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This is an image of my latest painting, Five Eyes Network. This new painting is similar to a recent guerilla art piece, Five Eyes Network, Surveillance Outpost, previously installed at the Takapuna Beach, Auckland landing point of New Zealand's only undersea internet cable.
See more of my artwork at:
Network Rail (National Logistics Unit) W.H. Davis Limited JZA (design code JZ002A) 45.5 tonne wagon number NLU93678 arrives at the Corus Northern Service Centre at Castleton within the additional 08:30 Bescot Engineers Siding to Castleton Rail Welding Depot (6Z37) formed of a rail delivery train hauled by Freightliner Limited General Motors ‘JT42CWR’ Type 5 Co-Co class 66/6 diesel-electric locomotive number 66609. Monday 2nd October 2006
Note, 66609 was on lease from Porterbrook Leasing Company Limited
Ref no PA020481
One of Network Rails Inter-City 125 sets with powercar 43062 on the front and LNER liveried 43299 on the rear, seen here passing through abandoned Greatham station the North East of England .
Oprah Winfrey Network Invitation
15 times, I have cycled 7 days, 575 miles, from San Francisco to Los Angeles in a cycling charity event called AIDSLifecycle. In route to Los Angeles, I (and 2,000 of my best friends) cycle thru Montecito - the home to Oprah Winfrey.
Each Year, the locals of Montecito gather and create their own "Paradise Pit Stop" for the approx. 2,000 AIDSLifecycle Cyclist & 400 Volunteer Crew members. There you can find: chocolate bars, strawberries, homemade ice cream, vegan treats, corn dogs, Twinkies, coco cola, massages, and then some.. ... ALL YOU CAN EAT ...GRATIS!
Years ago (as I ate my strawberries and homemade ice cream), I asked several Montecito residents: "Where is the Oprah Winfrey Network?"
Check out the full story: Oprah Winfrey Network Invitation
Network Warrington VDL/Wright Merit 37 arrives at the Scotland Rd stop 7 August 2012 showing the offside advertising for The Breezer ticket for the Orford and Dallam routes.
Former Secretary of State for International Development today launched the DFID's Women's Network. Inaugural speaker Esther Stanhope gave a talk to DFID staff about increasing impact.
Picture: Marisol Grandon/DFID
After finally cleaning up the central wiring (DSL uplink) in my home, I ended up with an handy patch panel and only one auxillary switch (Three before). Each cat6 cable from the patch panel (the blue patch cables) reaches another wing where there are switches for reaching the individual rooms and computers (Star network).
The next expansion stage would move to professional 19" equipment, but this is rather unlikely since that's much more expensive.
free pic no repro fee
Kay Foley from Eli Lilly ,Following from the success of Sheryl Sandberg’s book Lean In, the Chartered Accountants Cork Society invited a group of prominent Cork women to share their stories. The event, Cork Women Leaning In took place in the River Lee Hotel. The women that shared their experiences included Kay Foley, Eli Lilly, Gillian Keating, Cork Chamber President and Honor Moore, Deloitte.
pictures Gerard McCarthy 087 8537228
more info contact Fiona Collins 087 2196935
On 13 April 1987 passenger service of 11 shuttle trains daily between Corby and Kettering, usually operated by a single DMU, was reintroduced with local council subsidy, More than 100,000 people used the service within the first 12 months and an extension to Leicester was proposed. However, the service became unreliable and the council withdrew its subsidy, leading Network Southeast to withdraw the service on 2 June 1990
Tom Price, who was born in London in 1981, studied at Chelsea College of Art and the Royal College of Art Sculpture School. In 2009 he was featured on BBC Four television documentary, Where is Modern Art Now? He was awarded the Arts Council England Helen Chadwick Fellowship. In 2010 he featured on BBC Four’s, How to Get A Head in Sculpture. He was also included in 10 Magazine’s Ten Sculptors You Should Meet. His statues, which are currently on display at Yorkshire Sculpture Park, trace the evolution of Price’s approach to the male figure.
