View allAll Photos Tagged Overthinking
I've arrived at St Pancras. I originally planned to be here at 08:43 - it's now 09:59. This really isn't how I planned it and I detest the stress.
I now have to catch another train - a Thameslink to Gatwick. There are time limits involved here. I try not to overthink it.
222017 & 222104 were coupled for this service.
This photo shows the limits of an otherwise good camera - the Sony HX90 is absolute pants at dealing with low light conditions. Didn't help I was in rush to capture the scene - but the moment in time as been captured.
Mình nhớ người cũ hay vừa đùa vừa thật bảo mình là nếu 2 đứa chia tay, chỉ cần anh tìm dc ng yêu anh như em là được, chắc chắn anh sẽ ko bỏ ng đó như bỏ em. Lúc đấy còn trẻ người, chưa hiểu rõ, và tất nhiên là cũng chia tay. Nhưng đúng thật, không ai quan tâm, lắng nghe cảm xúc hay suy nghĩ của mình như bạn ấy. Mình biết khi đang có ny mà suy nghĩ về nyc là ko tốt, cương vị là mình- với sự ích kỷ sẵn có, mình cũng chẳng muốn bạn gái tơ tưởng 1 chút nào về nyc của cô ấy. Nhưng có những thời điểm, có những lời nói hay cử chỉ thực sự làm mình băn khoăn và suy nghĩ, thậm chí tổn thương. Mình không hiểu, tình cảm của mình dành cho bạn ấy có xứng đáng nhận về những điều tiêu cực đó hay không? Mình không phải ty sét đánh, cũng ko phải tình yêu đầu, và bản thân cũng ko nhiều điều hay ho..mình biết, nhưng đâu phải vì vậy mà mình phải chịu những điều đó. Ny vô tâm hay thực sự tình cảm bạn ấy dành cho mình nó ít đến mức không làm bạn ấy bận tâm về mình? Và suy nghĩ ng đó ko tôn trọng tình cảm của mình là đúng hay chỉ là hệ quả của kẻ overthink? Sau chia tay người cũ, 3 tháng mình tận hưởng cảm giác tự do, ko ràng buộc, ko lo lắng, ko hối hận. 3 tháng tiếp theo, thi thoảng trong đầu mình có câu hỏi rằng mình có hành động đúng ko, có vô tâm và có công bằng với người cũ không ? Và mấy tháng sau đó, khi có câu trả lời, mình mới can đảm để bắt đầu tình yêu mới với tâm niệm phải yêu chín chắn, chân thành và hết mình hơn. Nhưng nghiệp quật mình rồi, mình và bạn ấy lại đổi ngược vai diễn, mình là kẻ yêu nhiều hơn, suy nghĩ và tổn thương nhiều hơn.
My little brother is moving away from home tomorrow. All the way to Göteborg. He's so little. Well not really but still. I'm proud of him though, not enough people have the guts to just get up and move to where they actually want. People always overthink it, "What if I don't like it?" "What if I don't make any friends?" "I have my life here." Just go.
This photo could totally be my brother, but it's not. But it reminds me of him in a way.
.. or something like that..
its apparently called møll in norwegian but a bit too... silly sometimes ;p
but nvm, randomly found my 'death'rock/ early 'coldwave'.... (its actual music genre names in case someone looks at this pic and starts... overthinking yes that word, hehe ;p)
which has a cinema strange's cover album with that particular animal... (i dont care if ppl call those kinds of animal 'insects', both are technically right ;p)
... but yea it was randomly changed from public to..ikke oppført. (sort of private)
"oops i did it again i guess ;p"
playing:
CRANES - Joy Lies Within
hehe .^^~
powerful prayer, psalm prayer, night prayer, prayer for peace, prayer for anxiety, prayer to God, Christian prayer, Bible prayer, sleep prayer, faith prayer, calming prayer, spiritual encouragement Beloved, as we approach the new year, this video is a gentle invitation to embrace peace and trust in God.
This christian prayer is designed to help you release anxieties and find restful sleep, allowing God's presence to calm your mind. 🙏 Let this night prayer strengthen your faith, reminding you that God is near, bringing you peace. A Soothing New Year prayer for emotional tension, chronic stress, overthinking, future worries, and that heavy pressure to “fix everything” before 2026 begins.
Soothing New Year prayer for emotional tension, chronic stress, overthinking, future worries, and that heavy pressure to “fix everything” before 2026 begins. This strong, faith-filled prayer invites God’s calming presence, inner stillness, renewed focus, spiritual courage, and holy rest into your mind and heart as you step into a brand‑new year. Instead of entering 2026 drained, burned out, or anxious, allow this guided prayer to help you release control, breathe deeply, and receive God’s gentle peace over every area of your life.
