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Photo IWM B7523 (Sgt Laing):
www.iwm.org.uk/collections/item/object/205204577
A military policeman controls traffic as a Sherman tank moves forward for the start of Operation Goodwood, 18 July 1944.
Sherman V - 2nd tank, 2nd Troop, 'A' Squadron, 1st Armoured Battalion Coldstream Guards, 5th Guards Armoured Brigade, Guards Armoured Division.
voir ici les repérages:
www.flickr.com/photos/mlq/39858865042/
et
www.flickr.com/photos/mlq/39891799031/
A gauche derrière le MP une pancarte: Tank track PALM soit la piste après York 2 réservée à la 7th Armoured Division, la Guards utilise la piste HOLLY après Euston 2, le MP contrôle cet embranchement, voir ici un calque en LC000648-palm:
www.flickr.com/photos/mlq/28239934889/in/photolist-K2t3M8
MP de la 3rd ID Br, voir le patch de manche:
upload.wikimedia.org/wikipedia/commons/4/4c/British_3rd_I...
En Biodiversidad virtual y también en Twiter
Casi metida en un sobre que es su escudo, la ameba Rhizaspis asoma sus largos brazos de araña, son brazos invisibles de hilo que se tejen bajo el agua en un instante y que asoman tímidamente desde donde Rhizaspis abre la puerta de su casa. Desde ella, por una pequeña grieta como un ojal, se extienden confiados, y hacia ella tímidamente se retraen en un instante de desconfianza. Cuando esto sucede, Rhizaspis queda libre de ataduras, suelta amarras, y sin anclajes, queda a la deriva de los vientos del agua.
Rhizaspis es una ameba solitaria y discreta, de pies largos y finos y contorno ovalado, que vive protegida dentro de una funda plana, transparente y semirígida que da forma a su cuerpo que vive encerrado en su interior. Esta funda plana es también la casa y la ventana para Rhizaspis desde donde se puede ver su interior, una amplia vivienda de casi 80 micras de longitud, que afortunadamente no será presa ni de los especuladores ni de los bancos.
En ella destaca su cocina-despensa, una zona anterior coloreada de verde casi siempre, que corresponde a las algas que ha ingerido y digiere y que constituyen su alimento favorito. Por delante y hasta la abertura desde donde se extienden sus largos pies un espacio casi vacío en el vestíbulo suele estar ocupado por vacuolas pulsátiles que expulsan el exceso de agua que pueda haberse acumulado en su interior. En la parte central de la vivienda está el habitáculo principal donde el cerebro y corazón de estos seres late imperceptiblemente desde tiempos anteriores a los tiempos, allí, su núcleo esférico dirige toda la vida y todas las acciones de forma misteriosa y mágica dejando a su alrededor una nube de burbujas, vacuolas de contenido desconocido que forman una hermosa constalación líquida.
El género Rhizaspis está formado por cerca de media docena de especies de aspecto similar, todas ellas presentan esa funda transparente y plana, a veces de contornos irregulares, pero siempre con una distribución interior parecida. La de hoy Rhizaspis scutiformis es de mediano tamaño y presenta unos contornos regulares y una pequeña abertura en forma de ojal en la parte anterior que apenas sobresale. Todas estas amebas son amantes de los fondos de las masas de agua con poca corriente y en ellos encuentran palpando con sus finos pies, como antenas, su alimento constuido fundamentalmente por diatomeas y otras algas verdes.
Rhizaspis no es una ameba común, no ha sido citada en la Península Ibérica nunca, salvo en esta ocasión y en otra precedente, también a través de este Proyecto Agua, en el hermoso y enfermo Lago de Sanabria, la que mostramos aquí Rhizaspis scutiformis vive sobre los sedimentos y entre las algas y la vegetación acuática de los Llanos del Juncal sobre el precioso bosque de niebla de Alcornoques que mira hacia otro continente y se abre hacia el mar sin fronteras. La grabación, realizada a 400 aumentos procede de una muestra recogida el junto a Lechu, Elena y Cristina, el 24 de febrero de 2018 entre Algerciras y Tarifa.
en.wikipedia.org/wiki/Plant_intelligence
Plant intelligence is an ongoing scientific field which combines physiology, ecology and molecular biology to investigate whether certain species of plant could be considered intelligent. Studies indicate that some species are capable of communication[1] and grow healthier while listening to music.
www.csmonitor.com/2005/0303/p01s03-usgn.html
www.springerlink.com/content/m851130561r57518/
Published online: 2 September 2005
Abstract Intelligent behavior is a complex adaptive phenomenon that has evolved to enable organisms to deal with variable environmental circumstances. Maximizing fitness requires skill in foraging for necessary resources (food) in competitive circumstances and is probably the activity in which intelligent behavior is most easily seen. Biologists suggest that intelligence encompasses the characteristics of detailed sensory perception, information processing, learning, memory, choice, optimisation of resource sequestration with minimal outlay, self-recognition, and foresight by predictive modeling. All these properties are concerned with a capacity for problem solving in recurrent and novel situations. Here I review the evidence that individual plant species exhibit all of these intelligent behavioral capabilities but do so through phenotypic plasticity, not movement. Furthermore it is in the competitive foraging for resources that most of these intelligent attributes have been detected. Plants should therefore be regarded as prototypical intelligent organisms, a concept that has considerable consequences for investigations of whole plant communication, computation and signal transduction.
www.sciencenews.org/view/feature/id/44327/title/No_braine...
No brainer behavior
Messages, memory, maybe even intelligence — botanists wrangle over how far plants can goBy Susan Milius June 20th, 2009; Vol.175 #13 (p. 16) Text Size
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ACTIVE VEGETATION
Plants move. Time-lapse photography reveals the circular sweep of a Lonicera japonica vine during two hours of growth. But an evolving definition of plant behavior doesn't even require motion. It turns out, plants behave in myriad, often-hidden ways. Ash Kaushesh and Katherine Larson In a somewhat different world, Consuelo M. De Moraes would be revolutionizing vampire fiction.
Her lab at Penn State University studies predators that entangle prey in a tight embrace, pierce victims’ tissue and suck out nourishment. In the last few years, De Moraes and her colleagues have found that the predators even hunt down prey by scent.
Creepy as her predator, Cuscuta pentagona, is, it is also, frankly, a plant. Better known as five-angled dodder, its orange tentacles bypass the porcelain throats of young women in favor of the slim stems of young tomato plants. De Moraes and other researchers are showing that plants behave and misbehave as dramatically as animals. But there’s still not much hope for a feature-length dodder movie.
“I think most people regard plants as being pretty unresponsive and stuck in one place,” laments ecologist Richard Karban of the University of California, Davis. “Now, animals, they’re interestingbecause they can change and act in response to their environment.”
It’s a dichotomy Karban doesn’t accept for one second. When he and an animal behaviorist recently supervised a grad student, he remembers, “I would constantly want to say, ‘Oh yeah! Yeah! Plants do that too!’” Recent findings on plant capacities, he declares in a 2008 paper in Ecology Letters, reveal “high levels of sophistication previously thought to be within the sole domain of animal behavior.”
Even plants less vampirish than Cuscuta vines forage strategically for their food, and there’s evidence that plants fight each other over resources. In a broad sense of the word, plants communicate — some essentially scream for help. Also, a plant can respond to stimuli depending on its history of previous experiences, a tendency Karban is willing to call a sign of memory.
Karban stops there, but other plant scientists go much further in borrowing animal terminology. In May, researchers gathered in Florence, Italy, for their fifth annual meeting on “plant neurobiology,” and some of these green neuroscientists talk about searching for a plant “brain.” The June issue of Plant, Cell & Environment, devoted to plant behavior, even begins with a paper that uses the term “plant intelligence.”
Expanding the language for describing plants to include at least some “behavior” words could expand ideas for research, Karban contends. Plant researchers might do well to borrow analytic techniques from animal scientists, he adds. Finally, everyone may discover just how exciting it can be to watch grass grow.
Movement in animal time
One of the first questions posed to believers in plant behavior is, “How can plants behave if they can’t move?”
Part one of plant behaviorists’ almost universal answer: Plants do move.
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FAST EATER
The delicate-looking swollen bladderwort, Utricularia inflata, can kick into action quickly. An unsuspecting bug that finds its way to one of the underwater plant's traps (shown above) will be sucked in through a trapdoor. Barry Rice/Sarracenia.comTime-lapse photography of growing shoots reveals spooky, circular sweeps called nutation. The circular motion arises because a shoot does not necessarily grow evenly, with cells on one side elongating as fast as cells on the other. Growth rate varies on different sides. Over hours or days, the growing tip moves like a turning searchlight.
And as plant scientists relish pointing out, some plants do move in animal time, especially those that hunt animals for food. When it lands inside the open jaws of a Venus flytrap, a fly may jog trigger hairs. An electrical signal zaps through the plant tissue and the two sides of the trap can close like a book in less than a second. And a water flea that bumbles into a little cup of a bladderwort likewise confronts the peril of touch-sensitive triggers. A trapdoor opens within 30 milliseconds, and the flea whooshes down into a digestive chamber.
No insects are harmed when white mulberry trees bloom, but the Morus alba flowers open with a quick puff of yellow pollen. In a lab setup, a team of aerosol specialists at Caltech found the mulberry flower’s parts moving at speeds exceeding Mach 0.5. Pollen flinging could thus be the fastest biological movement yet observed, the team reported in 2006, and team member James House says he’s not aware of any challenges since.
But while plants trap and snap with boastable speeds, the second theme of a typical plant scientist’s comments about motion is that it doesn’t really matter in defining behavior.
Motion seems an unfortunately strict requirement, even for animal behavior, says Jonathan Silvertown of the Open University in Milton Keynes, England. He studies plant communities, and in 1989 worked with animal behaviorist Deborah Gordon, now at Stanford University, to outline a framework for defining plant behavior. A hedgehog playing dead is certainly behaving, they wrote.
Still behavior
“Behavior,” they proposed, applies to “what a plant or animal does, in the course of an individual’s lifetime, in response to some event or change in its environment.” This concept does not include intent, the team wrote, and Karban concurs. “Even in people, determining intent is very difficult,” he says.
This motion-free, intent-free definition allows the concept of behavior to embrace an activity in which plants excel: releasing chemical bursts, says plant community ecologist Kerry Metlen of the University of Montana in Missoula. Plants secrete secondary metabolites, chemicals that go beyond the basics of metabolism. These substances can prospect for food, wage war and call for reinforcements, all the while gossiping in chemical detail. “Plants are prodigious chemists,” Metlen says.
These chemical doings also show two other qualities that Metlen requires for plants behaving. A behavior should start relatively fast and it should be reversible, he and his colleagues contend in the June Plant, Cell & Environment.
Fighting tooth and chemical
Consider foraging, Metlen says. Iconic scenes of animal behavior star cheetahs streaking toward an antelope lunch. Underfoot, it turns out, the plants are hunting too, just by different means.
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ROOT WARRIOR
Exposed to a secretion from an invasive knapweed, the root of a blanketflower within an hour responds with its own secretion (right, shown as gel acidifies and turns yellow). At left is an unexposed root. Tiffany Weir et al./Planta 2006In a very basic sense, plants hunt by sending out roots. Decades of research have established that plants are strategic, allotting root growth to the promising patches and skimping on dead zones.
Plants also have their version of the cheetah pounce, but it’s chemical. Metlen’s favorite example, he says, comes from a study of fava beans by Long Li at China Agricultural University in Beijing and a network of colleagues. Like other plants, the beans need phosphorus. When researchers put the plants in phosphorus-poor agar gel, the beans took “action.” They acidified the material around their roots, causing malate and citrate concentrations in the agar to increase in such quantities that the gel’s pH dropped by about two units within six hours. Driving down soil pH increases plants’ phosphorus uptake, so chemically those bean roots were chasing and grabbing the food they needed.
One plant Metlen is studying now, spotted knapweed, adds a root-war twist to the chemical-pounce scenario. Back in its native Eurasian range, Centaurea maculosa grows here and there as an occasional member of mixed-plant communities. Its roots exude a substance called catechin, which makes phosphorus more available in certain soils.
Spotted knapweed has moved to North America. Where it once had an occasional presence, it is now a land grabber. Knapweed blankets entire slopes and pushes out native vegetation. One of the secrets for its new success may be the catechin. European neighbors of knapweed don’t seem bothered by catechin seeps, but some North American species can’t cope. A handy dietary aid has turned into an invader’s chemical weapon.
It’s root versus root, and research, including a 2006 Planta paper, suggests that some native species fight back, chemically of course. A lupine and a blanketflower can still grow when knapweed erupts in the neighborhood. Expose the two species to catechin and their roots exude extra oxalate, four times the normal level for the blanketflower and 40 times normal for the lupine. The oxalate may defang the catechin, with protection extending beyond the blanketflower and lupines to other native species growing near enough.
Volatile messages
It’s not neighboring plants but insects that come to the rescue when a plant cries for help. Karban, in his 2008 paper, argued that these behaviors amount to a plant version of communication.
When mites or caterpillars bite into leaves or stems, the attacked plant releases volatile compounds. It’s not just that sap dribbling from an open wound happens to have a scent. In corn, for example, insects boring into the stem prompt leaves to release complex blends of volatile chemicals.
Blends include a lot of information. Some plants enduring the indignity of a researcher snipping their leaves will release volatiles, but not of quite the same aroma as when caterpillars bite.
Some of the insects that prey on other insects react to these volatiles, swarming to the attacked plant to dine on the attackers. Research has found that certain of these ambulance-chasing predators respond selectively, flying toward the aromatic news of pests they prefer to eat while ignoring aromas from attacks by species they don’t fancy. For example, a little wasp that can only manage to inject its eggs into young caterpillars reacts to volatiles of plants under the attack of such tender youngsters. But the wasp doesn’t respond to volatiles from infestations inflicted by older caterpillars.
Neighboring plants can eavesdrop on the volatile signals too, and some respond by priming their own defenses.
Karban is willing to use the term “communication” for these chemical outbursts. He acknowledges, however, that strict definitions of communication demand that both the cue-emitter and the receiver benefit from the exchange. Plant volatiles that bring insect rescue may fit even this tougher definition, he says.
Remember me?
Warfare, chemical or otherwise, changes surviving plants much as it might animal survivors, according to research on the phenomenon of priming.
A poplar leaf once scarred by insect attack kicks its defense genes into high gear faster during the next attack than a naive leaf does, says De Moraes. “Memory comes with so much baggage,” she says, so she uses the term priming or preparedness. Karban, among other researchers, does compare this effect of past experience in plants to memory in animals.
And De Moraes’ work shows that even a rumor of war can create a state of preparedness in a naive leaf. The way poplars’ internal plumbing system is structured means that a leaf does not have a direct connection to its immediate neighbor. When De Moraes experimentally “attacks” leaf number one, volatiles waft to near neighbors, and those volatiles can constitute gossip about the nature of the attacker. Should she challenge those neighbors later with their own crisis, they rev up their defense genes faster than does a leaf prevented from receiving the informative volatiles. Biochemical gossip has its value.
