View allAll Photos Tagged Overthinking
Huge thanks to Bernie today for the shoulder. It was muchly needed and very much appreciated. I promise to TRY to not overthink things. Funny how when i need my head cleared, i always end up down at the lighthouse. :)
Overthink, underthink...
Typefaces: Musette Script, Champion
Merchandise available: www.redbubble.com/shop/ap/138766462
I took a similar photo last year though that one had a shotgun hole blasted through the Amish sign. This one has a dent perhaps from a thrown stone,but they both seem to suggest a sinister message. Hope I'm overthinking this.
the world is a stage where all are child's play for the onlookers. only if you step into others shoes that you will understand (or rather overthink) that the world is so complicated
You can’t be that kid standing at the top of the waterslide, overthinking it. You have to go down the chute.
"Don't overthink everything, just follow your heart"
www.thebestlovequotes.net/life-quotes-17/
Find many more great Quotes at www.thebestlovequotes.net
#FeelGoodQuotes, #ImageQuotes, #InspirationalQuotes, #LifeQuotes, #LoveQuotes
Daily Dog Challenge - 143 3/22 "Simple"
Take a photo of your dog with a simple composition today. Don't overthink it!
Doing nothing and still looks cute...I envy him sometimes!
Analysis paralysis: Is the state of overanalysing or overthinking.
I feel that overthinking is very common amongst people in the world and it can cause a small problem to be stress upon and turn into a huge un-neccesary problem. This is the first photo in my "Concepts" album which will portray different social issues/concepts through photography.
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day 2 { lessons I have learned } .
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my art has taught me several life lessons. here are a few...
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let go of control. open to receive. there are no mistakes. try again. don’t overthink it. flow. be in the moment. don’t look at what is - imagine. see from a different perspective. don’t force the outcome. when you feel the ease, you’re on the right path. .
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{ art washes away
from the soul
the dust of
everyday life.
#picasso }
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#21daysinmyartworld #lifelessons #muse #guides #art #artist #intuitive #painting #intuitiveart #creativity #magic #soulmedicine #magi #tree #spirit #sun #energy #sword #magicwand #fairy #hive #beehive
Well, actually, thinking just enough.
Clockwise from lower left: Adm. Haddock's shipmate, Adm. Haddock, Dixon Ticonderoga, backseatpilot, maryr, Nancy, waitstaff? [sorry if i am totally not recognizing someone], benito.strauss [rear view], jessamyn
4me4you Features - ‘reducing her colour palette..’
Artist: Vanessa Garwood
4me4you recently enjoyed a visit to PM/AM Gallery, where the spotlight illuminated the work of the talented artist Vanessa Garwood.
Vanessa Garwood, initially known for her mastery in oil-based portraiture, has evolved her artistic journey to embrace a diverse range of mediums and disciplines. This expansion has provided her with a broader canvas for creative expression, pushing the boundaries of her subject matter. Transitioning to a limited palette of black, white, and grey, Garwood delves into life's contrasting narratives with a literal visual representation, capturing the dynamic interplay on her canvases. Despite the constraint of this aesthetic choice, her works resonate with humour and satire, offering viewers an accessible entry point into her candid exploration of life's challenges.
In her latest artistic phase, Garwood has made bold decisions to paint exclusively in greyscale and switch from oils to the quicker drying medium of acrylics. These changes have streamlined her process, fostering a deeper immediacy in her work, which she considers her most personal to date. While her earlier focus was primarily on human subjects, including portraits, nudes, and dancers over two decades, she now draws inspiration from both reality and fantasy, blending boundless imagination with real-life figures. Despite the whimsical elements infused into her compositions, Garwood's commitment to naturalism ensures a relatable connection for the viewer.
The transition to a shorter window for paint manipulation may limit the time for technical refinement, yet it ignites a newfound spontaneity in Garwood's expression. Embracing this flux state, she thrives without the burden of overthinking. Surprisingly, the absence of colour doesn't diminish the vitality of her work; rather, it amplifies the raw energy of her paintings, captivating the viewer's imagination in monochrome. Garwood achieves a remarkable feat, activating the perception of colour in the mind without its physical presence, underscoring the power of her artistic vision.
