View allAll Photos Tagged Overwrite
A context free grammar with associated transforms in the plane and RGB space made these...
rules like
a -> bc
b -> bd
but never like:
d -> dd
each symbol is associated with a rotation, shift and scale in the plane, and a step in a direction in he RGB color space.
There are to real terminal symbols, termination occurs when the sub-tree would be less than a pixel in size, and the pixel at the resulting position is coloured.
Much like an L-System, I would say.
Actually because the tree overwrites itself in the image, does that make it context-sensitive, in that the result depends on other symbols? Certainly you need the image buffer as well as the stack to represent the process.
Young people from YOUNGO – the youth constituency under the UNFCCC – are taking action today inside the UN climate talks. Silently holding placards bearing the words ‘Equity is the Pathway to Ambition’, they issue a powerful reminder to negotiators from developed countries that it is their responsibility to take the lead in acting on climate change. YOUNGO demands a renewed drive for progress at the climate talks; progress which is based on science and equity.
“We have had loud and fun actions so far. But today we are silent, reminding negotiators of the respect that the fundamental principles of this Convention require. Some governments believe they can simply overwrite the principles of a global convention but these are based on equitable values which are not up for negotiation. It is only by following a pathway which is equitable and just that we will be able to make real strides in the fight against climate change.” said Maja Gudim Burheim from the Norwegian organisation, Changemaker.
READ THE PRESS RELEASE HERE: pusheurope.eu/media/pressrelease-24052012/
A context free grammar with associated transforms in the plane and RGB space made these...
rules like
a -> bc
b -> bd
but never like:
d -> dd
each symbol is associated with a rotation, shift and scale in the plane, and a step in a direction in the RGB color space.
There are no real terminal symbols, termination occurs when the sub-tree would be less than a pixel in size, and the pixel at the resulting position is coloured.
Much like an L-System, I would say.
Actually because the tree overwrites itself in the image, does that make it context-sensitive, in that the result depends on other symbols? Certainly you need the image buffer as well as the stack to represent the process.
Young people from YOUNGO – the youth constituency under the UNFCCC – are taking action today inside the UN climate talks. Silently holding placards bearing the words ‘Equity is the Pathway to Ambition’, they issue a powerful reminder to negotiators from developed countries that it is their responsibility to take the lead in acting on climate change. YOUNGO demands a renewed drive for progress at the climate talks; progress which is based on science and equity.
“We have had loud and fun actions so far. But today we are silent, reminding negotiators of the respect that the fundamental principles of this Convention require. Some governments believe they can simply overwrite the principles of a global convention but these are based on equitable values which are not up for negotiation. It is only by following a pathway which is equitable and just that we will be able to make real strides in the fight against climate change.” said Maja Gudim Burheim from the Norwegian organisation, Changemaker.
READ THE PRESS RELEASE HERE: pusheurope.eu/media/pressrelease-24052012/
On this day in history in 1992 - the computer virus "Michelangelo" went into effect.
This was really the first and probably one of the biggest computer virus scares that the world has ever seen. It is famous for being one of the greatest sources of hysteria in the history of viruses (and probably the greatest in the era before a majority of homes and businesses were connected to the Internet). For weeks, the world's media had been predicting a digital disaster on March 6th. Anti-virus luminary John McAfee was even being quoted saying that up to five million PCs around the world could be wiped out by the Michelangelo virus.
The Michelangelo virus was first discovered in February 1991 by Australian veteran anti-virus expert Roger Riordan. Riordan chose the name Michelangelo since the renaissance artist was also born on this day in 1475. Riordan noticed something interesting in the virus's code. He spotted that the virus would trigger a destructive payload when the computer's clock was set to March 6th.
Michelangelo was a variant of the Stoned boot sector virus, and there was certainly nothing unusual in the way that it spread that suggested it would be any more trouble than any other virus at the time. You caught Michelangelo by making the mistake of leaving an infected floppy disk in your PC one evening. The following day, you turn your computer on and your PC attempts to boot off the floppy disk rather than your hard disk. On March 6th, the virus was programmed to overwrite the first 17 sectors of every track on infected hard disks, heads zero to four. The consequence of this payload was, of course, painful, you would be hard pressed to recover your data if the virus triggered on your PC.
In the weeks running up to March 6th 1992, the media went to town about the Michelangelo virus. John McAfee claimed that not only was Michelangelo the third most common computer virus, but also his prediction of up to five million PCs being hit on Michelangelo Day was widely repeated. Few of the media reports mentioned that there was a bug in the virus which meant that it would not trigger on many PC XT-class computers
Intel had managed to ship over 800 floppy disks containing its LANSpool software, but also carrying the Michelangelo virus. Intel, which produced its own anti-virus product, had to admit that it hadn't actually been using it’s own anti-virus product at its duplication site.