That warnings waft over a plant’s own leaves may help explain how the volatile cues evolved, De Moraes says. Biochemical messages benefit the gossiping plant itself, rather than just its neighbors.
Neighboring plants may be listening in, but perhaps the wounded plant is getting big benefits just from talking to itself, De Moraes says. And plants may be able to distinguish self from nonself, according to Karban’s current research effort. He is finding evidence that a sagebrush plant shows signs of distinguishing its own airborne signals from those of other sagebrushes. A sagebrush plant that sniffed volatiles from wounded neighbors that are genetically identical to it was more resistant to attack than were sagebrush plants exposed to volatiles from genetically different plants, he and a colleague report in the June Ecology Letters. That plants have some powers of self-recognition opens a new arena of comparisons with animals.
Green neuroscience
De Moraes, Metlen and Karban borrow animal terms moderately, but other plant scientists go much further. Anthony Trewavas of the University of Edinburgh freely uses the phrase “plant intelligence.”
For defining intelligence, he says that “a capacity for problem solving is the best descriptor that I have come across, and problem solving is something all organisms have to do.”
Botanists have already borrowed plenty of other originally human terms, such as arms races, foraging, cross talk and vascular system, even though the plant versions rely on mechanisms that are different from the human ones. People comfortably say computers have memory and can even learn. Trewavas is now working on a book on “plant behavior and intelligence.”
In a similar vein, other plant scientists argue for what they call “plant neurobiology.” In a 2006 manifesto introducing the field to readers of Trends in Plant Science, Eric Brenner of the New York Botanical Garden and five colleagues describe their aim as understanding “how plants process the information they obtain from their environment.” They write that, almost a century ago, researchers reported electrical activity in plant tissues as part of the early explorations of electrophysiology in all living things. Also, the major neurotransmitters in animal nervous systems, including acetylcholine, serotonin, GABA and glutamate, occur naturally in plants.
Figuring out what all of this means for plants is drawing researchers’ attention. “The most important thing is that we’re missing something,” Brenner says.
Applying neurobiology terms to plants has sparked debate aplenty. “I see no reason why one can’t simply talk about signal transduction in plants,” objects David G. Robinson of the University of Heidelberg in Germany.
He also argues that even simple animals can be trained to respond to a stimulus, so he challenges plant neurobiologists to train a plant, perhaps to bend toward yellow light or to avoid blue. “My guess is that neither experiment would work,” he says. His final take on plant neurobiology: “Absolute rubbish, rubbish!”
Plant neurobiology isn’t yet attracting many enthusiasts, says Michael J. Hutchings of the University of Sussex in Brighton, England, who adds that he is not a fan. But he says a wide range of plant biologists do think of their subjects as having some capacity to behave.
Failing to use “behavior” language feeds a notion of “plants as really boring,” as Hutchings puts it. For bringing a more dynamic vision of plants into research and teaching, he says, “It’s about time.”
researches for COPENHAGEN ULTRACONTEMPORARY BIENNALE
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a presentation of COPENHAGEN ULTRACONTEMPORARY BIENNALE will be done at the Venice Biennale 2015 ---
check date and place here www.facebook.com/CopenhagenBiennale
COPENHAGEN ULTRACONTEMPORARY BIENNALE
main : copenhagenbiennale.org/
www.facebook.com/CopenhagenBiennale
www.emergencyrooms.org/formats.html
meanwhile during Venice Biennale contemporary art will be shown by
ABBOUD, Jumana Emil .ABDESSEMED, Adel .ABONNENC, Mathieu Kleyebe
ABOUNADDARA.ACHOUR, Boris ADKINS, Terry AFIF, Saâdane
AKERMAN, Chantal AKOMFRAH, John AKPOKIERE, Karo
AL SOLH, Mounira ALGÜN RINGBORG, Meriç ALLORA, Jennifer & CALZADILLA, Guillermo
ATAMAN, Kutlug BAJEVIC, Maja BALLESTEROS, Ernesto
BALOJI, Sammy BARBA, Rosa
BASELITZ, Georg BASUALDO, Eduardo BAUER, Petra
BESHTY, Walead BHABHA, Huma BOLTANSKI, Christian
BONVICINI, Monica BOYCE, Sonia
BOYD, Daniel BREY, Ricardo BROODTHAERS, Marcel BRUGUERA, Tania
BURGA, Teresa CALHOUN, Keith & McCORMICK, Chandra CAO, Fei
CHAMEKH, Nidhal CHERNYSHEVA, Olga CHUNG, Tiffany
COOPERATIVA CRÁTER INVERTIDO CREATIVE TIME SUMMIT
DAMIANI, Elena DELLER, Jeremy DJORDAJDZE, Thea DUMAS, Marlene
E-FLUX JOURNAL EDWARDS, Melvin EFFLATOUN, Inji EHMANN, Antje & FAROCKI, Harun
EICHHORN, Maria EVANS, Walker FAROCKI, Harun FLOYD, Emily
FRIEDL, Peter FUSCO, Coco FUSINATO, Marco
GAINES, Charles GALLAGHER, Ellen GALLARDO, Ana GARCIA, Dora
GATES, Theaster GENZKEN, Isa GLUKLYA GOMES, Sônia GROSSE, Katharina
GULF LABOR GURSKY, Andreas HAACKE, Hans
HADJITHOMAS, Joana & JOREIGE, Khalil HARRY, Newell HASSAN, Kay
HIRSCHHORN, Thomas HÖLLER, Carsten HOLT, Nancy & SMITHSON, Robert
IM, Heung Soon INVISIBLE BORDERS: Trans-African Photographers ISHIDA, Tetsuya
JI, Dachun JULIEN, Isaac K., Hiwa KAMBALU, Samson KIM, Ayoung
KLUGE, Alexander KNGWARREYE, Emily Kame LAGOMARSINO, Runo LEBER, Sonia & CHESWORTH, David
LIGON, Glenn MABUNDA, Gonçalo MADHUSUDHANAN MAHAMA, Ibrahim
MALJKOVIC, David MAN, Victor MANSARAY, Abu Bakarr MARKER, Chris
MARSHALL, Kerry James MARTEN, Helen MAURI, Fabio McQUEEN, Steve
MOHAIEMEN, Naeem MORAN, Jason MÜLLER, Ivana MUNROE, Lavar MURILLO, Oscar
MUTU, Wangechi NAM, Hwayeon NAUMAN, Bruce NDIAYE, Cheikh NICOLAI, Olaf
OFILI, Chris OGBOH, Emeka PARRENO, Philippe PASCALI, Pino PIPER, Adrian
PONIFASIO, Lemi QIU, Zhijie RAISSNIA, Raha RAQS MEDIA COLLECTIVE
(NARULA, Monica; BAGCHI, Jeebesh; SENGUPTA, Shuddhabrata) REYNAUD-DEWAR, Lili
RIDNYI, Mykola ROBERTS, Liisa ROTTENBERG, Mika SCHÖNFELDT, Joachim SELMANI, Massinissa
SENGHOR, Fatou Kand SHETTY, Prasad & GUPTE, Rupal SIBONY, Gedi
SIMMONS, Gary SIMON, Taryn SIMPSON, Lorna SMITHSON, Robert SUBOTZKY, Mikhael
SUHAIL, Mariam SZE, Sarah THE PROPELLER GROUPthe TOMORROW
TIRAVANIJA, Rirkrit TOGUO, Barthélémy XU, Bing YOUNIS, Ala
ALBANIA
Albanian Trilogy: A Series of Devious Stratagems
Armando Lulaj
Commissioner: Ministry of Culture. Curator: Marco Scotini. Deputy Curator: Andris Brinkmanis. Venue: Pavilion at Arsenale
ANDORRA
Inner Landscapes
Roqué, Joan Xandri
Commissioner: Henry Périer. Deputy Commissioner: Joana Baygual, Sebastià Petit, Francesc Rodríguez
Curator: Paolo de Grandis, Josep M. Ubach. Venue: Spiazzi, Castello 3865
ANGOLA
On Ways of Travelling
António Ole, Binelde Hyrcan, Délio Jasse, Francisco Vidal, Nelo Teixeira
Commissioner: Ministry of Culture, Rita Guedes Tavares. Curator: António Ole. Deputy Curator: Antonia Gaeta. Venue: Conservatorio Benedetto Marcello - Palazzo Pisani, San Marco 2810
ARGENTINA
The Uprising of Form
Juan Carlos Diste´fano
Commissioner: Magdalena Faillace. Curator: Mari´a Teresa Constantin. Venue: Pavilion at Arsenale – Sale d’Armi
ARMENIA, Republic of
Armenity / Haiyutioun
Haig Aivazian, Lebanon; Nigol Bezjian, Syria/USA; Anna Boghiguian Egypt/Canada; Hera Büyüktasçiyan, Turkey; Silvina Der-Meguerditchian, Argentina/Germany; Rene Gabri & Ayreen Anastas, Iran/Palestine/USA; Mekhitar Garabedian, Belgium; Aikaterini Gegisian, Greece; Yervant Gianikian & Angela Ricci Lucchi, Italy; Aram Jibilian, USA; Nina Katchadourian, USA/Finland; Melik Ohanian, France; Mikayel Ohanjanyan, Armenia/Italy; Rosana Palazyan, Brazil; Sarkis, Turkey/France; Hrair Sarkissian, Syria/UK
Commissioner: Ministry of Culture of the Republic of Armenia. Deputy Commissioner: Art for the World, Mekhitarist Congregation of San Lazzaro Island, Embassy of the Republic of Armenia in Italy, Vartan Karapetian. Curator: Adelina Cüberyan von Fürstenberg. Venue: Monastery and Island of San Lazzaro degli Armeni
AUSTRALIA
Fiona Hall: Wrong Way Time
Fiona Hall
Commissioner: Simon Mordant AM. Deputy Commissioner: Charles Green. Curator: Linda Michael. Scientific Committee: Simon Mordant AM, Carolyn Christov-Bakargiev, Max Delany, Rachel Kent, Danie Mellor, Suhanya Raffel, Leigh Robb. Venue: Pavilion at Giardini
AUSTRIA
Heimo Zobernig
Commissioner: Yilmaz Dziewior. Curator: Yilmaz Dziewior. Scientific Committee: Friends of the Venice Biennale. Venue: Pavilion at Giardini
AZERBAIJAN, Republic of
Beyond the Line
Ashraf Murad, Javad Mirjavadov, Tofik Javadov, Rasim Babayev, Fazil Najafov, Huseyn Hagverdi, Shamil Najafzada
Commissioner: Heydar Aliyev Foundation. Curators: de Pury de Pury, Emin Mammadov. Venue: Palazzo Lezze, Campo S.Stefano, San Marco 2949
Vita Vitale
Edward Burtynsky, Mircea Cantor, Loris Cecchini, Gordon Cheung, Khalil Chishtee, Tony Cragg, Laura Ford, Noemie Goudal, Siobhán Hapaska, Paul Huxley, IDEA laboratory and Leyla Aliyeva, Chris Jordan with Rebecca Clark and Helena S.Eitel, Tania Kovats, Aida Mahmudova, Sayyora Muin, Jacco Olivier, Julian Opie, Julian Perry, Mike Perry, Bas Princen, Stephanie Quayle, Ugo Rondinone, Graham Stevens, Diana Thater, Andy Warhol, Bill Woodrow, Erwin Wurm, Rose Wylie
Commissioner: Heydar Aliyev Foundation. Curators: Artwise: Susie Allen, Laura Culpan, Dea Vanagan. Venue: Ca’ Garzoni, San Marco 3416
BELARUS, Republic of
War Witness Archive
Konstantin Selikhanov
Commissioner: Natallia Sharanhovich. Deputy Commissioners: Alena Vasileuskaya, Kamilia Yanushkevich. Curators: Aleksei Shinkarenko, Olga Rybchinskaya. Scientific Committee: Dmitry Korol, Daria Amelkovich, Julia Kondratyuk, Sergei Jeihala, Sheena Macfarlane, Yuliya Heisik, Hanna Samarskaya, Taras Kaliahin, Aliaksandr Stasevich. Venue: Riva San Biagio, Castello 2145
BELGIUM
Personnes et les autres
Vincent Meessen and Guests, Mathieu K. Abonnenc, Sammy Baloji, James Beckett, Elisabetta Benassi, Patrick Bernier & Olive Martin, Tamar Guimara~es & Kasper Akhøj, Maryam Jafri, Adam Pendleton
Commissioner: Wallonia-Brussels Federation and Wallonia-Brussels International. Curator: Katerina Gregos. Venue: Pavilion at Giardini
COSTA RICA
"Costa Rica, Paese di pace, invita a un linguaggio universale d'intesa tra i popoli".
Andrea Prandi, Beatrice Gallori, Beth Parin, Biagio Schembari, Carla Castaldo, Celestina Avanzini, Cesare Berlingeri, Erminio Tansini, Fabio Capitanio, Fausto Beretti, Giovan Battista Pedrazzini, Giovanni Lamberti, Giovanni Tenga, Iana Zanoskar, Jim Prescott, Leonardo Beccegato, Liliana Scocco, Lucia Bolzano, Marcela Vicuna, Marco Bellagamba, Marco Lodola, Maria Gioia dell’Aglio, Mario Bernardinello, Massimo Meucci, Nacha Piattini, Omar Ronda, Renzo Eusebi, Tita Patti, Romina Power, Rubens Fogacci, Silvio di Pietro, Stefano Sichel, Tino Stefanoni, Ufemia Ritz, Ugo Borlenghi, Umberto Mariani, Venere Chillemi, Jacqueline Gallicot Madar, Massimo Onnis, Fedora Spinelli
Commissioner: Ileana Ordonez Chacon. Curator: Gregorio Rossi. Venue: Palazzo Bollani
CROATIA
Studies on Shivering: The Third Degree
Damir Ocko
Commissioner: Ministry of Culture. Curator: Marc Bembekoff. Venue: Palazzo Pisani, S. Marina
CUBA
El artista entre la individualidad y el contexto
Lida Abdul, Celia-Yunior, Grethell Rasúa, Giuseppe Stampone, LinYilin, Luis Edgardo Gómez Armenteros, Olga Chernysheva, Susana Pilar Delahante Matienzo
Commissioner: Miria Vicini. Curators: Jorge Fernández Torres, Giacomo Zaza. Venue: San Servolo Island
CYPRUS, Republic of
Two Days After Forever
Christodoulos Panayiotou
Commissioner: Louli Michaelidou. Deputy Commissioner: Angela Skordi. Curator: Omar Kholeif. Deputy Curator: Daniella Rose King. Venue: Palazzo Malipiero, Sestiere San Marco 3079
CZECH Republic and SLOVAK Republic
Apotheosis
Jirí David
Commissioner: Adam Budak. Deputy Commissioner: Barbara Holomkova. Curator: Katarina Rusnakova. Venue: Pavilion at Giardini
ECUADOR
Gold Water: Apocalyptic Black Mirrors
Maria Veronica Leon Veintemilla in collaboration with Lucia Vallarino Peet
Commissioner: Andrea Gonzàlez Sanchez. Deputy Commissioner: PDG Arte Communications. Curator: Ileana Cornea. Deputy Curator: Maria Veronica Leon Veintemilla. Venue: Istituto Santa Maria della Pietà, Castello 3701
ESTONIA
NSFW. From the Abyss of History
Jaanus Samma
Commissioner: Maria Arusoo. Curator: Eugenio Viola. Venue: Palazzo Malipiero, campo San Samuele, San Marco 3199
EGYPT
CAN YOU SEE
Ahmed Abdel Fatah, Gamal Elkheshen, Maher Dawoud
Commissioner: Hany Al Ashkar. Curator: Ministry of Culture. Venue: Pavilion at Giardini
FINLAND (Pavilion Alvar Aalto)
Hours, Years, Aeons
IC-98
Commissioner: Frame Visual Art Finland, Raija Koli. Curator: Taru Elfving. Deputy Curator: Anna Virtanen. Venue: Pavilion at Giardini
FRANCE
revolutions
Céleste Boursier-Mougenot
Commissioner: Institut français, with Ministère de la Culture et de la Communication. Curator: Emma Lavigne. Venue: Pavilion at Giardini
GEORGIA
Crawling Border
Rusudan Gobejishvili Khizanishvili, Irakli Bluishvili, Dimitri Chikvaidze, Joseph Sabia
Commissioner: Ana Riaboshenko. Curator: Nia Mgaloblishvili. Venue: Pavilion at Arsenale – Sale d’Armi
GERMANY
Fabrik
Jasmina Metwaly / Philip Rizk, Olaf Nicolai, Hito Steyerl, Tobias Zielony
Commissioner: ifa (Institut für Auslandsbeziehungen) on behalf of the Federal Foreign Office. Deputy Commissioner: Elke aus dem Moore, Nina Hülsmeier. Curator: Florian Ebner. Deputy Curator: Tanja Milewsky, Ilina Koralova. Venue: Pavilion at Giardini
GREAT BRITAIN
Sarah Lucas
Commissioner: Emma Dexter. Curator: Richard Riley. Deputy Curator: Katrina Schwarz. Venue: Pavilion at Giardini
GRENADA *
Present Nearness
Oliver Benoit, Maria McClafferty, Asher Mains, Francesco Bosso and Carmine Ciccarini, Guiseppe Linardi
Commissioner: Ministry of Culture. Deputy Commissioner: Susan Mains. Curator: Susan Mains. Deputy Curator: Francesco Elisei. Venue: Opera don Orione Artigianelli, Sala Tiziano, Fondamenta delle Zattere ai Gesuati, Dorsoduro 919
GREECE
Why Look at Animals? AGRIMIKÁ.
