View allAll Photos Tagged NegativeLabPro
Pentax LX | Pentax Fa 43mm F1.9 limited | Ildford Pan F Plus 50
Scanned with Pentax K1 FA Macro 50mm at F8 | Led Tablet | Essential Film Holder
Negative Lab Pro v2.2.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: Auto-Neutral | LUT: None
Bronica RF645 | Fuji Pro 400H
Scanned with Sony A7RIII & Sigma 70mm macro
Converted with Negative Lab Pro
IG: @e.vondell
Camera: Fuji GA645Zi
Lens:Super-EBC Fujinon Zoom Lens 1:4.5-6.9 f=55-90mm
Shot on Shanghai GP3 100 220 at EI 100, developed in 510-Pyro (1+300) for 90 minutes. Agitation: 1 inversion every 15 min
57 year old Tri-X with develop by date: Dec 1964. Shot and developed Aug 2021. Negative Lab Pro v2.2.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: Auto-Neutral | LUT: Frontier
Crossing the Pennsylvania Railroad Connecting River Bridge in Philadelphia
Leica M7
Leica 35mm Summicron
Ilford XP2 400
Linhof Technorama 617s III | Schneider Apo-Symmar L 180mm f/5.6 | Ilford SFX 200 R72 Infrared Filter
- Fujica GW690III
- Kodak Portra 160
- Home developed with Tetenal C- 41
- Scanned using Epson V600 and Vuescan
- Negative converted using Negative Lab Pro
Pentax LX | Pentax Fa 43mm F1.9 limited | Ildford XP2 400
Scanned with Pentax K1 FA Macro 50mm at F8 | Essential Film Holder
Nikon FE2 | Nikkor 50mm f/1.4 | Ilford HP5+ 400 @ 1600, +2 dev
Digitized with Nikon Z6 II with 55mm f/3.5 and ext. tube | Kaiser Slimlite Plano | Essental Film Holder v3
Home developed in HC-110 1:31 | 11 minutes @ 20ºC
Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: Auto-Neutral | LUT: Frontier
Pentax LX | Pentax Fa 43mm F1.9 limited | Ildford XP2 400
Scanned with Pentax K1 FA Macro 50mm at F8 | Essential Film Holder
This was taken at Fjadrargljufur Canyon.
Taken with a Canon A-1, 50mm f/1.8 (maybe the 135mm f/2.5), Kodak T-Max 400. The negative was “scanned” using a Nikon D7000 and edited in Lightroom.
Ilford HP5+ pushed 2 stops. Scanned using Minolta Dualscan 3 and Negative Lab Pro.
Edits to levels contrast and vignette.
Kiev 6C | Zeiss Biometar 80m f/2.8 | Lomography 800 800
Scanned with Canoscan 8800f | 120 w/ acrylic ANR sheet
Home developed in Unicolor C-41 | 102 degrees / 3:30 min | Agitation
Pentax LX | Pentax Fa 43mm F1.9 limited | Ildford XP2 400
Scanned with Pentax K1 FA Macro 50mm at F8 | Essential Film Holder
Negative Lab Pro v2.2.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: Auto-Neutral | LUT: None
- Fujica GW690III
- Kodak Gold 200
- Home developed with Unicolor C- 41
- Scanned using Epson V600 and Vuescan
- Negative converted using Negative Lab Pro
Photo of Bremen Teater in Copenhagen shot on Cinestill 800t on a rainy evening. Check out my blog post about Contax Aria and my view on the C/Y mount.
Camera: Contax Aria
Lens: Carl Zeiss Planar 50mm f1.4 @ f1.4 1/60 sec.
Film: Cinestill 800t
Scanned with: Fujifilm X-H1 + Fujifilm XF 80mm f2.8 macro + Valoi Easy35 + Negative Labs Pro
The photo is Creative Commons license: use it for free, but please credit my name and link to my website kristoffertrolle.com
Keywords: Bremen Teater, rain, regn, neon, light, København, Copenhagen, Denmark, Danmark, Cinestill, Cinestill 800t, analog film, Contax Aria, Contax Carl Zeiss Planar 50mm f1.4
This is from an ongoing project I am doing entitled "reflectives". It is exploring the idea of reflections in relationship with perspectives. In an ever-growing divisive world I'm always intrigued by the variety of perspectives people have.
downtown boise, id
taken 7 march 2025
mamiya 7ii
mamiya 65mm f/4
kodak ektar 100
+2 dev
Scanned with dslr
Home developed
cinestill cs41
pushed 2 stops
4 min 55 sec
A view down the platform from the old Shannon railway station.
Pentax 645N
Pentax-FA 645 45-85mm
Ilford 120 HP5 Plus 400
Home Developed
Cinestill DF96 / 6 mins @ 27deg C
Camera Scanned
Sony A7M3 / SEL90M28 Macro
Essential Film Holder
Kaiser Copy Stand
Converted in Negative Lab Pro
© Dominic Scott 2024
Agnes
Taken 3 March 2024
Mamiya 7ii
Mamiya 50mm/4.5
Cinestill 400D
Home Developed
Cinestill CS41
3 min 30 sec
Canon Canonet QL17
40mm f1.7
Kodak ColorPlus 200
2023-05
The Chita Peninsula, as well as the Ise Bay Area as a whole, are very peaceful on early summer evenings. This roll was the first I shot with the Canonet Ql17, and remains one of my favorites.
While I have effectively moved to using FilmLab App for inverting, I thought I would post these photos as is, which is to say, processed with Negative Lab Pro in a fully Lightroom Classic environment. My results for this roll are generally the same regardless of whether I use Film Lab or Negative Lab Pro. The main difference I find is that FilmLab renders greens more faithfully to what you would expect from ColorPlus 200, whereas NLP adds a lot of yellow into the greens.
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知多半島も、伊勢湾エリア全体も、初夏の夕方はすごく穏やかで気持ちいい。このロールはCanonet QL17で初めて撮ったやつで、今でもお気に入りのひとつ。
最近はフィルムの反転にFilmLabアプリを使うようになったけど、今回はあえてそのまま、つまりLightroom ClassicだけでNegative Lab Proを使って仕上げた写真を載せてみた。このロールに関しては、FilmLabでもNLPでも仕上がりにそんな大きな違いはないかな。違いがあるとすれば、FilmLabのほうがColorPlus 200らしいグリーンを出してくれて、NLPはちょっと黄色っぽくなる感じ。
- Fujica GW690III
- Cinestill 800T shot at ISO 1600
- Home developed with Tetenal C- 41
- Scanned using Epson V600 and Vuescan
- Negative converted using Negative Lab Pro
- Mamiya RB67 Pro SD with K/L 90mm f/3.5
- Kodak Portra 400 metered at 800
- Home developed with Flic Film C-41
- Scanned using Epson V600 and Vuescan
- Negative converted using Negative Lab Pro