View allAll Photos Tagged NegativeLabPro
Sledders at Camelsback Park
Boise ID
Taken 1 March 2023
Hasselblad 500cm
Hasselblad Ziess Planar 80mm/2.8
Japan Camera Hunter StreetPan 400
I've now completed my film 'scanning' set up using a digital camera rather than a flatbed scanner to digitize negatives. This is the first test scan from the finished set-up now I have my negative film holder and I'm quite pleased with the result!
Minolta Alpha 7 Limited
Minolta AF 35-105 / f3.5-4.5
Cinestill 400D
Processed by Splendid Photo in Wellington
Sony A7M3 / SEL90M28G Scan
Kaiser Copy Stand
Essential Film Holder
Converted in Negative Lab Pro / Adobe Lightroom
This delightful old picnic set was on the back seat of a convertible Vauxhall from memory at the recent Whanganui Vintage Weekend.
© Dominic Scott 2023
61-2669 Boeing C-135C "Speckled Trout" USAF, 412th Flight Test Squadron (Edwards AFB).
Unusual visitor to Luton Airport due to widespread fog in England. Diverted in from RAF Mildenhall as flight "Trout 99".
Luton Airport 14th November 1989
window selfie with indoor fire
Inspired by Vivian Maier.
Taken 26 January 2023
Hasselblad 500cm
Hasselblad Zeiss Planar 80mm/2.8
Japan Camera Hunter StreetPan 400
This lovely old 1929 Chevrolet International was parked in Shannon so was a good opportunity to grab a snap! It looked in very good order and still used quite regularly from its appearance.
Pentax 645N
Pentax-FA 645 45-85mm
Ilford 120 HP5 Plus 400
Cinestill DF96 / 6 mins @ 27deg C
Camera Scanned
Sony A7M3 / SEL90M28 Macro
Essential Film Holder
Kaiser Copy Stand
Converted in Negative Lab Pro
© Dominic Scott 2024
Olympus OM-2N | Olympus Zuiko Auto-T 100mm f2.8 | Ilford FP4 Plus 125
Scanned with Plustek OpticFilm 8300i SE
Lab developed in Ilfotec DD
A little classic Whanganui architecture caught on film....
I've previously taken this shot on black and white film, and decided to try it in colour, pleased with the colour version on this CineStill 400D film.
Minolta Alpha 7 Limited
Minolta AF 35-105 / f3.5-4.5
Cinestill 400D
Processed by Splendid Photo in Wellington
Sony A7M3 / SEL90M28G Scan
Kaiser Copy Stand
Converted in Negative Lab Pro
With a milestone birthday looming, I decided to treat myself with an old camera that I've always wanted to use - a Rolleiflex 3.5F.
I find that Southwards Car Museum near Wellington is a great place to go and test an old camera and a first roll of film. I was very impressed with the quality of the shots and the accuracy of its built-in light meter given its approx 60 years of age!
Rolleiflex 3.5F
Carl Zeiss Planar f3.5 75mm
Ilford HP5 400
Cinestill DF96 / 6 mins @ 27deg C
Camera Scanned
Sony A7M3 / SEL90M28 Macro
Essential Film Holder
Kaiser Copy Stand
Converted in Negative Lab Pro
© Dominic Scott 2024
Mamiya 7 + 80mm | Kodak Tri-X 400
Scanned with Sony A7RIII & Sigma 70mm macro
Converted with Negative Lab Pro
Nikon F80
Sigma 105mm f/2.8 OS HSM
Truprint FG+ 200 asa film (expired 2003). Shot @ 100asa.
Multiple exposure of three cameras. A Olympus OM-1, an Olympus XA3, and a Kodak Retina 2a.