Maria Papadimitriou
Commissioner: Hellenic Ministry of Culture, Education and Religious Affairs. Curator: Gabi Scardi. Deputy Curator: Alexios Papazacharias. Venue: Pavilion at Giardini
BRAZIL
So much that it doesn't fit here
Antonio Manuel, André Komatsu, Berna Reale
Commissioner: Luis Terepins. Curator: Luiz Camillo Osorio. Deputy Curator: Cauê Alves. Venue: Pavilion at Giardini
CANADA
Canadassimo
BGL
Commissioner: National Gallery of Canada, Marc Mayer. Deputy Commissioner: National Gallery of Canada, Yves Théoret. Curator: Marie Fraser. Venue: Pavilion at Giardini
CHILE
Poéticas de la disidencia | Poetics of dissent: Paz Errázuriz - Lotty Rosenfeld
Paz Errázuriz, Lotty Rosenfeld
Commissioner: Antonio Arèvalo. Deputy Commissioner: Juan Pablo Vergara Undurraga. Curator: Nelly Richard. Venue: Pavilion at Arsenale - Artiglierie
CHINA, People’s Republic of
Other Future
LIU Jiakun, LU Yang, TAN Dun, WEN Hui/Living Dance Studio, WU Wenguang/Caochangdi Work Station
Commissioner: China Arts and Entertainment Group, CAEG. Deputy Commissioners: Zhang Yu, Yan Dong. Curator: Beijing Contemporary Art Foundation. Scientific Committee: Fan Di’an, Zhang Zikang, Zhu Di, Gao Shiming, Zhu Qingsheng, Pu Tong, Shang Hui. Venue: Pavilion at Arsenale – Giardino delle Vergini
GUATEMALA
Sweet Death
Emma Anticoli Borza, Sabrina Bertolelli, Mariadolores Castellanos, Max Leiva, Pier Domenico Magri, Adriana Montalto, Elmar Rojas (Elmar René Rojas Azurdia), Paolo Schmidlin, Mónica Serra, Elsie Wunderlich, Collettivo La Grande Bouffe
Commissioner: Daniele Radini Tedeschi. Curators: Stefania Pieralice, Carlo Marraffa, Elsie Wunderlich. Deputy Curators: Luciano Carini, Simone Pieralice. Venue: Officina delle Zattere, Dorsoduro 947, Fondamenta Nani
HOLY SEE
Commissioner: Em.mo Card. Gianfranco Ravasi, Presidente del Pontificio Consiglio della Cultura. Venue: Pavilion at Arsenale – Sale d’Armi
HUNGARY
Sustainable Identities
Szilárd Cseke
Commissioner: Monika Balatoni. Deputy Commissioner: István Puskás, Sándor Fodor, Anna Karády. Curator: Kinga German. Venue: Pavilion at Giardini
ICELAND
Christoph Büchel
Commissioner: Björg Stefánsdóttir. Curator: Nína Magnúsdóttir. Venue: to be confirmed
INDONESIA, Republic of
Komodo Voyage
Heri Dono
Commissioner: Sapta Nirwandar. Deputy Commissioner: Soedarmadji JH Damais. Curator: Carla Bianpoen, Restu Imansari Kusumaningrum. Scientific Committee: Franco Laera, Asmudjo Jono Irianto, Watie Moerany, Elisabetta di Mambro. Venue: Venue: Arsenale
IRAN
Iranian Highlights
Samira Alikhanzaradeh, Mahmoud Bakhshi Moakhar, Jamshid Bayrami, Mohammed Ehsai
The Great Game
Lida Abdul, Bani Abidi, Adel Abidin, Amin Agheai, Ghodratollah Agheli, Shahriar Ahmadi, Parastou Ahovan, Farhad Ahrarnia, Rashad Alakbarov, Nazgol Ansarinia, Reza Aramesh, Alireza Astaneh, Sonia Balassanian, Mahmoud Bakhshi, Moakhar Wafaa Bilal, Mehdi Farhadian, Monir Farmanfarmaian, Shadi Ghadirian, Babak Golkar, Shilpa Gupta, Ghasem Hajizadeh, Shamsia Hassani, Sahand Hesamiyan, Sitara Ibrahimova, Pouran Jinchi, Amar Kanwar, Babak Kazemi, Ryas Komu, Ahmad Morshedloo, Farhad Moshiri, Mehrdad Mohebali, Huma Mulji, Azad Nanakeli, Jamal Penjweny, Imran Qureshi, Sara Rahbar, Rashid Rana, T.V. Santhosh, Walid Siti, Mohsen Taasha Wahidi, Mitra Tabrizian, Parviz Tanavoli, Newsha Tavakolian, Sadegh Tirafkan, Hema Upadhyay, Saira Wasim
Commissioner: Majid Mollanooruzi. Deputy Commissioners: Marco Meneguzzo, Mazdak Faiznia. Curators: Marco Meneguzzo, Mazdak Faiznia. Venue: Calle San Giovanni 1074/B, Cannaregio
IRAQ
Commissioner: Ruya Foundation for Contemporary Culture in Iraq (RUYA). Deputy Commissioner: Nuova Icona - Associazione Culturale per le Arti. Curator: Philippe Van Cauteren. Venue: Ca' Dandolo, San Polo 2879
IRELAND
Adventure: Capital
Sean Lynch
Commissioner: Mike Fitzpatrick. Curator: Woodrow Kernohan. Venue: Pavilion at Arsenale - Artiglierie
ISRAEL
Tsibi Geva | Archeology of the Present
Tsibi Geva
Commissioner: Arad Turgem, Michael Gov. Curator: Hadas Maor. Venue: Pavilion at Giardini
ITALY
Ministero dei Beni e delle attività culturali e del turismo - Direzione Generale Arte e Architettura Contemporanee e Periferie Urbane. Commissioner: Federica Galloni. Curator: Vincenzo Trione. Venue: Padiglione Italia, Tese delle Vergini at Arsenale
JAPAN
The Key in the Hand
Chiharu Shiota
Commissioner: The Japan Foundation. Deputy Commissioner: Yukihiro Ohira, Manako Kawata and Haruka Nakajima. Curator: Hitoshi Nakano. Venue : Pavilion at Giardini
KENYA
Creating Identities
Yvonne Apiyo Braendle-Amolo, Qin Feng, Shi Jinsong, Armando Tanzini, Li Zhanyang, Lan Zheng Hui, Li Gang, Double Fly Art Center
Commissioner: Paola Poponi. Curator: Sandro Orlandi Stagl. Deputy Curator: Ding Xuefeng. Venue: San Servolo Island
KOREA, Republic of
The Ways of Folding Space & Flying
MOON Kyungwon & JEON Joonho
Commissioner: Sook-Kyung Lee. Curator: Sook-Kyung Lee. Venue: Pavilion at Giardini
KOSOVO, Republic of
Speculating on the blue
Flaka Haliti
Commissioner: Ministry of Culture, Youth and Sports. Curator: Nicolaus Schafhausen. Deputy Curator: Katharina Schendl. Venue: Pavilion at Arsenale - Artiglierie
LATVIA
Armpit
Katrina Neiburga, Andris Eglitis
Commissioner: Solvita Krese (Latvian Centre for Contemporary Art). Deputy Commissioner: Kitija Vasiljeva. Curator: Kaspars Vanags. Venue: Pavilion at Arsenale
LITHUANIA
Museum
Dainius Liškevicius
Commissioner: Vytautas Michelkevicius. Deputy Commissioner: Rasa Antanaviciute. Curator: Vytautas Michelkevicius. Venue: Palazzo Zenobio, Fondamenta del Soccorso 2569, Dorsoduro
LUXEMBOURG, Grand Duchy of
Paradiso Lussemburgo
Filip Markiewicz
Commissioner: Ministry of Culture. Deputy Commissioner: MUDAM Luxembourg. Curator: Paul Ardenne. Venue: Cà Del Duca, Corte del Duca Sforza, San Marco 3052
MACEDONIA, Former Yugoslavian Republic of
We are all in this alone
Hristina Ivanoska and Yane Calovski
Commissioner: Maja Nedelkoska Brzanova, National Gallery of Macedonia. Deputy Commissioner: Olivija Stoilkova. Curator: Basak Senova. Deputy Curator: Maja Cankulovska Mihajlovska. Venue: Pavilion at Arsenale - Sale d’Armi
MAURITIUS *
From One Citizen You Gather an Idea
Sultana Haukim, Nirmal Hurry, Alix Le Juge, Olga Jürgenson, Helge Leiberg, Krishna Luchoomun, Neermala Luckeenarain, Kavinash Thomoo, Bik Van Der Pol, Laure Prouvost, Vitaly Pushnitsky, Römer + Römer
Commissioner: pARTage. Curators: Alfredo Cramerotti, Olga Jürgenson. Venue: Palazzo Flangini - Canareggio 252
MEXICO
Possesing Nature
Tania Candiani, Luis Felipe Ortega
Commissioner: Tomaso Radaelli. Deputy Commissioner: Magdalena Zavala Bonachea. Curator: Karla Jasso. Venue: Pavilion at Arsenale – Sale d’Armi
MONGOLIA *
Other Home
Enkhbold Togmidshiirev, Unen Enkh
Commissioner: Gantuya Badamgarav, MCASA. Curator: Uranchimeg Tsultemin. Scientific Committee: David A Ross, Boldbaatar Chultemin. Venue: European Cultural Centre - Palazzo Mora
MONTENEGRO
,,Ti ricordi Sjecaš li se You Remember "
Aleksandar Duravcevic
Commissioner/Curator: Anastazija Miranovic. Deputy Commissioner: Danica Bogojevic. Venue: Palazzo Malipiero (piano terra), San Marco 3078-3079/A, Ramo Malipiero
MOZAMBIQUE, Republic of *
Theme: Coexistence of Tradition and Modernity in Contemporary Mozambique
Mozambique Artists
Commissioner: Joel Matias Libombo. Deputy Commissioner: Gilberto Paulino Cossa. Curator: Comissariado-Geral para a Expo Milano 2015. Venue: Pavilion at Arsenale
NETHERLANDS, The
herman de vries - to be all ways to be
herman de vries
Commissioner: Mondriaan Fund. Curators: Colin Huizing, Cees de Boer. Venue: Pavilion ar Giardini
NEW ZEALAND
Secret Power
Simon Denny
Commissioner: Heather Galbraith. Curator: Robert Leonard. Venue: Biblioteca Nazionale Marciana, Marco Polo Airport
NORDIC PAVILION (NORWAY)
Camille Norment
Commissioner: OCA, Office for Contemporary Art Norway. Curator: Katya García-Antón. Deputy Curator: Antonio Cataldo. Venue: Pavilion at Giardini
PERU
Misplaced Ruins
Gilda Mantilla and Raimond Chaves
Commissioner: Armando Andrade de Lucio. Curator: Max Hernández-Calvo. Venue: Pavilion at Arsenale – Sale d’Armi
PHILIPPINES
Tie a String Around the World
Manuel Conde, Carlos Francisco, Manny Montelibano, Jose Tence Ruiz
Commissioner: National Commission for Culture and the Arts (NCCA), Felipe M. de Leon Jr. Curator: Patrick D. Flores. Venue: European Cultural Centre - Palazzo Mora
POLAND
Halka/Haiti. 18°48’05”N 72°23’01”W
C.T. Jasper, Joanna Malinowska
Commissioner: Hanna Wróblewska. Deputy Commissioner: Joanna Wasko. Curator: Magdalena Moskalewicz. Venue: Pavilion at Giardini
PORTUGAL
I Will Be Your Mirror / poems and problems
João Louro
Commissioner/Curator: María de Corral. Venue: Palazzo Loredan, campo S. Stefano
ROMANIA
Adrian Ghenie: Darwin’s Room
Adrian Ghenie
Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Mihai Pop. Venue: Pavilion at Giardini
Inventing the Truth. On Fiction and Reality
Michele Bressan, Carmen Dobre-Hametner, Alex Mirutziu, Lea Rasovszky, Stefan Sava, Larisa Sitar
Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Diana Marincu. Deputy Curators: Ephemair Association (Suzana Dan and Silvia Rogozea). Venue: New Gallery of the Romanian Institute for Culture and Humanistic Research in Venice
RUSSIA
The Green Pavilion
Irina Nakhova
Commissioner: Stella Kesaeva. Curator: Margarita Tupitsyn. Venue: Pavilion at Giardini
SERBIA
United Dead Nations
Ivan Grubanov
Commissioner: Lidija Merenik. Deputy Commissioner: Ana Bogdanovic. Curator: Lidija Merenik. Deputy Curator: Ana Bogdanovic. Scientific Committee: Jovan Despotovic. Venue: Pavilion at Giardini
SAN MARINO
Repubblica di San Marino “ Friendship Project “ China
Xu De Qi, Liu Dawei, Liu Ruo Wang, Ma Yuan, Li Lei, Zhang Hong Mei, Eleonora Mazza, Giuliano Giulianelli, Giancarlo Frisoni, Tony Margiotta, Elisa Monaldi, Valentina Pazzini
Commissioner: Istituti Culturali della Repubblica di San Marino. Curator: Vincenzo Sanfo. Venue: TBC
SEYCHELLES, Republic of *
A Clockwork Sunset
George Camille, Léon Wilma Loïs Radegonde
Commissioner: Seychelles Art Projects Foundation. Curators: Sarah J. McDonald, Victor Schaub Wong. Venue: European Cultural Centre - Palazzo Mora
SINGAPORE
Sea State
Charles Lim Yi Yong
Commissioner: Paul Tan, National Arts Council, Singapore. Curator: Shabbir Hussain Mustafa. Scientific Committee: Eugene Tan, Kathy Lai, Ahmad Bin Mashadi, June Yap, Emi Eu, Susie Lingham, Charles Merewether, Randy Chan. Venue: Pavilion at Arsenale – Sale d’Armi
SLOVENIA, Republic of
UTTER / The violent necessity for the embodied presence of hope
JAŠA
Commissioner: Simona Vidmar. Deputy Commissioner: Jure Kirbiš. Curators: Michele Drascek and Aurora Fonda. Venue: Pavilion at Arsenale - Artiglierie
SPAIN
Los Sujetos (The Subjects)
Pepo Salazar, Cabello/Carceller, Francesc Ruiz, + Salvador Dalí
Commissioner: Ministerio Asuntos Exteriores. Gobierno de España. Curator: Marti Manen. Venue: Pavilion at Giardini
SYRIAN ARAB REPUBLIC
Origini della civiltà
Narine Ali, Ehsan Alar, Felipe Cardeña, Fouad Dahdouh, Aldo Damioli, Svitlana Grebenyuk, Mauro Reggio, Liu Shuishi, Nass ouh Zaghlouleh, Andrea Zucchi, Helidon Xhixha
Commissioner: Christian Maretti. Curator: Duccio Trombadori. Venue: Redentore – Giudecca, San Servolo Island
SWEDEN
Excavation of the Image: Imprint, Shadow, Spectre, Thought
Lina Selander
Commissioner: Ann-Sofi Noring. Curator: Lena Essling. Venue: Pavilion at Arsenale
SWITZERLAND
Our Product
Pamela Rosenkranz
Commissioner: Swiss Arts Council Pro Helvetia, Sandi Paucic and Marianne Burki. Deputy-Commissioner: Swiss Arts Council Pro Helvetia, Rachele Giudici Legittimo. Curator: Susanne Pfeffer. Venue: Pavilion at Giardini
THAILAND
Earth, Air, Fire & Water
Kamol Tassananchalee
Commissioner: Chai Nakhonchai, Office of Contemporary Art and Culture (OCAC), Ministry of Culture. Curator: Richard David Garst. Deputy Curator: Pongdej Chaiyakut. Venue: Paradiso Gallerie, Giardini della Biennale, Castello 1260
TURKEY
Respiro
Sarkis
Commissioner: Istanbul Foundation for Culture and Arts. Curator: Defne Ayas. Deputy Curator: Ozge Ersoy. Venue: Pavilion at Arsenale – Sale d’Armi
TUVALU
Crossing the Tide
Vincent J.F. Huang
Commissioner: Taukelina Finikaso. Deputy Commissioner: Temate Melitiana. Curator: Thomas J. Berghuis. Scientific Committee: Andrea Bonifacio. Venue: Pavilion at Arsenale
UKRAINE
Hope!
