Objects
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my window and my Fender bass
my window no. 39
a photo project:
1 photo per week of the same object/2021
.. become a member of our group:
Сrystals of acetylsalicylic acid in polarization. Cнято с объективом ЛОМО ОКС1-40-1 F=40 f2.5 в реверсном положении. Масштаб съёмки 4:1
Сrystals of acetylsalicylic acid in polarization. Cнято с объективом ЛОМО ОКС1-40-1 F=40 f2.5 в реверсном положении. Масштаб съёмки 4:1
Strange objects at Darling Harbour.
Looking east to the city from the western boardwalk.
Cockle Bay, Darling Harbour.
Sydney.
My Canon EOS 5D Mk IV with the Canon EF 16-35mm f/4L lens.
Processed in Adobe Lightroom and PhotoPad Pro by NCH software.
A Legacy 'Candy' filter from the Flickr Photo Editor.
“Unless someone like you cares a whole awful lot,
Nothing is going to get better. It's not.”
― Dr. Seuss, The Lorax
www.youtube.com/watch?v=7JBHyE18L3o
DwHc Punishment RP Mask - Paper Face
RKKN Quilted Leather Jacket
A well known "Natural Object" processed to the max became an “UnIdentified Object”
Who can identify this "Abstract" ?
😄 Happy Sliders Sunday to Everyone 😄
Taken, processed (using different filters, such as One Point Colour, Low Key and Increase of Saturation) and uploaded for Sliders Sunday
with a Panasonic Lumix DMC-FZ200
ƒ/2.8
4.5 mm
1/125 Sec
ISO 200
Dedicated to CRA (ILYWAMHASAM)
Les autorités australiennes ont élaboré un plan pour le moins radical pour se débarrasser des chats errants. Celui-ci comprend le déploiement de robots tueurs dont l'objectif est de traquer et d'éliminer les félins, considérés comme invasifs et nuisibles pour la faune endémique.
Oui, vous avez bien lu…
S'élevant à 7,6 millions de dollars australiens, soit 4,6 millions d’euros, le plan vise à éradiquer les chats harets (chats domestiques retournés à l'état sauvage) d'ici à 5 ans dans l'État d'Australie-Occidentale.
Après des années de tests, les autorités fédérales ont finalement approuvé le déploiement de Felixer. Commercialisé par l'entreprise locale Thylation, ce “robot tueur” identifie les chats à partir de leur silhouette et de leur démarche. Il envoie ensuite un gel toxique, du fluoroacétate de sodium ou poison 1080, sur l'animal. Le poison est ensuite ingéré par celui-ci lors de sa toilette, entraînant sa mort.
Financièrement, les dommages causés par les chats harets sur la faune du pays s'élèvent à près de 300 millions de dollars australiens, soit 181 millions d’euros.
______________________________________PdF________
Australian authorities have come up with a drastic plan to get rid of stray cats. This includes the deployment of killer robots whose objective is to track down and eliminate felines, considered invasive and harmful to endemic fauna.
Yes, you read correctly…
Amounting to 7.6 million Australian dollars, or 4.6 million euros, the plan aims to eradicate feral cats (domestic cats returned to the wild) within 5 years in the State of 'Western Australia.
After years of testing, federal authorities finally approved the deployment of Felixer. Marketed by local company Thylation, this killer robot identifies cats based on their silhouette and gait. He then sends a toxic gel, sodium fluoroacetate or poison 1080, on the animal. The poison is then ingested by it during its toilet, resulting in its death.
Financially, the damage caused by feral cats on the country's wildlife amounts to nearly 300 million Australian dollars, or 181 million euros.
Object: The Sights in Auriga– (HST or SHO palette) – 2022
A widefield view of part of the constellation of Auriga (The Charioteer)
The field contains:
Left side of frame -IC405 (The Flaming Star Nebula -aka SH2-229 or Caldwell 31) an emission/reflection nebula in the northern part of Auriga. It surrounds the irregular, blue star AE Auriga and is about 1500 light years from Earth.
Center upper right - IC410 (The Tadpoles Nebula) a dusty emission nebula/stellar nursery at about 12.000 light years from Earth that illuminated by the star cluster NGC1893 which is about 4 million years old so still relatively young. The nebula is noted for the ”tadpole” structures that have been created by the radiation pressure from the stars in NGC189.
Right side of frame - IC417 (The Spider Nebula) – An emission nebula lit up by massive hot stars that is currently producing new stars. It is located about 10,000 light years from Earth.
Details:
- Acquisition Date: 10/28/2022 to 10/30/2022
- Location: Western Massachusetts, USA
- Imaging Camera: QHY600PH-M -10°C - Mode 1(High Gain) Offset:15 Gain:56
- Telescope: Takahashi FSQ106 EDXIII @ f/5 (530mm focal length - 106mm aperture)
- Mount: Astro-Physics AP1100 w/GTO4
- Guide scope: Celestron Off Axis Guider
- Guide Camera: ASI174m mini
- Software: Adobe Photoshop CS5, Sequence Generator Pro, PixInsight 1.8 Ripley, Aries Astro Pixel Processor
Filters:
- Chroma Ha 3nm 50mm
- Chroma OIII 3nm 50mm
- Astrodon SII 3nm 50mm
Exposure Times:
- Hydrogen Alpha (Ha): 22 x 10min. (220min) bin 1x1
- Oxygen III (OIII):22 x 10min. (220min) bin 1x1
- Sulfur II (SII):24 x 10min. (240min) bin 1x1
Total Exposure:680min. (11.33hrs)
Sky Quality:
-Magnitude: 19.71
-Bortle Class 5
-1.41 mcd/m^2 Brightness
-1234.6 ucd/m^2 Artificial Brightness
This week's Macro Monday's post is for the "oldest object I can find" theme.
