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Close up of one of the Statues on the roof of l'Opéra (Academie National de Musique), Paris, France. Photographed on 3 July 2010.
Così fan tutte di W. A. Mozart
Opera studio internazionale "Silvio Varviso"
Ensemble strumentale del Conservatorio della Svizzera italiana
Umberto Finazzi, direzione musicale
Marco Gandini, regia
Claudio Cinelli, scenografia e costumi
Concerto inaugurale della XXI edizione del Festival
Lugano, Aula Magna del Conservatorio della Svizzera italiana
16 luglio 2017
The Opéra Garnier is one of the Paris National Opera's two home venues in the city. It was built from 1861 to 1875 on a commission of Napoleon III, along with the Place de l'Opéra on which the building stands, at the intersection of Boulevard des Capucines and Avenue de l'Opéra. Inaugurated as "le Nouvel opéra de Paris" (the New Paris Opera), the venue became known as the "Palais Garnier" within the first decades of its existence, acknowleding the plans and designs of its architect Charles Garnier. The Paris National Opera now uses the Palais Garnier mainly for ballet. The Palais Garnier also houses the Bibliothèque-Musée de l'Opéra de Paris (Paris Opera Library-Museum), although the Library-Museum is no longer managed by the Opera and is part of the Bibliothèque Nationale de France.
Taiwanese (folk) opera (traditional Chinese: 歌仔戲; pinyin: gēzǎixì; Pe̍h-ōe-jī: koa-á-hì; literally "song-drama") is the only form of Han traditional drama known to have originated in Taiwan. The language used is a stylized combination of both literary and colloquial registers of Taiwanese. Its earliest form adopted elements of folk songs from Zhangzhou, Fujian, China. The story elements are traditionally based on folk tales of the Hokkien (Minnan) region. (wiki)
Opera on Tap: pianist Chris Berg and soprano Delea Shand.
Photo by Jon Wasserman, (c)2009 Matthew Gray/American Opera Projects.
La ópera sorprende al público en el Mercado Central de Valencia
Fotos de
Eva Mañez www.evamanez.com/
Ana Yturralde www.anayturralde.com/
“UNIVERSA – Opera Otwarta” z okazji Jubileuszu 650-lecia Uniwersytetu Jagiellońskiego
www.650.uj.edu.pl/event/video-opera-rynek-glowny-w-krakowie/
Explica la història que quan l'edifici de l'òpera fou acabat, els vienesos van considerar que era massa auster. Fins i tot l'emperador s'hi va pronunciar negativament.
Arran de les crítiques l'arquitecte es va suicidar.
Personalment trobo que, per bé que l'edifici no és tan imponent com algun dels exteriors (i sense haver vist l'interior) em sembla un edifici força adequat per una òpera. Sense anar més lluny l'edifici del Musicverein no és molt més espectacular, sí més alt però no més sofisticat des de fora.