View allAll Photos Tagged NegativeLabPro
New York City, NY
Taken 10 August 2024
Mamiya 7ii
Mamiya 43mm f/4.5
Kodak Portra 800
Scanned with DSLR
Home developed
Cinestill CS41
3 min 30 sec
downtown Boise, ID
Taken 9 February 2024
Leica m6
Leica Summicron 35mm/2
Ilford HP5 Plus 400
Home developed
Kodak D76
Kodak Ektar 100 (exp. 2004) @50
Mamiya RB67 with a defective magazine
127mm
Scan:
Sony A7ii
FD Vivitar 100mm 2.8 @f/8
Negative Lab Pro
- Nikon F2A Photomatic
- Nikkor 50mm AIS f/1.4
- Reflx Lab 800
*Home developed with Flic Film C-41
*Scanned with Plustek OpticFilm 8200i SE
*Converted with Negative Lab Pro
Negative Lab Pro v2.2.0 | Color Model: Frontier | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: Auto-Neutral | LUT: Frontier
light the (door) way
alley downtown, Boise, ID
Taken 29 June 2023
Leica m3
Leica Summicron 50mm Dual Range
JCH StreetPan 400
summer in Boise, downtown
Taken 9 September 2023
Rolleiflex 3.5F
Zeiss Planar 75mm/3.5
Kodak Tri-X 400
Red filter
Home developed
Ilford Ilfotec DD-X 1:4
- Nikon F2A Photomatic
- Nikkor 50mm AIS f/1.4
- Kodak Gold 200
*Home developed with Flic Film C41
*Scanned with Plustek OpticFilm 8200i SE
*Converted with Negative Lab Pro
Negative Lab Pro v2.3.0 | Color Model: Noritsu | Pre-Sat: 4 | Tone Profile: Cinematic - Rich | WB: Cine-D | LUT: Pakon
Nikon N80 | Nikon AF-S Zoom-Nikkor 80-200mm f/2.8D IF-ED | Kodak UltraMax 400
Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Raleno PLV-S192 | Valoi 360 135 Holder
Home developed in Fujifilm Negacolor | 3:15/100F | Paterson Tank
Negative Lab Pro v2.3.0 | Color Model: Basic | Pre-Sat: 3 | Tone Profile: Linear Deep | WB: Auto-Neutral | LUT: None
Fujifilm GA645Zi | Ilford HP5+ 400 @ @ 400
Digitized with Nikon Zf | NIKKOR Z MC 105/2.8 VR S | Negative Supply 97CRI | 3D Printed Block
Home developed in Kodak D-76 1:3 | 20min @ 20C | AGO Processor
Negative Lab Pro v3.0.2 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: None | LUT: Frontier
Nikon FE2 / Flic Film Elektra 100 for EI 400
CineStill C-41 (4m:20s @ 100F)
Konica Minolta DiMAGE SE5400II => VueScan => NegativeLabPro 3.0.2
Blackpool Seafront
Bronica SQ-Ai | Zenza Bronica 80mm f2.8 PS | Ilford HP5+ 400
Digitized with Nikon Z7 / 60mm Micro Nikkor / Negative Supply Pro Riser MK3 | Raleno LED Light Panel | Lomography Digitaliza
Home developed in Adox XT-3 Replenished Stock | 8m 30s at 20c | Ilford Standard Agitaion
Negative Lab Pro v2.4.2 | Color Model: None | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: None | LUT: None
Hasselblad 501CM | Zeiss Makro-Planar 4/120 CFI | Kodak Plus-X 125
Digitized with Nikon D750 w/55 3.5 | Raleno LED Panel | Essential Film Holder V3
Home developed in Kodak HC-110 Dil. E (1+47) | 12minutes 18C
Negative Lab Pro v2.2.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: Auto-Neutral | LUT: Frontier
Nikon F3 / Kodak Ektar 100 Plustek 8300AI Scanner / Negative Lab Pro
Nkosi.artiste@gmail.com
ABOUT THE ARTIST
Chance Nkosi Gomez known initiated by H.H Swami Jyotirmayanda as Sri Govinda walks an integral yogic path in which photography is the primary creative field of expression. The medium was introduced during sophomore year of high school by educator Dr. Devin Marsh of Robert Morgan Educational Center. Coming into alignment with light, its nature and articulating the camera was the focus during that time. Thereafter while completing a Photographic Technology Degree, the realization of what made an image “striking” came to the foreground of the inner dialogue. These college years brought forth major absorption and reflection as an apprentice to photographer and educator Tony A. Chirinos of Miami Dade College. The process of working towards a singular idea of interest and thus building a series became the heading from here on while the camera aided in cultivating an adherence to the present moment. The viewfinder resembles a doorway to the unified field of consciousness