Yevgenia Belorusets, Nikita Kadan, Zhanna Kadyrova, Mykola Ridnyi & SerhiyZhadan, Anna Zvyagintseva, Open Group, Artem Volokitin
Commissioner: Ministry of Culture. Curator: Björn Geldhof. Venue: Riva dei Sette Martiri
UNITED ARAB EMIRATES
1980 – Today: Exhibitions in the United Arab Emirates
Abdullah Al Saadi, Abdul Qader Al Rais, Abdulraheem Salim, Abdulrahman Zainal, Ahmed Al Ansari, Ahmed Sharif, Hassan Sharif, Mohamed Yousif, Mohammed Abdullah Bulhiah, Mohammed Al Qassab, Mohammed Kazem, Moosa Al Halyan, Najat Meky, Obaid Suroor, Salem Jawhar
Commissioner: Salama bint Hamdan Al Nahyan Foundation. Curator: Hoor Al Qasimi. Venue: Pavilion at Arsenale – Sale d'Armi
UNITED STATES OF AMERICA
Joan Jonas: They Come to Us Without a Word
Joan Jonas
Commissioner: Paul C. Ha. Deputy Commissioner: MIT List Visual Arts Center. Curators: Ute Meta Bauer, Paul C. Ha. Venue: Pavilion at Giardini
URUGUAY
Global Myopia II (Pencil & Paper)
Marco Maggi
Commissioner: Ricardo Pascale. Curator: Patricia Bentancour. Venue: Pavilion at Giardini
VENEZUELA, Bolivarian Republic of
Te doy mi palabra (I give you my word)
Argelia Bravo, Félix Molina (Flix)
Commissioner: Oscar Sotillo Meneses. Deputy Commissioner: Reinaldo Landaeta Díaz. Curator: Oscar Sotillo Meneses. Deputy Curator: Morella Jurado. Scientific Committee: Carlos Pou Ruan. Venue: Pavilion at Giardini
ZIMBABWE, Republic of
Pixels of Ubuntu/Unhu: - Exploring the social and cultural identities of the 21st century.
Chikonzero Chazunguza, Masimba Hwati, Gareth Nyandoro
Commissioner: Doreen Sibanda. Curator: Raphael Chikukwa. Deputy Curator: Tafadzwa Gwetai. Scientific Committee: Saki Mafundikwa, Biggie Samwanda, Fabian Kangai, Reverend Paul Damasane, Nontsikelelo Mutiti, Stephen Garan'anga, Dominic Benhura. Venue: Santa Maria della Pieta
ITALO-LATIN AMERICAN INSTITUTE
Voces Indígenas
Commissioner: Sylvia Irrazábal. Curator: Alfons Hug. Deputy Curator: Alberto Saraiva. Venue: Pavilion at Arsenale
ARGENTINA
Sofia Medici and Laura Kalauz
PLURINATIONAL STATE OF BOLIVIA
Sonia Falcone and José Laura Yapita
BRAZIL
Adriana Barreto
Paulo Nazareth
CHILE
Rainer Krause
COLOMBIA
León David Cobo,
María Cristina Rincón and Claudia Rodríguez
COSTA RICA
Priscilla Monge
ECUADOR
Fabiano Kueva
EL SALVADOR
Mauricio Kabistan
GUATEMALA
Sandra Monterroso
HAITI
Barbara Prézeau Stephenson
HONDURAS
Leonardo González
PANAMA
Humberto Vélez
NICARAGUA
Raúl Quintanilla
PARAGUAY
Erika Meza
Javier López
PERU
José Huamán Turpo
URUGUAY
Gustavo Tabares
Ellen Slegers
001 Inverso Mundus. AES+F
Magazzino del Sale n. 5, Dorsoduro, 265 (Fondamenta delle Zattere ai Saloni); Palazzo Nani Mocenigo, Dorsoduro, 960
May 9th – October 31st
Organization: VITRARIA Glass + A Museum
Catalonia in Venice: Singularity
Cantieri Navali, Castello, 40 (Calle Quintavalle)
May 9th - November 22nd
Organization: Institut Ramon Llull
Conversion. Recycle Group
Chiesa di Sant’Antonin, Castello (Campo Sant’Antonin)
May 6th - October 31st
Organization: Moscow Museum of Modern Art
Dansaekhwa
Palazzo Contarini-Polignac, Dorsoduro, 874 (Accademia)
May 7th – August 15th
Organization: The Boghossian Foundation
Dispossession
Palazzo Donà Brusa, Campo San Polo, 2177
May 9th - November 22nd
Organization: European Capital of Culture Wroclaw 2016
EM15 presents Doug Fishbone’s Leisure Land Golf
Arsenale Docks, Castello, 40A, 40B, 41C
May 6th - July 26th
Organization: EM15
Eredità e Sperimentazione
Grand Hotel Hungaria & Ausonia, Viale Santa Maria Elisabetta, 28, Lido di Venezia
May 9th - November 22nd
Organization: Istituto Nazionale di BioArchitettura - Sezione di Padova
Frontiers Reimagined
Palazzo Grimani, Castello, 4858 (Ramo Grimani)
May 9th - November 22nd
Organization: Tagore Foundation International; Polo museale del Veneto
Glasstress 2015 Gotika
Istituto Veneto di Scienze Lettere ed Arti, Palazzo Cavalli Franchetti, San Marco, 2847 (Campo Santo Stefano); Chiesa di Santa Maria della Visitazione, Centro Culturale Don Orione Artigianelli, Dorsoduro, 919 (Zattere); Fondazione Berengo, Campiello della Pescheria, 15, Murano;
May 9th — November 22nd
Organization: The State Hermitage Museum
Graham Fagen: Scotland + Venice 2015
Palazzo Fontana, Cannaregio, 3829 (Strada Nova)
May 9th - November 22nd
Organization: Scotland + Venice
Grisha Bruskin. An Archaeologist’s Collection
Former Chiesa di Santa Caterina, Cannaregio, 4941-4942
May 6th – November 22nd
Organization: Centro Studi sulle Arti della Russia (CSAR), Università Ca’ Foscari Venezia
Helen Sear, ... The Rest Is Smoke
Santa Maria Ausiliatrice, Castello, 450 (Fondamenta San Gioacchin)
May 9th - November 22nd
Organization: Cymru yn Fenis/Wales in Venice
Highway to Hell
Palazzo Michiel, Cannaregio, 4391/A (Strada Nova)
May 9th - November 22nd
Organization: Hubei Museum of Art
Humanistic Nature and Society (Shan-Shui) – An Insight into the Future
Palazzo Faccanon, San Marco, 5016 (Mercerie)
May 7th – August 4th
Organization: Shanghai Himalayas Museum
In the Eye of the Thunderstorm: Effervescent Practices from the Arab World & South Asia
Dorsoduro, 417 (Zattere)
May 6th - November 15th
Organization: ArsCulture
Italia Docet | Laboratorium- Artists, Participants, Testimonials and Activated Spectators
Palazzo Barbarigo Minotto, San Marco, 2504 (Fondamenta Duodo o Barbarigo)
May 9th – June 30th; September 11st – October 31st
Organization: Italian Art Motherboard Foundation (i-AM Foundation)
www.venicebiennale-italiadocet.org
Jaume Plensa: Together
Basilica di San Giorgio Maggiore, Isola di San Giorgio Maggiore
May 6th – November 22nd
Organization: Abbazia di San Giorgio Maggiore Benedicti Claustra Onlus
Jenny Holzer "War Paintings"
Museo Correr, San Marco, 52 (Piazza San Marco)
May 6th – November 22nd
Organization: The Written Art Foundation; Museo Correr, Fondazione Musei Civici di Venezia
correr.visitmuve.it
Jump into the Unknown
Palazzo Loredan dell’Ambasciatore, Dorsoduro, 1261-1262
May 9th – June 18th
Organization: Nine Dragon Heads
9dh-venice.com
Learn from Masters
Palazzo Bembo, San Marco, 4793 (Riva del Carbon)
May 9th – November 22nd
Organization: Pan Tianshou Foundation
pantianshou.caa.edu.cn/foundation_en
My East is Your West
Palazzo Benzon, San Marco, 3927
May 6th – October 31st
Organization: The Gujral Foundation
Ornamentalism. The Purvitis Prize
Arsenale Nord, Tesa 99
May 9th – November 22nd
Organization: The Secretariat of the Latvian Presidency of the Council of the European Union in 2015
www.purvisabalva.lv/en/ornamentalism
Path and Adventure
Arsenale, Castello, 2126/A (Campo della Tana)
May 9th – November 22nd
Organization: The Civic and Municipal Affairs Bureau; The Macao Museum of Art; The Cultural Affairs Bureau
Patricia Cronin: Shrine for Girls, Venice
Chiesa di San Gallo, San Marco, 1103 (Campo San Gallo)
May 9th – November 22nd
Organization: Brooklyn Rail Curatorial Projects
curatorialprojects.brooklynrail.org
Roberto Sebastian Matta. Sculture
Giardino di Palazzo Soranzo Cappello, Soprintendenza BAP per le Province di Venezia, Belluno, Padova e Treviso, Santa Croce, 770 (Fondamenta Rio Marin)
May 9th – November 22nd
Organization: Fondazione Echaurren Salaris
www.fondazioneechaurrensalaris.it
www.maggioregam.com/56Biennale_Matta
Salon Suisse: S.O.S. Dada - The World Is A Mess
Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)
May 9th; June 4th - 6th; September 10th - 12th; October 15th - 17th; November 19th – 21st
Organization: Swiss Arts Council Pro Helvetia
Sean Scully: Land Sea
Palazzo Falier, San Marco, 2906
May 9th – November 22nd
Organization: Fondazione Volume!
