View allAll Photos Tagged Overthinking
Two things:
1. three in three, yay me!
2. I tried really hard not to overthink this one. I only tried 4 papers instead of 8, so I'm making progress I guess!
Credits:
Paradise Punch by Elise's Pieces
Painted Alpha by Jude
Font is Beach Type
Template by Andrea Gold (although, now that I look at it, it looks nothing like the original template. Oh well, it still got me started!)
it's a fun game, although it took over 20 questions for it to figure out I was thinking about beer..Tuckerman's Pale Ale to be exact, jeez.
Love quote and saying
Image
Description
Top 100 cute couple quotes photos Im clingy and annoying but I hate not talking to the one I love ❤️ #boyfriend #girlfriend #love #quotes #15likes #feelingalone #relationship #hope #feelwanted #overthinking #texts #cute #cutecouplequotes #couple #lo...
topquotesonline.net/love-quotes/love-quote-and-saying-top...
Overthink, underthink...
Typefaces: Musette Script, Champion
Merchandise available: www.redbubble.com/shop/ap/138765973
Overthink, underthink...
Typefaces: Musette Script, Champion
Merchandise available: www.redbubble.com/shop/ap/138767226
It's that time again... time for another EVERY DAY ESCAPE ARTIST! We have team Cas (short for casual) Wednesday Limo!
Let us introduce team “Cas Wednesday Limo” Winner of the Beercade contest and successful escapees of Division 37!
After one smooth limo ride down Whyte Ave, they joined us for a game and escaped in only 33 minutes. The team has a range of experience in escape rooms, some having just tackled a few and some having conquered up to a dozen!
Before they headed down to Beercade for some drinks and games we stopped them to ask if they had any expert advice for new escape room enthusiasts. They recommend using hints when you feel like you’ve spent too long on one puzzle and aren’t progressing. Some general advice – rub the walls (something that apparently helped them in another escape room!). Make sure you look over everything, and don’t overthink things.
This is definitely some sound advice and we are glad the team came in to join us for their night out!
Do you want to be featured as an EVERYDAY ESCAPE ARTIST? Bring your pro team to EXIT Edmonton for your chance to be featured next!
EXIT Edmonton
10534 82 Ave NW, Edmonton, AB T6E 2A4
E: edmonton@e-exit.ca
P: (780) 705-0160
e-exit.ca/edmonton
Facebook: facebook.com/ExitEdmonton
Google Maps: goo.gl/maps/aEpiv8ZLQTw
Follow us on Instagram and Twitter: @Exit_Edmonton
EXIT Edmonton offers a unique Real-Life Escape Room Adventure on Whyte Ave! From the moment you step in, your team will be transported into a universe beyond your wildest imagination. In each of our five challenging themes, the cost is $25.00 per player and your team will be given 60 Minutes to complete a series of intricate puzzles, challenges and riddles to test your wits, logic and teamwork in the ultimate race against the clock! Our proudly in-house made gadgets and compelling storylines will ensure a totally immersive and entertaining experience like no other!
We have five themes to choose from:
Medieval (Difficulty - 3/5) - Choose your adventure
Division 37 (Difficulty - 3/5) - A mission gone wrong!
Clinic (Difficulty - 4/5) - Under the knife.
Catacombs (Difficulty - 4/5) - You are not alone...
Redemption (Difficulty – 5/5) – Every action has a consequence.
Do you have what it takes to escape?
BOOK NOW!
Visit EXIT Kelowna: facebook.com/ExitKelowna
Visit EXIT Kamloops: facebook.com/ExitKamloops
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Mechanical and Mechatronic Engineering and Advanced Manufacturing Department (MMEM) Assistant Professor Marcus Battraw has their portrait taken as part of the new faculty portrait series “My Reminder” with a Post-It Note reminder for themselves written; “Don’t Overthink It” on Wednesday, August 21, 2024 in Chico, Calif.