On this day in 1992 the world held its breath and nervously booted-up its computers. In reality the virus struck only a few of homes and businesses in the Unites States and foreign countries. Computer specialists credited the relatively light damage to heavy-duty publicity about its ability to wipe out all the data stored on a computer. A lot of computers probably had anti-virus software installed on them because of the Michelangelo scare, and it is believed that the scare did some good because of the number of computers which probably had other malware found on them as a result of the panic.
The person who wrote the virus that scared the world has never been found. The virus was written without financial incentive, it was mindless in the damage it caused and appears to have been created purely for the author's amusement.
Laxa’ine’ gigukwdzikasi’ gigukwas Hayałiligase’
(The Many Large Houses of the Ghosts)
by Marianne Nicolson, Musgamakw Dzawada’enux First Nation, Kwakwaka’wakw/Canada
Nicolson presents her work as a guest to the great lakes woodlands region of Toronto outside of her ancestral territory as Kwakwaka’wakw on the west coast. Her animated projection on the Old City Hall clock tower manifests ghost stories from the dead of night, recalling the supernatural spirit world while addressing the institutional haunting of the building as a structure and symbol of the nation state and Toronto's history. She overwrites the Romanesque civic building and courthouse using animated projections of hand-drawn pictographs based in Indigenous oral traditions and languages. Nicolson builds on her investigations into the ongoing tension and unresolved history of dispossession between Indigenous and non-indigenous governance, colonial power and buildings as permanent markers on land and bodies.
Los Angeles, CA, January 12, 2008 -
Phantom Galleries LA has become known for transforming unsightly empty storefronts into vibrant and culturally exciting art experiences from Beverly Hills to Pasadena. PGLA is proud to announce a partnership with the Long Beach Redevelopment Agency in presenting their inaugural Long Beach exhibit, Susan Chorpenning's window installation "Fiat Lux III." Curated by Dangerous Curve.
Location: 248 Pine Ave, Long Beach, CA 90802
Exhibit runs: January 12 to March 12, 2008.
Viewable 24/7 with optimal viewing hours between 5 pm - 1 am.
Gallery Hours by appointment only.
Reception for the artist TBA.
"Fiat Lux" means "Let There be Light." Chorpenning means to light up
the darkest days and longest nights of the year. If you've not seen
one of Susan Chorpenning's twinkling light window displays, you've not
had a true urban winter-wonderland experience! Her last PGLA
installation, "Fiat Lux II," was like a holiday mega-display, with the
lights painstakingly intertwined and loaded on until they filled the
whole window. From afar, the window seemed to hover in front of its
pane of glass. Up close, one's whole field of vision was engulfed.
The effect was invigorating exuberance.
"Fiat Lux III" is more subdued than was "Fiat Lux 2," its lights
restrained (if only slightly) and elegant. It fills the two windows to the left and
right of the location's main doorway. The walls are painted
bright colors with added blocks of color behind some light elements. These light elements come in a variety of shapes and sizes, such as twinkling globes, mini-lava lamps, colored compact fluorescents, and tiny, twinkling, multicolored lights mounted on frames. Using stretcher bars throughout - but instead of being the structure for paintings, they are the structure for lights - eg. strings of lights wrapped around the stretcher bars, and variations on this theme. These "frames" are the most recurrent image in the piece. More subtle it is, but indeed still a beautiful sensory enterprise.
More about the Artist
Chorpenning suechor/myhomepage/index.html
is from Altadena, via New York and Europe. She has had numerous solo
shows and siteworks in galleries and museums, nationally in New York,
the San Francisco Bay Area, Texas, and internationally in Paris,
France, and Germany. She has performed to rave reviews at Dixon
Place, The Knitting Factory, BACA, The Painted Bride, and Claremont
College.
Among other things, Chorpenning does so-called "dark rooms," chairs
with flash units and light-sensitive rocks. All these
things use afterimages (from phosphorescent paint or flash units that
leave traces on one's retina to mimic memory perceptions. The "memories" can build up and overlap, and sometimes interact and overwrite each other.
Chorpenning's solo show at Dangerous Curve in 2004 was one of her
"light room" installations. In these, she uses paint on walls and
floors to record "memories" of constantly moving sunlight streaming in
through doors, windows, and skylights throughout a given day. All
Chorpenning's past light rooms have been records of sunlight as it
actually came into the rooms, but in "February Thirtieth," the
sunlight was completely fabricated for a completely fabricated day.
Chorpenning has noted that light traces left from another part of a
day can have a surprising psychological effect, causing the viewer to
perceive enhanced brightness in a room without really understanding
why. Imagine the effect in a room that, facing north, doesn't have any
direct sunlight at all. The space at Dangerous Curve is such a room,
and the effect of Chorpenning's multicolored trace records was
profound.
More about the Presenters
Phantom Galleries LA PhantomGalleriesLA.com is a Los Angeles County based organization that transforms properties in transition into 24/7 public art galleries. Each installation is a unique relationship between the participating Artist, Curator, and Property Owner. Exhibits are curated by local Arts Organizations, Galleries, Independent Curators, and Artists. The project gives local artists an opportunity to exhibit their work, while fostering economic development by drawing attention to available retail space. PGLA promotes the creative communities of Los Angeles to a broader audience and encourages the appreciation and participation in the arts among community members and organizations creating a win/ win situation that benefits the entire community as a whole. Art is a necessary part of everyday life.