Sepphoris. Alessandro Valeri
Molino Stucky, interior atrium, Giudecca, 812
May 9th – November 22nd
Organization: Assessorato alla Cultura del Comune di Narni(TR); a Sidereal Space of Art; Satellite Berlin
Tesla Revisited
Palazzo Nani Mocenigo, Dorsoduro, 960
May 9th – October 18th
Organization: VITRARIA Glass + A Museum
The Bridges of Graffiti
Arterminal c/o Terminal San Basilio, Dorsoduro (Fondamenta Zattere al Ponte Lungo)
May 9th - November 22nd
Organization: Associazione Culturale Inossidabile
The Dialogue of Fire. Ceramic and Glass Masters from Barcelona to Venice
Palazzo Tiepolo Passi, San Polo, 2774
May 6th - November 22nd
Organization: Fundaciò Artigas; ArsCulture
The Question of Beings
Istituto Santa Maria della Pietà, Castello, 3701
May 9th - November 22nd
Organization: Museum of Contemporary Art, Taipei (MoCA, Taipei)
The Revenge of the Common Place
Università Ca' Foscari, Ca' Bernardo, Dorsoduro, 3199 (Calle Bernardo)
May 9th – September 30th
Organization: Vrije Universiteit Brussel (Free University Brussels-VUB)
The Silver Lining. Contemporary Art from Liechtenstein and other Microstates
Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)
October 24th – November 1st
Organization: Kunstmuseum Liechtenstein
The Sound of Creation. Paintings + Music by Beezy Bailey and Brian Eno
Conservatorio Benedetto Marcello, Palazzo Pisani, San Marco, 2810 (Campo Santo Stefano)
May 7th - November 22nd
Organization: ArsCulture
The Union of Fire and Water
Palazzo Barbaro, San Marco, 2840
May 9th - November 22nd
Organization: YARAT Contemporary Art Organisation
Thirty Light Years - Theatre of Chinese Art
Palazzo Rossini, San Marco, 4013 (Campo Manin)
May 9th - November 22nd
Organization: GAC Global Art Center Foundation; The Guangdong Museum of Art
Tsang Kin-Wah: The Infinite Nothing, Hong Kong in Venice
Arsenale, Castello, 2126 (Campo della Tana)
May 9th - November 22nd
Organization: M+, West Kowloon Cultural District; Hong Kong Arts Development Council
Under the Surface, Newfoundland and Labrador at Venice
Galleria Ca' Rezzonico, Dorsoduro, 2793
May 9th - November 22nd
Organization: Terra Nova Art Foundation
Ursula von Rydingsvard
Giardino della Marinaressa, Castello (Riva dei Sette Martiri)
May 6th - November 22nd
Organization:Yorkshire Sculpture Park
We Must Risk Delight: Twenty Artists from Los Angeles
Magazzino del Sale n. 3, Dorsoduro, 264 (Zattere)
May 7th - November 22nd
Organization: bardoLA
Wu Tien-Chang: Never Say Goodbye
Palazzo delle Prigioni, Castello, 4209 (San Marco)
May 9th - November 22nd
Organization: Taipei Fine Arts Museum of Taiwan
Xanadu
Istituto Santa Maria della Pietà, Castello, 3701
May 9th - November 22nd
Organization: Dream Amsterdam Foundation
Universities and Associations that have joined the project
Sotheby’s Institute of Art, London / St Lucas University College of Art & Design, Antwerp / University of Washington - College of Arts & Sciences, Seattle / Iowa State University - College of Design, Ames / Universität für angewandte Kunst, Vienna
Venice International University / Università Ca’ Foscari, Venezia / Università Ca’ Foscari, Venezia - Dipartimento di Filosofia e Beni Culturali / Università IUAV di Venezia / Università Commerciale Luigi Bocconi, Milano - Dipartimento di Marketing / Accademia di Belle Arti di Brera, Milano - Ufficio Relazioni Internazionali. Erasmus Office / Politecnico di Milano - Scuola del Design. Laurea in Design degli Interni / Università di Roma Sapienza - Facoltà di Architettura / Associazione Cinemavvenire, Roma / Università per Stranieri di Perugia / Università per Stranieri di Siena
Central Pavilion at the Giardini (3,000 sq.m.) to the Arsenale
Bice Curiger Massimiliano Gioni
A Parliament for a Biennale
Paolo Baratta, President of la Biennale di Venezia
Okwui Enwezor the ARENA Karl Marx’s Das Kapital
Theaster Gates Chris Rehberger Joseph Haydn Cesare Paveset David Adjaye Olaf Nicolai Joana Hadjithomas and Khalil Joreige Marsilio Editori. emergency cinema.” Abounaddara
Mathieu KleyebeCharles Gaines’Jeremy Deller Jason Moran , venedig biennale biennial
other Biennale :(Biennials ) :
Venice Biennial , Documenta Havana Biennial,Istanbul Biennial ( Istanbuli),Biennale de Lyon ,Dak'Art Berlin Biennial,Mercosul Visual Arts Biennial ,Bienal do Mercosul Porto Alegre.,Berlin Biennial ,Echigo-Tsumari Triennial .Yokohama Triennial Aichi Triennale,manifesta ,Copenhagen Biennale,Aichi Triennale
Yokohama Triennial,Echigo-Tsumari Triennial.Sharjah Biennial ,Biennale of Sydney, Liverpool , São Paulo Biennial ; Athens Biennale , Bienal do Mercosul ,Göteborg International Biennial for Contemporary Art
Source: en.wikipedia.org/wiki/St._Louis
St. Louis is an independent city and inland port in the U.S. state of Missouri. It is situated along the western bank of the Mississippi River, which marks Missouri's border with Illinois. The Missouri River merges with the Mississippi River just north of the city. These two rivers combined form the fourth longest river system in the world. The city had an estimated 2017 population of 308,626 and is the cultural and economic center of the St. Louis metropolitan area (home to nearly 3,000,000 people), which is the largest metropolitan area in Missouri, the second-largest in Illinois (after Chicago), and the 22nd-largest in the United States.
Before European settlement, the area was a regional center of Native American Mississippian culture. The city of St. Louis was founded in 1764 by French fur traders Pierre Laclède and Auguste Chouteau, and named after Louis IX of France. In 1764, following France's defeat in the Seven Years' War, the area was ceded to Spain and retroceded back to France in 1800. In 1803, the United States acquired the territory as part of the Louisiana Purchase. During the 19th century, St. Louis became a major port on the Mississippi River; at the time of the 1870 Census it was the fourth-largest city in the country. It separated from St. Louis County in 1877, becoming an independent city and limiting its own political boundaries. In 1904, it hosted the Louisiana Purchase Exposition and the Summer Olympics.
The economy of metropolitan St. Louis relies on service, manufacturing, trade, transportation of goods, and tourism. Its metro area is home to major corporations, including Anheuser-Busch, Express Scripts, Centene, Boeing Defense, Emerson, Energizer, Panera, Enterprise, Peabody Energy, Ameren, Post Holdings, Monsanto, Edward Jones, Go Jet, Purina and Sigma-Aldrich. Nine of the ten Fortune 500 companies based in Missouri are located within the St. Louis metropolitan area. The city has also become known for its growing medical, pharmaceutical, and research presence due to institutions such as Washington University in St. Louis and Barnes-Jewish Hospital. St. Louis has two professional sports teams: the St. Louis Cardinals of Major League Baseball and the St. Louis Blues of the National Hockey League. One of the city's iconic sights is the 630-foot (192 m) tall Gateway Arch in the downtown area.
Source: en.wikipedia.org/wiki/Busch_Stadium
Busch Stadium, also referred to informally as "New Busch Stadium" or "Busch Stadium III", is a baseball park located in St. Louis, Missouri, the home of the St. Louis Cardinals, the city's Major League Baseball (MLB) franchise. The stadium has a seating capacity of 44,494, and contains 3,706 club seats and 61 luxury suites. It replaced Busch Memorial Stadium (aka Busch Stadium II) and occupies a portion of that stadium's former footprint. A commercial area, dubbed Ballpark Village, was built adjacent to the stadium over the remainder of the former stadium's footprint.
The stadium opened on April 4, 2006 with an exhibition between the minor league Memphis Redbirds and Springfield Cardinals, both affiliates of the St. Louis Cardinals, which Springfield won 5-3 with right-hander Mike Parisi recording the first win. The first official major league game occurred on April 10, 2006 as the Cardinals defeated the Milwaukee Brewers 6–4 behind an Albert Pujols home run and winning pitcher Mark Mulder.
The highest attendance for a sports event other than baseball was on May 23, 2013, when 48,263 people watched Chelsea Football Club and Manchester City Football Club play a friendly match. To date, the largest attendance for a baseball game occurred Mothers Day May 12th, 2019 with an attendance of 48,556 in a game between the Cardinals and the Pittsburgh Pirates.
In 2004, then Anheuser-Busch president August Busch IV announced the brewing-giant purchased the 20-year naming rights for the stadium. Team owner William Dewitt, Jr., said: "From the day we began planning for the new ballpark, we wanted to keep the name ‘Busch Stadium.' August Busch IV and Anheuser-Busch share our vision for continuing that tradition for our great fans and the entire St. Louis community."
The stadium is the third stadium in St. Louis to carry the name Busch Stadium. Sportsman's Park was renamed Busch Stadium in 1953. Team owner August Busch Jr. had planned to name it Budweiser Stadium, but league rules prohibited naming a venue after an alcoholic beverage. Busch named the stadium after himself and later created Busch Beer. The first Busch Stadium closed in 1966 and both the baseball Cardinals, and the National Football League (NFL)'s team of the same name (now the Arizona Cardinals) moved to a new multi-purpose stadium, named Busch Memorial Stadium.
www.1001gardens.org/2016/05/3-ways-propagate-sansevierias...
I love Sansevierias, and I know I say that about a lot of plants but these spiky numbers have a place in my heart. I grow them in the garden and my house in both pots and the ground. They have quite a few common names so you may know them as Snake Plants, Mother In Law Tongue, Snake’s Tongue, Bowstring Hemp Plant and Devil’s Tongue. Whatever you choose to call it, just know that they’re so very easy to propagate. Today I want to share with you not one but three ways to do it.
Sansevierias grow from rhizomes which eventually root, and in my garden, they like to travel like crazy. You can also grow them from seed (if you can find it) but it’s not nearly as easy to do, or as fast as these other methods. Even though these plants are native to the subtropics and the tropics, they thrive in our dry homes which lack that humidity. They make one mighty fine houseplant!
This is you need for successful Sansevieria propagation:
Soil: A nice light medium which drains well is an idea. I always use an organic succulent & cactus mix, but a good potting soil will do too.
Light: Make sure it’s bright but just know that direct, hot sun is not good.
Water: You don’t want to keep your cuttings or divided plants wet because they will rot out. So, lightly moist but not wet is the ticket. Propagation is best done indoors or on a covered porch so rain won’t mush them out either.
Timing: Propagation is best done in spring but summer & fall are fine too. Just avoid doing it in winter when the plants are resting.
Here are the methods:
By The Rhizomes Which Spread
As you can see in the picture, the single Sansevieria plant in the foreground is creeping through my garden. It’s attached to the mother plant in the back by that “whiteish-grey” rhizome, and there’s another smaller plant forming to the right of it. By the way, I often call them rhizomatic roots, but a rhizome is a modified stem which grows under or very close to the ground. There, I stand corrected … by myself!
What I do is cut them off very close to the plant itself & then let the rhizome heal off for 2-3 days before I plant it. Sometimes the rhizome will have roots already formed & sometimes they’re just starting to bulge out. Use a knife or pruners to do this – just make sure whatever you’re using is clean and sharp.
I took these out of my garden which you’ll see in the video at youtu.be/2vqXzY1VnFw . The cut rhizome is in the foreground. The plant on the left only has roots starting to swell at the bottom whereas the one on the right has roots already formed. These two were growing side by side, but you never know with plants!
By Division
This is the plant in the video (youtu.be/2vqXzY1VnFw) which I dug up and divided. It fell into pieces on it’s own but I’ve divided Sansevierias which have given me a much harder time. For those, I used a clean trowel, knife, pruners and/or a hand fork. How many plants you get of course depends on the size of the one that you’re dividing.
By the way, Sansevierias love to be pot bound so don’t rush to divide it.
By Leaf Cuttings
For some reason, we missed a picture of this one but you can clearly see it in the video (youtu.be/2vqXzY1VnFw). This isn’t my preferred method of propagation, but it’s worth a mention. It’s not as easy, fast or successful as the other two mentioned above. It’s best done on the Sansevierias with solid leaf color because any variation (especially those margins) will be lost.
If you’re game to try it, once again make sure your knife is very clean and sharp. It’s also very important to plant those cut leaf sections in the direction that the leaf has been growing. You’ll see clearly see what I mean and the trick I use to make sure the proper end is planted in the video. If you don’t plant the right end, it won’t grow. By the way, it’s best to let the leaf sections heal off for a couple of days before you plant them.
The plant was so heavy & the soil so light that I have to use a stake to get it to stay up straight!
Whatever method of propagation you choose, having more Sansevierias is a very good thing. I am moving to a new home soon and can’t wait to get much more varieties of Snake Plants. They’re so easy to care for that there’s never too many!
Happy gardening,
Nell
www.magazinetoday.org/register-76/
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This is a graph showing the distribution of the 255,000+ cables included in the #cablegate release.
I rendered this out to give me a better idea of the time-wise distribution of the cables in the database. Even though there are scattered cables that occur as early as 1966, the vast majority of cables begin around 2004.
Sources (typically embassies and consulates) are sorted into columns right to left. Time is on the vertical axis, running from 1966 at the top to 2010 at the bottom.
As you can see, the vast majority of cable activity (at least in the releases) occurs well after 9/11 (the red line).
There are some notable sources which show increased activity before 9/11 (for example the embassy in Harare), but most sources increase after that event - typically starting around 2004 or 2005.
This bottom-heavy distribution was not what I expected when I started pursuing the idea I had for animated comparisons of terms over time - and forces me to reconsider the feasibility of that approach (though it could simply mean using a shorter time period for focus).
Rapport présenté à la Chambre de commerce de Lyon par la Commission administrative
Lyon :A. Rey,1885-
de.wikipedia.org/wiki/Schw%C3%A4ne
Der Schwan als Lebensmittel
Durch den seit Jahrhunderten bestehenden Schutz des Schwanes gibt es nur wenige gegenwärtige Erfahrungen mit deren Verzehr. Aus den Carmina Burana des 11. bis 13. Jahrhunderts ist, nicht zuletzt wegen der gleichnamigen Vertonung von Carl Orff, ein Lied über einen am Spieß gebratenen Schwan bekannt (Cignus ustus cantat: „Olim lacus colueram“). In England standen Schwäne neben Pfauen und Reihern auf königlichen Speiseplänen. Es wird berichtet, dass der englische König Heinrich III. 1251 für sein Weihnachtsbankett 125 Schwäne benötigte. Aus vergangenen Jahrhunderten sind Rezepte für beispielsweise „Gebackenen Schwan“ überliefert. Das zunehmende Verschwinden von Schwänen von Hofmenüs erfolgte zeitgleich mit dem Auftauchen des Truthahns in Europa nach der Entdeckung Amerikas.
Dieser Tage wird häufig berichtet, Schwan sei zäh, schmecke schlammig und fischig. Auf der anderen Seite hält Sir Peter Maxwell Davies, seit 2004 Königlicher Musikmeister, mit Bein und Brustfleisch von abgehangenen Tieren zubereitete Schwanenterrine für „delikat“. Er sagte, das Fleisch sei dunkel mit starkem Geschmack, der an Fasan und auch etwas an Wildbret erinnere. Im Zusammenhang mit dem Verzehr von Schwanenfleisch wird angeraten, das Fleisch für vier Tage abzuhängen, da Bakterien in dieser Zeit das Fleisch zarter machen und den Geschmack verbessern.
Manche Juden und Christen interpretieren eine Textstelle in Leviticus (Lev 11,17 LUT) in dem Sinne, dass sie auf den Verzehr von Schwänen zu verzichten haben.
Those who profit from weapons sales have a vested interest in fostering conflict around the globe.
Control Arms is calling for a global, legally binding Arms Trade Treaty to stop weapons being used to fuel conflict, poverty and human rights abuses. The campaign is run jointly by International Action Network on Small Arms, Amnesty International, and Oxfam International.
And..
Source: en.wikipedia.org/wiki/Arizona
Arizona is a state in the Southwestern region of the United States, sharing the Four Corners region of the western United States with Colorado, New Mexico, and Utah. Its other neighboring states are Nevada to the northwest and California to the west. It also shares an international border with the Mexican states of Sonora and Baja California to the south and southwest. It is the 6th-largest and the 14th-most-populous of the 50 states. Its capital and largest city is Phoenix, which is the most populous state capital in the United States.