A notable theme in Garwood's oeuvre is the strong presence of women engaged in everyday rituals seldom depicted in traditional art history—moments shared over drinks, cigarettes, laughter, and embraces. These scenes epitomise expressive freedom, celebrating vivacity while acknowledging underlying insecurities and challenges. They serve as a poignant reflection of a world grappling with oppressive struggles, yet reaching out for moments of joy and camaraderie amidst uncertainty.
Fall 2018 Juried Student Art Exhibition.
Art exhibition of Visual Arts students enrolled in Level One sections of studio art courses from Spring Branch, Katy and Alief campuses for Fall 2018.
Provided by HCC Center of Excellence for Visual & Performing Arts. Photos by Sergio Huston.
You can’t be that kid standing at the top of the waterslide, overthinking it. You have to go down the chute.
53/365
August 2, 2010
I don't know why I haven't broken out the suspenders+shorts combination yet this summer, but I'll be trying it out more from now on. :)
So I got somewhat inspired by another user on this website to tell how my day went on each of my 365 pictures. So I'll start with today.
I got a lot accomplished, actually. I thought up some ideas for cosplay and really got my creativity on.
Then I ended up going to a friend's birthday celebration and it was nice to just hang out and talk with some girls. :)
So when I got back home, I had a frank exchange of ideas with my boyfriend because I kind of left him in the dark about OUR plans for the day, which ended up being non-existant. He does this thing where he overthinks things, but I under think everything. It's a problem I am trying to overcome. =/
So now I feel pretty good, because I finally updated my iTunes and all my music is back where it should be. =]
Just a little update on my life. See ya tomorrow! <3
As with everything else, I am overthinking my Christmas 2010 album ideas, and I can't decide on just one photo. I'm thinking I might choose two for every day (if I have them) because I love detail shots (easy to take, less stressful than chasing my kids around), but I also really want the human element to tell the story.
This is another shot from the Festival of Lights. Love those two shadowy figures up there staring up at the lights. Can you imagine how exciting Christmas is for two preschoolers?
4me4you Features - ‘reducing her colour palette..’
Artist: Vanessa Garwood
4me4you recently enjoyed a visit to PM/AM Gallery, where the spotlight illuminated the work of the talented artist Vanessa Garwood.
Vanessa Garwood, initially known for her mastery in oil-based portraiture, has evolved her artistic journey to embrace a diverse range of mediums and disciplines. This expansion has provided her with a broader canvas for creative expression, pushing the boundaries of her subject matter. Transitioning to a limited palette of black, white, and grey, Garwood delves into life's contrasting narratives with a literal visual representation, capturing the dynamic interplay on her canvases. Despite the constraint of this aesthetic choice, her works resonate with humour and satire, offering viewers an accessible entry point into her candid exploration of life's challenges.
In her latest artistic phase, Garwood has made bold decisions to paint exclusively in greyscale and switch from oils to the quicker drying medium of acrylics. These changes have streamlined her process, fostering a deeper immediacy in her work, which she considers her most personal to date. While her earlier focus was primarily on human subjects, including portraits, nudes, and dancers over two decades, she now draws inspiration from both reality and fantasy, blending boundless imagination with real-life figures. Despite the whimsical elements infused into her compositions, Garwood's commitment to naturalism ensures a relatable connection for the viewer.
The transition to a shorter window for paint manipulation may limit the time for technical refinement, yet it ignites a newfound spontaneity in Garwood's expression. Embracing this flux state, she thrives without the burden of overthinking. Surprisingly, the absence of colour doesn't diminish the vitality of her work; rather, it amplifies the raw energy of her paintings, captivating the viewer's imagination in monochrome. Garwood achieves a remarkable feat, activating the perception of colour in the mind without its physical presence, underscoring the power of her artistic vision.
A notable theme in Garwood's oeuvre is the strong presence of women engaged in everyday rituals seldom depicted in traditional art history—moments shared over drinks, cigarettes, laughter, and embraces. These scenes epitomise expressive freedom, celebrating vivacity while acknowledging underlying insecurities and challenges. They serve as a poignant reflection of a world grappling with oppressive struggles, yet reaching out for moments of joy and camaraderie amidst uncertainty.