️✨
00:00 Opening – Inviting God’s peace over your New Year
00:38 Laying down stress, fear, and hidden pressure
01:20 Giving God your plans, goals, and expectations
02:10 Surrendering deadlines, workloads, and responsibilities
03:00 Asking for emotional balance and mental quiet
03:48 Declaring rest, trust, and faith over 2026
04:40 Receiving God’s strength for each new day
05:30 Final blessing – Walking into a calm, Christ-centered year
In this strong prayer for a stress-free New Year, you will:
– Hand over emotional overload and mental noise to the Lord
– Release the pressure to be perfect or have everything figured out
– Ask God to gently reorder your priorities around His will
– Invite the Holy Spirit to calm your thoughts and quiet your spirit
– Declare a year marked by rest, trust, and divine guidance instead of fear
How to pray with this video:
– Find a quiet space and take a few slow breaths before you start
– Close your eyes and let each line become your own personal prayer
– Pause the video if a phrase touches you and talk to God from your heart
– Replay it whenever you feel tension returning during the year
– Share it with friends or family who are entering 2026 under stress
If this prayer helped lift your heart:
– Like the video so more people can find peace for the New Year
– Subscribe to ToGodBeTheGloryMinistries for more Bible-based prayers
– Comment “I receive God’s peace for 2026” so we can agree with you in prayer 🙏
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May the Lord crown your 2026 with calm, clarity, and confidence in His perfect plan, and may every stressful thought bow to the peace of Christ.
#stressfreenewyear #2026prayer #newyearpeace #strongprayerforstress #christiannewyearprayer #overcominganxiety #newyearwithjesus #peaceoverworry #godgivenrest #emotionalhealingprayer togodbethegloryministries
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▶️ Watch our full 24/7 prayer playlist here: www.youtube.com/watch?v=kC8MienWUpo&list=PLo4zh1oORlg... via ToGodBeTheGloryMinistries www.youtube.com/watch?v=dP0jOK8LnKs January 05, 2026 at 06:58PM
I can't believe Poppy will be two next month. It doesn't seem like five minutes ago that we were in the hospital having her ... well OK - Lydia did most of the work there but still, I was awesome at getting water for her whenever she yelled for it :)
Now here's this little girl with a mind of her own and a big personality ... it goes by too quick. I guess that's why I take so many photos of her, to freeze time and create memories.
It bugs me a little bit that this photo is pretty horrific technically, with seriously blown out highlights etc but as a scene - and with Poppy standing there it works for me. Sometimes you've got to not overthink it and just shoot.
Especially when you're chasing around a two year old who doesn't want their photo taken ...
I always have those days when I just can't function normally, when I'm kinda lost and swimming in my thoughts, perhaps even preventing myself from focusing because of that. Well, today was one of those days again, and lately, I've really been overthinking pretty much everything that's been going on. I took the afternoon off to cheer myself up, and here's what I came up with.
It's been decided that the geared wheel needs to be moved to the other side. The chain is mounted and the system is tested. And the cart is all set to go! Backward. Serious overthinking (and an upside-down cart) have resulted in reversing what was previously correct.
COVID-19 pandemic has wreaked havoc and is becoming a major reason for stress growth. There are many cases of unemployment, suicide, divorce, business shut down, and more causing stress around you. The growing mental health issue is a sign of worry and must be closely watched as the pandemic continues to be effective. Check with your child or other family members often and watch for the listed signs:
•Change in normal eating or sleeping patterns
•Increased alcohol or drug consumption
•Withdrawal from relationships
•Difficulty functioning in day-to-day activities
•Overthinking about the future mishappenings
•Frustration
•Problems with memory, thinking, or concentration
•Thoughts about death or suicide, or talking about it
It is important to continue looking after your physical and mental health. Follow these methods to help fight stress and anxiety.
www.natureandcure.com/blog/how-does-naturopathy-help-in-s...
Talk to your people and give them more time and space to express their feelings. Few Naturopathy techniques can help keep your mind in balance, enhance self-healing powers, and create positivity within you. Add Stress relieving food to your daily diet plan.
