View allAll Photos Tagged NegativeLabPro

Most of our time in Grand Teton National Park was impacted by a thick haze from the wildfires, which made the mountains look like ghosts. Thankfully at the end of our trip rainfall had washed away a lot of the haze, so we could see the mountains that had been hidden earlier in the week.

 

Leica M6

Ilford XP2 400

  

Meadowlands in New Jersey

 

Contax T2

Fujicolor 200

Olympus Stylus 120 | Kodak Ultramax 400

Scanned with Sony A7RIII & Sigma 70mm macro

Converted with Negative Lab Pro

 

IG: @e.vondell

Linhof Technorama 617s III | Schneider Apo-Symmar L 180mm f/5.6 | Kodak Aerocolor IV 2460 100

  

Chinatown, NYC

 

Leica M7

Konica M-Hexanon 28mm | Ilford XP2 400

Statue in from the Alexander Hamilton US Customs House

 

Designed by Daniel Chester French

 

Leica M7

Leica 35mm Summicron

Ilford XP2 400

 

Linhof Technorama 617s III | Schneider Apo-Symmar L 180mm f/5.6 | Ilford SFX 200 R72 Infrared Filter

  

Negative Lab Pro v3.0.2 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: None | LUT: Frontier

 

Leica M4-P | Voightlander | Ilford HP5+ 400

 

Scanned with Fujifilm XT 4 | Valoi | Valoi easy 35

 

Home developed in HC110 B | 6 min | Hand

 

Negative Lab Pro v3.0.2 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: None | LUT: Frontier

Rivercross Cooperative

Roosevelt Island

 

Contax G2

Kodak Portra 400

  

Nikon FM3A + 85mm | Kodak Portra 800

Scanned with Sony A7RIII & Sigma 70mm macro

Converted with Negative Lab Pro

Linhof Technorama 617s III | Schneider Apo-Symmar L 180mm f/5.6 | Kodak Portra 160

  

Sun Ray Cafe. It has closed and a new restaurant will be moving in.

 

Taken 24 January, 2023

 

Leica m6

Leica Summicron 35mm/2

Kodak Portra 400

Olympus OM-2n | Zuiko 50mm f/1.4 | Ilford HP5+ 400

 

Digitized with Nikon Z6 II with 55mm f/3.5 and ext. tube | Kaiser Slimlite Plano | Essental Film Holder v3

 

Home developed in HC-110 1:63 | 11 minutes @ 20ºC

 

Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Highlight Soft | WB: Auto-Neutral | LUT: Frontier

Nikon FE2 | Nikkor 50mm f/1.4 | Ilford FP4+ 125

 

Digitized with Nikon Z6 II with 55mm f/3.5 and ext. tube | Kaiser Slimlite Plano | Essental Film Holder v3

 

Rodinal 1:50 | 15 minutes @ 20ºC

 

Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: Auto-Neutral | LUT: Frontier

Boise, ID

 

Taken 6 April 2023

 

Leica m6

Leica Summicron 35mm/2

Kodak T Max 400

Olympus mju-II

Fomapan 200

Rodinal 1+50

Silverfast 8

Negative Lab Pro

Nikon F6 | Kodak Pro Image 100

Linhof Technorama 617s III | Schneider Apo-Symmar L 180mm f/5.6 | Kodak Ektar 100

 

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Linhof Technorama 617s III | Schneider Tele-Xenar 250mm MC f5.6 | Ektar 100

 

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4X-ATT Boeing 707-358B El Al

Operated until 1989 when sold for spares as part of the KC-135 spares program at Davis Monthan AFB

London Heathrow 21st December 1984

Linhof Technorama 617s III | Schneider Apo-Symmar L 180mm f/5.6 | Ilford SFX R72 Infrared Filter

   

Mallorca

Olympus OM4 Ti | Olympus Zuiko 50mm 1:1.4 | Kodak Ektar 100

Shot at Iso 100 1/125 f11

 

Scanned with Minolta Dimage Scan Elite 5400

Home developed in Cinestill C41

 

There are plenty of very picturesque and quaint houses in Luss. Captured on a wee visit, some coffee and cake and of course photographs on a clear, but wintry Saturday afternoon.

 

Took a while to get this film finished as I have about 3 or 4 cameras on the go at any given time at the moment.

 

Camera: Minolta X-700

Lens: MD 50mm f/1.7

Film: Ilford FP4 Plus Type 517 motion picture film

Dev: Rodinal 1+100 at 20ºC semi-stand developed for 60 mins

Mamiya 7 + 65mm | Kodak Tri-X 400

Scanned with Sony A7RIII & Sigma 70mm macro

Converted with Negative Lab Pro

Kiev 88 | Volva 3 | Foma 400

 

Scanned with Canoscan 8800f | 120 w/ acrylic

 

Home developed in Rodinal 1:25 | Agitation

  

Linhof Technorama 612 PCII | Schneider Kreuznach APO-Symmar 135mm f5.6 | Fomapan 400

 

Rodinal 1/50

 

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Instagram

 

Leica M7

Leica 35mm Summicron v4

Ilford XP2 400

  

North End alley, Boise, ID

 

Taken 2 July 2023

 

Leica m6

Leica Summicron 35 mm/2

Fuji Superia 400

Linhof Technorama 617s III | Schneider Tele-Xenar 250mm MC f5.6 | Ektar 100

 

Buy a Print

Instagram

  

A view on Gylen Castle on the Isle of Kerrera.

