Objects
View allAll Photos Tagged Objects,
Strange objects at Darling Harbour.
Looking east to the city from the western boardwalk.
Cockle Bay, Darling Harbour.
Sydney.
My Canon EOS 5D Mk IV with the Canon EF 16-35mm f/4L lens.
Processed in Adobe Lightroom and PhotoPad Pro by NCH software.
A Legacy 'Candy' filter from the Flickr Photo Editor.
Сrystals of acetylsalicylic acid in polarization. Cнято с объективом ЛОМО ОКС1-40-1 F=40 f2.5 в реверсном положении. Масштаб съёмки 4:1
“Unless someone like you cares a whole awful lot,
Nothing is going to get better. It's not.”
― Dr. Seuss, The Lorax
www.youtube.com/watch?v=7JBHyE18L3o
DwHc Punishment RP Mask - Paper Face
RKKN Quilted Leather Jacket
A well known "Natural Object" processed to the max became an “UnIdentified Object”
Who can identify this "Abstract" ?
😄 Happy Sliders Sunday to Everyone 😄
Taken, processed (using different filters, such as One Point Colour, Low Key and Increase of Saturation) and uploaded for Sliders Sunday
with a Panasonic Lumix DMC-FZ200
ƒ/2.8
4.5 mm
1/125 Sec
ISO 200
Dedicated to CRA (ILYWAMHASAM)
Object: The Sights in Auriga– (HST or SHO palette) – 2022
A widefield view of part of the constellation of Auriga (The Charioteer)
The field contains:
Left side of frame -IC405 (The Flaming Star Nebula -aka SH2-229 or Caldwell 31) an emission/reflection nebula in the northern part of Auriga. It surrounds the irregular, blue star AE Auriga and is about 1500 light years from Earth.
Center upper right - IC410 (The Tadpoles Nebula) a dusty emission nebula/stellar nursery at about 12.000 light years from Earth that illuminated by the star cluster NGC1893 which is about 4 million years old so still relatively young. The nebula is noted for the ”tadpole” structures that have been created by the radiation pressure from the stars in NGC189.
Right side of frame - IC417 (The Spider Nebula) – An emission nebula lit up by massive hot stars that is currently producing new stars. It is located about 10,000 light years from Earth.
Details:
- Acquisition Date: 10/28/2022 to 10/30/2022
- Location: Western Massachusetts, USA
- Imaging Camera: QHY600PH-M -10°C - Mode 1(High Gain) Offset:15 Gain:56
- Telescope: Takahashi FSQ106 EDXIII @ f/5 (530mm focal length - 106mm aperture)
- Mount: Astro-Physics AP1100 w/GTO4
- Guide scope: Celestron Off Axis Guider
- Guide Camera: ASI174m mini
- Software: Adobe Photoshop CS5, Sequence Generator Pro, PixInsight 1.8 Ripley, Aries Astro Pixel Processor
Filters:
- Chroma Ha 3nm 50mm
- Chroma OIII 3nm 50mm
- Astrodon SII 3nm 50mm
Exposure Times:
- Hydrogen Alpha (Ha): 22 x 10min. (220min) bin 1x1
- Oxygen III (OIII):22 x 10min. (220min) bin 1x1
- Sulfur II (SII):24 x 10min. (240min) bin 1x1
Total Exposure:680min. (11.33hrs)
Sky Quality:
-Magnitude: 19.71
-Bortle Class 5
-1.41 mcd/m^2 Brightness
-1234.6 ucd/m^2 Artificial Brightness
"The more an object is polished or brilliant, the less you see its own color and the more it becomes a mirror reflecting the color of its surroundings."
On/Off - Thank you so much for your visit and comment! I really appreciate it!
Baumreihen im Schlosspark Schwetzingen.
Auswahlfoto:
Für“Smile on Saturday“
Thema:“Many Identical Objects“
Thanks for views,faves and comments:-)
Still Photography an excellent way to combine the need to stay at home, as these troubled times demand, and to keep the pleasure of photographing
...are closer than they appear. How the hell do you work this thing? One of my very early digital pics, when I was still trying to decide between film and this new fangled thang.
Physalis skeleton, a shattered heart.❤️
Happy Crazy Tuesday
Thank you for your views, faves and or comments, they are greatly appreciated !!!
Don't use this image on websites, blogs or other media without my explicit permission !!!
© all rights reserved Lily aenee
Phedora Boots @Uber and Angelberry @TheEpiphany
Check out the full outfit and info about everything HERE!
Ces immeubles aux formes d'objets d'écoliers.