Arizona is the 48th state and last of the contiguous states to be admitted to the Union, achieving statehood on February 14, 1912. Historically part of the territory of Alta California and Nuevo México in New Spain, it became part of independent Mexico in 1821. After being defeated in the Mexican–American War, Mexico ceded much of this territory to the United States in 1848, where the area became part of the territory of New Mexico. The southernmost portion of the state was acquired in 1853 through the Gadsden Purchase.
Southern Arizona is known for its desert climate, with extremely hot summers and mild winters. Northern Arizona features forests of pine, Douglas fir, and spruce trees; the Colorado Plateau; mountain ranges (such as the San Francisco Mountains); as well as large, deep canyons, with much more moderate summer temperatures and significant winter snowfalls. There are ski resorts in the areas of Flagstaff, Sunrise, and Tucson. In addition to the internationally known Grand Canyon National Park, which is one of the world's seven natural wonders, there are several national forests, national parks, and national monuments.
Arizona is home to a diverse population. About one-quarter of the state is made up of Indian reservations that serve as the home of 27 federally recognized Native American tribes, including the Navajo Nation, the largest in the state and the country, with more than 300,000 citizens. Since the 1980s, the proportion of Hispanics has grown significantly owing to migration from Mexico and Central America. A substantial portion of the population are followers of the Roman Catholic Church and the Church of Jesus Christ of Latter-day Saints. Arizona's population and economy have grown dramatically since the 1950s because of inward migration, and the state is now a major hub of the Sun Belt. Cities such as Phoenix and Tucson have developed large, sprawling suburban areas. Many large companies, such as PetSmart and Circle K, have headquarters in the state, and Arizona is home to major universities, including the University of Arizona, Arizona State University, and Northern Arizona University. The state is known for a history of conservative politicians such as Barry Goldwater and John McCain, though it has become a swing state in recent years.
Source: en.wikipedia.org/wiki/Antelope_Canyon
Navajo Upper Antelope Canyon is a slot canyon in the American Southwest, on Navajo land east of Lechee, Arizona. It includes six separate, scenic slot canyon sections on the Navajo Reservation, referred to as Upper Antelope Canyon (or The Crack), Rattle Snake Canyon, Owl Canyon, Mountain Sheep Canyon, Canyon X and Lower Antelope Canyon (or The Corkscrew). It is the primary attraction of Lake Powell Navajo Tribal Park, along with a hiking trail to Rainbow Bridge National Monument.
The Navajo name for Upper Antelope Canyon is Tsé bighánílíní, which means 'the place where water runs through the (Slot Canyon) rocks'. Lower Antelope Canyon is Hazdistazí (called "Hasdestwazi" by the Navajo Parks and Recreation Department), or 'spiral rock arches'. Both are in the LeChee Chapter of the Navajo Nation. They are accessible by Navajo guided tour only.
Additional Foreign Language Tags:
(United States) "الولايات المتحدة" "Vereinigte Staaten" "アメリカ" "米国" "美国" "미국" "Estados Unidos" "États-Unis" "ארצות הברית" "संयुक्त राज्य" "США"
(Arizona) "أريزونا" "亚利桑那州" "אריזונה" "एरिजोना" "アリゾナ州" "애리조나" "Аризона"
Manhattan, NY (settled 1624, pop. 1.6MM)
• Webster Hall (1887) decorated for Halloween • large (max. capacity 2,500) nightclub & concert venue • among NYC’s most historically & culturally significant 19thC assembly halls [c. 1900 illustration.]
• Queen Anne style bldg. [photo],located between NoHo and the East Village • ornamented with unglazed red terra cotta, designed by prolific New York-born tenement architect & beer vendor, Charles Rentz, Jr. (1855-1906) • built on land leased from socialite & land developer Rutherfurd Stuyvesant (1843-1809) for $2K/yr. • built for $75,000 by owner Charles Goldstein (1856-1898), a Polish-born cigar maker who entered the meeting & dance hall business as proprietor of Clinton Garden, aka Apollo Hall [photo], home of the “Saturday Night Society* Hop, “Ladies respectfully invited” (*“society” meaning “social" in this context)
• Webster Hall has hosted balls, dances, receptions, lectures, meetings, conventions, political & union rallies, military functions, concerts, performances, festivities, sporting & fundraising events, particularly for the working-class and immigrant populations of the Lower East Side [photo]
• construction of the 3-story, Renaissance Revival style eastern annex, with it’s large arched windows, began 1 May, 1892, completed in November absent evidence of any attempt to match the design of the original structure • annex housed a restaurant, saloon, ballroom & an apartment, where the Goldstein family — Charles, Annie & their 3 children — lived until Charles's death, 26 Nov, 1898, age 42 —Daytonian in Manhattan
• in the 1910s and 20s, Webster Hall was known for it's masquerade balls [illustration], following the success of a 1913 fund- raiser for the socialist magazine The Masses • attracted the Village’s bohemian population, which nicknamed the venue “Devil’s Playhouse” • became a speakeasy during prohibition
• gathering place for early 20thC lesbian & gay community, attending balls in drag [photo] & by the 1920s, sponsoring their own events • among notables attending events were artists Charles Demuth, Marcel Duchamp, & Man Ray, & writers Djuna Barnes & Scott Fitzgerald
• popular venue for progressive, leftist, & union political organizations, attended by Samuel Gompers, Margaret Sanger, Emma Goldman, and Dorothy Day • site of the formation of the Progressive Labor Party, 1887, and the Amalgamated Clothing Workers of America, 1914 • International Ladies' Garment Workers Union used the hall as its strike headquarters [photo]
• in 1953 RCA Records purchased & renovated the bldg. with a state-of-the-art acoustically treated ballroom • until 1968, operated Webster Hall as an East Coast recording venue, Webster Hall Studios [photo], where Carol Channing recorded "Hello, Dolly!” & Harold Prince, Fiddler on the Roof
• among others who recorded here: Julie Andrews, Harry Belafonte, Tony Bennett, the Guarneri Quartet, Liza Minnelli, Ray Charles, Perry Como, Sergio Franchi, Peter Nero, Elvis Presley, Arthur Rubinstein, Frank Sinatra, & Hugo Winterhalter and on February 2, 1962, Bob Dylan, playing harmonica on the title track of Harry Belafonte's Midnight Special album, Dylan's recording debut
• after the studio period, the venue’s name changed to Casa Galicia, then O Noso Lar & in 1980 it became The Ritz, which presented rock concerts until 1988 • in 1990 building underwent renovations by the Ballinger Family of Toronto, Canada, who re-opened it as Webster Hall in 1992 [photo] —https://rateyourmusic.com/venue/webster_hall
• $3MM renovation completed 2019 [photos]
• New York City Landmark, 2008
Source: en.wikipedia.org/wiki/Boston
Boston, officially the City of Boston, is the capital and largest city of the Commonwealth of Massachusetts and the cultural and financial center of the New England region of the Northeastern United States. The city boundaries encompass an area of about 48.4 sq mi (125 km2) and a population of 675,647 as of 2020. The city is the economic and cultural anchor of a substantially larger metropolitan area known as Greater Boston, a metropolitan statistical area (MSA) home to 4,941,632 people as of 2020, ranking as the eleventh-largest MSA in the country. A broader combined statistical area (CSA), generally corresponding to the commuting area and including Worcester, Massachusetts and Providence, Rhode Island, is home to approximately 8.2 million people, making it the seventh-most populous in the United States.
Boston is one of the nation's oldest municipalities, founded on the Shawmut Peninsula in 1630 by Puritan settlers from the English town of the same name. During the American Revolution and the nation's founding, Boston was the location of several key events, including the Boston Massacre, the Boston Tea Party, the hanging of Paul Revere's lantern signal in Old North Church, the Battle of Bunker Hill, and the siege of Boston. Following American independence from Great Britain, the city continued to play an important role as a port, manufacturing hub, and center for American education and culture. The city has expanded beyond the original peninsula through land reclamation and municipal annexation. Its rich history attracts many tourists, with Faneuil Hall alone drawing more than 20 million visitors per year. Boston's many firsts include the United States' first public park (Boston Common, 1634), the first public school (Boston Latin School, 1635), the first subway system (Tremont Street subway, 1897), and the first large public library (Boston Public Library, 1848).
In the 21st century, Boston has emerged as a global leader in higher education and academic research. Greater Boston's many colleges and universities include Harvard University and MIT, both located in suburban Cambridge and both routinely included among the world's most highly ranked universities. The city is also a national leader in scientific research, law, medicine, engineering, and business. With nearly 5,000 startup companies, the city is considered a global pioneer in innovation and entrepreneurship. Boston's economic base also includes finance, professional and business services, biotechnology, information technology, and government activities. Households in the city claim the highest average rate of philanthropy in the United States. Boston businesses and institutions rank among the top in the country for environmental sustainability and new investment.
Source: en.wikipedia.org/wiki/Boston_Common
The Boston Common is a public park in downtown Boston, Massachusetts. It is the oldest city park in the United States. Boston Common consists of 50 acres (20 ha) of land bounded by five major Boston streets: Tremont Street, Park Street, Beacon Street, Charles Street, and Boylston Street.
The Common is part of the Emerald Necklace of parks and parkways that extend from the Common south to Franklin Park in Jamaica Plain, Roxbury, and Dorchester. The visitors' center for the city of Boston is located on the Tremont Street side of the park.
The Central Burying Ground is on the Boylston Street side of Boston Common and contains the graves of artist Gilbert Stuart and composer William Billings. Also buried there are Samuel Sprague and his son Charles Sprague, one of America's earliest poets. Samuel Sprague was a participant in the Boston Tea Party and fought in the Revolutionary War. The Common was designated as a Boston Landmark by the Boston Landmarks Commission in 1977.
The Common is sometimes erroneously referred to as the "Boston Commons".
Source: www.boston.gov/parks/boston-common
Founded in 1634
Here the Colonial militia mustered for the Revolution. In 1768, the hated British Redcoats began an eight-year encampment. George Washington, John Adams and General Lafayette came here to celebrate our nation's independence. The 1860s saw Civil War recruitment and anti-slavery meetings. During World War I, victory gardens sprouted. For World War II, the Common gave most of its iron fencing away for scrape metal.
Boston Common continues to be a stage for free speech and public assembly. Here, during the 20th century, Charles Lindbergh promoted commercial aviation. Anti-Vietnam War and civil right rallies were held, including one led by Martin Luther King, Jr. In 1979, Pope John Paul II celebrated Mass.
Frederick Law Olmsted never touched Boston Common, but his sons did. About 1913, their firm supervised the paving of walkways, the replenishment of the soil, and the moving of 15-ton trees.
From a utilitarian common ground for activities like grazing, militia formations and public hangings, the Common evolved. Its peaks were leveled cows were banned and 19th Century Bostonians added trees, fountains and statuary. The Common became the park-like greenspace we know today. The park includes ballfields, a tot lot and the Frog Pond, which provides skating in winter and a spray pool for children in the summer.
The Friends of the Public Garden is a non-profit citizen's advocacy group formed in 1970 to preserve and enhance the Boston Public Garden, Common, and Commonwealth Avenue Mall in collaboration with the Mayor and the Parks & Recreation Department. The Friends number over 2,500 members and many volunteers. The Friends have also produced a brochure detailing the park's history.
en.wikipedia.org/wiki/Parkman_Bandstand
The Parkman Bandstand is a landmark bandstand located on the eastern side of the Boston Common in Boston, Massachusetts, United States. It was built in 1912 from a design by Derby, Robinson & Shephard at a cost of $1 million on the site of the Cow Pond (also known as the Horse Pond), which had been filled in 1838 after cattle-grazing had been outlawed on the Common.
Named for George F. Parkman, the bandstand was constructed following his death in 1908, in honor of a $5 million donation he had willed for the care of the Boston Common and other city parks. Parkman was the son of George Parkman, a doctor who had donated land for Harvard Medical School's first campus. The site quickly became noted for the autumnal colonial-themed puppet shows that occurred there starting in 1922.
In 1996, the bandstand was restored and is used today for concerts, rallies, and speeches. Recent notable gatherings include the Boston Freedom Rally and a 2007 Presidential Primary rally in which both Barack Obama and Deval Patrick gave speeches from the bandstand.
Additional Foreign Language Tags:
(United States) "الولايات المتحدة" "Vereinigte Staaten" "アメリカ" "美国" "미국" "Estados Unidos" "États-Unis"
(Massachusetts) "ماساتشوستس" "麻萨诸塞州" "मैसाचुसेट्स" "マサチューセッツ" "매사추세츠 주" "Массачусетс"
(Boston) "بوسطن" "波士顿" "बोस्टन" "ボストン" "보스턴" "Бостон"
Semana Mundial de la Lactancia Materna - Apoyo a las madres que amamantan: cercano, continuo y oportuno
ru.godfootsteps.org/testimonies/what-is-true-faith.html
Содержание
Есть ли у нас истинная вера в Господа?
Что такое истинная вера на самом деле
Как сформировать истинную веру в Бога
От каждого из нас, христиан, Бог прежде всего требует обладания подлинной верой. В Библии описано множество примеров людей, которые благодаря своей вере смогли увидеть чудные дела Божьи и получить Его благословение. У Моисея былавера в Бога и посредством Божьего водительства он смог преодолеть множество препон и ограничений Фараона, с успехом возглавив израильтян в их исходе из Египта. Авраам имел веру в Бога и был готов принести в жертву Богу своего единственного сына Исаака, и в конечном итоге Бог благословил его, позволив его потомкам размножиться и стать великими народами. У Иова была вера в Бога, и во время двух испытаний он сумел остаться твердым в свидетельстве о Боге; Бог благословил Его более, нежели прежде, и явился ему и говорил с ним из бури. Женщина Хананеянка в Евангелии от Матфея имела веру в Господа Иисуса, веря, что Он может изгнать злого духа из ее дочери; она обратилась к Господу Иисусу с просьбой, и недуг ее дочери была излечен. Нам, как христианам, крайне важно понимать истину относительно того, что такое истинная вера, что, не важно с какими трудностями мы сталкиваемся в нашей жизни — с провалами в бизнесе, жизненными неудачами, несчастьями в семье — мы можем полагаться на нашу веру и неотступно следовать за Богом, громогласно свидетельствуя о Нем и в конечном итоге обретая Его одобрение.
Есть ли у нас истинная вера в Господа?
Могут найтись некоторые братья и сестры, которые, услышав дискуссию о вере, с уверенностью заявят, что у них точно есть вера. «Я верю в Бога на 100%. Я всегда признаю Бога, этим подтверждается, что я верующий». «Я верю, что Господь Иисус есть наш Спаситель, и что Он был распят, чтобы искупить нас от наших грехов. Пока мы молимся и исповедуемся пред Господом, Он всегда простит нам наши грехи. Разве это не вера в Господа?» «Я был верующим все эти годы; Чтобы посвятить всего себя и свой труд Господу, я отказался от карьеры, семьи и работы. Я повсюду основывал церкви и много страдал, никогда не жалуясь. Это все проявления веры в Бога». Несомненно, мы верим в существование Бога, и это факт, что мы с энтузиазмом работаем и полностью посвящаем себя Господу, что мы страдаем и дорого расплачиваемся за Него. Но значит ли это, что у нас есть истинная вера в Бога? Данный вопрос касается всех нас, братьев и сестер, которые искренне верят в Господа и жаждут истины, исследуя и проводя беседы.