(Jason Halley/University Photographer/Chico State)
Ok, so, yeah, I have insomnia. It’s nothing serious or depressing keeping me up through the night, it’s just my imagination and vast overthinking. I may be tired as hell but I’ll still lay down and everything thought on the face of this earth will suddenly begin ringing inside my head. I will start reliving my day inside my head and will continue to critique on my decisions throughout. Yeah, it’s pretty stupid. However, staying up till sunrise is all worth it as the morning walks always bring inner satisfaction to one’s self. And capturing these photograph bring true satisfaction, which, in turn, help me rid self-consciousness.
What techniques were used to take the picture?
I took this photo at the very beginning of the semester when I was instructed to take a "rule of thirds" photo. The flower sits on the rule of thirds line, and the trellis in the background of the image creates the rule of thirds grid in the background. I took this photo in full auto mode.
Post Processing:
I took this photo in Lightroom, and I attempted to white balance it. I ended up spending several hours playing with all the different editing options, and this is the final result.
Why I choose this image to put in my portfolio:
I feel like this photo is a reminder to myself not to overthink my photography. Some of my best photos I have taken have been spontaneous or not thought through very hard beforehand. This photo has consistently remained my favorite shot over the course of this semester, so I feel it is only fitting to include it in my final portfolio.
Unsplash / Matheus Ferrero
Fall in love with the girl who overthinks, because she has a huge heart. The last thing she ever wants to do is upset you. That’s why she’ll replay conversations in her head again and again — because she’s worried that she said something wrong, that she accidentally... - #Stories
quotesstory.com/stories/this-is-why-you-should-fall-in-lo...
estate 2013
scatto spontaneo, no posa
overthinking will kill you...
olympus om30, 50 mm - fomapan 200 iso
4me4you Features - ‘reducing her colour palette..’
Artist: Vanessa Garwood
4me4you recently enjoyed a visit to PM/AM Gallery, where the spotlight illuminated the work of the talented artist Vanessa Garwood.
Vanessa Garwood, initially known for her mastery in oil-based portraiture, has evolved her artistic journey to embrace a diverse range of mediums and disciplines. This expansion has provided her with a broader canvas for creative expression, pushing the boundaries of her subject matter. Transitioning to a limited palette of black, white, and grey, Garwood delves into life's contrasting narratives with a literal visual representation, capturing the dynamic interplay on her canvases. Despite the constraint of this aesthetic choice, her works resonate with humour and satire, offering viewers an accessible entry point into her candid exploration of life's challenges.
In her latest artistic phase, Garwood has made bold decisions to paint exclusively in greyscale and switch from oils to the quicker drying medium of acrylics. These changes have streamlined her process, fostering a deeper immediacy in her work, which she considers her most personal to date. While her earlier focus was primarily on human subjects, including portraits, nudes, and dancers over two decades, she now draws inspiration from both reality and fantasy, blending boundless imagination with real-life figures. Despite the whimsical elements infused into her compositions, Garwood's commitment to naturalism ensures a relatable connection for the viewer.
The transition to a shorter window for paint manipulation may limit the time for technical refinement, yet it ignites a newfound spontaneity in Garwood's expression. Embracing this flux state, she thrives without the burden of overthinking. Surprisingly, the absence of colour doesn't diminish the vitality of her work; rather, it amplifies the raw energy of her paintings, captivating the viewer's imagination in monochrome. Garwood achieves a remarkable feat, activating the perception of colour in the mind without its physical presence, underscoring the power of her artistic vision.
A notable theme in Garwood's oeuvre is the strong presence of women engaged in everyday rituals seldom depicted in traditional art history—moments shared over drinks, cigarettes, laughter, and embraces. These scenes epitomise expressive freedom, celebrating vivacity while acknowledging underlying insecurities and challenges. They serve as a poignant reflection of a world grappling with oppressive struggles, yet reaching out for moments of joy and camaraderie amidst uncertainty.
Fireworks tonight!! - Just a small one from us, here's the box we're using!! - I kept the flare from the lights in as I thought it looked like steaks of fireworks !! (Or am I overthinking this ? )
4me4you Features - ‘reducing her colour palette..’