#stress #stressrelief #COVID19 #COVID #covid19outbreak #pandemic #pandemic2020 #pandemiclife #mentalhealth #healthtips #healthblogger
The random place that I went to was a park. I went in the morning so the sun was out but not as bright as in the afternoon. I wanted to get the rest of the playground in the background to give it a variety of activities. What I wanted to capture in this picture is the point of view of a child, and I also want the audience to feel a sense of youthfulness. Unlike children, we tend to overthink especially with a pandemic but we can think positively and work towards inner peace.
I took a summer course in Enhanced Illustration at Central Saint Martins School of Art in 2017 which combined traditional and digital media together.
In this piece I tried to depict anxiety disorder. The vines symbolise the suffocation that overthinking causes and the resulting explosion of negative thoughts. Reality becomes distorted and fears acquire an almost physical form such as the multiple skeletal hands reaching towards the figure.
Date: August 2017
Dimensions: 2D
Media: Quink Ink, fineliners and Photoshop on paper
Gen-Z - thinks - overthinks - develops - imagines - everyday life is hard to manage - disappears into the world of old books - it is hard to be 'the last generation' - the responsibility is exhausting - Part 1
22 August 2017
/////
Siha, Tanzania
Sayumi's story is kinda like that game "Bigger and Better."
Year One: She joins her savings group and starts getting entrepreneurship training. She doesn't take out any loan and just uses the group to save money and learn.
Year Two: She attends a Farmer Field School and starts helping a friend take care of her cow. Her kids' tuition is too high for her husband's income so she takes out her first loan. Thankfully, her new farm skills pay off right away and abundant crops let her pay off that loan the same year.
Year Three: Her friend talks about selling the cow and Sayumi comes up with the idea to take out a loan to buy it. Between the cow giving birth and producing milk, she again paid off that loan in under a year.
Now: Sayumi and her husband just took out an entire 1.5 million shilling loan to buy a nearby farm. After seeing what they did with farm skills and a cow, things look promising.
Sayumi's story is helpful when I start to overthink finances and projects and goals. Start where you are, bank up knowledge, be strategic when the time comes, and go one step at a time, yeah?
Overthinking, overdoing, undoing, unthinking, gouging, mending - making do. Creating a body of work driven by the fear of forgetting.
Katharina Fritsch - German, born 1956
Hahn / Cock, 2013
East Building, Tower Level — Roof Terrace
Hahn/Cock is a sculpture of a giant blue cockerel by the German artist Katharina Fritsch. It was unveiled in London's Trafalgar Square on 25 July 2013 and was displayed on the vacant fourth plinth. The fibreglass work stood 4.72 metres (15.5 ft) high and was the sixth work to be displayed on the plinth, on which it stayed until 17 February 2015. It was subsequently acquired by Glenstone, a private museum, and exhibited at the National Gallery of Art in Washington, DC, following its 2016 reopening. In March 2021, Glenstone permanently donated the piece to the National Gallery.
The work is in an edition of two. The second version is in the sculpture garden of the Walker Art Center in Minneapolis, Minnesota, on a pedestal designed by the artist, where it has acquired the nickname The Blue Rooster.
Fritsch says that there are many possible interpretations of the cockerel, which took her two and a half years to create, but calls it "a feminist sculpture, since it is I who am doing something active here – I, a woman, am depicting something male. Historically it has always been the other way around. Now we are changing the roles. And a lot of men are enjoying that."[4] She notes that the surrounding area has a strongly male character, with numerous statues of "male persons standing on pedestals" and the male-dominated culture that goes with London's status as a business centre. The statue is intended to be a humorous counterbalance, contrasting with the very formal equestrian statues on the square's other three plinths: "Humour is always a big thing for me. It stops things from becoming too severe. I like English humour. It is so often very dark."
The sculpture was selected by the Fourth Plinth Commissioning Group, a panel of specialist advisors that guides and monitors the commissions for the plinth.[5] According to a press release issued by the group to announce Fritsch as the winner of the commission,
The sculpture ... communicates on different levels. First of all is the consideration of the formal aspect of its placement: the mostly grey architecture of Trafalgar Square would receive an unexpectedly strong colour accentuation, the size and colour of the animal making the whole situation surreal or simply unusual. The cockerel is also a symbol for regeneration, awakening and strength and finally, the work refers, in an ironic way, to male-defined British society and thoughts about biological determinism.
