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There are always a lot of grief

Whatever you can overcome or not

When sorrows come

which only sorrow

no have any space gray

And we ask ourselves how many times

Why we look like this way

 

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coeur/heart

This world refers to all kind of movements and desires,

but what is constant is that the heart is constituted

into a gift - object - whether ignored or rejected.

 

FROM:Roland Barthes/A Lover's Discourse

 

總是有許多悲傷的時候

不管是過得去

還是過不去

 

悲傷來臨的時候

悲傷當中只有悲傷

沒有灰色地帶

 

而我們問過我們自己多少次

我們為什麼會變成這付模樣

 

羅蘭巴特曾說過:『心。這個詞涉及各種活動和慾望,但貫穿其始終的則是這樣一個事實:心是一種奉獻,可是,這種奉獻不是被忽略就是遭排斥。』/羅蘭巴特『戀人絮語』

 

check out at here :

田園城市zine zine fair 2015

www.facebook.com/events/448297981989706/

 

More info:

cargocollective.com/Burtonwang/We-should-not-be-hurt

Viewing the forms of objects as they change over time.

 

the animated version can be seen here www.vimeo.com/434401

 

Assemblage #19

Series of compositions with found objects for the exhibition "Dérive..." at Fresh Paint gallery in Montréal.

Like a Rubik's Escher with mirrors...

Roppongi, Tokyo, Japan 2009/11/23

gakkenflex + DNP CENTURIA 400

 

taken by my gf :)

Repository: California Historical Society

Date: 1892

Call number: CC P47

Digital object ID: CC P47_002

Preferred citation: Commercial catalog, J.J. Pfister Knitting Co., San Francisco [page 5], courtesy, California Historical Society, CC P47_002

Online finding aid: www.oac.cdlib.org/findaid/ark:/13030/c8028pxm

 

Well, I got back from my little trip and here is one of my finds. Not sure why it is that I like these little mysteries, but I do. It shouldn't be too hard to figure out.

Brass 25x25x19,5cm.

Our Daily Challenge ... mysterious

Oil on canvas

36" x 18"

June 2015

 

None of This Was Real is a series of oil paintings that portrays fictional scenes of objects randomly generated by a computer program. These objects are a product of code written by the artist and rendered using a global illumination ray tracing engine. They are effectively subjects for still life. But there was never any life – any reality – in the subjects. Everything was virtual and simulated.

 

The software for creating the reference images was written in Processing (processing.org), with the additional help of toxiclibs (toxiclibs.org) for geometry creation and Sunflow (sunflow.sourceforge.net) for the global illumination rendering engine.

Bantra Sanmelani Club, Howrah.

  

Kumari Puja :

Kumari, or Kumari Devi, is the tradition of worshiping young pre-pubescent girls as manifestations of the divine female energy or devi in Hindu religious traditions. The word Kumari, derived from Sanskrit Kaumarya meaning "virgin", means young unmarried girls in Nepali and some Indian languages and is a name of the goddess Durga as a child.

In Nepal a Kumari is a pre-pubescent girl selected from the Shakya or Bajracharya clan of the Nepalese Newari community. The Kumari is revered and worshiped by some of the country'sHindus as well as the Nepali Buddhists, though not the Tibetan Buddhists. While there are several Kumaris throughout Nepal, with some cities having several, the best known is the Royal Kumari of Kathmandu, and she lives in the Kumari Ghar, a palace in the center of the city. The selection process for her is especially rigorous. The current Royal Kumari, Matina Shakya, aged four, was installed in October 2008 by the Maoist government that replaced the monarchy. Samita Bajracharya, as the Kumari of Patan is the second most important living goddess.

In India a Kumari is generally chosen for one day and worshipped accordingly on certain festivals like Navaratri or Durga Puja. In the Indian state of Bengal this is a particularly prevalent practice.

A Kumari is believed to be the incarnation of the goddess Taleju (the Nepalese name for Durga) until she menstruates, after which it is believed that the goddess vacates her body. Serious illness or a major loss of blood from an injury are also causes for her to revert to common status.

  

Philosophy and scriptures

The worship of the goddess in a young girl represents the worship of divine consciousness spread all over the creation. As the supreme goddess is thought to have manifested this entire cosmos out of her womb she exists equally in animate as well as inanimate objects. While worship of an idol represents the worship and recognition of supreme through inanimate materials, worship of a human represents veneration and recognition of the same supreme in conscious beings.

In the Shakta text Devi Mahatmyam or Chandi, the goddess is said to have declared that she resides in all female living beings in this universe. The entire ritual of Kumari is based on this verse. But while worshiping a goddess, only a young girl is chosen over a mature lady because of their inherent purity and chastity which are considered to be principal characteristics of Durga.

Hindu scriptures like the Jñanarnava Rudrayamala tantra assign different names to a Kumari depending on her age. A one year-old girl is called Sandhya, a two year-old girl is called Sarasvati, a child of three years of age is called Tridhamurti, on her fourth year she is Kalika, on fifth she is Subhaga, on sixth she is Uma, on her seventh year she is called Malini. an eight year girl is called Kubjika, on the ninth year she is Kaalasandarbha, on reaching tenth year she is Aparajita, on eleventh she is Rudrani, on twelfth year she is named Bhairavi, on thirteenth she is Mahalakshmi, on fourteenth she is Pithanayika, on fifteenth she is Kshetragya, and on sixteenth years of her age she is Ambika.

In India, Kumaris are worshiped only for a day and these names are assigned only while the ritual lasts, usually a few hours. Usually one cannot be a Kumari beyond sixteen years of age due to menarche.

The main target of a Kumari puja is to realize the potential divinity in every human being, mostly female. A Hindu spiritual aspirant sees the universal consciousness manifested in an innocent child.(en.wikipedia.org/wiki/Kumari_(children))

 

object made of small glass tubes

Pixii A2572, Leica Summicron 50mm Ver3

The sphere is a large glass stopper set into the scene.

ID: 003859

This picture is (c) Copyright Frank Titze, all rights reserved.

It may NOT be reproduced, copied, edited, published, transmitted or uploaded in any way without my permission.

See more pictures on frank-titze.art.

 

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Exposure: Digital

Developing: ---

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Processing: Digital

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Exposure: 08/2015

Processing: 08/2015

Published: 02/2016

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Flickr "taken" date set as actual publish date.

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object from "Imitation" series

50mm f2.8 Carl Zeiss Jena Tessar zebra

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