This is part of an old project I was working on - but inevitably quit. Maybe I'll take it up again.
Sloppppppy, sloppy.
4me4you Features - ‘reducing her colour palette..’
Artist: Vanessa Garwood
4me4you recently enjoyed a visit to PM/AM Gallery, where the spotlight illuminated the work of the talented artist Vanessa Garwood.
Vanessa Garwood, initially known for her mastery in oil-based portraiture, has evolved her artistic journey to embrace a diverse range of mediums and disciplines. This expansion has provided her with a broader canvas for creative expression, pushing the boundaries of her subject matter. Transitioning to a limited palette of black, white, and grey, Garwood delves into life's contrasting narratives with a literal visual representation, capturing the dynamic interplay on her canvases. Despite the constraint of this aesthetic choice, her works resonate with humour and satire, offering viewers an accessible entry point into her candid exploration of life's challenges.
In her latest artistic phase, Garwood has made bold decisions to paint exclusively in greyscale and switch from oils to the quicker drying medium of acrylics. These changes have streamlined her process, fostering a deeper immediacy in her work, which she considers her most personal to date. While her earlier focus was primarily on human subjects, including portraits, nudes, and dancers over two decades, she now draws inspiration from both reality and fantasy, blending boundless imagination with real-life figures. Despite the whimsical elements infused into her compositions, Garwood's commitment to naturalism ensures a relatable connection for the viewer.
The transition to a shorter window for paint manipulation may limit the time for technical refinement, yet it ignites a newfound spontaneity in Garwood's expression. Embracing this flux state, she thrives without the burden of overthinking. Surprisingly, the absence of colour doesn't diminish the vitality of her work; rather, it amplifies the raw energy of her paintings, captivating the viewer's imagination in monochrome. Garwood achieves a remarkable feat, activating the perception of colour in the mind without its physical presence, underscoring the power of her artistic vision.
A notable theme in Garwood's oeuvre is the strong presence of women engaged in everyday rituals seldom depicted in traditional art history—moments shared over drinks, cigarettes, laughter, and embraces. These scenes epitomise expressive freedom, celebrating vivacity while acknowledging underlying insecurities and challenges. They serve as a poignant reflection of a world grappling with oppressive struggles, yet reaching out for moments of joy and camaraderie amidst uncertainty.
This Little chap was copying all my sons head movements to the point where it was difficult to tell who was entertaing who. It was only when I cropped out the background that I thought actually he looks a little sad - but perhaps I am overthinking it
4me4you Features - ‘reducing her colour palette..’
Artist: Vanessa Garwood
4me4you recently enjoyed a visit to PM/AM Gallery, where the spotlight illuminated the work of the talented artist Vanessa Garwood.
Vanessa Garwood, initially known for her mastery in oil-based portraiture, has evolved her artistic journey to embrace a diverse range of mediums and disciplines. This expansion has provided her with a broader canvas for creative expression, pushing the boundaries of her subject matter. Transitioning to a limited palette of black, white, and grey, Garwood delves into life's contrasting narratives with a literal visual representation, capturing the dynamic interplay on her canvases. Despite the constraint of this aesthetic choice, her works resonate with humour and satire, offering viewers an accessible entry point into her candid exploration of life's challenges.
In her latest artistic phase, Garwood has made bold decisions to paint exclusively in greyscale and switch from oils to the quicker drying medium of acrylics. These changes have streamlined her process, fostering a deeper immediacy in her work, which she considers her most personal to date. While her earlier focus was primarily on human subjects, including portraits, nudes, and dancers over two decades, she now draws inspiration from both reality and fantasy, blending boundless imagination with real-life figures. Despite the whimsical elements infused into her compositions, Garwood's commitment to naturalism ensures a relatable connection for the viewer.
The transition to a shorter window for paint manipulation may limit the time for technical refinement, yet it ignites a newfound spontaneity in Garwood's expression. Embracing this flux state, she thrives without the burden of overthinking. Surprisingly, the absence of colour doesn't diminish the vitality of her work; rather, it amplifies the raw energy of her paintings, captivating the viewer's imagination in monochrome. Garwood achieves a remarkable feat, activating the perception of colour in the mind without its physical presence, underscoring the power of her artistic vision.