Возьмем для примера меня. С тех пор, как я стала христианкой, я всегда активно участвовала в собраниях, делилась благой вестью с другими и предлагала поддержку братьям и сестрам, испытывающим слабость в вере. Никакие трудности не могли помешать мне заниматься этим. Я более чем готова оставить земные блага, чтобы с энтузиазмом служить Господу, поэтому я считаю себя той, которая любит Господа, предана Ему и имеет веру в Него. Однако, когда я и члены моей семьи заболели, и наше состояние не улучшилось даже после того, как я некоторое время молилась, я впала в уныние и разочаровалась в Боге. Я даже пожаловалась Ему, что он не защищает меня и мою семью. То, что было открыто суровой истиной, заставило меня понять, что мне совершенно не хватает подлинной веры, и что моя вера основывалась только на фундаменте семейной гармонии и свободы от физических болезней или бедствий. Тем не менее, мой истинный духовный рост был открыт, как только произошло что-то нежелательное. Только тогда я действительно увидела, что моя вера в Бога была настолько ничтожна, что вызывала жалость — это в самом деле не то, чем стоит хвастаться. Глядя на братьев и сестер вокруг меня, я видела, что большинство из них были такими же. Некоторые, чтобы не пострадали их личные интересы, вообще перестают посещать церковные служения, когда они вступают в конфликт с их графиком домашних дел или работы. Другие могут молиться Господу и просить Его о выходе, когда они впервые зашли в тупик в попытках найти работу или в других аспектах, но если это по-прежнему остается нерешенной проблемой, у них растет недовольство Господом, и они могут даже впасть в уныние и разочароваться. Они начинают полагаться на друзей из своего окружения, которые выглядят влиятельными и авторитетными, или могут действовать, руководствуясь своими собственными соображениями. Есть также братья и сестры, которые, получив Господни благословения, с энтузиазмом участвуют во всех аспектах церковной работы, но когда у них дома происходит что-то ужасное, или же они сталкиваются с неудачами в бизнесе, они начинают жить, не понимая Господа и сетуя на Него, а то и вовсе отходят от Него.
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Христианские проповеди: как быть мудрой девой, чтобы встретить возвращение Господа Иисуса
Image Source: Церковь Всемогущего Бога
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En el Lago de Sanabria no hace falta que extraordinarias amebas como esta Arachnula, que se citó aquí por vez primera para la Península Ibérica, tejan sus telas de redes invisibles, todo los fondos de este Lago hermoso a los que llega la luz ya están tejidos, no con una red, sino con un denso manto de algas filamentosas y cianobacterias que se desarrollan tapizando su lecho, y que ahora en verano se difuminan.
Mientras tanto, sigilosa, Arachnula camina de puntillas y como si llevara zancos sobre ese manto de posos de vida y restos en el que queda atrapada la historia de los pequeños seres que han sido testigos de la vida, algas que naufragaron, pequeños fragmentos de seres que lo fueron y que Arachnula recoge como un botín.
Casi todas las especies que se reconocen dentro de este género todavía poco conocido, se caracterizan por presentar células incoloras que pueden presentar aspecto de hebras. Los pseudópodos de Arachnula son muy largos y finos, planos y ramificados en muchos otros pseudópodos granulares (granulopodios) que fácilmente forman angulo recto. Con frecuencia, entre las ramificaciones de los pseudópodos se mantiene la membrana citoplasmática formando una especie de velo característico en estas amebas.
El citoplasma en Arachnula es muy fluido y suele presentar numerosos gránulos fuertemente refringentes y algunas vacuolas contráctiles dispersas.
El movimiento en Arachnula es muy llamativo, generalmente rápido, muy característico, y hace parecer que toda la célula está hirviendo. Todos los gránulos muestran un movimiento bidireccional rápido en cualquier parte de la célula.
Los finos pseudópodos de esta ameba muchas veces se cruzan y enmarañan formando unas particulares estructuras anastomosadas que recuerdan a una red.
Arachnula se incluye dentro del grupo de las amebas vampiras, como Vampyrella, Nuclearia o Penardia. Es un género que presenta un gran interés filogenético y en el que muy probablemente todavía muchas de sus especies estén por descubrir...quizá ésta sea una de ellas.
La aparición de amebas como ésta, es muy probable que tenga que ver con el acelerado proceso de deterioro que padece el Lago de Sanabria, como consecuencia de su contaminación al no funcionar en él ningún sistema de depuración. Los fondos poco profundos a los que llega la luz se cubren de año en año cada vez más intensamente con una densa maraña de algas filamentosas y cianobacterias en invierno y primavera, que se van descomponiendo llegando el verano y que dejan paso a la aparición de una gran variedad de euglénidos fagotróficos y rizópodos como éste
Arachnula se cito por vez primera en el mes de abril para el Lago de Sanabria desde esta galería, su llegada quizá nos hable de que algo hay que hacer para no dejar que este lago hermoso se deteriore aún más.
La grabación, realizada 400 aumentos empleando la técnica de contraste de interferencia, se ha grabado sobre una muestra recolectada a cuatro metros de profundidad, el día 29 de julio de 2016, por Cristina, Javier y Genis en el Lago de Sanabria (Zamora), junto a la Isla de Moras, desde el catamarán Helios Sanabria el primer catamarán construido en el Planeta propulsado por energía eólica y solar.
LIBRO: Lago de Sanabria 2015, presente y futuro de un ecosistema en desequilibrio
Presentación ponencia congreso internacional de Limnología de la AIL
Informes de contaminación en el Lago de Sanabria
informe de evolución de la contaminación en el Lago de Sanabria
Coloured figures of the birds of the British Islands / issued by Lord Lilford..
London :R. H. Porter,1885-1897..
En Biodiversidad virtual y también en Instagram como @proyectoagua.
En una gota, una diatomea como Pinnularia, y en su casco, un despejado cruce de caminos señala la diminuta cruz que es su centro, bajo cuya marca, como en el mapa de un tesoro, se encuentra su corazón: el núcleo
En esos organismos unicelulares, minúsculos pero de organización tan compleja y mágica, el núcleo dirige todas la funciones y es al mismo tiempo mente, alma y corazón de todas las actividades vitales, desde la construcción de su perfecto y hermoso casco de cristal, que es el cascarón de su delicado cuerpo, sus precisos movimientos en los mares de las gotas, su reproducción y los mecanismos que permiten la captación de la energía que necesitan a través de sus cloroplastos. Alma, mente y corazón que son la vida y que en Pinnularia microstauron vienem marcados por el signo de un tesoro que le da nombre "microstauron"= cruz minúscula.
Dentro del género Pinnularia Pinnularia microstauron es de mediano tamaño y se incluye dentro de la sección "divergentes" caracterizada por presentar formas generalmente capitadas como ésta y labradas con finas estrías que desde el centro se disponen inclinadas radiando en todas la direcciones.
Pinnularia microstauron es de cuerpo alargado y presenta valvas estrechamente lanceoladas y capitadas en sus extremos, de proa a popa, su casco puede alcanzar desde las 60 a las 90 micras de longitud y una anchura que oscila entre las 9 y las 11 micras. El área longitudinal que no tiene ornamentación es bastante ancha y regular y en su centro se abre una amplia zona central bien desarrollada y en forma de cruz que da nombre a esta especie.
El rafe eb Pinnularia microstauron es bastante recto aunque se incurva muy ligeramente cerca del nódulo central. Toda la ornamentación de su casco, labrada finamente en cristal muestra unas estrías radiantes en el centro y convergentes en los extremos, que se disponen de 9 a 11 cada 10 micras.
En América del Norte Pinnularia microstauron es una especie relativamente común en las turberas, pero en la Península ibérica y sus islas, las referencias son escasas y se centran en el Pirineo donde fue citada en varias localidades por Margalef junto a las isla de Mallorca y Menorca, Sabater también la señaló en el Ter y en Sierra Nevada ha sido hallada por Sánchez Castillo en varias lagunas. La referencia que señalamos hoy aquí constituye la primera para el sistema ibérico y justifica la marca del tesoro con la que va impresa su cascarón de cristal.
Muy probablemente se trate de una especie cosmopolita amante de las turberas con esfagnos, no muy ácidas, pero que también puede preseúntarse en otras pequeñas masas acuáticas.
Las fotografías tomadas en vivo a 400 aumentos con la técnica de contraste de interferencia, proceden de las muestras recogidas el día 22 de julio de 2020 con David Gangutia en una pequeña turbera situada en la Sierra de Cebollera en las inmediaciones de Hoyo Mayor
Source: en.wikipedia.org/wiki/Atlanta
Atlanta is the capital and most populous city in the U.S. state of Georgia. With an estimated 2018 population of 498,044, it is also the 37th most-populous city in the United States. The city serves as the cultural and economic center of the Atlanta metropolitan area, home to 5.9 million people and the ninth-largest metropolitan area in the nation. Atlanta is the seat of Fulton County, the most populous county in Georgia. A small portion of the city extends eastward into neighboring DeKalb County.
Atlanta was originally founded as the terminating stop of a major state-sponsored railroad. With rapid expansion, however, it soon became the convergence point between multiple railroads, spurring its rapid growth. The city's name derives from that of the Western and Atlantic Railroad's local depot, signifying the town's growing reputation as a transportation hub. During the American Civil War, the city was almost entirely burned to the ground in General William T. Sherman's famous March to the Sea. However, the city rose from its ashes and quickly became a national center of commerce and the unofficial capital of the "New South". During the 1950s and 1960s, Atlanta became a major organizing center of the civil rights movement, with Dr. Martin Luther King Jr., Ralph David Abernathy, and many other locals playing major roles in the movement's leadership. During the modern era, Atlanta has attained international prominence as a major air transportation hub, with Hartsfield–Jackson Atlanta International Airport being the world's busiest airport by passenger traffic since 1998.
Atlanta is rated as a "beta(+)" world city that exerts a moderate impact on global commerce, finance, research, technology, education, media, art, and entertainment. It ranks in the top twenty among world cities and 10th in the nation with a gross domestic product (GDP) of $385 billion. Atlanta's economy is considered diverse, with dominant sectors that include transportation, logistics, professional and business services, media operations, medical services, and information technology. Atlanta has topographic features that include rolling hills and dense tree coverage, earning it the nickname of "the city in a forest." Revitalization of Atlanta's neighborhoods, initially spurred by the 1996 Summer Olympics, has intensified in the 21st century, altering the city's demographics, politics, aesthetics, and culture.
Source: en.wikipedia.org/wiki/World_of_Coca-Cola
The World of Coca-Cola is a museum, located in Atlanta, Georgia, showcasing the history of The Coca-Cola Company. The 20-acre (81,000 m2) complex opened to the public on May 24, 2007, relocating from and replacing the original exhibit, which was founded in 1990 in Underground Atlanta.
There are various similar World of Coca-Cola stores in locations such as Las Vegas and Disney Springs.
Source: en.wikipedia.org/wiki/Louisville,_Kentucky
Louisville is the largest city in the Commonwealth of Kentucky and the 29th most-populous city in the United States. It is one of two cities in Kentucky designated as first-class, the other being Lexington, the state's second-largest city. Louisville is the historical seat and, since 2003, the nominal seat of Jefferson County, on the Indiana border.
Named after King Louis XVI of France, Louisville was founded in 1778 by George Rogers Clark, making it one of the oldest cities west of the Appalachians. With nearby Falls of the Ohio as the only major obstruction to river traffic between the upper Ohio River and the Gulf of Mexico, the settlement first grew as a portage site. It was the founding city of the Louisville and Nashville Railroad, which grew into a 6,000-mile (9,700 km) system across 13 states.
Today, the city is known as the home of legendary boxer Muhammad Ali, the Kentucky Derby, Kentucky Fried Chicken (KFC), the University of Louisville and its Cardinals, Louisville Slugger baseball bats, and three of Kentucky's six Fortune 500 companies: Humana, Kindred Healthcare, and Yum! Brands. Muhammad Ali International Airport, Louisville's main commercial airport, hosts UPS's worldwide hub.
Since 2003, Louisville's borders have been the same as those of Jefferson County, after a city-county merger. The official name of this consolidated city-county government is the Louisville/Jefferson County Metro Government, abbreviated to Louisville Metro. Despite the merger and renaming, the term "Jefferson County" continues to be used in some contexts in reference to Louisville Metro, particularly including the incorporated cities outside the "balance" which make up Louisville proper. The city's total consolidated population as of the 2019 census estimate was 766,757. However, the balance total of 617,638 excludes other incorporated places and semiautonomous towns within the county and is the population listed in most sources and national rankings.
The Louisville-Jefferson County, KY-IN Metropolitan Statistical Area (MSA) includes Louisville-Jefferson County and 12 surrounding counties, seven in Kentucky and five in Southern Indiana. As of 2019, the MSA had a population of 1,265,108, ranking 46th nationally.
Source: en.wikipedia.org/wiki/Churchill_Downs
Churchill Downs, located on Central Avenue in south Louisville, Kentucky, United States, is a Thoroughbred racetrack most famous for annually hosting the Kentucky Derby. It officially opened in 1875 and was named for Samuel Churchill, whose family was prominent in Kentucky for many years. The first Kentucky Derby and the first Kentucky Oaks were held in the same year. Churchill Downs has also hosted the renowned Breeders' Cup on nine occasions, most recently on November 2 and 3, 2018. Churchill Downs Incorporated owns and operates the racetrack. With the infield open for the Kentucky Derby, the capacity of Churchill Downs is roughly 170,000.
In 2009, the Horseplayers Association of North America introduced a rating system for 65 Thoroughbred racetracks in North America. Churchill Downs was ranked number 5 on this list.
In 2014, prior to the start of their spring meet, Churchill Downs announced an increase in parimutuel takeout rates. As a result of the takeout increase, Churchill Downs was ranked number 22 in the 2014 Horseplayers Association of North America Track Ratings.
Source: en.wikipedia.org/wiki/Kentucky_Derby_Museum
The Kentucky Derby Museum is an American Thoroughbred horse racing museum located on the grounds of Churchill Downs in Louisville, Kentucky. Dedicated to preserving the history of the Kentucky Derby, it first opened its doors to the public in the spring of 1985. Much of its early funding came from a donation from the estate of James Graham Brown.
The museum consists of two floors of exhibit space, including a 360-degree theater that shows the HD video The Greatest Race. Through the film and exhibits, visitors can learn what goes into the breeding and training of a young foal and the path it takes to the Kentucky Derby's winner circle. Every Kentucky Derby win is honored in the Warner L. Jones Time Machine, where visitors can watch any Kentucky Derby from 1918 to the present day. Exhibits highlight the stories of owners, trainers and jockeys as well as the importance of African American jockeys and trainers to the race and the Thoroughbred industry. Guided tours of Churchill Downs' barn and infield areas, jockeys' quarters, "millionaires row" and press box are also offered.
The Death of Canadian Journalism - Sean Condon on the homegrown media
giant that's holding the nation hostage.