in which line, shape, form, color, value, texture all dissolve. It is here that the yogi is reminded of sat-chit-ananda (the supreme reality as all-pervading; pure consciousness). As of May 2024 Govinda has completed his 300hr yoga teacher training program at Sattva Yoga Academy studying from Master Yogi Anand Mehrotra in Rishikesh, India, Himalayas. This has strengthened his personal Sadhana and allows one to carry and share ancient Vedic Technology leading others in ultimately directing their intellect to bloom into intuition. As awareness and self-realization grows so does the imagery that is all at once divine in the mastery of capturing and controlling light. Over the last seven years he has self-published six photographic books, Follow me i’ll be right behind you (2017), Sonata - Minimal Study (2018), Birds Singing Lies (2018), Rwanda (2019), Where does the body begin? (2019) & Swayam Jyotis (2023). Currently, Govinda is employed at the Leica Store Miami as a camera specialist and starting his journey as a practitioner of yoga ॐ
Leica M6 Re-Issue / Leica 21mm Super-Elmar f/3.4 / Kodak Ektar 100 Plustek 8300AI Scanner / Negative Lab Pro
Nkosi.artiste@gmail.com
ABOUT THE ARTIST
Chance Nkosi Gomez known initiated by H.H Swami Jyotirmayanda as Sri Govinda walks an integral yogic path in which photography is the primary creative field of expression. The medium was introduced during sophomore year of high school by educator Dr. Devin Marsh of Robert Morgan Educational Center. Coming into alignment with light, its nature and articulating the camera was the focus during that time. Thereafter while completing a Photographic Technology Degree, the realization of what made an image “striking” came to the foreground of the inner dialogue. These college years brought forth major absorption and reflection as an apprentice to photographer and educator Tony A. Chirinos of Miami Dade College. The process of working towards a singular idea of interest and thus building a series became the heading from here on while the camera aided in cultivating an adherence to the present moment. The viewfinder resembles a doorway to the unified field of consciousness in which line, shape, form, color, value, texture all dissolve. It is here that the yogi is reminded of sat-chit-ananda (the supreme reality as all-pervading; pure consciousness). As of May 2024 Govinda has completed his 300hr yoga teacher training program at Sattva Yoga Academy studying from Master Yogi Anand Mehrotra in Rishikesh, India, Himalayas. This has strengthened his personal Sadhana and allows one to carry and share ancient Vedic Technology leading others in ultimately directing their intellect to bloom into intuition. As awareness and self-realization grows so does the imagery that is all at once divine in the mastery of capturing and controlling light. Over the last seven years he has self-published six photographic books, Follow me i’ll be right behind you (2017), Sonata - Minimal Study (2018), Birds Singing Lies (2018), Rwanda (2019), Where does the body begin? (2019) & Swayam Jyotis (2023). Currently, Govinda is employed at the Leica Store Miami as a camera specialist and starting his journey as a practitioner of yoga ॐ
Nikon FE2 | Nikkor 55mm f/3.5 Micro | Ilford HP5+ 400 @ 800, +1 dev
Scanned with GFX 50S with Pentax 120mm f/4 Macro | Kaiser Slimlite Plano | Kamerakraft FSC1 Pro
Home developed in Ilfotec DD-X 1:4 | 10 minutes @ 20ºC
Negative Lab Pro v2.2.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: None | LUT: Frontier
Intrepid 4x5 MK4 | Fujinon W 1:5.6/180 | Kodak Ektar 100
Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Raleno PLV-S192 | pixl-latr
Home developed in Arista C-41 | 4:23/102F | SP-445 tank
Negative Lab Pro v2.2.0 | Color Model: Basic | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: Kodak | LUT: None
Voigtlander R2M / Tri-x400 / Negative Lab Pro / Plustek 8300 AI