A notable theme in Garwood's oeuvre is the strong presence of women engaged in everyday rituals seldom depicted in traditional art history—moments shared over drinks, cigarettes, laughter, and embraces. These scenes epitomise expressive freedom, celebrating vivacity while acknowledging underlying insecurities and challenges. They serve as a poignant reflection of a world grappling with oppressive struggles, yet reaching out for moments of joy and camaraderie amidst uncertainty.
. Make memories, just use whatever tools you've got. The stages of a photographer, landscape, portrait with sunglasses, then an editor, HA!
This piece represents your thoughts. I wanted the multiple faces to be arguing with each other, weighing out each other’s opinions. During the period of isolation I found myself overanalysing and overthinking.
A3
Acrylic and colouring pencil
2020
I finally decided on a colour combination and cut the coloured squares. I still need to cut the background black fabric.
whereismyseamripper.blogspot.com/2011/02/overthinking-col...
22 August 2017
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Siha, Tanzania
Sayumi's story is kinda like that game "Bigger and Better."
Year One: She joins her savings group and starts getting entrepreneurship training. She doesn't take out any loan and just uses the group to save money and learn.
Year Two: She attends a Farmer Field School and starts helping a friend take care of her cow. Her kids' tuition is too high for her husband's income so she takes out her first loan. Thankfully, her new farm skills pay off right away and abundant crops let her pay off that loan the same year.
Year Three: Her friend talks about selling the cow and Sayumi comes up with the idea to take out a loan to buy it. Between the cow giving birth and producing milk, she again paid off that loan in under a year.
Now: Sayumi and her husband just took out an entire 1.5 million shilling loan to buy a nearby farm. After seeing what they did with farm skills and a cow, things look promising.
Sayumi's story is helpful when I start to overthink finances and projects and goals. Start where you are, bank up knowledge, be strategic when the time comes, and go one step at a time, yeah?
4me4you Features - ‘reducing her colour palette..’
Artist: Vanessa Garwood
4me4you recently enjoyed a visit to PM/AM Gallery, where the spotlight illuminated the work of the talented artist Vanessa Garwood.
Vanessa Garwood, initially known for her mastery in oil-based portraiture, has evolved her artistic journey to embrace a diverse range of mediums and disciplines. This expansion has provided her with a broader canvas for creative expression, pushing the boundaries of her subject matter. Transitioning to a limited palette of black, white, and grey, Garwood delves into life's contrasting narratives with a literal visual representation, capturing the dynamic interplay on her canvases. Despite the constraint of this aesthetic choice, her works resonate with humour and satire, offering viewers an accessible entry point into her candid exploration of life's challenges.
In her latest artistic phase, Garwood has made bold decisions to paint exclusively in greyscale and switch from oils to the quicker drying medium of acrylics. These changes have streamlined her process, fostering a deeper immediacy in her work, which she considers her most personal to date. While her earlier focus was primarily on human subjects, including portraits, nudes, and dancers over two decades, she now draws inspiration from both reality and fantasy, blending boundless imagination with real-life figures. Despite the whimsical elements infused into her compositions, Garwood's commitment to naturalism ensures a relatable connection for the viewer.
The transition to a shorter window for paint manipulation may limit the time for technical refinement, yet it ignites a newfound spontaneity in Garwood's expression. Embracing this flux state, she thrives without the burden of overthinking. Surprisingly, the absence of colour doesn't diminish the vitality of her work; rather, it amplifies the raw energy of her paintings, captivating the viewer's imagination in monochrome. Garwood achieves a remarkable feat, activating the perception of colour in the mind without its physical presence, underscoring the power of her artistic vision.
A notable theme in Garwood's oeuvre is the strong presence of women engaged in everyday rituals seldom depicted in traditional art history—moments shared over drinks, cigarettes, laughter, and embraces. These scenes epitomise expressive freedom, celebrating vivacity while acknowledging underlying insecurities and challenges. They serve as a poignant reflection of a world grappling with oppressive struggles, yet reaching out for moments of joy and camaraderie amidst uncertainty.