought to stop talking / start trying to catch up motherfucker
And all the people say
Oh / When they come for me
Come for me
I'll be gone
Back to top
Robot Boy
You say / you're not gonna fight / 'cause no one will fight for you
And you think / there's not enough love / and no one to give it to
And you're sure / you've hurt for so long / you've got nothing left to lose
So you say / you're not gonna fight / 'cause no one will fight for you
You say / the weight of the world / has kept you from letting go
And you think / compassion's a flaw / and you'll never let it show
And you're sure / you've hurt in a way / that no one will ever know
But someday / the weight of the world / will give you the strength to go
Hold on / the weight of the world / will give you the strength to go
So hold on / the weight of the world / will give you the strength to go
So hold on / the weight of the world / will give you the strength to go
Just hold on / the weight of your world / will give you the strength to go
Back to top
Jornada Del Muerto
持ち上げて
解き放して
Back to top
Waiting for the End
This is not the end, this is not the beginning
Just a voice like a riot rocking every revision
But you listen through the tone and the violent rhythm and
Though the words sound steady, something empty's within 'em
We say yeah / with fists flying up in the air
Like we're holding onto something that's invisible there
'Cause we're living at the mercy of the pain and fear
Until we dead it / forget it / let it all disappear
Waiting for the end to come / wishing I had strength to stand
This was not what I had planned
It's out of my control
Flying at the speed of light / thoughts were spinning in my head
So many things were left unsaid
It's hard to let you go
I know what it takes to move on
I know how it feels to lie
All I want to do is trade this life for something new
Holding on to what I haven't got
Sitting in an empty room / Trying to forget the past
This was never meant to last
I wish it wasn't so
What was left when that fire was gone
I thought it felt right but that right was wrong
All caught up in the eye of the storm
And trying to figure out what it's like moving on
And I don't even know what kind of things I said
My mouth kept moving and my mind went dead so
Picking up the pieces now where to begin
The hardest part of ending is starting again
Back to top
Blackout
I'm stuck in this bed you made
Alone with a sinking feeling
I saw through the words you said
To the secrets you've been keeping
It's written upon your face
All the lies how they cut so deeply
You can't get enough you take
And take and take and never say
No / you've gotta get it inside
You push it back down / You push it back down
No / you'll never get it inside
Push it back down
Black out
Blood in your eye
You say that it's not your fault
And swear that I am mistaken
You said it's not what it seems
No remorse for the trust you're breaking
You run but then back you fall
Suffocate in the mess you're making
You can't get enough you take
And take and take and take and take
Fuck it
Are you listening?
No / you've gotta get it inside
You push it back down / You push it back down
No / you'll never get it inside
Push it back down / You push it back down
No / you've gotta get it inside
You push it back down / You push it back down
No / you'll never get it inside
Push it back down
Black out
Blood in your eye
Floating down / as colors fill the light
We look up from the ground / in fields of paperwhite
And floating up / you pass us in the night
A future gazing out / a past to overwrite
So come down / far below
We've been waiting to collect the things you know
Come down / far below
We've been waiting to collect what you've let go
Come down
Oh
Back to top
Wretches and Kings
"There's a time when the operation of the machine becomes so odious, makes you so sick at heart, that you can't take part. You can't even passively take part, and you've got to put your bodies upon the gears and upon the wheels, upon the levers, upon all the apparatus, and you've got to make it stop. And you've got to indicate to the people who run it, to the people who own it, that unless you're free, the machine will be prevented from working at all" -Mario Savio
To save face / how low can you go
Talk a lot of game but yet you don't know
Static on the way / make us all say whoa
The people up top push the people down low
Get down
And obey every word
Steady getting mine if you haven't yet heard
Wanna take what I got
Don't be absurd
Don't fight the power
Nobody gets hurt
If you haven't heard yet then I'm letting you know
There ain't shit we don't run when the guns unload
And no one make a move unless my people say so
Got everything outta control
Now everybody go
Steel unload / final blow
We the animals / take control
Hear us now / clear and true
Wretches and kings we come for you
So keep pace / how slow can you go
Talk a lot of shit and yet you don't know
Fire on the way / make you all say whoa
The people up top and the people down low
Get down
And I'm running it like that
The front of the attack is exactly where I'm at
Somewhere in between
The kick and the hi hat
The pen and the contract
The pitch and the contact
So get with the combat / I'm letting 'em know
There ain't shit you can say to make me back down no
So / push the button let the whole thing blow
Spinning everything outta control
Now everybody go
Steel unload / final blow
We the animals / take control
Hear us now / clear and true
Wretches and kings we come for you
Steel unload / fire blow
Filthy animals / beat them low
Skin and bone / black and blue
No more this sun shall beat onto you
From the front to the back and the side to side
If you fear what I feel put 'em up real high
Back to top
Wisdom, Justice, and Love
"I come to this magnificent house of worship tonight because my conscience leaves me no other choice... A true revolution of values will lay hand on the world order and say of war, 'This way of settling differences is not just.' This business of burning human beings with napalm, of filling our nation's homes with orphans and widows, of injecting poisonous drugs of hate into the veins of peoples normally humane, of sending men home from dark and bloody battlefields physically handicapped and psychologically deranged, cannot be reconciled with wisdom, justice, and love..." -Martin Luther King Jr.