Artist: Vanessa Garwood
4me4you recently enjoyed a visit to PM/AM Gallery, where the spotlight illuminated the work of the talented artist Vanessa Garwood.
Vanessa Garwood, initially known for her mastery in oil-based portraiture, has evolved her artistic journey to embrace a diverse range of mediums and disciplines. This expansion has provided her with a broader canvas for creative expression, pushing the boundaries of her subject matter. Transitioning to a limited palette of black, white, and grey, Garwood delves into life's contrasting narratives with a literal visual representation, capturing the dynamic interplay on her canvases. Despite the constraint of this aesthetic choice, her works resonate with humour and satire, offering viewers an accessible entry point into her candid exploration of life's challenges.
In her latest artistic phase, Garwood has made bold decisions to paint exclusively in greyscale and switch from oils to the quicker drying medium of acrylics. These changes have streamlined her process, fostering a deeper immediacy in her work, which she considers her most personal to date. While her earlier focus was primarily on human subjects, including portraits, nudes, and dancers over two decades, she now draws inspiration from both reality and fantasy, blending boundless imagination with real-life figures. Despite the whimsical elements infused into her compositions, Garwood's commitment to naturalism ensures a relatable connection for the viewer.
The transition to a shorter window for paint manipulation may limit the time for technical refinement, yet it ignites a newfound spontaneity in Garwood's expression. Embracing this flux state, she thrives without the burden of overthinking. Surprisingly, the absence of colour doesn't diminish the vitality of her work; rather, it amplifies the raw energy of her paintings, captivating the viewer's imagination in monochrome. Garwood achieves a remarkable feat, activating the perception of colour in the mind without its physical presence, underscoring the power of her artistic vision.
A notable theme in Garwood's oeuvre is the strong presence of women engaged in everyday rituals seldom depicted in traditional art history—moments shared over drinks, cigarettes, laughter, and embraces. These scenes epitomise expressive freedom, celebrating vivacity while acknowledging underlying insecurities and challenges. They serve as a poignant reflection of a world grappling with oppressive struggles, yet reaching out for moments of joy and camaraderie amidst uncertainty.
4me4you Features - ‘reducing her colour palette..’
Artist: Vanessa Garwood
4me4you recently enjoyed a visit to PM/AM Gallery, where the spotlight illuminated the work of the talented artist Vanessa Garwood.
Vanessa Garwood, initially known for her mastery in oil-based portraiture, has evolved her artistic journey to embrace a diverse range of mediums and disciplines. This expansion has provided her with a broader canvas for creative expression, pushing the boundaries of her subject matter. Transitioning to a limited palette of black, white, and grey, Garwood delves into life's contrasting narratives with a literal visual representation, capturing the dynamic interplay on her canvases. Despite the constraint of this aesthetic choice, her works resonate with humour and satire, offering viewers an accessible entry point into her candid exploration of life's challenges.
In her latest artistic phase, Garwood has made bold decisions to paint exclusively in greyscale and switch from oils to the quicker drying medium of acrylics. These changes have streamlined her process, fostering a deeper immediacy in her work, which she considers her most personal to date. While her earlier focus was primarily on human subjects, including portraits, nudes, and dancers over two decades, she now draws inspiration from both reality and fantasy, blending boundless imagination with real-life figures. Despite the whimsical elements infused into her compositions, Garwood's commitment to naturalism ensures a relatable connection for the viewer.
The transition to a shorter window for paint manipulation may limit the time for technical refinement, yet it ignites a newfound spontaneity in Garwood's expression. Embracing this flux state, she thrives without the burden of overthinking. Surprisingly, the absence of colour doesn't diminish the vitality of her work; rather, it amplifies the raw energy of her paintings, captivating the viewer's imagination in monochrome. Garwood achieves a remarkable feat, activating the perception of colour in the mind without its physical presence, underscoring the power of her artistic vision.