La Tour Part-Dieu est célèbre de par sa forme originale qui rappelle la forme d’un crayon. Cette tour est le symbole du quartier de la Part-Dieu à Lyon. Inaugurée en 1977, elle a été construite par l’architecte Araldo Cossuta. Le sommet de la tour crayon se trouve à la même hauteur que la basilique Notre Dame de Fourvière. La tour Part-Dieu compte 41 étages. La tour abrite 53 entreprise, c’est donc un immeuble de bureaux, mais qui compte également différents bars, comme le Celest Bar au 32ème étage par exemple. Et, ses 7 derniers étages sont occupés par un hôtel, le Radisson. La tour Part-Dieu est surmontée d’une pyramide transparente d’environ 23 mètres de haut. C’est cette pyramide qui lui a valu le surnom de tour crayon. En 2008, la tour change de nom est elle devient officiellement la tour Part-Dieu-LCL. C’est à la même époque que le logo change également pour y incorporer le surnom que les lyonnais lui ont donné : “le crayon”. A l’origine, cette tour a été construite pour signaler la présence du centre d’affaires de la Part-Dieu.
La Tour Incity est surnommée “la gomme”, elle aussi située dans le quartier de la Part-Dieu. C’est la plus haute tour de la métropole lyonnaise ainsi que la troisième plus haute tour de France en incluant la flèche qui la surplombe. Le mat de la tour Incity culmine à 200 mètres de haut. Les architectes à l’origine de la construction avaient la volonté que la Tour gomme paraissent symétrie quelque soit l’endroit d’où on la regarde ou le point de vue de Lyon. La tour Incity est composée de 39 étages est également un immeuble de bureaux, elle abrite notamment le siège social de la banque Caisse d’Epargne, c’est une tour qui a le titre de tour ayant une “haute qualité environnementale” en accord avec les enjeux actuels. L’objectif de cette tour, à sa construction était de donner à Lyon une dimension de ville européenne. Par ailleurs, l’espace intérieur de la Tour en forme de gomme a été optimisé grâce à des ascenseurs spéciaux. Les ascenseurs utilisés dans cette tour sont des ascenseurs TWIN, qui se pose par paires dans une gaine commune, il y a donc 5 ascenseurs différents dans seulement 3 gaines. A savoir que pour le même nombre d’ascenseurs classiques, les ascenseurs TWIN occupent deux fois moins d’espace.
Quel surnom aura la troisième tour en cours de construction ?
Un grand merci pour vos favoris, commentaires et encouragements toujours très appréciés.
Thank you very much appreciated favorites and comments.
(60.00N, 30.00E)MCMLXXI
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What does not matter ?
1.What to photograph - Camera.
2.Where to photograph - Place.
3.When to photograph -Time.
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What is important ?
1.Study and tune the camera.
2.Learn where you are going.
3.Study the lighting at different times.
.
What's the secret?♀️
1.Feel the instrument, hear what it says.
2.Feel the atmosphere of the place, catch the wave.
3.Switch on .Catch the moment!⚡️
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Make a choice!
✨Finding the observer, comes awareness!✨
This was just made to replace the older award called Objects Award for Elite Artists Artistic Creation Arts Group, made this version into art style and VIVID colors mixing.
There will be one more new one coming later on that will go with real photo's better for that group since it has mixing of art and photo's, it will be more like something i did for World of Artistic and Photography Artists where the award goes to both real and artistic.
Artistic Creation Award Theme Codes ➪ Click Here
Number 2 in my theme for this week Isolated Object. In a previous 365 series I found this abandoned workman's boot on a grass verge in Peacehaven, East Sussex, UK.
... (story is hidden for now) ...
Macro Mondays theme: In the Mirror
Design Matters posts
Objects posts
Thank you for viewing, faving and commenting :-)
© All rights reserved for the complete post (image+text).
Fuji X-E2 plus Helios 44M-7 at F11. I tend to think that I learn best (most thorough, that is) when I have to struggle with the matter. If the matter in hand does not put up resistance to understanding, there is nothing to learn. Can this relationship be transferred to photography? If it can, are those photos best where the photographer had to struggle with the resistance of the subject matter? Would this then exclude the "snapshot" - something that (quite unintentionally) might turn out as pretty good. It is at this stage that the issue of objectification pops up. Turning something or someone into a camera object means that photographers force their will upon a subject - breaking its resistance. Photography then becomes a oneway street and there is no communication or dialogue between photographer and subject. The result could be sentimental, even Kitsch, the proliferation of cliches and the like. Should we then apply a golden rule to photography, namely to treat our subject the same way we ourselves would like to be treated?
This came second in the current Found Objects Exhibition at the Decagon Gallery www.decagongallery.com/found-objects
I made the faces from clay & cast them in plaster. They were burnt black in the studio fire in 2019, so I left them outside in the rain which has cleaned them up nicely.
A few years ago, I bought this ceramic object in El Rastro and I don´t know its function. I thought it was a salt shaker but it can´t be opened. It´s pretty!
Hace unos años, compré este objeto de cerámica en El Rastro pensando que era un salero, pero no tiene aperturas por ningún lado por lo que no sé cuál es su función. ¡Pero es bonito!