Dangerous Curve dangerouscurve.org is a leading
contemporary art space in the Arts District of Los Angeles that
supports risky and intelligent work that's ahead of the curve.
The Long Beach Redevelopment Agency works to build a better Long Beach. For more information about Long Beach contact: rda.longbeach.gov
So Carolyn, me, Matthew, & Julie all stared at this guy throwing quarters into this game for like 30+ minutes. I think we watched him make $20 or $40 worth of change during this. He really wanted that $100 bill, at the very least just to recoup his expenses. How long was he there before we arrived?! Eventually his wife or daughter came and grabbed his car keys from him and said they'd be waiting in the car. He never did get that $100 bill. There were other bills even lower than that (a $5 on the other side of the game).
The game's sorta kinda rigged. There's actually a small ramp right at the middle of the edge, so coins are pushed upward; the coins simply slide off the top without losening the coins in the middle that the bill is sanwiched between. Even if the bill completely detaches from the coins, it still gets caught up on the felt (?) inside the chute. So even if you win, you still don't win.
The little bit of chaos on the right is where I used the healing brush to overwrite the highlights of the flash with the various colors from the machine. It was a 1 minute patch effort, because I'd rather have an area of nonesense than bright flash reflecting in my face.
$100 bill, game, money, quarters.
Annandale, Virginia.
May 15, 2010.
... Read my blog at ClintJCL.wordpress.com
Young people from YOUNGO – the youth constituency under the UNFCCC – are taking action today inside the UN climate talks. Silently holding placards bearing the words ‘Equity is the Pathway to Ambition’, they issue a powerful reminder to negotiators from developed countries that it is their responsibility to take the lead in acting on climate change. YOUNGO demands a renewed drive for progress at the climate talks; progress which is based on science and equity.
“We have had loud and fun actions so far. But today we are silent, reminding negotiators of the respect that the fundamental principles of this Convention require. Some governments believe they can simply overwrite the principles of a global convention but these are based on equitable values which are not up for negotiation. It is only by following a pathway which is equitable and just that we will be able to make real strides in the fight against climate change.” said Maja Gudim Burheim from the Norwegian organisation, Changemaker.
READ THE PRESS RELEASE HERE: pusheurope.eu/media/pressrelease-24052012/
EMBROIDERY ELNA 8300
Rp16.000.000
TECHNICAL FEATURES
LCD touch screen with backlight – 94mm x 71mm (33/4" x 23/4")
USB Port
Built-in needle threader
Thread sensor
Presser bar sensor
Extra presser foot lift
Needle plate with small needle entry hole only
Rotary horizontal hook with transparent bobbin coverFree arm embroidery with optional hoop
Built-in carriage
Top protective cover with design chart
11 languages
Universal voltage
DESIGNS AND PROGRAMMING
100 built-in designs – with an abundant choice of florals, ocean, children's, sewer's tools, animals, kitchen, musical
Alphabets – 3 styles, 3 sizes
Single or multiple colors with color change key
Edit any letter anywhere in a sequence
Horizontal / vertical alignment for letters
Monograms – 2 letters and 3 letters with 4 styles of frames
Edit features
Combine designs and alphabets
Rotate, resize, mirror image, face to face
Move by drag and drop
Design embroidery information
Skipping and color overview
Remaining embroidery time in minutes
Trace key
Stitch counter
Memory
Save onto machine, USB key or onto PC design cards
Name files
Save, recall, overwrite, delete
Set preferences
Inches / millimeters
Sound – adjust volume or turn off
Adjust eco mode
Thread selection – Robinson-Anton, Madeira, Mettler
On-screen information key
STANDARD ACCESSORIES
Standard Hoop “A” (126 x 110mm)
Large Hoop “B” (140 x 200mm)
Standard Accessories include embroidery scissors, additional spool pin, a set of embroidery needles
Embroidery cards (optional)
Free arm hoop and GIGA-hoop (optional)
GALERY MESIN JAHIT
MY LOKASI
JL Raya Utan Panjang Timur No1A Kemayoran JAKARTA PUSAT 10650
TLP: 021 99101393
0815-8652-6093
0812-8972-5533 (Whatsapp)
MESIN JAHIT JANOME DAN ELNA
Menjahit lebih cepat dan mudah dengan pilihan merk mesin jahit terbaik dalam spesifikasi dan fitur-fitur teknologi terbaru yang semakin memudahkan semua pengerjaan menjahit.Jual Mesin Jahit, Mesin Jahit Portable, Mesin Jahit Singer, Harga Mesin Jahit Butterfly, Jenis Mesin Jahit, Daftar Harga Mesin Jahit, Mesin Jahit Butterfly, Mesin Jahit Multifungsi, Merk Mesin Jahit, Macam Macam Mesin Jahit
A context free grammar with associated transforms in the plane and RGB space made these...
rules like
a -> bc
b -> bd
but never like:
d -> dd
each symbol is associated with a rotation, shift and scale in the plane, and a step in a direction in the RGB color space.