Sean Condon's website: www.seancondon.com/index.html
The Death of Canadian Journalism
By SEAN CONDON
In a crowded bar in downtown Vancouver, a group of reporters from the city’s main daily newspaper, The Vancouver Sun, gather after work to do what most people revel in after a long week at the office: bitch about the boss. While images of the Iraq War, Wal-Mart and Kid Rock quickly flash and disappear on the television screens above them, editors are mocked, columnists are ridiculed and the paper their bylines appear in is panned up and down.
There’s nothing too radical about most of their complaints – it’s not secret to anyone in the city that the Sun is a dull suburban paper pretending to be a respectable urban broadsheet. With few exceptions, there’s little investigative journalism left within its pages, and most of what gets printed is so tepid and banal that it’s almost entirely useless to read.
It’s when the reporters start talking about what’s happening inside the newsroom that they reveal a deeper and more disturbing problem with the flagship newspaper in Canada’s third largest city: one that explains everything that is wrong with the increasing consolidation of the media around the world.
Overly anxious that they’re not caught exposing the paper’s dirty secret, reporters at the Sun say that morale has hit rock bottom and an alarming atmosphere of fear and paranoia has infected the newsroom. With a tone of anger and resentment, reporters tell stories about vindictive editors who spend more time attacking them over personal and petty grievances than they do worrying about the deteriorating quality of the paper. Anyone that dares question the authority of Editor-in-Chief Patricia Graham is bullied, isolated and forced out of the paper.
Reporters say the story inside the Sun is that inexperienced editors rise through the ranks because they toe the company line or are personal friends with senior editors and not because they produce good journalism or defend the public trust. There newly empowered editors are known for not letting reporters pitch their own ideas and for pushing press releases onto veteran journalists who grudgingly grind out copy before deadline, caring very little about what they write. Reporters who challenge this system are moved out of their department, questioned about their stories and eventually given an ultimatum by the editors: quit or we’ll make your life hell.
“The culture at The Vancouver Sun is incredibly poisonous and it extends right through the newsroom,” confides Charles Campbell, a former editorial board member at the paper, who says he was surprised at how much disdain senior management had towards the paper’s star reporters. “There are very few [reporters] who are particularly happy or proud of The Vancouver Sun as a newspaper.”
While the Sun has a long history of acrimonious newsrooms and lengthy labor disputes, it was also once a respected paper that boasted some of the top journalists in the country and consistently broke stories that changed the political landscape of the city and province. When the paper was part of the Southam chain, the newsroom had a bigger budget and more independence – reports were even allowed to criticize the paper in print. But once CanWest Global Communications got its hands on the Sun in 2000, it slashed funding, silenced writers and allowed an inexperienced, and strangely insecure, management to take control. The paper has never been as irrelevant or dysfunctional as it is today.
CanWest has such a stranglehold on the city that any reporter caught speaking out against them would have trouble finding work in Vancouver again. This toxic environment has created such a chill amongst reporters that getting them to talk about the turmoil is extremely difficult. One news staffer that initially agreed to be quoted as an anonymous source later backed out for fear of repercussion. A former reporter was so worried by the ruthless reach of the editors that they would only talk off-the-record. Most wouldn’t even take that risk.
“If [the Editor-in-Chief] found out I talked, I’d be finished,” said one reporter when declining an interview. “If there was another game in town it’d be different, but there’s nothing else in this city. There’s nowhere to go.”
CanWest’s dominance over Vancouver is extraordinary even in an era of unprecedented global media consolidation and convergence.
Led by CEO Leonard Asper and the powerful Asper family, the Winnipeg-based corporation now owns both of Vancouver’s daily newspapers (the Sun and the tabloid Province), the city’s top-rated television station (GlobalTV), 12 community newspapers, eight analog and digital television stations, and one of two national papers. For good measure, it also owns the only daily in the nearby provincial capital, Victoria’s Times Colonist. A throwback to the classic Company Town, CanWest has turned Vancouver into the single-most media concentrated city in the western world.
Cities thrive in diverse media markets. In Montreal, four different companies own the city’s four major dailies, each presenting four unique perspectives on issues that concern its citizens. The same is true in cities from Toronto and New York to London and Paris. But as a small number of corporations swallow up more media outlets every year, the conflicts within the Sun are being duplicated across the country. With the largest private newspaper publisher in Canada, Black Press, recently taking ownership of Osprey, one of the most diverse, just four corporations now control 70 percent of the country’s newspaper circulation.
Cities stagnate in consolidated media markets. CanWest has a total of 13 daily newspapers in Canada, where its only competitors are often vapid tabloid or commuter dailies. On the East Coast, the Irving family owns every English-language newspaper in the province of New Brunswick and a series of dailies and weeklies throughout the Maritimes. Without any real competition, these newspapers can manipulate their content to push a single point of view. In Canada, this had led to a one-sided debate on the country’s role in Afghanistan, where editorials back the country’s military intervention and pay little attention to the mounting civilian causalities and ongoing human rights violations. But nowhere is the freedom of the press in as much danger as Vancouver, where the CanWest monopoly controls an astonishing 70 percent of the entire media market and is the only voice of record for the city.
“The story of the Sun should be presented as a cautionary tale [to the rest of the world],” says Marc Edge, a former Vancouver journalist and author of Pacific Press: The Unauthorized Story of Vancouver’s Newspaper Monopoly. “If you want to see the future of media, just look at Vancouver where you have the tightest control of media in the free world. If you allow cross-media ownership like the [Federal Communications Commission in the United States] has been considering, this is how it could end up.”
Editorial Eclipse
The internal turmoil of the Sun is a stark contrast to the colorless content on its pages. While almost all corporate newspapers have an obvious pro-business slant, the Sun leaves little doubt about where its bias lies. Corporate press releases are disguised as news stories, puff pieces on right-wing politicians pose as investigative journalism and hatchet jobs on activists purport to be fair and balanced reporting. In 2002, the Sun spent $3 million to run a series of advertorial stories praising the virtues of British Columbian businesses called ‘Believe BC.’ The stories weren’t marked as advertising features as they should have been, but were either listed as a ‘Special Feature’ or left completely unmarked.
The timing of the Believe BC series was especially insulting since it came right after the newly elected right-wing provincial government had slashed social services for the poor by $2 billion while cutting taxes for the rich by $2 billion. But there has been little coverage in the paper since then of how the cuts caused Vancouver’s homeless population to double in just three years. Although Sun reporters aren’t given direct orders to write glowing reports about the provincial government, they say they are discouraged from writing claims made by government critics. There has also been a conscious decision from the paper’s management to ignore government protesters, even when their actions are top stories for national news agencies. More often than not, the Sun is not the voice of the community, but a mouthpiece for the provincial government – over the years CanWest has donated thousands of dollars to the current provincial government and the Sun employs the premier’s brother as a columnist.
However, most troubling of all is that the Sun refuses to be held to account to the many criticisms lobbied at them by media analysts and their own current and former employees. A request for an interview with the paper’s Editor-in-Chief, Patricia Graham, was denied because Adbusters is protecting the identity of the Sun reporters who have spoken out.
“The Vancouver Sun has a policy of avoiding the use of unnamed sources,” wrote Graham in an email. “We consider it a violation of journalistic ethics to permit people to criticize others while remaining anonymous. I do not care to participate in interviews with publications whose ethical standards I do not share.”
Aside from the fact that any Sun reporter named would immediately be fired, Graham overlooks the fact that most media outlets allow anonymous sources if the importance of their information outweighs the potential for public skepticism. But Adbusters couldn’t even get a copy of the Sun’s code of ethics to verify what the paper’s policy on using anonymous sources actually is. While other news agencies post their code of ethics online, a request to the Sun was denied on the grounds that it’s not available to the public. Like much of what is happening in the Sun, the paper seems to prefer keeping the public in the dark.
Black Hole
The Aspers bought the Sun and over 130 newspapers across the country from Conrad Black’s Hollinger Inc. at a time when major media corporations around the world were clamoring for convergence. But while CanWest had one of the largest television networks in the country, it had zero experience in newspapers. Like many newly formed media conglomerates at the time, it quickly lost millions of dollars trying to make its different media outlets work together. Just as newspaper circulation was plummeting across North America, the Aspers paid Black an inflated $3.5 billion for a product in an ailing industry that they had no idea how to run.
With their fledgling newspaper empire quickly crumbling and its newly adopted national daily The National Post hemorrhaging profits from the other dailies, the Aspers tried to stop the hemorrhaging with massive layoffs – leaving already thin newsrooms stretched beyond repair. Today, reports at CanWest papers have to write more stories in less time, which adds another level of pressure in already tense environments. Instead of investigative journalism, there has been an increase in one-source stories. Many reporters have been moved off of beats and turned into general assignment reporters, giving them less knowledge on the issues they cover and less access to sources that help them cultivate and uncover breaking news.
CanWest further exasperated the problem by carelessly spending $5 million launching its now-defunct, youth-oriented commuter daily, Dose, while saving $4.6 million this past June by abandoning its partnership with the national newswire, Canadian Press (CP). Reporters across the chain have been extremely distressed by this latest move, saying it will force shorthanded newsrooms to produce extra copy for which the CP co-operative could once be relied upon. Since newspapers are still the best, and often the only, mechanism that gives the public in-depth analysis on issues, all of these cuts have damaged the public’s ability to have the kind of qualified and informed debate required in a democracy.
“This whole corporatization of journalism is not healthy,” says Mike Gasher, director of journalism at Concordia University and a former Vancouver Province reporter. “I know journalism is a business, but I think it’s just a question of how you strike the balance between the quality of the product and the bottom line. My concern is that when you have these conglomerate ownerships, that not only own several newspapers, but radio, television, internet, then I think by definition the commitment to any one of those properties is decreased.”
CanWest did not return multiple requests for an interview. Adbusters Media Foundation is currently suing CanWest along with another national broadcaster for refusing to air its public awareness campaigns about mass consumerism on their stations, which was also one of the reasons that Graham gave for turning down an interview.
Burnout
The acrimony inside the Sun is excessive when compared to other newspapers, but there are high levels of dissatisfaction and depression in all of CanWest‘s dailies. Not long after CanWest bought Black’s chain, it sparked international uproar when it broke the journalistic autonomy and implemented a national editorial policy. In 2001, the Aspers dictated a series of editorials from Winnipeg and demanded its papers not run any editorial that held views opposed their “core positions” – which primarily focused on lowering taxes and supporting Israel in the Middle East. After journalists at Montreal’s The Gazette angrily withheld their bylines, the controversy forced CanWest to drop the policy. However, it sent an early message to its newsrooms that their independence had vanished.
“I can say to our critics and to the bleeding hearts of the journalist community that it’s the end of the world as they know it, and I feel fine,” callously said David Asper, the family’s publication chairman, about the Gazette’s protest.
But the national editorial policy was almost benign compared to the firing of Ottawa Citizen publisher Russell Mills for running a feature about then Prime Minister Jean Chretien’s suspicious financial dealings and an editorial calling for his resignation. Asper patriarch Izzy Asper (now deceased) had close ties to Chretien and the country’s ruling Liberal party, and the firing sent a chill throughout the entire CanWest chain that still exists today. Although CanWest has since toned down its editorial interference (its most recent act was to replace all mention of Palestinian “militants” with “terrorists” in newswire copy), reporters at its papers say the damage has already been done.
“People do their jobs, they roll their eyeballs, and a lot of them at quitting time stop thinking about it,” says one staffer at The Gazette.
The primary complaint heard from CanWest reporters today is that the corporation’s drastic financial cuts have done the most to sink morale. In almost revolutionary development, editors and publishers at CanWest papers have also begun to openly criticize the Aspers to their reporters because of the budget cuts. The Aspers make a sharp contrast to the CanWest papers’ original owners, the Southam family, which turned its newspapers into some of the most competitive and respected in North America. Ironically, CanWest reporters even refer to the Conrad Black era as the “golden age.” Although Black cut back on reporters and was reviled as a tyrant with an overt political agenda, he also invested more in his newsrooms. Today, the computers in the Edmonton Journal newsroom are so old that staff can’t even access their own paper’s website.
“It’s depressing,” says Journal reporter, “and it makes you wonder about the future. There are all sorts of new pressures going on in today’s media, and most of us don’t have confidence that the Aspers have the business acumen to deal with these pressures in an effective way.”
Shine A Light
While CanWest’s control over Canada’s media sheds a disturbing light on the future of media consolidation, the concentration of ownership has in actuality been a major problem brewing in Canada for the past half-century. When The Vancouver Sun and The Province first merged their competing newspapers under a single management company called Pacific Press in 1957 because of economic problems, the federal government investigated the deal and found it would likely be “to the detriment of the public.” However, it backed away from taking any action.
When corporate chains came to control an alarming 77 percent of the country’s circulation, the 1970 Davey Committee stated that “all transactions that increase concentration of ownership in the mass media are undesirable and contrary to the public interest – unless otherwise shown,” and recommended the country form a press review board to rule on mergers. However, none of its recommendations were implemented.
When two major newspaper chains, Southam and Thompson, colluded to each shut down a competing newspaper in Ottawa and Winnipeg in 1980 and both of Vancouver’s daily newspapers were officially handed over to the Southams, the Royal Commission on Newspapers stated that “freedom of the press is not a property right of owners,” and recommended strict ownership limits. Again, no action was taken.
And when a Senate committee on media concentration released a report in 2006 stating, “the concentration of ownership has reached levels that few other countries would consider acceptable” and recommended that large mergers be publicly reviewed, it was outright dismissed by Heritage Minister Bev Oda who argued that “convergence has become an essential business strategy in order to stay competitive.”
Despite an endless amount of evidence provided by federal commissions and investigations showing how dangerous it is to a democracy when fewer companies control the media market – foreign bureaus are reduced, staff is cut back and quality diminished – no Canadian government has ever tried to put the brakes on consolidation. By ignoring the problem for the past 50 years, it has been allowed to grow into a full-blown crisis.
Today, reporters at CanWest simply go through the motions and many veteran journalists say their main goal is to try and get an early buyout from the corporation. Others say they personally tell journalism students to stay out of the business. Seeing the writing on the wall, many journalism students at colleges and universities from Vancouver to Ottawa say they have little interest entering an industry that they had such high hopes for only a few years earlier. Once considered a respected and noble profession that challenged authority and represented its community, CanWest’s consolidation has killed any sense of pride Canadian journalist once had in their job.
The most obvious example of consolidation run amok is Vancouver, where one corporation has such a tight control over the city that it gets away with bullying its reporters and slanting its news coverage without ever being challenged. The problems inside the Sun and CanWest papers will be repeated across the country if consolidation is allowed to continue unabated.
Because the priority of the paper’s corporate controller is on the bottom line instead of the public trust, a once-proud newspaper chain has turned into a skeleton of its former self. Reporters at CanWest papers who don’t conform the corporate perspective have few options or alternatives since CanWest owns the majority of media in most of their cities. Despite the restrictions, some reporters have managed to produce good journalism, but those that try to speak out have been harassed, silenced and sent packing. When journalists are denied resources and can’t truthfully disseminate information, the entire public is held hostage. It’s time to set them free.
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