View allAll Photos Tagged Out
Lady kittens , the new kid on the block is here ;-)
Sorry my dear and faithful Flickr friends if i dont go to your stream today ..i will catch up
It's not ass day, but whatever...
It's a good thing my camera has a "2 picture timer" (one shot at 10 seconds, another shot at 20 seconds).
Image taken at Aberdulais Falls and Tin Works - 11.Aug.2015 - on a day out with our Camera Club.
I spotted this display in the window of the cafeteria, while stuffing my face with a 'Ploughman's Lunch' and a bottle of Ginger Beer !!!
Derby lightweight single car DMU temporarily dumped out of use at Radhill sidings. The scrap man awaits.
1:76 scale, OO Gauge.
Non powered plastic model.
The wild urban fox 'Scamp', with thanks to Alannah Hawker (www.alannahhawker.com)
www.lawriebrailey.co.uk
Thorndon, Essex | April 2011
Polaroid SX-70 [Red] | TheImpossibleProject PX100 SilverShade FirstFlush
[Losing Focus] | [Twitter]
[All photographs © Toby Marsh. Please do not re-use without permission.]
SX70Red_PX100FF_06-04-2011_08_edit_web
The Almighty - Out Of Season | Powertrippin' | 1993
© Rafael Camón
-Todos los derechos reservados.
-Si está interesado en usar mis imágenes, por favor contacte conmigo.
---
-All Rights are Reserved.
Sometimes it is refreshing to get something else on your normal route than the bog standard B9, Lothian Buses 697 brings a change to service 31 today seen here heading to East Craigs. 04th June 2015.
I shot Move Out West yesterday for their ad on the front page of www.purevolume.com. They have been working hard on a new EP and you can now stream one of the songs exclusively on their purevolume page so check it out!
a german soldier of the
Neo-war was cought in
a white out and he could only see
10 feet away when out of the snow
he saw a dark figure, he thought that it
could be bear or a large wolf.
He fired off a shot from his gun,
but what he hit was not a animal
nor human.To his suprise it was a
zombie, he couldn't tell were it came from but he new one thing for sure
he needed to make a fire.
he used he lit some cloth
that he had riped off the zombies suit
luckly he killed a chicken with the shot he fired trew the zombie.
the son of my father's friend xD
he's so freaking cute xD
Keep laughing (:
New lens hehehehe faves if u like it
Looking Out
Martin Beek:
The paintings, drawings and digital works that form my contribution to this exhibition result from my residency at Camp Walden, Michigan during this summer. With the exception of the Simon’s Wood series of iPad drawings (no. 14), all the work was conceived, painted and drawn in the USA. It has come from a relatively small area of woodland no more than one hundred metres from my cabin studio.
In 2013 I exhibited my ‘plein air’ oils of rural locations in Ipsden and Longworth in a show called ‘The Pace of Nature’. These smaller paintings were a direct response to places that I had come to know well. Each work reflected the changing weather conditions that characterise the British climate; they were about the immediate moment. I did not retouch any of them in the studio.
In Looking Out my approach has slightly altered in that, whilst each work results from many hours’ direct work outside, certain passages and responses to the forest were repainted or reworked under studio conditions as a result of further consideration. This series was also painted as a body of work with several being developed simultaneously, rather than each being a record of a particular day.
Possibly the most difficult thing to do as a painter is not to mimic someone else’s paintings or style. I therefore find that my unique choice of location, which has no immediate association with other artists, is a really helpful move as it gives me a clearer sense of vision. Walden fulfils that for me, as it has done for many years.
This is the first time that I have exhibited in the UK a complete series of American works painted in situ. With the opportunity to spend seven or more hours painting each day, without having to travel any distance, I seem to find I can paint more fluently and the sense of involvement is all the deeper. America during the summer months, with its extreme heat and strong light and shadows, injects a kind of excitement into my work that I don’t often achieve in Britain. I find drawing trees both challenging and rewarding, not at all predictable if one is serious about the task. Here in the heart of the forest new opportunities present themselves. I suppose one of the ‘rules’ of modern painting, if such exist, is to think about the surface and not go for illusionistic tropes. So, as with all my work since 2012, I’ve made it quite specific in its intentions, without labouring or overworking. This results in an effort to create a lively surface.
The paintings are considerably larger than the 150 works of ‘The Pace of Nature’ series. The larger scale involves different approaches, and a lot more physical movement in order to judge the effect of distance and overall optical colour mixtures and relationships.
The acrylic paintings (‘Woodnotes’ I–III) were influenced by my iPad drawings, utilising the possibilities of multiple layers of line and overlapping colour. These works pull away from their motif and are a more personal statement about the forest and capture a fleeting sensation. They are characterised by loose areas of random marks against areas of control, held in the geometry created by the pine trees.
Formally, the works stress verticality and height, looking out and upwards, strong contrasts and spatial division. It was also rewarding to make a number of large charcoal drawings (nos. 11–13) to convey strong areas of light and shade.
Each morning began with an iPad drawing, some of which form Walden Suite (no. 2), a response to the daily variations of light and colour. The iPad drawings echo the Simon’s Wood piece (no. 14) which I began in January 2016 and finished just before my June departure for USA.
A container ship heads in the direction of a beautiful sunset, leaving San Francisco and the Bay Area until it returns from the high seas.
EXIF....F8....0.6 SECONDS....ISO 100....10MM....CANON EOS 7D + SIGMA 10-20 f/4-5.6 EX DC HSM....SINGHRAY ND3 REVERSE + LEE 0.6H ND GRADS + KOOD ND4
RAW FILE PROCESSED USING DPP AND ELEMENTS 9
© Copyright 2012 STEVE BOOTE, All Rights Reserved
America Beautyberries (Callicarpa Americana)
This native shrub is very popular with the local wildlife, like deer, armadillo, raccoon, and opossums. But it is the love that songbirds have for them that keeps me on the lookout for beautyberries.
This shot was taken with the Fujifilm X-T2 using a vintage lens from the late 1950s, the Asahi Pentax Auto-Takumar 55mm f/2
Mar' 2014
From the archives (as I haven't been out with the camera for what feels like months) Approaching sunset at Neist Point.
Afternoon and Chair in my living room...
I like out of focus photos.
I reminds of the last thing you'd see before you black out.
So while out shopping I came across this sweater. I couldn't help but fall in love and instantly had to find an outfit for it. How could I not choose to wear these jeans…I loved them in my last post and had to get me another pair. LOVE THEM! Also, the shoes…I haven’t had a chance to wear them till now so I am so so SO happy to finally be showing them off, Reign shoes…you know I love you!
Twitter: @Faisalbah
Rules:
Copyright for this gallery photo belongs to © Faisal Bahman Photography
Images may not be copied, downloaded , or used in any way without the expressed written permission of the photographer. >
In the wildlower corner of my garden all the meadow cranesbills of which there are many are blue except this one. Only this one is white and it coes up every year without feel!
I am interested in experimenting (or getting addicted maybe) to this out of focus photography. It is obviously a bit difficult to not go into the abstract, as I have done here I think. However it is a start and it is also something which appeals to the shaky hands as we get older haha :-). This is actually the corner of our patio, I think the light coming through the boards plays an important part so here we are: photo number 1.