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This came second in the current Found Objects Exhibition at the Decagon Gallery www.decagongallery.com/found-objects
I made the faces from clay & cast them in plaster. They were burnt black in the studio fire in 2019, so I left them outside in the rain which has cleaned them up nicely.
Different Objects of the same Colour in Silver
Shell, TeaHouse, Flower, Star and Angel
A CrAzY Collection for the Month of June - but it is CrAzY TuEsDaY, isn't it ?
[Dedicated to CRA (ILYWAMHASAM)]
Uploaded for the group
CrAzY Tuesday #DifferentObjectsSameColour
GigaSet GS290
ƒ/2.0
3.5 mm
1/33 Sec
ISO 404
Weekly Theme Challenge ~ Household Objects
Stay safe and well everyone.
Thank you to everyone who pauses long enough to look at my photo. Any comments or Faves are very much appreciated
Fuji X-E2 plus Helios 44M-7 at F11. I tend to think that I learn best (most thorough, that is) when I have to struggle with the matter. If the matter in hand does not put up resistance to understanding, there is nothing to learn. Can this relationship be transferred to photography? If it can, are those photos best where the photographer had to struggle with the resistance of the subject matter? Would this then exclude the "snapshot" - something that (quite unintentionally) might turn out as pretty good. It is at this stage that the issue of objectification pops up. Turning something or someone into a camera object means that photographers force their will upon a subject - breaking its resistance. Photography then becomes a oneway street and there is no communication or dialogue between photographer and subject. The result could be sentimental, even Kitsch, the proliferation of cliches and the like. Should we then apply a golden rule to photography, namely to treat our subject the same way we ourselves would like to be treated?
“The object of art is not to reproduce reality, but to create a reality of the same intensity”
- Alberto Giacometti
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This shot was taken in San Diego Museum of Art, California
en.wikipedia.org/wiki/San_Diego_Museum_of_Art
Thanks to all for 20,000.000+ views, visits and kind comments...!!
Please don't use this image on websites, blogs or other media without my explicit permission.
© ALL RIGHTS RESERVED
Object: SH2-284 in Monoceros in SHO (February 2024)
This is a widefield capture in Monoceros (the Unicorn) showing the primary target: SH2-284 which is a HII star forming region about 15,000 light years distant. The image was shot with narrowband filters and combined in the SHO palette which is also know as the Hubble Space Telescope palette (HST)
Some of the objects in the field:
- SH2-284 – center-left- Sometimes referred to as the Little Rosette
- NGC2282- HII Ionized region in Monoceros – upper center right
- Lynd’s Bright Nebulae- LBN983-LBN984-LBN987
- Acquisition Date: 02/06/2024 to 02/09/2024
- Location: Western Massachusetts, USA
- Imaging Camera: QHY600PH-M -10°C - Mode 1(High Gain) Offset:15 Gain:56
- Telescope: Takahashi FSQ106EDXIII @ f/5 (530mm focal length - 106mm aperture)
- Mount: Astro-Physics AP1100 w/GTO4
- Guide scope: Celestron Off Axis Guider
- Guide Camera: ASI174m mini
- Software: Adobe Photoshop CS5, Sequence Generator Pro, PixInsight 1.8 Ripley, Aries Astro Pixel Processor
Filters:
- Chroma Ha 3nm 50mm
- Chroma OIII 3nm 50mm
- Astrodon SII 3nm 50mm
Exposure Times:
- Hydrogen Alpha (Ha): 27 x 10min. (270min) bin 1x1
- Oxygen III (OIII):34 x 10min. (340min) bin 1x1
- Sulfur II (SII) 29 x 10min. (290min) bin 1x1
Total Exposure:900 min. (15.0hrs)
Sky Quality:
-Magnitude: 19.71
-Bortle Class 5
-1.41 mcd/m^2 Brightness
-1234.6 ucd/m^2 Artificial Brightness
Сrystals of acetylsalicylic acid in polarization. Cнято с объективом ЛОМО ОКС1-40-1 F=40 f2.5 в реверсном положении. Масштаб съёмки 4:1
Light coming from the outside plus an LED light from the inside; shot with the 7Artisans manual lens at F1.2 and as close as I could get (about 35cm).
"Looking close... on Friday!" group theme: Objects in pastel colours.
Thank you kindly for your visit!
I couldn't think of anything to draw.I should be ashamed of myself of course cause there's plenty to draw.Here are a few examples:-)
I had fun with this, particularly as I focussed on the reflection, not the object. My eyes just aren't up to manual focussing. 😂😂😂
Can you guess what it is?
Answer: it's a vintage flower frog (see a more recognizable photo in the comments).
Wetland Reflections, Dawn. © Copyright 2022 G Dan Mitchell – all rights reserved.
Dawn clouds reflected in the surface of a wetland pond, Pacific Flyway, New Year’s Day 2022.
The dawn light is remarkably fleeting. The space between “too early” and “too late” can be extremely small, and on a morning like this one I might have only moments to see what is happening in the sky, find a foreground, create a composition, and make some photographs. When the light arrived and a small group of clouds appeared in the distance, I first worked handheld with a long lens in order to narrow the view and get some flexibility about positioning the tree. Then I grabbed another camera that had a wider angle lens attached, and I made a few photographs that included more sky and water than seen here.
I have photographed in some remarkable landscape, where particular objects demanded attention. But this landscape along the Pacific Flyway is not that sort of place. To be honest, often it can seem plain and even boring. Much of the area is agricultural country, and nearby there are large cattle operations — not the most scenic or pleasant of landscape subjects. But for a few months each winter the fields flood and migratory birds return, and when the conditions are just right magic may happen.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
I found this withered anemone branch last year while cleaning up the garden and thought it made a good subject for stacking. At that time I was very busy trying out different approaches to stacking. I have now arrived at a method that gives me the best results. This was one of my first pictures with it.
Camera control: qDSLR dash-board app
Software: Zerene stacker
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