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03-Apr-2022 16:13

Ilford Ortho+ ISO80 rated @ EI 80

 

Ebony 45SU

Rodenstock 150mm f/5.6 Apo-Sironar-S

Developed in ID11 1:1 for 11 mins @ 20C

 

Front Shift : 3cm up

 

Mid tone LV = 12

Highlight = 14

Shadow = 11

 

No Filters

 

LV=12

 

Shutter speed 1/4s @ f30

Stasera preferisco far parlare i Radiohead.

Perché i Radiohead hanno le parole per tutto.

 

I want you to know

He’s not coming back

Look into my eyes

I’m not coming back

Spokane Valley Fire celebrated National Night Out Against Crime 16+ events this evening, visiting with hundreds of residents and children. SVFD is proud to serve our community!

 

Staying at home - views from my house.

A charming little spot in Adelaide (city)

I haven't been out on a night shoot since Sept 2007... geez - I need to get my head in the cold evening sky. Here's an oldie from the end of 2006. January 08's moon is nearly full.... let's get out there!

In that direction, it is normally views out to the open sea.

Out and about again.

 

Operative and on my toes.

 

There's a funny story here:

 

A colleague, on his break, orders pizza for delivery.

 

Without telling me. Bad decision.

 

He can follow the delivery on a map in his phone.

He is hungry. He is counting down. Watches the dot on his screen and drools, probably.

 

Me, outside, on a level 5 security mission.

Watches a white, small car slowing down on the street.

I look at the driver.

 

In my world, he looks suspicious.

The car is unmarked, not a sticker about delivery or so.

 

I look the way I look, and carry a MP5 machine gun.

I walk slowly towards the car. He drives away, quickly.

 

30 seconds later: my (hungry) colleague comes running out, wearing just half what he should wear and carry, in a t-shirt and shouts: "have you seen a delivery guy, here, a minute ago, or so?"

 

I shrug and look at him with my on-duty-dead-fish-eyes.

 

His phone calls: The delivery guy have parked three blocks away and asks him to come and get his pizza because "I´m not going back to that address."

 

He runs for three blocks to get his, by now lukewarm pizza, gets it and comes back.

 

I look at him and give him a faint smile.

 

Sometimes, work can be really amusing...

  

A bit damp today with a fine drizzle, I chose to wear a longline cardie with my outfit as it wasn't that cold out.

Two images from the last visit to Ringwood Hall for the Northern Concord Summer Event.

Re-found this dress and adore wearing it. Notice the photographer in the background.

Seen in the Wrexham depot of Arriva Cyrmu are V34ENC (2560) a Ikarus bodied DAF SB220 and V644DVU (7644) a Marshall Capital bodied Dennis Dart, awaiting to depart on their last trip.

 

26th July 2014

I know so much for a quite week in.

Up the lion again (sounds like a carry on film) took my daughter out again while she chatting to some lads I managed to catch up with some girls.

This is the lovely Emma our paths has crossed a few times but this is the first chance we have had to talk.

 

Genesis / Seconds Out

Side one:

- "Squonk" - 6:39

- "The Carpet Crawl" - 5:27

- "Robbery, Assault and Battery" - 6:02

- "Afterglow"- 4:29

Side two:

- "Firth of Fifth" - 8:56

- "I Know What I Like (In Your Wardrobe)" - 8:45

- "The Lamb Lies Down on Broadway..."- 4:59

- "...The Musical Box (Closing Section)" - 3:18

Side three:

- "Supper's Ready" - 24:33

Side four:

- "The Cinema Show" - 10:58

- "Dance on a Volcano..." - 5:09

- "...Los Endos" - 6:20

Tony Banks – RMI Electra piano, Hammond T. organ, ARP Pro Soloist, Mellotron 400, Epiphone 12-string guitar, backing vocals

Mike Rutherford – Shergold electric 12-string and bass guitar, 8-string bass guitar, Alvarez 12-string guitar, Moog Taurus bass pedals, backing vocals

Steve Hackett – Gibson Les Paul, Hokada 12-string guitar

Phil Collins – lead vocals, Premier and Gretsch drums

Chester Thompson – Pearl drums, percussio

Bill Bruford – Ludwig and Hayman drums, percussion ("The Cinema Show" only)

Recorded live 23 June 1976 at Pavillon de Paris, Paris ("The Cinema Show")

11–14 June 1977 at Palais des Sports, Paris

sleeve design: Photos by Armando Gallo, Robert Ellis, Graham Wood

Label: Charisma Records / 1977

ex Vinyl-Collection MTP

en.wikipedia.org/wiki/Seconds_Out

Lovely to bump into Raven again at BNO last month. The pic on the right is from a night out with her at Leeds First Friday in 2015!

Taken at the 90s themed Streetmeet in the Paseo, July 2021

Turkey, 1981. Near Assos, west coast.

Nikon, Kodachrome 64

Not my best picture but hope you enjoy the story. Set off with great confidence in these 4” stiletto heels along the Thames path until I encountered the wooden decking at the restaurant. Forgot to keep weight to front of shoe and heel (with all my weight) went between the cracks. Had to step out of the shoe, kneel down, and in a very unladylike manner retrieve the shoe. Lesson learned and good laugh for all. 😀😀

Old petrol station, out of order...

Nice new Paccar powered W9B at the paper mill in Thunder Bay.

140 "Inside Out - lighting"

Another night out from a while back. I don’t always make the effort to look like this everyday but it’s always nice to get dressed up for a special night out. Girls will be girls 💋💋💋💋💋💋💋💋💋💋💋

The boys love going out at night to look for insects. Shot of Austin in the middle of our street shining a beam into some trees.

 

1xp *handheld* shot taken with my ever-impressive Sony NEX-7.

 

Irvine, California.

A little trip a bit along the coast today.

It was to be the way out for DB Cargo Class 67 No. 67012, as this was to be it's penultimate turn on Caledonian Sleeper duties: it is seen about to depart with 1A25 to Aberdeen at dawn on 30th June 2016, with the return later that evening being it's final working as from 1st July GBRf Class 73/9s took over north of Edinburgh workings. Copyright Photograph John Whitehouse - all rights reserved

a little bigger

 

on black in lightbox

 

Here is the second of the images from the Marginal Way.

 

This is actually one of a series of long exposure bracketed shots that I used in a pretty over the top HDR a couple of years ago. In my mind I had decided that I wanted to get back to this spot and take a long exposure black and white but the tides have to be very specific to fill this channel here and I could never get the timing right. As I was going through images the other night I don't know what I was thinking, I already had the shot on my hard drive it just needed different processing...

 

This is just about the polar opposite of how I had it before and it kind of shows how my tastes have changed over the last couple years.

 

While processing this image I also feel justified now in having spent thousands of dollars on a 24-70 and 70-200 that covers the same ground as my old kit lens. I like this image a lot BUT at full size there is a tremendous difference in the sharpness and detail in the rocks between the 18-200 and the lenses that I use today.

 

Hope to be out to grab some new images soon. Maybe even some color!

 

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thanks to GrooveKitten for the caption help!

i love taking Jane out for her own excursions without the other dogs. She moves alot slower than they do, and this way it is just us, like the old days :)

 

Ii's nice to just hang out with her and let her do her "Janer thing" ... which involves sniffing, peeing on things and watching the world go by.

Back door. This is what it looks like standing on our back deck. Nothing but Rock and Trees as far as you can see.

 

Mosquitoes hang out on a thread of spider silk strung between potted houseplants.

 

#201102-04 Lightbox. My set for butterflies and other insects.

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