Nkosi.artiste@gmail.com
ABOUT THE ARTIST
Chance Nkosi Gomez known initiated by H.H Swami Jyotirmayanda as Sri Govinda walks an integral yogic path in which photography is the primary creative field of expression. The medium was introduced during sophomore year of high school by educator Dr. Devin Marsh of Robert Morgan Educational Center. Coming into alignment with light, its nature and articulating the camera was the focus during that time. Thereafter while completing a Photographic Technology Degree, the realization of what made an image “striking” came to the foreground of the inner dialogue. These college years brought forth major absorption and reflection as an apprentice to photographer and educator Tony A. Chirinos of Miami Dade College. The process of working towards a singular idea of interest and thus building a series became the heading from here on while the camera aided in cultivating an adherence to the present moment. The viewfinder resembles a doorway to the unified field of consciousness in which line, shape, form, color, value, texture all dissolve. It is here that the yogi is reminded of sat-chit-ananda (the supreme reality as all-pervading; pure consciousness). As of May 2024 Govinda has completed his 300hr yoga teacher training program at Sattva Yoga Academy studying from Master Yogi Anand Mehrotra in Rishikesh, India, Himalayas. This has strengthened his personal Sadhana and allows one to carry and share ancient Vedic Technology leading others in ultimately directing their intellect to bloom into intuition. As awareness and self-realization grows so does the imagery that is all at once divine in the mastery of capturing and controlling light. Over the last seven years he has self-published six photographic books, Follow me i’ll be right behind you (2017), Sonata - Minimal Study (2018), Birds Singing Lies (2018), Rwanda (2019), Where does the body begin? (2019) & Swayam Jyotis (2023). Currently, Govinda is employed at the Leica Store Miami as a camera specialist and starting his journey as a practitioner of yoga ॐ
Kodak Ektar 100 (exp. 2004) @50
Mamiya RB67 with a defective magazine
127mm
Scan:
Sony A7ii
FD Vivitar 100mm 2.8 @f/8
Negative Lab Pro
At the corner of 8th and Broad, Boise, ID
Taken 1 September 2023
Rolleiflex 3.5F
Zeiss Planar 75mm/ 3.5
Japan Camera Hunter StreetPan
Home Developed Ilford Ilfotec-DDX 1:4
- Nikon F2A Photomatic
- Nikkor 50mm AIS f/1.4
- Reflx Lab 800 (Kodak Vision3 500T 5219/7219)
*Home developed with Flic Film C-41
*Scanned with Plustek OpticFilm 8200i SE
*Converted with Negative Lab Pro
Fujifilm Klasse W | Kodak Tri-X 400
Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Raleno PLV-S192 | Valoi 360 120 Holder
Home developed in Kodak HC-110 1+47 | 6:30/68F | Paterson Tank
Negative Lab Pro v2.4.2 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: Auto-Neutral | LUT: None
12th Street Laundromat
North End, Boise, ID
Well, look at this disaster. This is what I got back from the lab. And this is not the scan. This is all visible on the negative. Some on the roll are worse, some have none of these horizontal lines. You can also see smudges from what I can only ascertain from my little knowledge resulted from improper wetting agent or squeegeeing. I have no idea what the horizontal lines are from.
What I do know is that I had a goal to learn developing this summer. These ruined negatives, along with several other rolls of film with massive problems, have been a great thing. It's good because it has motivated me to go after that goal. I bit the bullet and have taken a deep dive on what supplies I need and what you do to develop at home. I'm going to make way more mistakes than my lab, but at least they are my mistakes. I certainly will take more care with my work than this lab does. That gives me a leg up to get some decent results eventually. So, I'm taking a deep breath and just doing it.