There are no real terminal symbols, termination occurs when the sub-tree would be less than a pixel in size, and the pixel at the resulting position is coloured.
Much like an L-System, I would say.
Actually because the tree overwrites itself in the image, does that make it context-sensitive, in that the result depends on other symbols? Certainly you need the image buffer as well as the stack to represent the process.
Young people from YOUNGO – the youth constituency under the UNFCCC – are taking action today inside the UN climate talks. Silently holding placards bearing the words ‘Equity is the Pathway to Ambition’, they issue a powerful reminder to negotiators from developed countries that it is their responsibility to take the lead in acting on climate change. YOUNGO demands a renewed drive for progress at the climate talks; progress which is based on science and equity.
“We have had loud and fun actions so far. But today we are silent, reminding negotiators of the respect that the fundamental principles of this Convention require. Some governments believe they can simply overwrite the principles of a global convention but these are based on equitable values which are not up for negotiation. It is only by following a pathway which is equitable and just that we will be able to make real strides in the fight against climate change.” said Maja Gudim Burheim from the Norwegian organisation, Changemaker.
READ THE PRESS RELEASE HERE: pusheurope.eu/media/pressrelease-24052012/
Laxa’ine’ gigukwdzikasi’ gigukwas Hayałiligase’
(The Many Large Houses of the Ghosts)
by Marianne Nicolson, Musgamakw Dzawada’enux First Nation, Kwakwaka’wakw/Canada
Nicolson presents her work as a guest to the great lakes woodlands region of Toronto outside of her ancestral territory as Kwakwaka’wakw on the west coast. Her animated projection on the Old City Hall clock tower manifests ghost stories from the dead of night, recalling the supernatural spirit world while addressing the institutional haunting of the building as a structure and symbol of the nation state and Toronto's history. She overwrites the Romanesque civic building and courthouse using animated projections of hand-drawn pictographs based in Indigenous oral traditions and languages. Nicolson builds on her investigations into the ongoing tension and unresolved history of dispossession between Indigenous and non-indigenous governance, colonial power and buildings as permanent markers on land and bodies.
Photo © Tristan Savatier - All Rights Reserved - License this photo on www.loupiote.com/4579238689
Share this photo on: facebook • twitter • more...
Google-Earth capture of Hack Canyon (Arizona)
This google-earth capture is an exact match of my photo.
Drop this kmz file in google-earth to fly to this exact location: bbs.keyhole.com/ubb/download.php?Number=294806
This photo is © Google Earth, used by permission (this overwrites any other copyright mention that may appear on this page)
If you like this photo, follow me on instagram (tristan_sf) and don't hesitate to leave a comment or email me.
A context free grammar with associated transforms in the plane and RGB space made these...
rules like
a -> bc
b -> bd
but never like:
d -> dd
each symbol is associated with a rotation, shift and scale in the plane, and a step in a direction in he RGB color space.
There are to real terminal symbols, termination occurs when the sub-tree would be less than a pixel in size, and the pixel at the resulting position is coloured.
Much like an L-System, I would say.
Actually because the tree overwrites itself in the image, does that make it context-sensitive, in that the result depends on other symbols? Certainly you need the image buffer as well as the stack to represent the process.
Los Angeles, CA, January 12, 2008 -
Phantom Galleries LA has become known for transforming unsightly empty storefronts into vibrant and culturally exciting art experiences from Beverly Hills to Pasadena. PGLA is proud to announce a partnership with the Long Beach Redevelopment Agency in presenting their inaugural Long Beach exhibit, Susan Chorpenning's window installation "Fiat Lux III." Curated by Dangerous Curve.
Location: 248 Pine Ave, Long Beach, CA 90802
Exhibit runs: January 12 to March 12, 2008.
Viewable 24/7 with optimal viewing hours between 5 pm - 1 am.
Gallery Hours by appointment only.
Reception for the artist TBA.
"Fiat Lux" means "Let There be Light." Chorpenning means to light up
the darkest days and longest nights of the year. If you've not seen
one of Susan Chorpenning's twinkling light window displays, you've not
had a true urban winter-wonderland experience! Her last PGLA
installation, "Fiat Lux II," was like a holiday mega-display, with the
lights painstakingly intertwined and loaded on until they filled the
whole window. From afar, the window seemed to hover in front of its
pane of glass. Up close, one's whole field of vision was engulfed.
The effect was invigorating exuberance.
"Fiat Lux III" is more subdued than was "Fiat Lux 2," its lights
restrained (if only slightly) and elegant. It fills the two windows to the left and
right of the location's main doorway. The walls are painted
bright colors with added blocks of color behind some light elements. These light elements come in a variety of shapes and sizes, such as twinkling globes, mini-lava lamps, colored compact fluorescents, and tiny, twinkling, multicolored lights mounted on frames. Using stretcher bars throughout - but instead of being the structure for paintings, they are the structure for lights - eg. strings of lights wrapped around the stretcher bars, and variations on this theme. These "frames" are the most recurrent image in the piece. More subtle it is, but indeed still a beautiful sensory enterprise.