It was unveiled on 25 July 2013 by Mayor of London Boris Johnson. He pointed out the irony that the cockerel, an unofficial national emblem of France, was standing in a square commemorating a famous British victory over the French.[4] Fritsch has said that she was unaware of the connection until it was explained to her. According to Fritsch, she chose the cockerel to represent strength and regeneration, "but it's a nice humorous side-effect to have something French in a place that celebrates victory over Napoleon. He has come back as a cockerel!" Johnson said in his speech that "I hope French people will not take it as excessive British chauvinism – but for me it stands for the recent British triumph in the Tour de France, which we have won twice in a row ... it is a symbol of French sporting pride, brought like a chicken to London. We have mounted this French cock at the heart of our imperial square."
Fritsch and Johnson have both noted the sexual double entendre in the work's name – in English – and the artist admits that it is consciously intended as a play on words. She highlighted the fact that Trafalgar Square itself has a somewhat phallic character: "It's about male posing, about showing power, about showing ... erections! I mean, look at that column!" Asked whether he felt that the cock had crushed his manhood, Johnson said: "No, not at all. I am happy to channel the power and enthusiasm of that bird; I feel inspired by its regal manner and mood of confidence." He told the crowd that he would "not lapse into double entendres and ask how long this wonderful creature will 'stay up' in the square," before unveiling what he called a "big, blue ... bird."
The giant cock received generally positive reviews from art critics, with punning headlines such as "Big blue cock erected on fourth plinth in London's Trafalgar Square", "Boris Johnson in Trafalgar Square with a Massive Blue Cock And Disgruntled Woman" and "Boris Johnson unveils giant cock in Trafalgar Square"
Adrian Searle of The Guardian commented that "the scale and modelling and degree of detail feel right", with a "lifelike and other-worldly" feel to the sculpture. He felt that it avoided "straining to look meaningful or relevant" and that despite its irreverence, it "lightens the mood and lifts the spirit." The Daily Telegraph's Serena Davis did not regard it as being as impressive as some of the previous works to have stood on the fourth plinth, but nonetheless called it "one of the jolliest things to have sat upon the square's spare plinth since the public art commissions for it began in 2005."
BBC News' arts correspondent Rebecca Jones wrote that the work has "a kind of joyful aspect to it which will put a smile on many people's faces". ]Visitors interviewed by the London Evening Standard newspaper also gave it a thumbs up. The Thorney Island Society, a local conservation group, objected to the sculpture on the grounds that it was "unrelated to the context of Trafalgar Square and adds nothing to it but a feeble distraction", but The Guardian's chief arts writer Charlotte Higgins pointed out that Fritsch's other works have a habit of "appear[ing] "fanciful and dramatic" and "unrelated" to their contexts." She commented that one should not "overthink it. It's a big, blue, funny, weird, surreal bird in Trafalgar Square. It's going to cheer us all up. Katharina's Cock, as I'd like to think of it, should be a hit."
___________________________________________
www.nga.gov/about/welcome-to-the-east-building.html
The East Building opened in 1978 in response to the changing needs of the National Gallery, mainly to house a growing collection of modern and contemporary art. The building itself is a modern masterpiece. The site's trapezoidal shape prompted architect I.M. Pei's dramatic approach: two interlocking spaces shaped like triangles provide room for a library, galleries, auditoriums, and administrative offices. Inside the ax-blade-like southwest corner, a colorful, 76-foot-long Alexander Calder mobile dominates the sunlight atrium. Visitors can view a dynamic 500-piece collection of photography, paintings, sculpture, works on paper, and media arts in thought-provoking chronological, thematic, and stylistic arrangements.
Highlights include galleries devoted to Mark Rothko's giant, glowing canvases; Barnett Newman's 14 stark black, gray, and white canvas paintings from The Stations of the Cross, 1958–1966; and several colorful and whimsical Alexander Calder mobiles and sculptures. You can't miss Katharina Fritsch's Hahn/Cock, 2013, a tall blue rooster that appears to stand guard over the street and federal buildings from the roof terrace, which also offers views of the Capitol. The upper-level gallery showcases modern art from 1910 to 1980, including masterpieces by Constantin Brancusi, Marcel Duchamp, Sam Gilliam, Henri Matisse, Joan Miró, Piet Mondrian, Jackson Pollock, and Andy Warhol. Ground-level galleries are devoted to American art from 1900 to 1950, including pieces by George Bellows, Edward Hopper, Georgia O'Keeffe, Charles Sheeler, and Alfred Stieglitz. The concourse level is reserved for rotating special exhibitions.
The East Building Shop is on the concourse level, and the Terrace Café looks out over the atrium from the upper level.
www.theguardian.com/culture/2016/oct/03/national-gallery-...