It looks a little like an x-ray picture. :-)
Once again I find myself blown away by the results I am getting with humble Lomo color negative film. By all means the neon in the sign should be a blown out mess because I opened up the aperture on the lens and blasted it for a good 20 seconds. I was bracketing because honestly when dealing with reciprocity failure and 30 other different variables in night photography, the exposure meter can just stay at home. At night I use the electronic viewfinder in my Sony digital camera to get a rough idea of where to start and then I almost always do a second exposure at between plus 1 and plus 2. Even when dealing with transparency film I find that adding light is almost always the correct answer.
This is another example of my 2019 standard method for digitizing medium format film. As I said in the previous post, this workflow is exactly what I need in terms of balancing speed and quality. To get marginally better quality would require a completely disproportionate effort in terms of both time and money. I think I have found the sweet spot.
As always...zoom in and judge for yourselves. I am not making a nickel off of any of this, I just want to share this workflow with other medium format photographers, because I know what a hassle it is to convert a color negative into a form which can be shared and printed.
Lee Ave in the South Williamsburg section of Brooklyn
Leica M6
Voigtlander 35mm F2 Ultron Fujifilm Superia 400
west end, boise, id
taken 15 may 2025
mamiya 7ii
mamiya 50mm f/4.5
ilford hp5 400
Scanned with dslr
Home developed
kodak d76 stock
8min 30sec/22º
Columbia River Gorge
Pentacon Pentacon Six TL | Carl Zeiss Jena Biometar 80mm f2.8 | llford XP2 Super 400 shot at 400
Yellow Filter
Velbon Tripod
Scanned with Epson V800
Lab: TheDarkroom
Negative Lab Pro v3.1.1 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: None | LUT: Frontier
I have rarely used that prism finder but recently found it in an old box so I might give it a shot
Leica M5
Leica 35mm Summicron
Ilford XP2 400
This is what I first saw when I opened my car door just before stepping onto the ground the day I went to the wooded park. It was a refreshing sight to see the raindrops on the fallen, brown leaf that was resting on top of the pile of leaves that coated the ground as I felt the chill of the cold, fall air and savored the moment.
Read more about this experience and developing film at home here: amandacreamerphotography.com/2021/01/28/fallen-leaves-on-...
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Nikon FE
Nikon 35mm f/2
Fuji Superia xtra 400
Developed at home, Unicolor
Scanned with DSLR, Negative Lab Pro
Canon Sure Shot Supreme
Fujifilm Superia X-tra 400
Lab Developed
Home scanned and converted with Negative Lab Pro
Time for the Wanganui Produce Centre to freshen up the outside of their building perhaps!
Minolta Alpha 7 Limited
Minolta AF 35-105 / f3.5-4.5
Kodak Portra 160
Processed by Splendid Photo in Wellington
Sony A7M3 / SEL90M28G Scan
Kaiser Copy Stand
Converted in Negative Lab Pro
Linhof Technorama 617s III | Schneider Apo-Symmar L 180mm f/5.6 | Ilford SFX 200 R72 Infrared Filter | ISO 6
Leica M3 | Summicron-M 50mm Ver. IV | Fuji C200 @400
Scanned on Reflecta RPS10M
Negative Lab Pro v2.2.0
Minolta Alpha 7 Limited
Minolta AF 35-105 / f3.5-4.5
Cinestill 400D
Processed by Splendid Photo in Wellington
Sony A7M3 / SEL90M28G Scan
Kaiser Copy Stand
Converted in Negative Lab Pro
For quite some time I've entertained the idea of trying to process my own BW film at home....and finally I've decided to give it a go with this being one of the first images - taken at the Rongotea Car Show on Sunday, raising funds for the local hospice.
A lovely 1958 Triumph TR3 that could obviously see into the future with its AI number plate!
Minolta A9
Minolta 24-105 AF
Ilford HP5 Plus 400
Cinestill DF96 / 6 mins @ 27deg C
Camera Scanned
Sony A7M3 / SEL90M28 Macro
Essential Film Holder
Kaiser Copy Stand
Converted in Negative Lab Pro
© Dominic Scott 2024