Objects
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my window and my Fender bass
my window no. 39
a photo project:
1 photo per week of the same object/2021
.. become a member of our group:
Сrystals of acetylsalicylic acid in polarization. Cнято с объективом ЛОМО ОКС1-40-1 F=40 f2.5 в реверсном положении. Масштаб съёмки 4:1
Created for Vivid Art Annual XMAS Tree Challenge
www.flickr.com/groups/2817915@N22/discuss/72157717089506767/
This is my own photography. The filters are from Photoshop.
Thanks everyone for your views, comments, awards, invites and faves.
A fellow photographer and friend from the UK wanted to learn more about masking in Photoshop, and Zoom to the rescue. I started with one of my shots that never thrilled me, but thought it was a good simple shot to start with. As far as the dime a dozen shots of '55 Chevys go, IMO, it was just OK, and it's color was not my favorite. Kind of a peach color, ergo the title. I showed him the power of the new Object Selection tool in Photoshop, and if any further cleanup is required a few other tools can be used. However, typically I use the Polygonal tool for that. I went on to tell him that if you are selecting the subject (car here) but want to do something with the rest of the image, (the background) and not the subject, you must click Inverse before doing any of that. I told him that if you are going to spray out the background like above, you can pick any color you want, but a color already in the image usually works well, or as in the case here, a complimentary color. Maybe a bit of a stretch here, and being that the cars color is in the red family, the compliment of red is green, and therefore my reasoning for going with a shade of green. So, as I'm working my way through this demo process with him my original feelings about not liking the image started to change, and I actually kind of like it now. I think it's proof as to how, with a little extra play, you can turn a mediocre image into something a little more special. So, the takeaway here is don't throw in the towel on those "so so" images, there just may be hope for them.
Сrystals of acetylsalicylic acid in polarization. Cнято с объективом ЛОМО ОКС1-40-1 F=40 f2.5 в реверсном положении. Масштаб съёмки 4:1
Strange objects at Darling Harbour.
Looking east to the city from the western boardwalk.
Cockle Bay, Darling Harbour.
Sydney.
My Canon EOS 5D Mk IV with the Canon EF 16-35mm f/4L lens.
Processed in Adobe Lightroom and PhotoPad Pro by NCH software.
A Legacy 'Candy' filter from the Flickr Photo Editor.
“Unless someone like you cares a whole awful lot,
Nothing is going to get better. It's not.”
― Dr. Seuss, The Lorax
www.youtube.com/watch?v=7JBHyE18L3o
DwHc Punishment RP Mask - Paper Face
RKKN Quilted Leather Jacket
A well known "Natural Object" processed to the max became an “UnIdentified Object”
Who can identify this "Abstract" ?
😄 Happy Sliders Sunday to Everyone 😄
Taken, processed (using different filters, such as One Point Colour, Low Key and Increase of Saturation) and uploaded for Sliders Sunday
with a Panasonic Lumix DMC-FZ200
ƒ/2.8
4.5 mm
1/125 Sec
ISO 200
Dedicated to CRA (ILYWAMHASAM)
...this is a unique looking object growing in my garden...the dead base of the Trumpet flower...a Vine I have in the back yard.
HMM!
JARDIN BOTANIQUE MEISE
Avec ses 18.000 espèces de plantes, le Jardin rassemble l'une des plus importantes collections végétales du monde.
Le Jardin botanique de Meise, renommé mondialement, se situe à 3 km de l’Atomium de Bruxelles. Découvrez ses 18.000 espèces de plantes, dont plus de la moitié dans le Palais des Plantes, l'un des plus grands complexes de serres d'Europe. Les 92 ha du domaine historique offrent un cadre idéal à la promenade, avec ses magnifiques collections végétales des quatre coins du monde.
Le Jardin botanique est également un centre d’excellence pour la recherche en botanique tropicale et européenne. Les chercheurs ont à leur disposition, outre les collections vivantes de grande valeur, une riche bibliothèque et un herbier de près de 4 millions de spécimens.
L’institution est également active dans le domaine de la conservation de la biodiversité, notamment par le biais d’expéditions scientifiques dans le monde entier. L’objectif : sauvegarder le maximum de plantes pour le futur et partager ses connaissances à leur égard.
Dans toutes ses missions, le Jardin botanique collabore activement avec différents réseaux d’institutions soeurs à travers le monde.
Baumreihen im Schlosspark Schwetzingen.
Auswahlfoto:
Für“Smile on Saturday“
Thema:“Many Identical Objects“
Thanks for views,faves and comments:-)
Still Photography an excellent way to combine the need to stay at home, as these troubled times demand, and to keep the pleasure of photographing
...are closer than they appear. How the hell do you work this thing? One of my very early digital pics, when I was still trying to decide between film and this new fangled thang.
Phedora Boots @Uber and Angelberry @TheEpiphany
Check out the full outfit and info about everything HERE!
posting for:
Looking Close on Friday: objects in pastel colours
I've always loved the pastel scenes my Flickr friends post. I found this really difficult so if anybody wishes to share a little expertise with me, that would be very welcome!
gratitude for all visits, faves and comments
Physalis skeleton, a shattered heart.❤️
Happy Crazy Tuesday
Thank you for your views, faves and or comments, they are greatly appreciated !!!
Don't use this image on websites, blogs or other media without my explicit permission !!!
© all rights reserved Lily aenee
(60.00N, 30.00E)MCMLXXI
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What does not matter ?
1.What to photograph - Camera.
2.Where to photograph - Place.
3.When to photograph -Time.
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What is important ?
1.Study and tune the camera.
2.Learn where you are going.
3.Study the lighting at different times.
.
What's the secret?♀️
1.Feel the instrument, hear what it says.
2.Feel the atmosphere of the place, catch the wave.
3.Switch on .Catch the moment!⚡️
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Make a choice!
✨Finding the observer, comes awareness!✨
This was just made to replace the older award called Objects Award for Elite Artists Artistic Creation Arts Group, made this version into art style and VIVID colors mixing.
There will be one more new one coming later on that will go with real photo's better for that group since it has mixing of art and photo's, it will be more like something i did for World of Artistic and Photography Artists where the award goes to both real and artistic.
Artistic Creation Award Theme Codes ➪ Click Here
“The object of art is not to reproduce reality, but to create a reality of the same intensity”
- Alberto Giacometti
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This shot was taken in San Diego Museum of Art, California
en.wikipedia.org/wiki/San_Diego_Museum_of_Art
Thanks to all for 20,000.000+ views, visits and kind comments...!!
Please don't use this image on websites, blogs or other media without my explicit permission.
© ALL RIGHTS RESERVED
This came second in the current Found Objects Exhibition at the Decagon Gallery www.decagongallery.com/found-objects
I made the faces from clay & cast them in plaster. They were burnt black in the studio fire in 2019, so I left them outside in the rain which has cleaned them up nicely.
Fuji X-E2 plus Helios 44M-7 at F11. I tend to think that I learn best (most thorough, that is) when I have to struggle with the matter. If the matter in hand does not put up resistance to understanding, there is nothing to learn. Can this relationship be transferred to photography? If it can, are those photos best where the photographer had to struggle with the resistance of the subject matter? Would this then exclude the "snapshot" - something that (quite unintentionally) might turn out as pretty good. It is at this stage that the issue of objectification pops up. Turning something or someone into a camera object means that photographers force their will upon a subject - breaking its resistance. Photography then becomes a oneway street and there is no communication or dialogue between photographer and subject. The result could be sentimental, even Kitsch, the proliferation of cliches and the like. Should we then apply a golden rule to photography, namely to treat our subject the same way we ourselves would like to be treated?