More about the Artist
Chorpenning suechor/myhomepage/index.html
is from Altadena, via New York and Europe. She has had numerous solo
shows and siteworks in galleries and museums, nationally in New York,
the San Francisco Bay Area, Texas, and internationally in Paris,
France, and Germany. She has performed to rave reviews at Dixon
Place, The Knitting Factory, BACA, The Painted Bride, and Claremont
College.
Among other things, Chorpenning does so-called "dark rooms," chairs
with flash units and light-sensitive rocks. All these
things use afterimages (from phosphorescent paint or flash units that
leave traces on one's retina to mimic memory perceptions. The "memories" can build up and overlap, and sometimes interact and overwrite each other.
Chorpenning's solo show at Dangerous Curve in 2004 was one of her
"light room" installations. In these, she uses paint on walls and
floors to record "memories" of constantly moving sunlight streaming in
through doors, windows, and skylights throughout a given day. All
Chorpenning's past light rooms have been records of sunlight as it
actually came into the rooms, but in "February Thirtieth," the
sunlight was completely fabricated for a completely fabricated day.
Chorpenning has noted that light traces left from another part of a
day can have a surprising psychological effect, causing the viewer to
perceive enhanced brightness in a room without really understanding
why. Imagine the effect in a room that, facing north, doesn't have any
direct sunlight at all. The space at Dangerous Curve is such a room,
and the effect of Chorpenning's multicolored trace records was
profound.
More about the Presenters
Phantom Galleries LA PhantomGalleriesLA.com is a Los Angeles County based organization that transforms properties in transition into 24/7 public art galleries. Each installation is a unique relationship between the participating Artist, Curator, and Property Owner. Exhibits are curated by local Arts Organizations, Galleries, Independent Curators, and Artists. The project gives local artists an opportunity to exhibit their work, while fostering economic development by drawing attention to available retail space. PGLA promotes the creative communities of Los Angeles to a broader audience and encourages the appreciation and participation in the arts among community members and organizations creating a win/ win situation that benefits the entire community as a whole. Art is a necessary part of everyday life.
Dangerous Curve dangerouscurve.org is a leading
contemporary art space in the Arts District of Los Angeles that
supports risky and intelligent work that's ahead of the curve.
The Long Beach Redevelopment Agency works to build a better Long Beach. For more information about Long Beach contact: rda.longbeach.gov
A context free grammar with associated transforms in the plane and RGB space made these...
rules like
a -> bc
b -> bd
but never like:
d -> dd
each symbol is associated with a rotation, shift and scale in the plane, and a step in a direction in the RGB color space.
There are no real terminal symbols, termination occurs when the sub-tree would be less than a pixel in size, and the pixel at the resulting position is coloured.
Much like an L-System, I would say.
Actually because the tree overwrites itself in the image, does that make it context-sensitive, in that the result depends on other symbols? Certainly you need the image buffer as well as the stack to represent the process.
This was shot from a moving ricksha..
The man on the street
Lives life to excrete
May not have enough to eat
But fuck he must
To satisfy his women
Always on heat
To get over his blues
I repeat
Making children
Is a national pastime
In the face of defeat
Condoms one does not need
If it is children
You want to breed
Children a commodity
Ugly precocious but sweet
Alive and dead meat
To beg to use abuse
Running about naked
Snot nosed dirty bare feet
These children do not fall sick
These children do not need doctors
Yes bacteria parasite virus infections
They cheat..
Flesh made of sandstone
A soul made of concrete
A file even death cannot delete
A cycle of life saved forever
On the comic consciousness
Of a ravaged human society
A quiescently tired heart beat
Overwriting the pathos of
The dregs the incomplete
The homeless the hopeless
In retreat
Here is a (basic) description of my old desktop before geektool decided that Friday the 13th was a good time to overwrite all my scripts with "date +%B".
Anyway:
Wallpaper - reMixed Life from wallpaperdj.com/remixed_life-wallpapers
Rainlender theme (this is the horizontal calendar) - from customize.org/rainlendar/skins/57943
Icons (Devices) - Black System from macthemes2.net/forum/viewtopic.php?id=16787948
Icons (Folders) - Smoothicons (free) from iconfactory.com/search/freeware/smoothicons
Geektool:
font is Base 02 from www.dafont.com/base-02.font
Day/date/time/month scripts are all from forums.macrumors.com/showthread.php?t=628023
Temperature script is = curl m.wund.com/global/stations/94868.html |sed -n '21p' | sed -e 's///g' | sed -e 's/<\/b.*//g' (thanks to zzzzzzz @ macrumours for the help)
Note: As the temp does not display degrees celsius, this was added using echo "o" and echo "C"
Young people from YOUNGO – the youth constituency under the UNFCCC – are taking action today inside the UN climate talks. Silently holding placards bearing the words ‘Equity is the Pathway to Ambition’, they issue a powerful reminder to negotiators from developed countries that it is their responsibility to take the lead in acting on climate change. YOUNGO demands a renewed drive for progress at the climate talks; progress which is based on science and equity.