A notable theme in Garwood's oeuvre is the strong presence of women engaged in everyday rituals seldom depicted in traditional art history—moments shared over drinks, cigarettes, laughter, and embraces. These scenes epitomise expressive freedom, celebrating vivacity while acknowledging underlying insecurities and challenges. They serve as a poignant reflection of a world grappling with oppressive struggles, yet reaching out for moments of joy and camaraderie amidst uncertainty.
it was at this point that Cindy decided to push me up that rock because she could tell I was overthinking how to put my feet. She was a HUGE help and this summit went much better than the one at Cone Mountain. But this was also steep for shorter periods. But also, NARROW. It was a ridgeline, basically. Open space all around me. But I did it. With a little help from new friends.
I was having trouble thinking of a new design, and was trying to overthink it; I thought I as going to need to model it on paper or digitally before building anything else, because the sheer quantity of cans has grown so much.
But, then my son Matthew came to work with me on Monday, and he insisted that it didn't need to be that complicated. I humored him eventually, and let him go ahead and make something. He looked at the Simpsons magnets on my whiteboard, and selected this one to create with cans.
I helped him get the cans out of the cabinet, because they were so carefully lined up and I didn't want them all to come crashing down. Then, he went ahead and made it. I helped him a little, with perfectionist type stuff (needs to be perfectly symmetrical! (or as much as possible, with the cans available)), and he created an outline of the shape with green cans.
Then, we worked together to fill in the center with different colors--mostly blue, black, and red.
It was lots of fun, and I finally have more pictures to post! Thanks, Matthew!
This is the first time I've ever noticed that the benches at the Des Moines Marina say things. Today's my moms birthday and I've been overthinking about her lately. Hopefully it's just random worries in my mind rather than her hating me.
4me4you Features - ‘reducing her colour palette..’
Artist: Vanessa Garwood
4me4you recently enjoyed a visit to PM/AM Gallery, where the spotlight illuminated the work of the talented artist Vanessa Garwood.
Vanessa Garwood, initially known for her mastery in oil-based portraiture, has evolved her artistic journey to embrace a diverse range of mediums and disciplines. This expansion has provided her with a broader canvas for creative expression, pushing the boundaries of her subject matter. Transitioning to a limited palette of black, white, and grey, Garwood delves into life's contrasting narratives with a literal visual representation, capturing the dynamic interplay on her canvases. Despite the constraint of this aesthetic choice, her works resonate with humour and satire, offering viewers an accessible entry point into her candid exploration of life's challenges.
In her latest artistic phase, Garwood has made bold decisions to paint exclusively in greyscale and switch from oils to the quicker drying medium of acrylics. These changes have streamlined her process, fostering a deeper immediacy in her work, which she considers her most personal to date. While her earlier focus was primarily on human subjects, including portraits, nudes, and dancers over two decades, she now draws inspiration from both reality and fantasy, blending boundless imagination with real-life figures. Despite the whimsical elements infused into her compositions, Garwood's commitment to naturalism ensures a relatable connection for the viewer.
The transition to a shorter window for paint manipulation may limit the time for technical refinement, yet it ignites a newfound spontaneity in Garwood's expression. Embracing this flux state, she thrives without the burden of overthinking. Surprisingly, the absence of colour doesn't diminish the vitality of her work; rather, it amplifies the raw energy of her paintings, captivating the viewer's imagination in monochrome. Garwood achieves a remarkable feat, activating the perception of colour in the mind without its physical presence, underscoring the power of her artistic vision.
A notable theme in Garwood's oeuvre is the strong presence of women engaged in everyday rituals seldom depicted in traditional art history—moments shared over drinks, cigarettes, laughter, and embraces. These scenes epitomise expressive freedom, celebrating vivacity while acknowledging underlying insecurities and challenges. They serve as a poignant reflection of a world grappling with oppressive struggles, yet reaching out for moments of joy and camaraderie amidst uncertainty.
this was in the little chappel that is still in use..one can sit there and overthink,there were even some peoples ashes scatterd around the chappel