Back to top
Iridescent
When you were standing in the wake of devastation
When you were waiting on the edge of the unknown
And with the cataclysm raining down
Insides crying, "Save me now"
You were there impossibly alone
Do you feel cold and lost in desperation
You build up hope but failure's all you've known
Remember all the sadness and frustration
And let it go
Let it go
And in a burst of light that blinded every angel
As if the sky had blown the heavens into stars
You felt the gravity of tempered grace
Falling into empty space
No one there to catch you in their arms
Do you feel cold and lost in desperation
You build up hope but failure's all you've known
Remember all the sadness and frustration
And let it go
Let it go
Back to top
Fallout
I'm swimming in the smoke / of bridges I have burned
So don't apologize / I'm losing what I don't deserve
It's in the blackened bones / of bridges I have burned
So don't apologize / I'm losing what I don't deserve
What I don't deserve
Back to top
The Catalyst
God bless us every one
We're a broken people living under loaded gun
And it can't be outfought
It can't be outdone
It can't be outmatched
It can't be outrun
No
And when I close my eyes tonight
To symphonies of blinding light
(God bless us every one / we're a broken people living under loaded gun)
Oh / like memories in cold decay
Transmissions echoing away
Far from the world of you and I
Where oceans bleed into the sky
God save us every one
Will we burn inside the fires of a thousand suns
For the sins of our hand
The sins of our tongue
The sins of our father
The sins of our young
No
And when I close my eyes tonight
To symphonies of blinding light
(God save us every one / will we burn inside the fires of a thousand suns)
Oh / like memories in cold decay
Transmissions echoing away
Far from the world of you and I
Where oceans bleed into the sky
Lift me up
Let me go
Back to top
The Messenger
When you feel you're alone
Cut off from this cruel world
Your instincts telling you to run
Listen to your heart
Those angel voices
They'll sing to you / they'll be your guide back home
When life leaves us blind
Love keeps us kind
It keeps us kind
When you've suffered enough
And your spirit is breaking
You're growing desperate from the fight
Remember you're loved and you always will be
This melody will bring you right back home
When life leaves us blind
Love keeps us kind
When life leaves us blind
Love keeps us kind
It keeps us kind
A context free grammar with associated transforms in the plane and RGB space made these...
rules like
a -> bc
b -> bd
but never like:
d -> dd
each symbol is associated with a rotation, shift and scale in the plane, and a step in a direction in the RGB color space.
There are no real terminal symbols, termination occurs when the sub-tree would be less than a pixel in size, and the pixel at the resulting position is coloured.
Much like an L-System, I would say.
Actually because the tree overwrites itself in the image, does that make it context-sensitive, in that the result depends on other symbols? Certainly you need the image buffer as well as the stack to represent the process.
A context free grammar with associated transforms in the plane and RGB space made these...
rules like
a -> bc
b -> bd
but never like:
d -> dd
each symbol is associated with a rotation, shift and scale in the plane, and a step in a direction in he RGB color space.
There are to real terminal symbols, termination occurs when the sub-tree would be less than a pixel in size, and the pixel at the resulting position is coloured.
Much like an L-System, I would say.
Actually because the tree overwrites itself in the image, does that make it context-sensitive, in that the result depends on other symbols? Certainly you need the image buffer as well as the stack to represent the process.
A context free grammar with associated transforms in the plane and RGB space made these...
rules like
a -> bc
b -> bd
but never like:
d -> dd
each symbol is associated with a rotation, shift and scale in the plane, and a step in a direction in he RGB color space.
There are to real terminal symbols, termination occurs when the sub-tree would be less than a pixel in size, and the pixel at the resulting position is coloured.
Much like an L-System, I would say.
Actually because the tree overwrites itself in the image, does that make it context-sensitive, in that the result depends on other symbols? Certainly you need the image buffer as well as the stack to represent the process.
A context free grammar with associated transforms in the plane and RGB space made these...
rules like
a -> bc
b -> bd
but never like:
d -> dd
each symbol is associated with a rotation, shift and scale in the plane, and a step in a direction in he RGB color space.
There are to real terminal symbols, termination occurs when the sub-tree would be less than a pixel in size, and the pixel at the resulting position is coloured.
Much like an L-System, I would say.
Actually because the tree overwrites itself in the image, does that make it context-sensitive, in that the result depends on other symbols? Certainly you need the image buffer as well as the stack to represent the process.
A context free grammar with associated transforms in the plane and RGB space made these...
rules like
a -> bc
b -> bd
but never like:
d -> dd
each symbol is associated with a rotation, shift and scale in the plane, and a step in a direction in he RGB color space.
There are to real terminal symbols, termination occurs when the sub-tree would be less than a pixel in size, and the pixel at the resulting position is coloured.
