NegativeLabPro photos on Flickr

Frost by Matthew Bellemare

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Nikon FM3a | Nikon AF Nikkor 35mm f/2D | Kentmere Pan 400

Digitized with Nikon D7200 & Micro-Nikkor 55mm f/2.8 AI-s | Raleno PLV-S192 | Valoi 360 135 Holder

Home developed in Kodak HC-110 1+31 | 6:30/68F | Paterson Tank

Garage by Matthew Bellemare

Intrepid 4x5 MK4 | Fujinon SWD 1:5.6/90 | Fujifilm Fujicolor Pro 400H 400 | Toyo 69/45 Roll Film Holder

Scanned with Epson Perfection V800 Photo

Home developed in Arista C-41 | 3:30/102F | Paterson Tank

Colour negative film 1988 by alh1

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In the pool in Devon.

On Their Phones by Matthew Bellemare

Nikon FM3A | Cosina Voigtlander Color-Skopar 28mm f/2.8 SLII N Aspherical | Kentmere Pan 400

Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | CineStill CS-LITE | Valoi 360 135 Holder

Home developed in Kodak HC-110 1+31 | 6:30/68F | Paterson Tank

Jewelweed by Matthew Bellemare

Nikon FM3A | Cosina Voigtlander Color-Skopar 28mm f/2.8 SLII N Aspherical | Ilford Delta 3200

Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Raleno PLV-S192 | Valoi 360 120 Holder

Home developed in Kodak HC-110 1+15 | 8:00/68F | Paterson Tank

Trees and Rocks on Bear Hill, New England Trail by Matthew Bellemare

Intrepid 4x5 MK4 | Fujinon W 180mm 1:5.6 | Fomapan 100

Scanned with Epson Perfection V800 Photo

Home developed in Kodak HC-110 1+63 | 7:00/68F | SP-445 tank

Susu by Matthew Bellemare

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Nikon FM3A | Cosina Voigtlander Ultron 40mm f/2 SLII N Aspherical | Kodak Tri-X 400

Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Raleno PLV-S192 | Valoi 360 135 Holder

Home developed in Kodak HC-110 1+47 | 6:30/68F | Paterson Tank

Opening Presents by Matthew Bellemare

Nikon FM3A | Cosina Voigtlander Color-Skopar 28mm f/2.8 SLII N Aspherical | Kentmere Pan 400

Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | CineStill CS-LITE | Valoi 360 135 Holder

Home developed in Kodak HC-110 1+31 | 6:30/68F | Paterson Tank

Web Leaf [#0036008] by boodoo

Bergger400_800_mamiya_1-positive-Edit by Sean

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Mamiya C330 F | Mamiya Sekor 80mm f/2.8 | Bergger Pancro 400, +1 dev

I accidentally left this roll in my glovebox for the remainder of the summer, and developed it January of 2021

Home developed in Ilfotec DD-X 1+4 | 8min/20C

Joshua Tree and Mojave Yucca by Matthew Bellemare

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Chamonix 45F-2 | Schneider-Kreuznach Symmar-S 135mm f/5.6 | Ilford FP4 Plus 125 | Tiffen 29 Dark Red Filter

Digitized with Sony a7R III & FE 90mm f/2.8 Macro G OSS | Raleno PLV-S192 | Negative Supply 4x5 Film Holder

Home developed in Kodak HC-110 1+31 | 9:00/68F | SP-445 Tank

Colour negatives, Legoland 1990 by alh1

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Don and House by Matthew Bellemare

Intrepid 4x5 MK4 | Fujinon SWD 90mm f/5.6 | Arista EDU Ultra 100

Scanned with Epson Perfection V800 Photo

Home developed in Kodak HC-110 1+63 | 8:00/68F | SP-445 tank

Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: None

Philly Tweed Ride Portraits by Chad Hill

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Seneca 6 5x7 (restored), paper negatives

A Stump by Matthew Bellemare

Intrepid 4x5 MK4 | Fujinon W 180mm f/5.6 | Kodak Ektar 100

Scanned with Epson Perfection V800 Photo

Home developed in Arista C-41 | 3:30/102F | Paterson Tank

Negative Lab Pro v2.2.0 | Color Model: Basic | Pre-Sat: 3 | Tone Profile: Linear + Gamma | LUT: None