 

Taken on Ilford Delta 400 on my trusty Fuji GW690 III.

 

Yashica T4

Ilford XP2 400

Leica M6TTL | Leica Summicron 50 f.2 V. | Ilford HP5+ 400 @ 250, -1 dev

 

Digitized with Canon EOS 6D | Lighttable | Digitazia

 

Home developed in HC-110 1/63H | 9 min 30 sek/ 20 deg C.

 

Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: None | LUT: Frontier

Mamiya 7 + 80mm | Fuji Pro 400h

Scanned with Sony A7RIII & Sigma 70mm macro

Converted with Negative Lab Pro

Nikon FM2n + Nikon 50mm-F1,4 D+ Kodak Ektar 100. Negative Lab Pro v2.2.0 | Color Model: None | Pre-Sat: 3 | Tone Profile: Linear | LUT: Frontier. fotoplenka.in.ua/p591531878-fotoplenka-kodak-professional...

Cropped Hornelen, land cliff - sorry

 

Nikon F100 | Kodak Pro Image 100

  

Nikon FE | Nikon Nikkor 50mm 1.4 | Ilford HP5+ 400 Scanned with Nikon Coolscan V ED Home developed in Ilford DDX 1:4 | 9:00 at 20

 

Nikon FE | Nikon Nikkor 50mm 1.4 | Ilford HP5+ 400

 

Scanned with Nikon Coolscan V ED

 

Home developed in Ilford DDX 1:4 | 9:00 at 20

 

Negative Lab Pro v3.0.2 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: None | LUT: Frontier

Rolleiflex 2.8F

Zeiss Planar 80mm f/2.8

Kodak Ektar 100 | Developed in CineStill C-41 | 3:30 @ 39C

san francisco, ca

 

taken 8 september 2024

 

rolleiflex 3.5f

zeiss planar 75mm/ 3.5

kodak gold 200

 

Scanned with dslr

 

Home developed

cinestill cs41

3 min 30 sec

 

Shot on Pentax 67, 105mm F/2.4, Kodak Portra 400

Leica M6 Re-Issue / Leica 21mm Super-Elmar f/3.4 / Fuji 400 / Plustek 8300AI Scanner / Negative Lab Pro

 

www.Chancenkosigomez.com

www.Instagram.com/nkosiart

Nkosi.artiste@gmail.com

 

ABOUT THE ARTIST

 

Chance Nkosi Gomez known initiated by H.H Swami Jyotirmayanda as Sri Govinda walks an integral yogic path in which photography is the primary creative field of expression. The medium was introduced during sophomore year of high school by educator Dr. Devin Marsh of Robert Morgan Educational Center. Coming into alignment with light, its nature and articulating the camera was the focus during that time. Thereafter while completing a Photographic Technology Degree, the realization of what made an image “striking” came to the foreground of the inner dialogue. These college years brought forth major absorption and reflection as an apprentice to photographer and educator Tony A. Chirinos of Miami Dade College. The process of working towards a singular idea of interest and thus building a series became the heading from here on while the camera aided in cultivating an adherence to the present moment. The viewfinder resembles a doorway to the unified field of consciousness in which line, shape, form, color, value, texture all dissolve. It is here that the yogi is reminded of sat-chit-ananda (the supreme reality as all-pervading; pure consciousness). As of May 2024 Govinda has completed his 300hr yoga teacher training program at Sattva Yoga Academy studying from Master Yogi Anand Mehrotra in Rishikesh, India, Himalayas. This has strengthened his personal Sadhana and allows one to carry and share ancient Vedic Technology leading others in ultimately directing their intellect to bloom into intuition. As awareness and self-realization grows so does the imagery that is all at once divine in the mastery of capturing and controlling light. Over the last seven years he has self-published six photographic books, Follow me i’ll be right behind you (2017), Sonata - Minimal Study (2018), Birds Singing Lies (2018), Rwanda (2019), Where does the body begin? (2019) & Swayam Jyotis (2023). Currently, Govinda is employed at the Leica Store Miami as a camera specialist and starting his journey as a practitioner of yoga ॐ

Linhof Technorama 617s III | Schneider Apo-Symmar L 180mm f/5.6 | Kodak T-Max 100

  

Designed by Minoru Yamasaki and completed in 1965. Now known as the Voya Financial Building

 

Leica M7

Leica 35mm Summicron v4

Ilford XP2 400

CCCP-09319 Antonov An-22 Soviet Air Force, 81VTAP (Ivanovo Air Base)

Armenian earthquake relief flight. Believed to be the only time a AN-22 ever visited Heathrow

Aircraft broken up at Tver in 2012

Heathrow 18th December 1988

Graflex Pacemaker Speed Graphic | Schneider-Kreuznach Super-Angulon 8/90 (Single Coated) in Copal #0 | Ilford HP5+ 400

 

Scanned with Epson V850 | Epson 4x5

 

Home developed in Kodak HC-110 B (1+31) | 5min/20c | Inversion

 

Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear | WB: Auto-Neutral | LUT: Frontier

Olympus mju-II

Fomapan 200

Rodinal 1+50

Silverfast 8

Negative Lab Pro

Linhof Technorama 617s III | Schneider Tele-Xenar 250mm MC f5.6 | Kodak Ektar 100

  

Follow me on Instagram

 

*RB67 Pro SD with K/L 65mm f/4

*Ektar 100 rated at 125

 

- Home developed with Flic Film C-41

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