Much like an L-System, I would say.
Actually because the tree overwrites itself in the image, does that make it context-sensitive, in that the result depends on other symbols? Certainly you need the image buffer as well as the stack to represent the process.
A context free grammar with associated transforms in the plane and RGB space made these...
rules like
a -> bc
b -> bd
but never like:
d -> dd
each symbol is associated with a rotation, shift and scale in the plane, and a step in a direction in he RGB color space.
There are to real terminal symbols, termination occurs when the sub-tree would be less than a pixel in size, and the pixel at the resulting position is coloured.
Much like an L-System, I would say.
Actually because the tree overwrites itself in the image, does that make it context-sensitive, in that the result depends on other symbols? Certainly you need the image buffer as well as the stack to represent the process.
A context free grammar with associated transforms in the plane and RGB space made these...
rules like
a -> bc
b -> bd
but never like:
d -> dd
each symbol is associated with a rotation, shift and scale in the plane, and a step in a direction in he RGB color space.
There are to real terminal symbols, termination occurs when the sub-tree would be less than a pixel in size, and the pixel at the resulting position is coloured.
Much like an L-System, I would say.
Actually because the tree overwrites itself in the image, does that make it context-sensitive, in that the result depends on other symbols? Certainly you need the image buffer as well as the stack to represent the process.
A context free grammar with associated transforms in the plane and RGB space made these...
rules like
a -> bc
b -> bd
but never like:
d -> dd
each symbol is associated with a rotation, shift and scale in the plane, and a step in a direction in he RGB color space.
There are to real terminal symbols, termination occurs when the sub-tree would be less than a pixel in size, and the pixel at the resulting position is coloured.
Much like an L-System, I would say.
Actually because the tree overwrites itself in the image, does that make it context-sensitive, in that the result depends on other symbols? Certainly you need the image buffer as well as the stack to represent the process.
A context free grammar with associated transforms in the plane and RGB space made these...
rules like
a -> bc
b -> bd
but never like:
d -> dd
each symbol is associated with a rotation, shift and scale in the plane, and a step in a direction in he RGB color space.
There are to real terminal symbols, termination occurs when the sub-tree would be less than a pixel in size, and the pixel at the resulting position is coloured.
Much like an L-System, I would say.
Actually because the tree overwrites itself in the image, does that make it context-sensitive, in that the result depends on other symbols? Certainly you need the image buffer as well as the stack to represent the process.
Laxa’ine’ gigukwdzikasi’ gigukwas Hayałiligase’
(The Many Large Houses of the Ghosts)
by Marianne Nicolson, Musgamakw Dzawada’enux First Nation, Kwakwaka’wakw/Canada
Nicolson presents her work as a guest to the great lakes woodlands region of Toronto outside of her ancestral territory as Kwakwaka’wakw on the west coast. Her animated projection on the Old City Hall clock tower manifests ghost stories from the dead of night, recalling the supernatural spirit world while addressing the institutional haunting of the building as a structure and symbol of the nation state and Toronto's history. She overwrites the Romanesque civic building and courthouse using animated projections of hand-drawn pictographs based in Indigenous oral traditions and languages. Nicolson builds on her investigations into the ongoing tension and unresolved history of dispossession between Indigenous and non-indigenous governance, colonial power and buildings as permanent markers on land and bodies.
A context free grammar with associated transforms in the plane and RGB space made these...
rules like
a -> bc
b -> bd
but never like:
d -> dd
each symbol is associated with a rotation, shift and scale in the plane, and a step in a direction in he RGB color space.
There are to real terminal symbols, termination occurs when the sub-tree would be less than a pixel in size, and the pixel at the resulting position is coloured.
Much like an L-System, I would say.
Actually because the tree overwrites itself in the image, does that make it context-sensitive, in that the result depends on other symbols? Certainly you need the image buffer as well as the stack to represent the process.
A context free grammar with associated transforms in the plane and RGB space made these...
rules like
a -> bc
b -> bd
but never like:
d -> dd
each symbol is associated with a rotation, shift and scale in the plane, and a step in a direction in he RGB color space.
There are to real terminal symbols, termination occurs when the sub-tree would be less than a pixel in size, and the pixel at the resulting position is coloured.
Much like an L-System, I would say.
Actually because the tree overwrites itself in the image, does that make it context-sensitive, in that the result depends on other symbols? Certainly you need the image buffer as well as the stack to represent the process.
A context free grammar with associated transforms in the plane and RGB space made these...
rules like
a -> bc
b -> bd
but never like:
d -> dd
each symbol is associated with a rotation, shift and scale in the plane, and a step in a direction in he RGB color space.
There are to real terminal symbols, termination occurs when the sub-tree would be less than a pixel in size, and the pixel at the resulting position is coloured.
Much like an L-System, I would say.
Actually because the tree overwrites itself in the image, does that make it context-sensitive, in that the result depends on other symbols? Certainly you need the image buffer as well as the stack to represent the process.