Poster [#0013001] by boodoo

Cambridge by Thomas Chen

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Nikon FM10 // Zeiss Planar T* 1.4/50 ZF.2 // Fuji Industrial 100

Digitized with Nikon D800 and Nikon AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED // Artograph Lightpad // Negative Supply Film Carrier MK

Negative Lab Pro v2.2.0 // Color Model: Noritsu // Pre-Sat: 3 // Tone Profile: LAB - Standard // WB: Fuji // LUT: Pakon

Leaves by Matthew Bellemare

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Fujifilm Klasse W | Kodak Tri-X 400

Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Raleno PLV-S192 | Valoi 360 135 Holder

Home developed in Kodak HC-110 1+47 | 6:30/68F | Paterson Tank

Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: None

Protoje Tuff Gong Studios 2018 (Kingston, Jamaica) by Nkosiart

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About Protoje CC: TIDAL BIO

A reggae revivalist with more of a roots influence than most, Jamaican singer Protoje rose to independent success in 2011 with the release of his debut full-length, The Seven Year Itch, and its hit single "Rasta Love," which featured Ky-Mani Marley. Subsequent hits helped elevate his status as an international reggae star and his sound took on more elements of rap and hip-hop on later releases like 2020's album In Search of Lost Time and 2022's Third Time's the Charm. Born Oje Ken Ollivierre, music was a constant in his early life, with his mother, Lorna Bennett, having scored a hit in 1972 with a reggae version of "Breakfast in Bed" and his father, Mike Ollivierre, a calypso singer from Saint Vincent. Protoje's first release, the 2005 mixtape Lyrical Overdose, Vol. 1, was more overtly hip-hop-influenced, though he began to work toward a reggae/roots sound over the next few years with his cousin, producer Don Corleon. Beginning with the 2009 track "Arguments," he issued a steady diet of singles in advance of his 2011 full-length debut, The Seven Year Itch. One of the album's singles, "Rasta Love" featuring Ky-Mani Marley, became an international hit, elevating his status as a budding star. Following the 2012 mixtape This Is Protoje, he delivered his follow-up album, 2013's The 8 Year Affair, which yielded another hit, "Kingston Be Wise," and charted throughout Europe and the U.S. Protoje's third album, 2015's Ancient Future, proved to be his breakout and, two weeks after its release, sat atop the Billboard reggae chart thanks in part to the Chronixx collaboration "Who Knows." A five-song EP, Royalty Free (Side B), was released as a free download on the singer's birthday in June 2016. Working again with producer Winta James and featuring a second collaboration with Chronixx in "No Guarantee," Protoje returned in 2018 with his fourth album, A Matter of Time, kicking off a series of introspective albums loosely based around the concept of time. It was followed in 2020 by his acclaimed fifth album, In Search of Lost Time. Featuring guest appearances from Popcaan, Koffee, Lila Iké, and American rapper Wiz Khalifa, it saw Protoje exploring more social and political issues than before. Closing out this informal trilogy of albums was 2022's Third Time's the Charm.~ Timothy Monger & David Jeffries