Taken 25 July 2023
Hasselblad 500cm
Hasselblad Ziess Planar 80mm/2.8
Lomography Potsdam BW 100
Intrepid 4x5 MK4 | Fujinon SWD 1:5.6/90 | Kodak Portra 160
Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Raleno PLV-S192 | pixl-latr
Home developed in Arista C-41 | 4:23/102F | SP-445 tank
Negative Lab Pro v2.2.0 | Color Model: Basic | Pre-Sat: 3 | Tone Profile: LAB - Highlight Soft | LUT: Frontier
Intrepid 4x5 MK4 | Nikon Nikkor SW 65mm f/4 | Ilford HP5 Plus 400
Scanned with Epson Perfection V800 Photo
Home developed in Kodak HC-110 1+31 | 5:00/68F | SP-445 Tank
Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: Auto-Neutral | LUT: None
Intrepid 4x5 MK4 | Fujinon W 180mm f/5.6 | Arista EDU Ultra 100
Scanned with Epson Perfection V800 Photo
Home developed in Kodak HC-110 1+63 | 8:00/68F | SP-445 tank
Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: None
Nikon N80 | Nikon AF Nikkor 35mm f/2D | Kodak UltraMax 400
Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Raleno PLV-S192 | Valoi 360 135 Holder
Home developed in Fujifilm Negacolor | 3:15/100F | Paterson Tank
Negative Lab Pro v2.3.0 | Color Model: Basic | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: Auto-AVG | LUT: None
Nikon FM3A | Cosina Voigtlander Color-Skopar 28mm f/2.8 SLII N Aspherical | Kodak Tri-X 400
Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Raleno PLV-S192 | Valoi 360 135 Holder
Home developed in Kodak HC-110 1+47 | 6:30/68F | Paterson Tank
Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: None | LUT: None
Intrepid 4x5 MK4 | Fujinon W 180mm f/5.6 | Kodak Ektar 100 | Toyo 69/45 Roll Film Holder
Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Raleno PLV-S192 | Valoi 360 120 Holder
Home developed in Arista C-41 | 3:59/102F | Paterson Tank
Negative Lab Pro v2.2.0 | Color Model: Basic | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: Auto-AVG | LUT: None
Nikon FM3a | Nikon AF Nikkor 28mm f/2.8D | Kentmere Pan 400
Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Raleno PLV-S192 | Valoi 360 135 Holder
Home developed in Kodak HC-110 1+31 | 6:30/68F | Paterson Tank
Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: None | LUT: None
Intrepid 4x5 MK4 | Fujinon W 1:5.6/180 | Kodak Portra 160
Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Raleno PLV-S192 | pixl-latr
Home developed in Arista C-41 | 4:23/102F | SP-445 tank
Negative Lab Pro v2.2.0 | Color Model: Basic | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: Auto-Warm | LUT: Frontier
- Nikon F2A Photomatic
- Nikkor 28mm AI f/3.5
- Popho Luminar 100
*Home developed with Flic Film C-41
*Scanned with Plustek OpticFilm 8200i SE
*Converted with Negative Lab Pro
In some lucky twist of fate I was able to find the 35 pano adapter for the Mamiya. This basically turns the Mamiya into an xpan. You shoot a double frame on 35mm film. I made a pretty low offer on it and by a stroke of luck the seller took it.
I tried it out yesterday. There are definitely some quirks to it that I have to discern what is the camera, what is the adapter, and what is my error, but it is pretty cool. It definitely was awesome to go out and shoot these, develop and scan all in a matter of hours.
This foothill behind our house is slowly being encroached by new homes. I wish I would have taken a shot of it bare when we moved here 10 years ago. It has changed so much.
Taken 16 March 2024
Mamiya 7ii
Mamiya 80mm f/4 with panoramic adapter
JCH Streetpan 400
Home developed
Ilford Ilfotec DD-X 1:4 9:54/20
Nikon FM3A | Cosina Voigtlander Ultron 40mm f/2 SLII N Aspherical | Kodak Tri-X 400
Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Raleno PLV-S192 | Valoi 360 135 Holder
Home developed in Kodak HC-110 1+47 | 6:30/68F | Paterson Tank
Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: None | LUT: None
Nikon FM3A | Cosina Voigtlander Ultron 40mm f/2 SLII N Aspherical | Lomography Lomochrome Turquiose 100-400 @ 400
Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Raleno PLV-S192 | Valoi 360 120 Holder
Home developed in Fujifilm Negacolor | 3:15/100F | Paterson Tank
Negative Lab Pro v2.4.2 | Color Model: Basic | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: Auto-Neutral | LUT: None
Fujifilm Klasse W | Ferrania P30 80
Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Raleno PLV-S192 | Kamerakraft
Home developed in Kodak HC-110 1+63 | 12:00/68F | Paterson Tank
Negative Lab Pro v2.2.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: Auto-Neutral | LUT: None
Intrepid 4x5 MK4 | Fujinon W 180mm f/5.6 | Kodak Ektar 100 | Toyo 69/45 Roll Film Holder
Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Raleno PLV-S192 | Valoi 360 120 Holder
Home developed in Arista C-41 | 3:59/102F | Paterson Tank
Negative Lab Pro v2.2.0 | Color Model: Basic | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: Auto-AVG | LUT: None