There's not much old in my house - I can't really find much older than I am. However, my daughter did have some fossils, I love the translucency in this ammonite.
Baumreihen im Schlosspark Schwetzingen.
Auswahlfoto:
Für“Smile on Saturday“
Thema:“Many Identical Objects“
Thanks for views,faves and comments:-)
Still Photography an excellent way to combine the need to stay at home, as these troubled times demand, and to keep the pleasure of photographing
...are closer than they appear. How the hell do you work this thing? One of my very early digital pics, when I was still trying to decide between film and this new fangled thang.
Phedora Boots @Uber and Angelberry @TheEpiphany
Check out the full outfit and info about everything HERE!
Physalis skeleton, a shattered heart.❤️
Happy Crazy Tuesday
Thank you for your views, faves and or comments, they are greatly appreciated !!!
Don't use this image on websites, blogs or other media without my explicit permission !!!
© all rights reserved Lily aenee
US Intelligence officials have released a report on UFOs. It neither confirms nor denies their existence. Perhaps here in the mist I have another piece of evidence.
(60.00N, 30.00E)MCMLXXI
.
What does not matter ?
1.What to photograph - Camera.
2.Where to photograph - Place.
3.When to photograph -Time.
.
What is important ?
1.Study and tune the camera.
2.Learn where you are going.
3.Study the lighting at different times.
.
What's the secret?♀️
1.Feel the instrument, hear what it says.
2.Feel the atmosphere of the place, catch the wave.
3.Switch on .Catch the moment!⚡️
.
Make a choice!
✨Finding the observer, comes awareness!✨
This was just made to replace the older award called Objects Award for Elite Artists Artistic Creation Arts Group, made this version into art style and VIVID colors mixing.
There will be one more new one coming later on that will go with real photo's better for that group since it has mixing of art and photo's, it will be more like something i did for World of Artistic and Photography Artists where the award goes to both real and artistic.
Artistic Creation Award Theme Codes ➪ Click Here
Object: Cederblad 214 (2024) (SHO Palette)
Ced 214 or Cederblad 214 is an emission nebula contained within the larger star forming complex called NGC 7822 in the northern part of the constellation of Cepheus. It contains the star cluster Berkley 59 whose stars illuminate the nebula. It is estimated to be about 3000 light years away from Earth. The area also contains many dark nebulae listed below.
Lynds Dark Nebulae (LDN):
- LDN 1267
- LDN 1269
- LDN 1270
- LDN 1271
- LDN 1272
- LDN 1275
Details:
- Acquisition Date: 10/12/2024 to 10/24/2024
- Location: Western Massachusetts, USA
- Imaging Camera: QHY600PH-M -10°C - Mode 1(High Gain) Offset:15 Gain:56
- Telescope: Celestron EdgeHD 11 Celestron 11" Edge HD @f/7
- Focal reducer: Celestron .7x Focal Reducer, for 11 HD
- Mount: Astro-Physics AP1100 w/GTO4
- Guide scope: Celestron Off Axis Guider
- Guide Camera: ASI174m mini
- Software: Adobe Photoshop CS5, Sequence Generator Pro, PixInsight 1.8 Ripley, Aries Astro Pixel Processor
Filters:
- Chroma Ha 3nm 50mm
- Chroma OIII 3nm 50mm
- Astrodon SII 3nm 50mm
Exposure Times:
- Hydrogen Alpha (Ha): 40x 10min. (400min) bin 1x1
- Oxygen III (OIII):20 x 10min. (200min) bin 1x1
- Sulfur II (SII):20 x 10min. (200min) bin 1x1
Total Exposure:800min. (13.33hr)
Sky Quality:
-Magnitude: 19.71
-Bortle Class 5
-1.41 mcd/m^2 Brightness
-1234.6 ucd/m^2 Artificial Brightness
“The object of art is not to reproduce reality, but to create a reality of the same intensity”
- Alberto Giacometti
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This shot was taken in San Diego Museum of Art, California
en.wikipedia.org/wiki/San_Diego_Museum_of_Art
Thanks to all for 20,000.000+ views, visits and kind comments...!!
Please don't use this image on websites, blogs or other media without my explicit permission.
© ALL RIGHTS RESERVED
This came second in the current Found Objects Exhibition at the Decagon Gallery www.decagongallery.com/found-objects
I made the faces from clay & cast them in plaster. They were burnt black in the studio fire in 2019, so I left them outside in the rain which has cleaned them up nicely.
A few years ago, I bought this ceramic object in El Rastro and I don´t know its function. I thought it was a salt shaker but it can´t be opened. It´s pretty!
Hace unos años, compré este objeto de cerámica en El Rastro pensando que era un salero, pero no tiene aperturas por ningún lado por lo que no sé cuál es su función. ¡Pero es bonito!
Fuji X-E2 plus Helios 44M-7 at F11. I tend to think that I learn best (most thorough, that is) when I have to struggle with the matter. If the matter in hand does not put up resistance to understanding, there is nothing to learn. Can this relationship be transferred to photography? If it can, are those photos best where the photographer had to struggle with the resistance of the subject matter? Would this then exclude the "snapshot" - something that (quite unintentionally) might turn out as pretty good. It is at this stage that the issue of objectification pops up. Turning something or someone into a camera object means that photographers force their will upon a subject - breaking its resistance. Photography then becomes a oneway street and there is no communication or dialogue between photographer and subject. The result could be sentimental, even Kitsch, the proliferation of cliches and the like. Should we then apply a golden rule to photography, namely to treat our subject the same way we ourselves would like to be treated?