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This came second in the current Found Objects Exhibition at the Decagon Gallery www.decagongallery.com/found-objects
I made the faces from clay & cast them in plaster. They were burnt black in the studio fire in 2019, so I left them outside in the rain which has cleaned them up nicely.
Different Objects of the same Colour in Silver
Shell, TeaHouse, Flower, Star and Angel
A CrAzY Collection for the Month of June - but it is CrAzY TuEsDaY, isn't it ?
[Dedicated to CRA (ILYWAMHASAM)]
Uploaded for the group
CrAzY Tuesday #DifferentObjectsSameColour
GigaSet GS290
ƒ/2.0
3.5 mm
1/33 Sec
ISO 404
LOVEBREAK 253 GOTHIC LOVE SET
Contain: 4 COUPLE POSES
Adjustable Poses and SWAP option.
Copy, Modify - No Transfer.
All poses featuring accessories have been designed with user-friendliness in mind. As a result, each pose is equipped with objects that are ready to be rezzed at the moment of use.
Fuji X-E2 plus Helios 44M-7 at F11. I tend to think that I learn best (most thorough, that is) when I have to struggle with the matter. If the matter in hand does not put up resistance to understanding, there is nothing to learn. Can this relationship be transferred to photography? If it can, are those photos best where the photographer had to struggle with the resistance of the subject matter? Would this then exclude the "snapshot" - something that (quite unintentionally) might turn out as pretty good. It is at this stage that the issue of objectification pops up. Turning something or someone into a camera object means that photographers force their will upon a subject - breaking its resistance. Photography then becomes a oneway street and there is no communication or dialogue between photographer and subject. The result could be sentimental, even Kitsch, the proliferation of cliches and the like. Should we then apply a golden rule to photography, namely to treat our subject the same way we ourselves would like to be treated?
“The object of art is not to reproduce reality, but to create a reality of the same intensity”
- Alberto Giacometti
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This shot was taken in San Diego Museum of Art, California
en.wikipedia.org/wiki/San_Diego_Museum_of_Art
Thanks to all for 20,000.000+ views, visits and kind comments...!!
Please don't use this image on websites, blogs or other media without my explicit permission.
© ALL RIGHTS RESERVED
Сrystals of acetylsalicylic acid in polarization. Cнято с объективом ЛОМО ОКС1-40-1 F=40 f2.5 в реверсном положении. Масштаб съёмки 4:1
Number 2 in my theme for this week Isolated Object. In a previous 365 series I found this abandoned workman's boot on a grass verge in Peacehaven, East Sussex, UK.
Part of my project ›Borderland, Borderless‹ - an inquiry along the former inner-German border.
Even more than 30 years after the reunification of Germany, there is this borderless borderland. All objects photographed form a topography of this particular society.
A book about this project will be published at the end of 2021, this picture however is not in the book.
I couldn't think of anything to draw.I should be ashamed of myself of course cause there's plenty to draw.Here are a few examples:-)
PORTO (Portugal): "Plantoir" (Colher de jardineiro)
Esta escultura de Claes Oldenburg e Coosje van Bruggen, transforma um objecto de uso comum – uma colher de jardineiro – numa gigantesca peça de uso impossível. Reflecte o espírito pop destes artistas e o gosto pela elevação de objectos banais à condição de objecto artístico, tornando presente o próprio quotidiano como se uma lupa o ampliasse. Esta peça constitui uma referência ao próprio acto de plantar, tornando-se num símbolo e numa metáfora da intervenção qualificada do homem na natureza, podendo ser visto de 3 pontos diferentes: o caminho do jardim, a casa, e a rua, proporcionando um forte contraste com o espaço envolvente. Toda a sua força converge para o chão, para a terra, muito embora desça de uma grande altitude. Canelada nas costas e lisa por dentro, parece ter sido concebida a pensar na natureza, revelando o interesse destes artistas pela paisagem.
info: cct.portodigital.pt/gen.pl?sid=cct.sections/14112&fok...
Blossoms from a tree are falling on the sidewalk in a neighbor's yard in Santa Rosa, Sonoma County, California. Taken with my iPhone 14 Pro Max set to Raw and Macro. Edited in Lightroom Classic.
I found this withered anemone branch last year while cleaning up the garden and thought it made a good subject for stacking. At that time I was very busy trying out different approaches to stacking. I have now arrived at a method that gives me the best results. This was one of my first pictures with it.
Camera control: qDSLR dash-board app
Software: Zerene stacker
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My Flickr friend willytx inspired me to take this photo!
For some it is the doors to hell, for others it is just daily madness. Fortunately for me they are only a photo object in the beloved sunset.
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EOSR | RF35mm f/1.8 IS STM
Exposure: ƒ/4.0 | 1/180s ISO 100
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This image is subject to full copyright © Please do not use my images on websites, blogs, or in other media without express written permission. It is not permitted to copy, download,
reproduce, retransmit, modify, or manipulate my photos.
F̶̅G̅. 2021 © all rights reserved
Le reflex en main.
L'objectif à l'assaut.
Le regard qui analyse.
La nature est ma muse.
La créativité qui m'amuse.
La spontanéité de l'émotion
L'action est derrière le viseur.
L'excitement de la prise de vue.
La passion pour la photographie.
La curiosité et la liberté en nature.
Le défi de la chasse photographique.
L'œil vif dans l'attente d'une inspiration.
La patience réside dans la persévérance.
Le silence et la concentration à son comble.
Le rythme cardiaque qui s'accélère d'un coup.
L'art du camouflage pour prévenir tout soupçon.
Le code d'éthique dans les limites de l'approche.
Le passionné immortalise l'action dans le temps.
L'émotion ne cherche pas de raison et d'explication.
La seule faculté d'agir avec rapidité, subtilité et agilité.
La faune nous fait découvrir tout l'art de la photographie.
La nature procure aux yeux attentifs les plus beaux spectacles du monde. La photographie ajoute au plaisir des yeux celui d'un divertissement sans fin.
De nature calme et paisible devant les obstacles.
L'esprit créatif cultivant des liens avec sa nature.
La liberté d'expression sans aucune prétention.
La photographie animalière d'une façon zen.
La sensibilisation par la photographie.
Pour le plaisir et la joie qu'elle me procure,
la passion des images.
Michel Villeneuve53
Objectif 100% Nature
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