View allAll Photos Tagged OlympusOM4Ti
I attached a Sumikron 2000mm f/8 lens to four 3X extenders and put that on my old Olympus OM-4Ti. I opened the aperture all the way and pointed it into the night sky. The kit was stabilized by a 1969 Opel GT in Aztec Gold with a Sachtler aktiv12T fluid head bolted to the roof. The Opel had the taillights on with emergency flashers for safety. As a result I placed two Hefty black trashbags over the rotated headlamps. I used a standard Olympus R21 cable release and Ilford Delta 3200 film. Coyotes were howling in the distance. I kept them at bay with a torch made of kerosene soaked rags and foam rubber attached to the Opel GT's jack handle as I stood alongside to get this singular shot.
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Bayerischer Wald -
Baumwipfelpfad Neuschönau
Olympus OM-4Ti
Olympus Zuiko OM-System 2.8 100mm
Agfa Vista 200
surfers, Dee Why beach, Sydney, July (winter) 2020. Olympus OM4-Ti OM Zuiko 21mm f/3.5 Ilford HP5+ in Ilfotec HC 1+47. V700 scan.
dogs, Sydney, August 2020. Olympus OM4-Ti OM Zuiko 21mm f/3.5 Ilford HP5+ in Ilfotec HC developer. V700 scan.
© copyright 2020 Lynn Burdekin. All Rights Reserved.
Olympus OM-4TI
zuiko 28mm f/2.8
agfaphoto precisa 100 CT
2018-05-11T23:24 (GMT+1) f/5.6 80 minutes
processed and scanned at Nation Photo, Paris.
While I love star trails, I don't get too many different opportunities to shoot them. Here's one. Just one shot, on a rather dark night... until fog and light rain settled in.
That was kind of unexpected. When I came back, the camera was wet.
This post lands in the middle of no structure in my photo stream, whatsoever =D
I only intend to share the excitement 😃
edit : looking back at 2018, this is the shot of the year
olympus OM-4TI
zuiko lens
mostly metered with gossen profisix
kodak gold 200, 2007 expired, shot at 100iso or lower if possible.
Processed and scanned at Nation Photo, Paris.
February 2017
Once, the main entrance to the city of Zadar in Croatia, The Land Gate is a triumphal arch with a central passage for wheeled traffic, and two smaller side arches for pedestrians. This gentleman stares out at all pedestrians entering through one of the side arches. Shot on Eastman XX 5222 with an Olympus OM 4Ti and 50mm f/1.8 MIJ.