The exhibition at YSP employs bronze statuary in ways that subvert the tradition of sculpture. Bronze statues traditionally represent individuals of great significance within canons and traditions of thought and practice. The British tradition can be linked to an interest in similar practices employed in the Classical civilisations. Usually commemorated in this way are white men, typically in public places in Britain of civic interest. A well-known example would be the statues that can be found in Trafalgar Square in London. Price’s statues represent anonymous subjects: black men in the street, along with images from print media. The status of these anonymous subjects is raised by referencing the tradition of bronze statuary in this way and thereby subverts the power relations of the hierarchies reflected.
A nine foot tall bronze statue with black patina of a young black man stands in the grounds of YSP. Its title is Network. He is broad-shouldered and dressed in urban clothing. The subject is glancing at his mobile phone. His downcast features subvert the tradition of representing heroic, powerful figures by impressing for his vulnerability. While the figure is charismatic for the great scale of its dimensions, it is also modest: powerful and powerless at the same time.
Price continues to use the scale of the statues to undermine both the sculptural tradition employed and the hierarchical inequities implied. Elsewhere in this exhibition the visitor is invited to view male nudes – the first male figures made by Price. Mounted on plinths, the viewer might expect a representation of a famous aristocrat or politician. The small scale of the nudes speaks of vulnerability, as does the posture of the figures. Their features indicate a lugubrious weariness. These powerless nudes are given the titles of roads in Brixton (Price’s home). The streets themselves are, somewhat ironically, named after individuals of significance within canons of thought and practice in Western culture.
Price is interested in the mental narratives that result in the individual’s reaction, formed of subconscious and conscious assumptions and judgements, when we first meet someone. He explores posture, expression and status with the use of bronze statues and the relevance they have to current ways of thinking and behaving. Bronze heads can be found displayed on plinths. They are sprayed with car paint, thus adding a contemporary edge to what might have been an old or even ancient representation. Where a heroically arranged physiognomy might be expected, again that same downcast vulnerability is overwhelmingly detectable. Price employs one of the oldest media to be manipulated by man and makes an extremely relevant appeal to contemporary understanding and empathy.
Tom Price, until 27 April, Bothy Gallery & Lakeside, Yorkshire Sculpture Park, Wakefield, WF4 4LG.
Daniel Potts
- See more at: www.aestheticamagazine.com/blog/review-tom-price-yorkshir...
network of branches, to every single node of leaves ... rendered dream-like in the premonsoon wind.
see my other favourite trees @ www.flickr.com/photos/nevilzaveri/sets/72157602269541024/
Image Taken At Student-Athlete Networking Event, Tuesday, September 17, 2019, Boone Pickens Stadium, Stillwater, OK, Courtney Bay/OSU Athletics.
© B. de los Arcos.
If you would like to use this image, please credit the creator as follows:
'Network' by B. de los Arcos is released under CC BY
and link to both this location and the relevant license.
Another sighting of the 06:36 Great Northern Peterborough to London Kings Cross Class 365 diagram (reporting code 1P05). Here, No.365538 leads Nos.365522 and 365530 towards Holme Green crossing, south of Biggleswade, on 22nd September 2020.
A Southeastern 'Networker' working ambles between Waterloo East and London Bridge, seen from the 32nd floor of the Shard on a wet day.
@ Cutler Naval Radio Station, Maine
The masts of this antenna array are about 300 m tall. They are part of the US Navy's Very Low Frequency communication system, which is able to keep radio contact with submarines, even while they are submerged.
Gulltaggen was founded in 1998, first and foremost to stimulate and reward the heroes in digital creativity. Today, Gulltaggen is the largest event in Norway and the Nordic countries within digital marketing, communication, innovation, leadership and creativity. It has by far become the best arena for sharing competence, knowledge and networking. Gulltaggen is organized by the non-profit trade organization INMA / IAB Norway
Fotograf: Jarle Naustvik