“We have had loud and fun actions so far. But today we are silent, reminding negotiators of the respect that the fundamental principles of this Convention require. Some governments believe they can simply overwrite the principles of a global convention but these are based on equitable values which are not up for negotiation. It is only by following a pathway which is equitable and just that we will be able to make real strides in the fight against climate change.” said Maja Gudim Burheim from the Norwegian organisation, Changemaker.
READ THE PRESS RELEASE HERE: pusheurope.eu/media/pressrelease-24052012/
Young people from YOUNGO – the youth constituency under the UNFCCC – are taking action today inside the UN climate talks. Silently holding placards bearing the words ‘Equity is the Pathway to Ambition’, they issue a powerful reminder to negotiators from developed countries that it is their responsibility to take the lead in acting on climate change. YOUNGO demands a renewed drive for progress at the climate talks; progress which is based on science and equity.
“We have had loud and fun actions so far. But today we are silent, reminding negotiators of the respect that the fundamental principles of this Convention require. Some governments believe they can simply overwrite the principles of a global convention but these are based on equitable values which are not up for negotiation. It is only by following a pathway which is equitable and just that we will be able to make real strides in the fight against climate change.” said Maja Gudim Burheim from the Norwegian organisation, Changemaker.
READ THE PRESS RELEASE HERE: pusheurope.eu/media/pressrelease-24052012/
Young people from YOUNGO – the youth constituency under the UNFCCC – are taking action today inside the UN climate talks. Silently holding placards bearing the words ‘Equity is the Pathway to Ambition’, they issue a powerful reminder to negotiators from developed countries that it is their responsibility to take the lead in acting on climate change. YOUNGO demands a renewed drive for progress at the climate talks; progress which is based on science and equity.
“We have had loud and fun actions so far. But today we are silent, reminding negotiators of the respect that the fundamental principles of this Convention require. Some governments believe they can simply overwrite the principles of a global convention but these are based on equitable values which are not up for negotiation. It is only by following a pathway which is equitable and just that we will be able to make real strides in the fight against climate change.” said Maja Gudim Burheim from the Norwegian organisation, Changemaker.
READ THE PRESS RELEASE HERE: pusheurope.eu/media/pressrelease-24052012/
A context free grammar with associated transforms in the plane and RGB space made these...
rules like
a -> bc
b -> bd
but never like:
d -> dd
each symbol is associated with a rotation, shift and scale in the plane, and a step in a direction in he RGB color space.
There are to real terminal symbols, termination occurs when the sub-tree would be less than a pixel in size, and the pixel at the resulting position is coloured.
Much like an L-System, I would say.
Actually because the tree overwrites itself in the image, does that make it context-sensitive, in that the result depends on other symbols? Certainly you need the image buffer as well as the stack to represent the process.
A context free grammar with associated transforms in the plane and RGB space made these...
rules like
a -> bc
b -> bd
but never like:
d -> dd
each symbol is associated with a rotation, shift and scale in the plane, and a step in a direction in he RGB color space.
There are to real terminal symbols, termination occurs when the sub-tree would be less than a pixel in size, and the pixel at the resulting position is coloured.
Much like an L-System, I would say.
Actually because the tree overwrites itself in the image, does that make it context-sensitive, in that the result depends on other symbols? Certainly you need the image buffer as well as the stack to represent the process.
PhotoELF Edits:.
2011:12:11 --- Save - Overwrite --- crop; bright-contrast-color; despeckle; sharpness.
2011:12:03 --- Batch Resized
A context free grammar with associated transforms in the plane and RGB space made these...
rules like
a -> bc
b -> bd
but never like:
d -> dd
each symbol is associated with a rotation, shift and scale in the plane, and a step in a direction in he RGB color space.
There are to real terminal symbols, termination occurs when the sub-tree would be less than a pixel in size, and the pixel at the resulting position is coloured.
Much like an L-System, I would say.
Actually because the tree overwrites itself in the image, does that make it context-sensitive, in that the result depends on other symbols? Certainly you need the image buffer as well as the stack to represent the process.
📘 RP DOSSIER: VEYDRAN NULL
Identity
Name: Veydran Null
Aliases: “Redline,” “The Riftborn,” “Null-Unit,” “The Glitch Demon”
Species: Cyber-Demon Hybrid
Age: Unknown (appears mid-20s)
Origin: KairoGen Bio-Forge, Sector 7 — Neo-Tokyo Undercity
Alignment: Chaotic Neutral leaning toward protective instincts
Occupation: Rogue experiment, underground enforcer, data-hunter
🔥 Physical Profile
Eyes: Glowing red, flickering like corrupted code
Skin: Pale with red, circuit-like tattoos that pulse with energy
Build: Muscular, engineered for combat and endurance
Horns: White, curved, reminiscent of infernal lineage
Augmentations:
Neural lattice core (unstable)
Reinforced skeletal plating
Demonic energy reservoir fused with quantum circuitry
Sub-dermal heat vents along spine
Style: Cyberpunk streetwear, harnesses, heavy boots, torn shorts, glowing accents
Origin Story
Veydran Null was never meant to exist.