"The structure asks for its visitors to gradually make their way up from the bottom, moving from the Gallery’s earliest acquisitions like the paintings of French Post-Impressionist Pierre Bonnard to its contemporary work, such as Janine Antoni’s much fussed over “Lick and Lather,” a series of busts composed of chocolate and soap. The bottom floors offer a more traditional viewing experience: small taupe-colored rooms leading to more small taupe-colored rooms. As one moves upward, however, the spaces open up, offering more dramatic and artful exhibition rooms. The largest single aspect of the I.M. Pei-designed building’s renovation has been the addition of a roof terrace flanked by a reimagination two of the three original “tower” rooms of Pei’s design.
On one side is a space dedicated to sculptor Alexander Calder, with gently spinning mobiles of all shapes and sizes delicately cascading from the ceiling. The subtle movements of the fine wire pieces mimic the effect of a slight breeze through wind chimes—it’s both relaxing and slightly mesmerizing, especially when we’re used to art that stands stock still. Delight is a relatively rare emotion to emerge in a museum, making it all the more compelling.
But it’s the tower space on the other side—a divided hexagonal room—that caused several visitors to gasp as I surveyed it. On one side of the division (the room you enter from the roof terrace) hang Barnett Newman’s fourteen “Stations of the Cross,” the human-sized renderings of secular suffering and pain conceived in conversation with the Bible story. Entirely black and white, with just a tinge of red in the final painting, the series wraps around the viewer, fully encapsulating you in the small but meaningful differentiations between paintings. Hung as a series, the paintings gain a narrative they might otherwise have lost.
The light edging around either side of the room’s division invite the viewer to move from Newman’s chiaroscuric works, which require you to move from painting to painting searching for the scene in each, to a mirror image of that space covered in Mark Rothko’s giant, glowing canvases, which require the viewer to step back and attempt to take in the sight of so much hazy, vivid color all at once. The dichotomy is stark, and yet the paintings all work together somehow, rather than one set repelling the other.
With light filtering through the glass ceiling above, the tower room does feel like a crescendo of sorts, but not in the way many museums’ most famous or valuable pieces often do. The room isn’t dedicated to ensuring that visitors snake their way into the belly of the museum, to first be captured and then let out through the gift shop. Instead, it’s a reminder that in a space dedicated to honoring the modern and the contemporary that the evolution of art remains just as integral as any singular Marilyn Monroe by Andy Warhol or Donald Judd aluminum box. There’s still a story in abstract art."
www.washingtonian.com/2016/09/28/national-gallery-art-eas...
I have no title (suggestions welcome). Either I've attempted to philosophize this photo to the point of severely overthinking it, or I'm just generally at my wit's end.
Just completing my "red" series for class. I've learned that when you condition yourself to be aware of an element, inspiration is abundant.
Tryst 2008 Group Colonic Blow Out Sale: slurl.com/secondlife/Intemptesta Nox/113/66/77/
The Baron said: ... I have designs I have never released because I overthink as well. I'm tired of it frankly...sooo...THIS FRIDAY...join us with boxed packages of your unreleased designer items to blow them and shake out your cobwebs...... and here we are hehe
One of my personal resolutions for the new year was to play with my camera more. Not overthink. Just to keep it close and practice. Coinciding nicely with this thought was the boost to join in on the 365 project with friends.
Something has been a little fritzy lately with my camera, so I took this as a test shot. I like the light. Derrick's rumpled napkin & unused knife, empty wine bottle from last night's dinner, and my impulse buy candles now halfway burned on the everyday garishly cheery oilcloth is not a scene I feel I would normally bother to photograph. Certainly not one to share on flickr. This is my twist on the challenge: keep going. Mundane, mediocre, cats, cats, cats, something good will turn up.
I've arrived at St Pancras. I originally planned to be here at 08:43 - it's now 09:59. This really isn't how I planned it and I detest the stress.
I now have to catch another train - a Thameslink to Gatwick. There are time limits involved here. I try not to overthink it.
This photo shows the limits of an otherwise good camera - the Sony HX90 is absolute pants at dealing with low light conditions. Didn't help I was in rush to capture the scene - but the moment in time as been captured.
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blog.decathlon.in/articles/the-best-yoga-poses-to-bring-d... - As we all know 2020 was a stressful year and it did put everyone on edge more than usual. A silly comment was enough to invite a flood of tears and late replies meant an entire day spent overthinking under a pile of the blanket. So we get it that your overwhelming emotions and the work-from-home routine have added more stress into your already stressful life. Additionally, working from couch and bed with limited physical movement has made your body stiff and given you all kinds of body aches.