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The reverse view along the BRC, as compared to "BRC on Main Street". The BRC really has a great modern architecture that just lends itself naturally to photography.
„2nd European Colloquium on Culture, Creativity and Economy“
Berlin, October 10-11, 2013
During the past decades myriad links between culture, creativity and economic practice have become major topics of interdisciplinary debates. No longer restricted to a few sectors, there is a growing consensus that the intersections between these spheres and symbolic and culturally embedded values in particular, pervade the global economy. Indeed, the formerly distinct logics of the cultural and the economic have become increasingly indiscernible. Similarly, the notion of creativity, once used to express exceptional talent, activities and outcomes, is now considered a key component to success in all fields of economic activity. At the same time, the Internet has revolutionized the conditions under which cultural production and distribution as well as creative collaboration can be undertaken. Despite the high degree of uncertainty about future developments, policy makers as well as business managers are highly optimistic, if not enthusiastic, about the ability of symbolic values and creativity to drive sustained economic growth and regional development.
The Second European Colloquium on Culture, Creativity and Economy (CCE2), which took place in Berlin (Location: "Tango Loft", Berlin-Wedding) from 10-11th October, took up and continued an international and interdisciplinary debate on these topics. This debate was originally initiated during a workshop in Padua in 2011 and subsequently given an institutional character as a European Network of Excellence during the First European Colloquium on Culture, Creativity and Economy (CCE1) in Uppsala in 2012. The aim was to continue these discussions while consolidating the emergent research network through follow-up events. Above all, however, the colloquium brought internationally known scholars from a range of disciplines and institutions in Europe and North America together in an exciting, intense and dynamic meeting aimed at generating not only new networks but new knowledge and approaches.
PCB Optimistic About Hosting World XI in September
Pakistan Cricket Board (PCB) officials are confident of finalising an agreement this week with the ICC to have a World XI team playing three T20 matches in Lahore in September.
June 20, 20179:03 am
Read more
www.kickoffme.com/pcb-optimistic-about-hosting-world-xi-i...
Artist | Camille Pissarro (1830 in U.S. Virgin Islands - 1903 in France)
Title | Woman Bathing Her Feet in a Brook (1894-1895)
oil on canvas
73 x 92 cm
Exhibitor | Art Institute of Chicago
www.artic.edu/artworks/153799/woman-bathing-her-feet-in-a...
Camille Pissarro referred to this painting in a letter of November 1894, when he wrote to his son Lucien that he wanted to send him a picture of “a little peasant girl dipping her feet in the water.” At the time, he considered the work almost finished but still lacking “that little something,” exclaiming optimistically, “I think I will get it, I feel it!” His continued ruminations on the composition may explain its heavily encrusted surface. After finishing it, he painted a variation featuring a nude (a rarity for the artist) in the same pose and setting (see below).
Reference:
Title | Bather in the Woods (1895)
oil on canvas
60.3 x 73 cm
An outlook of the Positive Artist, talking to the Pessimists who put down art as a career. conveyed in a sarcastic, light hearted way.
Front Panel - 'This world is a messy place and you are too afraid to try.'
Second Panel - `I art, therefore I bullshit.'
Third Panel - 'Do I owe myself a living?'
(Inspired by - Wasted Rita)
All of the panels were created on a mix of perspex and glass, using a range of wet and dry media.
Created individually, and slotted into place on the wood, to create a mini installation that perceives an optimistic outlook.
This piece was displayed in the "Goodwin Gallery,"
Made - 2015 (2nd year of Art)
Optimistic orphan Lili Daurier (Ashley Jarrett)
makes friends with the charming puppets,
unaware that puppeteer Paul Berthalet
(Ryan Drummond, left) and his assistant Jacquot (Michael Doppe, center) are the ones pulling the strings in CARNIVAL! at 42nd Street Moon
April 3 - April 21
Photo by David Allen
So this is something from two weeks ago i never got around to. Not much to it, taken with my old d5000 and kit lens that was stolen. Now i have a t1i and am looking to using it. Enjoy!
2022 Optimistic Gargoyle Female Face New York County National Bank Building at 77–79 Eighth Avenue at West 14th Street in the Greenwich Village neighborhood of Manhattan New York City – also known as the Manufacturers Hanover Trust Company Building – was built in 1906–07 and was designed by De Lemos & Cordes and Rudolphe L Daus in the Neoclassical style January 15th 01/12/2022 fourteenth St Downtown limestone-clad neo-classical temple with Beaux-Arts touches with Corinthian columns - Now Museum of Illusions