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Le Village souhaite être exemplaire dans la prise en charge des personnes souffrant d’Alzheimer. Dans cet objectif, les échanges avec d’autres pays menant des projets similaires sont particulièrement enrichissants (évolution des pratiques professionnelles, perception sociale de la maladie, etc.).
© Sébastien Zambon | Dpt 40
Yes, that is quite a collection. If you want to take a stroll through all the Ordinary Objects, visit www.ordinaryknitting.blogspot.com
Objects courtesy of the Australian History Museum, Macquarie University. Photographed by Ally Halliwell
Maker: William Downey (1829-1915) & Daniel Downey (1831-1881)
Born: UK
Active: UK
Medium: albumen print
Size: 5 1/2" x 3 5/8"
Location:
Object No. 2012.429
Shelf: D-7
Publication:
Other Collections:
Notes: Mr. J. M. Barrie" was the creator of Peter Pan. William Downey set up the company with his brother Daniel. They opened their first studio in 1863 on Eldon Square, Newcastle. In 1872 William moved to London to open a studio on Ebury Street, while his brother continued to look after the Newcastle branch. Among Queen Victoria's favourite photographers, the firm photographed at Balmoral and Frogmore throughout the late 1860s, particularly for the Prince of Wales. Their carte-de-visite portrait of the Princess of Wales with Princess Louise was one of the most popular ever issued, with sales of 300,000. William Downey's son, William Edward Downey, acted as operator for most royal sittings of the Edwardian era. (source: NPG)
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A Charcoal still life drawing of a set objects on a table, A3 size paper. ideas taken from artists influences Giorgio Morandi's work, I tried to do my own creative interpretation of is work combined by my own idea of viewing of shades, tones.
The effect of drawing set of objects with stroke marks in charcoal are my strengths and being able to make the drawings with light and dark shaded effects of the bottle on the wall looks like the shape of a guitar makes it a unique creativity, which is not the same way that it was on the picture of an art book.
My weakness in that work were the perspective and proportions of the objects. It drove me to develop my own approach style in artistic way.
but i like the the finish work as it took around 30 minutes to be done at home viewed from a picture of a painting. Created my own version in charcoal.
I placed the car on white paper however it seemed to have the correct white balance on the screen of my camera, looking at it here the white balance seems off and it looks more grayish than white... :<
The National Museum of Ireland: Archaeology is the national repository for all archaeological objects found in Ireland and home to over two million artefacts.
The museum's purpose is to collect, preserve, promote and exhibit all examples of Ireland’s portable material heritage and natural history.
Interpret and promote the collections and make them accessible to audiences at home and abroad
Be the authoritative voice on the relevant aspects of Irish heritage, culture and natural history.
Exhibitions include the finest collection of prehistoric gold artefacts in western Europe, outstanding examples of metalwork from the Celtic Iron Age and the Museum’s world-renowned collection of medieval ecclesiastical objects and jewellery.
Galeria Luiz Carlos Felizardo
5º FestFotoPoA
Festival Internacional de Fotografia de Porto Alegre/
International Photography Festival of Porto Alegre
Português
English
www.festfotopoa.com.br/?lang=en/
Spanish
Appareil : D3000
Objectif : 18-55
Une vue de l'Ermitage de ST Ferréol, sur les hauteur de Lorgues, dans le VAR (83)
Wedding of Joe Wright and Amy McGlothlin at St. Paul's Episcopal Church in Bedford, Mass. Wednesday, November 23, 2016.
Photo by James M. Patterson © 2016
image from the book "Object of Power"
available for order or FREE download at
jessedestasio.com/artwork/1416643_Objects_of_Power_The_Se...
or
www.lulu.com/product/paperback/objects-of-power-the-secre...
I love the wit and whimsy of Alice in Wonderland. Years ago I purchased a set of cardboard Alice in Wonderland ornaments. Not for Christmas, just because I liked them. They’ve been hanging on a ficus tree in our main room for years now. This shot purposefully included another favorite object in the background. A painting my daughter recently did of a street in Paris. The blurry colors and composition of the painting behind the White Rabbit lends a certain “Alice in Wonderland” flair I think.
Pikillaqta is a village of the Wari people. Wari was the center village and other cities like Pikillaqta were influenced from it. The Wari also inhabited many other sites around the area. The site was occupied from about 550 to 1100AD. Its main use was for ceremonies and the site was no complete when it was abandoned. Luis Valcarcel discovered the site of Pikillaqta in 1927. Extensive research was not done, Valcarcel just focused on the findings of two green-stoned figurines and his findings were not published until years later. Emilio Harth-Terre was next and published the ground plans of the site in 1959 but did not excavate. William Sanders looked at the surface remains of the architecture in the 1960s and split the site into more detailed proportions. He searched two buildings and only found a few artifacts. Mary Glowacki studied the site for ceramics in 1996.
Pikillaqta may have been a large feasting site. There was a large patio in the middle of the architectural structure that probably was the center of the administrative rituals and religious practices. Rulers and their kin would come together and feast and drink, and with the capacity of the patio, Pikillaqta could hold a ceremony for people from other Wari villages. Great amounts of native beer (chicha) was drank. Maize and chica were very important in rituals, they were sacred so they appeared often in ceremonies. Even though the patio was the main function of the ceremonies, other places of Pikillaqta show some important ceremonial use. Niched halls were important religious buildings also. There were 18 of these structures. The halls were looted but they may have held sacred objects and offerings once. In Wari art, ceremonies were depicted with a ceremonial pole coming out of the center of niched halls along with offerings, plants, and felines shown in a sacred context. The functions of the niched halls then were probably ceremonially and ritually used because the halls match up with other Wari sites and art. Small conjoint buildings were also present at the site for ritual use.
There were 501 structures of these rooms. A small number of people could gather here for ritual feasting on a smaller more private scale. Sector four of the small conjoint buildings could have been a place where mummies were held and visited. Small fire hearths were found in them where offerings to the deceased could have been done. The Wari thought it was important to keep in touch with the mummies so they could watch over the living so they were regularly visited. There were four chambers included in the small conjoint rooms an one contained a large stone that the Wari couldn't move. They built their structure around this and the rock was than probably used as a sacred object.
Pikillaqta was occupied from about 550-1100 AD and around 1100 AD is when it was ultimately abandoned. Reasoning for this is not exact but it could have been because of a crisis in the empire or that the Wari were trying to expand somewhere else than planning to comeback. There were two stages in the abandonment, the part where the Wari left and then a giant fire after that.
Today I accompanied Cal Poly professor Emily Taylor, her grad student, and a BLM biologist into the field to take pictures of their study animals.
They are conducting a radio-telemetry, thermoregulation study. They are investigating to see if this federally endangered species' behavior is altered due to the presence/absence of shade objects. They have attached to each lizard a radio and a temperature recorder, that sends temperatures to a radio station every 5 mins. Everyday they go out, find every collard animal, and record their behavior. To be honest I forgot to ask the conservation implications of the study, but one can assume that if shade objects make life better for this imperiled animal, that reintroducing native shrubs to this animal's range would be beneficial.