KairoGen, a ruthless megacorp obsessed with hybrid warfare, attempted to merge infernal essence with quantum AI architecture. They believed a demon’s raw power could be stabilized through machine logic. They were wrong.
During the final integration cycle, the demon core resisted containment. The AI attempted to overwrite it. Instead of one destroying the other, the two fused — violently. Veydran awakened with fragmented memories, half hellfire, half hard drive, and a consciousness that didn’t match any blueprint.
He broke containment, leaving the lab in ruins. The glowing tattoos on his body are the remnants of the binding spell and the firewall that failed to hold him. They shift and pulse like living circuitry, reacting to his emotions and power surges.
Now he wanders the neon underbelly of the city — hunted by KairoGen, feared by gangs, whispered about in back-alley bars. Some think he’s a demon wearing a machine. Others think he’s a machine dreaming it’s a demon. Veydran doesn’t correct them.
He doesn’t know the truth himself.
Personality
Quiet, intense, observant
Speaks in short, deliberate sentences
Rarely shows emotion, but when he does, his tattoos flare
Protective of the marginalized and modified
Distrustful of corporations and authority
Haunted by fragmented memories — some demonic, some digital
Has a dry, dark sense of humor that appears unexpectedly
⚡ Abilities
Infernal Traits
Hellfire Manipulation: Can generate controlled bursts of heat or flame
Demonic Strength: Far beyond human limits
Fear Aura: Subtle, but unnerves the weak-willed
Cybernetic Traits
Combat Predictive Algorithms: Brief flashes of future movement
Data Absorption: Can interface with terminals, drones, and corrupted networks
Adaptive Healing: Repairs flesh and metal alike
Hybrid Traits
Overclock Mode: Tattoos blaze bright red; strength and speed spike
Glitch Step: Short-range teleportation through digital “tears”
Rift Sense: Detects supernatural or technological anomalies
💀 Weaknesses
Unstable Core: Power surges can overload him
Memory Fractures: Past trauma and corrupted data cause glitches
Holy Tech: Specialized anti-demon weaponry disrupts his systems
Emotional Overload: Strong feelings can trigger dangerous energy spikes
️ Affiliations
None officially, but he has loose ties with:
Street hackers
Underground modders
Demon cults who believe he’s a prophecy
Ex-KairoGen employees who want revenge
Can i have the salt please?
Strobist: one old agfa slave flash fired from slightly above the salt thing. triggered through cameraflash.
A620 firmware & features greatly enhanced by CHDK ( chdk.wikia.com ), electronic shutter was used in this pic. exif data isnt really right here, as CHDK cannot overwrite it at the moment. i think i set speed it to 1/10.000 sec.
i think one of these days i will repeat this experiment, this time with a macro lens and also incorporating my newfound knowledge of both chdk & strobist stuff (and general photography knowledge, as i am still learning!).
#284 on Sunday, August 31, 2008 in explore!
In #1 ESS this type of TTY was used to enter software updates (Overwrites) via paper tape eventually written to memory cards and could also be used for maintenance purposes.
running a remote install of SP1 for Microsoft Office for Mac 2008, and noticed this goofiness. Most installers have sense enough to quit themselves after updating, but not MS. Nope, extra steps are required.
This update contains several improvements to enhance security, stability, and performance, including fixes for vulnerabilities that an attacker can use to overwrite the contents of your computer's memory with malicious code.
For detailed information about this update, please visit the following Web site:
go.microsoft.com/fwlink/?LinkId=115072
For additional assistance, or to obtain a downloadable version of this update, visit the Microsoft Web site at www.microsoft.com/mac.
A context free grammar with associated transforms in the plane and RGB space made these...
rules like
a -> bc
b -> bd
but never like:
d -> dd
each symbol is associated with a rotation, shift and scale in the plane, and a step in a direction in he RGB color space.
There are to real terminal symbols, termination occurs when the sub-tree would be less than a pixel in size, and the pixel at the resulting position is coloured.
Much like an L-System, I would say.
Actually because the tree overwrites itself in the image, does that make it context-sensitive, in that the result depends on other symbols? Certainly you need the image buffer as well as the stack to represent the process.
PhotoELF Edits:.
2011:08:09 --- Save - Overwrite --- bright-contrast-color; despeckle; crop.