Nikon F3 / Kodak Ektar 100 Plustek 8300AI Scanner / Negative Lab Pro

www.Chancenkosigomez.com

www.Instagram.com/nkosiart

Nkosi.artiste@gmail.com

ABOUT THE ARTIST

Chance Nkosi Gomez known initiated by H.H Swami Jyotirmayanda as Sri Govinda walks an integral yogic path in which photography is the primary creative field of expression. The medium was introduced during sophomore year of high school by educator Dr. Devin Marsh of Robert Morgan Educational Center. Coming into alignment with light, its nature and articulating the camera was the focus during that time. Thereafter while completing a Photographic Technology Degree, the realization of what made an image “striking” came to the foreground of the inner dialogue. These college years brought forth major absorption and reflection as an apprentice to photographer and educator Tony A. Chirinos of Miami Dade College. The process of working towards a singular idea of interest and thus building a series became the heading from here on while the camera aided in cultivating an adherence to the present moment. The viewfinder resembles a doorway to the unified field of consciousness in which line, shape, form, color, value, texture all dissolve. It is here that the yogi is reminded of sat-chit-ananda (the supreme reality as all-pervading; pure consciousness). As of May 2024 Govinda has completed his 300hr yoga teacher training program at Sattva Yoga Academy studying from Master Yogi Anand Mehrotra in Rishikesh, India, Himalayas. This has strengthened his personal Sadhana and allows one to carry and share ancient Vedic Technology leading others in ultimately directing their intellect to bloom into intuition. As awareness and self-realization grows so does the imagery that is all at once divine in the mastery of capturing and controlling light. Over the last seven years he has self-published six photographic books, Follow me i’ll be right behind you (2017), Sonata - Minimal Study (2018), Birds Singing Lies (2018), Rwanda (2019), Where does the body begin? (2019) & Swayam Jyotis (2023). Currently, Govinda is employed at the Leica Store Miami as a camera specialist and starting his journey as a practitioner of yoga ॐ

Susu Under a Curtain by Matthew Bellemare

Nikon N80 | Kentmere Pan 400 @ 800

Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | CineStill CS-LITE | Valoi 360 135 Holder

Home developed in Kodak HC-110 1+31 | 9:30/68F | Paterson Tank

Satoshi at Jordan Pond by Matthew Bellemare

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Nikon FM3A | Nikon AF Nikkor 35mm f/2D | Kodak Ektachrome E100

Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Raleno PLV-S192 | Valoi 360 135 Holder

Home developed in Fujifilm Negacolor | 3:15/100F | Paterson Tank

Astley Park, Chorley by ohitchen

Astley Park, Chorley

Bronica SQ-Ai | Zenza Bronica 80mm f2.8 PS | Ilford HP5+ 400

Digitized with Nikon Z7 / 60mm Micro Nikkor | Raleno LED Light Panel | Home designed and 3D printed carrier for the Lomography Digitaliza 120 mask

Home developed in Kodak Xtol (Replenished) Stock | 8m at 20c | Ilford Standard Agitaion

Motipix 250D Fucked up Roll by Walter Bishop

Nikon F5 Nikon AF-S Nikkor 50mm F/1.8G UCB

Train Station by Thomas Chen

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Nikon FM10 // Zeiss Planar T* 1.4/50 ZF.2 // Fuji Industrial 100

Digitized with Nikon D800 and Nikon AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED // Artograph Lightpad // Negative Supply Film Carrier MK

Negative Lab Pro v2.2.0 // Color Model: Noritsu // Pre-Sat: 3 // Tone Profile: LAB - Standard // WB: Fuji // LUT: Crystal

Give a Hoot Car Show by lonnie.bruton

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Minolta Hi-Matic E | ROKKOR QF 40mm | Kodak Tri-X 400 400

Digitized with Canon EOS M200 | Negative Supply | Negative Supply 35mm

Home developed in Ilfosol 3 1:9 | 5:30 24C | Continious Rotation

Sapulpa on HP5+ by lonnie.bruton

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Fujifilm GA645Zi | Ilford HP5+ 400 @ @ 400

Digitized with Nikon Zf | NIKKOR Z MC 105/2.8 VR S | Negative Supply 97CRI | 3D Printed Block

Home developed in Kodak D-76 1:3 | 20min @ 20C | AGO Processor

100xx-040 by amy abrew

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Bikes, Beers, Tacos, downtown Boise, ID

stickering Boise project

Taken 10 April 2023

Leica m6

Leica Summicron 35 mm/2

Fuji Superia 400

Colour Negative July 1991 by alh1

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Silbury Hill from the main road. Taken by one of my children, probably my seven year old son.

Oranges by Matthew Bellemare

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Nikon N80 | Nikon AF Nikkor 50mm f/1.4D | Silberra Color 160

Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Raleno PLV-S192 | Valoi 360 135 Holder

Home developed in Fujifilm Negacolor | 3:15/100F | Paterson Tank

Last Shave by Matthew Bellemare

mobro.co/bellemarematt

Fujifilm Klasse W | Kodak Tri-X 400

Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Raleno PLV-S192 | Valoi 360 135 Holder

Home developed in Kodak HC-110 1+47 | 6:30/68F | Paterson Tank

Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear | WB: None

Egg by Matthew Bellemare

Nikon N80 | Nikon AF Nikkor 50mm f/1.4D | Kodak Gold 200 with Hanalogital Prism Effect

Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | CineStill CS-LITE | Valoi 360 135 Holder

Home developed in Fujifilm Negacolor | 3:15/100F | Paterson Tank

Satoshi by Matthew Bellemare

Nikon FM3A | Cosina Voigtlander Color-Skopar 28mm f/2.8 SLII N Aspherical | Kodak Tri-X 400

Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Raleno PLV-S192 | Valoi 360 120 Holder

Home developed in Kodak HC-110 1+47 | 6:30/68F | Paterson Tank

Potato by Matthew Bellemare

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Nikon N80 | Nikon AF Nikkor 50mm f/1.4D | Kentmere Pan 400

Digitized with Nikon D7200 & Micro-Nikkor 55mm f/2.8 AI-s | Raleno PLV-S192 | Valoi 360 135 Holder

Home developed in Kodak HC-110 1+31 | 6:30/68F | Paterson Tank

Hat for a Cat by Matthew Bellemare

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Nikon FM3A | Cosina Voigtlander Color-Skopar 28mm f/2.8 SLII N Aspherical | Ilford Delta 3200

Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | CineStill CS-LITE | Valoi 360 135 Holder

Home developed in Kodak HC-110 1+15 | 8:00/68F | Paterson Tank

Clouds by Matthew Bellemare

Nikon FM3A | Cosina Voigtlander Color-Skopar 28mm f/2.8 SLII N Aspherical | Kodak Gold 200 | Charoite A Filmsoup From Hanalogital

Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | CineStill CS-LITE | Valoi 360 126 Holder

Home developed in Fujifilm Negacolor | 3:15/100F

Anamorphic Medium Format by Alex Horner

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Security [#0036006] by boodoo

View from Mount Equinox by Matthew Bellemare

Intrepid 4x5 MK4 | Fujinon W 1:5.6/180 | Ilford FP4 Plus 125 | Tiffen 23A Red Filter

Scanned with Epson Perfection V800 Photo

Home developed in Kodak HC-110 1+31 | 9:00/68F | SP-445 tank

Wind Turbine by Matthew Bellemare

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Chamonix 45F-2 | Fujinon W 180mm f/5.6 | Ilford FP4 Plus 125 | Tiffen 29 Deep Red Filter

Digitized with Sony a7R III & FE 90mm f/2.8 Macro G OSS | Raleno PLV-S192 | Negative Supply 4x5 Film Holder

Home developed in Kodak HC-110 1+31 | 9:30/68F | Paterson Tank, AGO Film Processor

Snow by Matthew Bellemare

Nikon FM3A | Cosina Voigtlander Color-Skopar 28mm f/2.8 SLII N Aspherical | Kodak Gold 200 | Charoite A Filmsoup From Hanalogital

Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | CineStill CS-LITE | Valoi 360 126 Holder

Home developed in Fujifilm Negacolor | 3:15/100F

r010-04 by Sheel Kapur

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Leica M3 | Zeiss Planar T* 50mm F2.0 ZM | Fuji Neopan Acros II 100

Scanned with Epson v800 | Epson Stock

Kodak HC110 B

Vacuums by Matthew Bellemare

Nikon FM3a | Nikon AF Nikkor 35mm f/2D | Kentmere Pan 400

Digitized with Nikon D7200 & Micro-Nikkor 55mm f/2.8 AI-s | Raleno PLV-S192 | Valoi 360 135 Holder

Home developed in Kodak HC-110 1+31 | 6:30/68F | Paterson Tank

Susu by Matthew Bellemare

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Fujifilm Klasse W | Kodak Tri-X 400

Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Raleno PLV-S192 | Valoi 360 120 Holder

Home developed in Kodak HC-110 1+47 | 6:30/68F | Paterson Tank

Kali and Zach Blindfolded by Matthew Bellemare

Fujifilm Klasse W | Kodak TRI-X 400

Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Raleno PLV-S192 | Valoi 360 135 Holder

Home developed in Kodak HC-110 1+47 | 6:30/68F | Paterson Tank

Winta James Tuff Gong Studios (Kingston, Jamaica) by Nkosiart

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About Winta James cc: TIDAL BIO

Prolific producer and Overstand Entertainment label founder, Jamaica’s Winta James, is shaping the sound of this generation of reggae music. Producing a number of today’s biggest reggae hits, “Here Comes Trouble” by Chronixx, “Who Knows” by Protoje, and “Modern Day Judas” by Jesse Royal, to name a few, James has a knack for pushing the island’s rich sound forward. From these heavy hitters of today to established acts like Tarrus Riley and Damian Marley and emerging artists like Sevana, step into the highlights of Winta James’ extensive catalog.

Nikon F3 / Kodak Ektar 100 Plustek 8300AI Scanner / Negative Lab Pro

www.Chancenkosigomez.com

www.Instagram.com/nkosiart

Nkosi.artiste@gmail.com

ABOUT THE ARTIST

Chance Nkosi Gomez known initiated by H.H Swami Jyotirmayanda as Sri Govinda walks an integral yogic path in which photography is the primary creative field of expression. The medium was introduced during sophomore year of high school by educator Dr. Devin Marsh of Robert Morgan Educational Center. Coming into alignment with light, its nature and articulating the camera was the focus during that time. Thereafter while completing a Photographic Technology Degree, the realization of what made an image “striking” came to the foreground of the inner dialogue. These college years brought forth major absorption and reflection as an apprentice to photographer and educator Tony A. Chirinos of Miami Dade College. The process of working towards a singular idea of interest and thus building a series became the heading from here on while the camera aided in cultivating an adherence to the present moment. The viewfinder resembles a doorway to the unified field of consciousness in which line, shape, form, color, value, texture all dissolve. It is here that the yogi is reminded of sat-chit-ananda (the supreme reality as all-pervading; pure consciousness). As of May 2024 Govinda has completed his 300hr yoga teacher training program at Sattva Yoga Academy studying from Master Yogi Anand Mehrotra in Rishikesh, India, Himalayas. This has strengthened his personal Sadhana and allows one to carry and share ancient Vedic Technology leading others in ultimately directing their intellect to bloom into intuition. As awareness and self-realization grows so does the imagery that is all at once divine in the mastery of capturing and controlling light. Over the last seven years he has self-published six photographic books, Follow me i’ll be right behind you (2017), Sonata - Minimal Study (2018), Birds Singing Lies (2018), Rwanda (2019), Where does the body begin? (2019) & Swayam Jyotis (2023). Currently, Govinda is employed at the Leica Store Miami as a camera specialist and starting his journey as a practitioner of yoga ॐ

The Moon Rising Behind Trees by Matthew Bellemare

Nikon FM3A | Cosina Voigtlander Color-Skopar 28mm f/2.8 SLII N Aspherical | Lomography Lomochrome Turquiose 100-400 @ 400

Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Raleno PLV-S192 | Valoi 360 120 Holder

Home developed in Fujifilm Negacolor | 3:15/100F | Paterson Tank

Walking Up the Larkin by Matthew Bellemare

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Fujifilm Klasse W | Arista EDU Ultra 400 @ 250

Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Raleno PLV-S192 | Valoi 360 135 Holder

Home developed in Kodak HC-110 1+31 | 6:30/68F | Paterson Tank

Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear + Gamma

Satoshi and Matt Opening Stockings by Matthew Bellemare

Nikon N80 | Tamron SP 35mm F/1.8 Di VC USD | Kodak Gold 200

Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Raleno PLV-S192 | Kamerakraft

Home developed in Arista C-41 | 4:13/102F | Paterson 3 Tank

Astley Park, Chorley by ohitchen

Astley Park, Chorley

Bronica SQ-Ai | Zenza Bronica 80mm f2.8 PS | Ilford HP5+ 400

Digitized with Nikon Z7 / 60mm Micro Nikkor | Raleno LED Light Panel | Home designed and 3D printed carrier for the Lomography Digitaliza 120 mask

Home developed in Kodak Xtol (Replenished) Stock | 8m at 20c | Ilford Standard Agitaion

r010-19 by Sheel Kapur

Leica M3 | Zeiss Planar T* 50mm F2.0 ZM | Fuji Neopan Acros II 100

Scanned with Epson v800 | Epson Stock

Kodak HC110 B

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