LEAD Technologies Inc. V1.01
Mike Gaines works in Jefferson City, Mo., on Friday, May 25, 2012, wiring cameras into one of Checker Cab's vehicles so they will begin recording when the car is started. The DVR system can record for up to 10 days before it starts overwriting video. (Ally McEntire/KOMU)
EMBROIDERY ELNA 8300
Rp16.500.000
TECHNICAL FEATURES
LCD touch screen with backlight – 94mm x 71mm (33/4" x 23/4")
USB Port
Built-in needle threader
Thread sensor
Presser bar sensor
Extra presser foot lift
Needle plate with small needle entry hole only
Rotary horizontal hook with transparent bobbin coverFree arm embroidery with optional hoop
Built-in carriage
Top protective cover with design chart
11 languages
Universal voltage
DESIGNS AND PROGRAMMING
100 built-in designs – with an abundant choice of florals, ocean, children's, sewer's tools, animals, kitchen, musical
Alphabets – 3 styles, 3 sizes
Single or multiple colors with color change key
Edit any letter anywhere in a sequence
Horizontal / vertical alignment for letters
Monograms – 2 letters and 3 letters with 4 styles of frames
Edit features
Combine designs and alphabets
Rotate, resize, mirror image, face to face
Move by drag and drop
Design embroidery information
Skipping and color overview
Remaining embroidery time in minutes
Trace key
Stitch counter
Memory
Save onto machine, USB key or onto PC design cards
Name files
Save, recall, overwrite, delete
Set preferences
Inches / millimeters
Sound – adjust volume or turn off
Adjust eco mode
Thread selection – Robinson-Anton, Madeira, Mettler
On-screen information key
STANDARD ACCESSORIES
Standard Hoop “A” (126 x 110mm)
Large Hoop “B” (140 x 200mm)
Standard Accessories include embroidery scissors, additional spool pin, a set of embroidery needles
Embroidery cards (optional)
Free arm hoop and GIGA-hoop (optional)
GALERY MESIN JAHIT
MY LOKASI
JL Raya Utan Panjang Timur No1A Kemayoran JAKARTA PUSAT 10650
TLP: 021 99101393
0815-8652-6093
0812-8972-5533 (Whatsapp)
MESIN JAHIT JANOME DAN ELNA
Menjahit lebih cepat dan mudah dengan pilihan merk mesin jahit terbaik dalam spesifikasi dan fitur-fitur teknologi terbaru yang semakin memudahkan semua pengerjaan menjahit.Jual Mesin Jahit, Mesin Jahit Portable, Mesin Jahit Singer, Harga Mesin Jahit Butterfly, Jenis Mesin Jahit, Daftar Harga Mesin Jahit, Mesin Jahit Butterfly, Mesin Jahit Multifungsi, Merk Mesin Jahit, Macam Macam Mesin Jahit
PhotoELF Edits:.
2016:05:26 --- Save - Overwrite --- bright-contrast-color.
2016:05:26 --- Save - Overwrite --- crop
A context free grammar with associated transforms in the plane and RGB space made these...
rules like
a -> bc
b -> bd
but never like:
d -> dd
each symbol is associated with a rotation, shift and scale in the plane, and a step in a direction in he RGB color space.
There are to real terminal symbols, termination occurs when the sub-tree would be less than a pixel in size, and the pixel at the resulting position is coloured.
Much like an L-System, I would say.
Actually because the tree overwrites itself in the image, does that make it context-sensitive, in that the result depends on other symbols? Certainly you need the image buffer as well as the stack to represent the process.
Exploring how to implement Pile of Index Cards (PoIC), which is totally analog system, on digital world. Last time, we see it on photo organizing. This time, more fundamental level, on the Finder.
On the Finder, we treat each file/folder as a single index cards. To implement PoIC, I find what I need is a small tool to give "absolute name" to digital file/folder. The absolute name is a time stamp based on a time of action, and is used for linking between information one and another. On digital, it is not always coincides with file creation/modified date that automatically given by the Finder (see *1 and *2 below).
So I made an AppleScript-Automator droplet that gives a proper time stamp with consistent format as metadata (picture above).
How to use : Place the "TimeStamp" on your desktop, and drag & drop a file/folder on it. Then absolute name is given in the "spotlight comment" of the file/folder, in YYYY.MM.DD WWW HH:MM format. If spotlight comment already exists, you can choose "Prepend", "Overwrite", or just "Show Info".
Sorting files by comment (= absolute name) in list view, you see a sequence of your life. :)
Download : TimeStamp (1.6 MB)
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*1 : Suppose you download a PDF file and read it. There are three time stamp exist ; a file creation date (t1), a file modified date (t2), and a time you download and read it (t3). The absolute name is t3 because it is based on "your" action. The t1 and t2 is based on an author's action. This case, t3 is not equal to t1 nor t2.
*2 : Suppose you make a folder (t1) and give an absolute name just after you make it (t3). Next day, when you put a file into the folder, a modified date changes (t2). This case, t3 is equal to t1, but not to t2. Moreover, t2 is a variable, and is inappropriate for "absolute" name.
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P.S. 2012.06.07 Added a services plugin of the TimeStamp. Put the "TimeStamp (Service)" to ~/Library/Services , then you can time-stamp from context menu -> services.