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Lovebytes - Digital Spring
Live performances by Bruce Gilbert, R/S, Russell Haswell
Sound Installation by Jana Winderen
Sat 24 March 7-10.30pm
Channing Hall, 45 Surrey Street, Sheffield. S1 2LG
An evening of extreme electronic music, collaboration and improvisation curated by Sheffield artists Mark Fell and Mat Steel and featuring Bruce Gilbert, Russell Haswell, and R/S (Peter Rehberg and Marcus Schmickler), plus access to a multichannel installation by Jana Winderen.
Jana Winderen is one of the world's foremost field recording artists. She talked about her work in the Upper Chapel at 3pm 24 March. This was a free event.
Jana Winderen is an artist, educated in Fine Art at Goldsmiths College in London, and with a background in mathematics and chemistry from the University in Oslo. Since 1993, she has worked as an artist, curator and producer. She currently lives and works in Oslo.
Jana Winderen researches hidden depths with the latest technology. Her work reveals the complexity and strangeness of the unseen world beneath. The audio topography of the oceans and the depth of ice crevasses is brought to the surface. She is concerned with finding sound from hidden sources, like blind field recording.
Artist Statement:
"I like the immateriality of a sound work, and the openness it can have for both associative and direct experience and sensory perception. I have been occupied with finding sounds from unseen sources of sound, like blind field recordings. Over the last seven years, I have collected recordings made by hydrophones, from rivers, shores and the ocean in Asia, Europe and America, from glaciers in Greenland, Iceland and Norway. In the depths of the oceans there are invisible but audible soundscapes about which we are largely ignorant, even if the oceans cover 70% of our planet. I am also experimenting with different types of microphones to collect sounds which are not obviously recognisable, but give room for broader, more imaginative readings or sounds that are unreachable for the human senses. I use these sounds as source material for composition in a live environment or to create installations, currently also for film, radio, CD, MC and vinyl productions."
Bruce Gilbert is perhaps best known as co-founder of post-punk legends Wire. Following their end in 1980, Gilbert demonstrated a long-standing interest in electronic and experimental music that saw him form Dome (with Graham Lewis) and yielded such classic solo albums as This Way and The Shivering Man (reissued last year by Peter Rehberg's Editions Mego, 25 years after their first appearance). Along with reissues and solo projects in recent years, Gilbert has been active with collaborative performances alongside Mika Vainio, and is planning further new material.
R/S is the electronic music duo of Peter Rehberg and Marcus Schmickler. In 2011 they released 'USA', the duo's second full length release on PAN, a follow-up to their 2007 'One (Snow Mud Rain)' on Erstwhile Records.
Peter Rehberg performs throughout the world, and has participated in many of the major festivals associated with electronic music, through both solo performances and duets with Stephen O'Malley (KTL) and Marcus Schmickler (R/S), as well as projects such as Fenn O'Berg and Peterlicker. In addition to his roles as mentor to many artists and label curator of Editions Mego, Rehberg has also collaborated with interdisciplinary artists such as choreographer Gisele Vienne and writer Dennis Cooper (Kindertotenlieder; I Apologize, Jerk, This Is How You Will Disappear).
Marcus Schmickler is a Cologne-based composer, musician and producer of modern classical, electronic and computer music. He is also known for his work with Pluramon. In addition, he works in various collaborative projects - most notably with synth wiz Thomas Lehn. More recently, he has developed an interest in an epistemic dialog with the sciences, resonating in sonifications of astrophysical data, and translating recent mathematical discoveries into the sonic. His music's gleaming, impenetrable surfaces, labyrinthine constructions and opacity suck up all the air in the room - as well as your headspace.
Russell Haswell has exhibited visual artwork at Sadie Coles HQ, London; TN Probe, Tokyo; Galerie Rudolfinum, Prague; Kunsthalle, Vienna; Stedelijk Museum, Amsterdam; Centre Regional d'Art Contemporian, Bricks & Kicks Gallery, Vienna; Galerie Poo Poo, London; Museo d'Art Moderne, Paris; Anthony d'Offay Gallery, London; Kate Bernard Gallery, London; Independent Art Space, London and Institute of Contemporary Arts, London.
He has given solo audio presentations at major Art and Music festivals and events, in art galleries, concert halls and rock venues in Austria, Belgium, Croatia, Czech Republic, Denmark, Finland, France, Germany, Holland, Italy, Japan, Latvia, Luxemburg, Norway, Slovenia, Spain, Sweden, Switzerland, UK, and USA. Including occasional live collaborations with Masami Akita, Carl Michael von Hausswolff, Florian Hecker, Zbigniew Karkowski, Toshiji Mikawa [INCAPACITANTS], Peter Rehberg, Yasunao Tone, Ilpo & Mika Vanio [PAN_SONIC], WHITEHOUSE, and Hard Disc Jockey [HDJ] duos with Richard D James [Aphex Twin].
A second edition of the 8 track compact disc catalogue 'Live Salvage 1997 - 2000' (Honorable Mention, Digital Music's, Prix Ars Electronica.) has been reissued by Mego.. In 2008, a second volume, 'Second Live Salvage', was also released by Editions Mego as a double 12" vinyl set. In 2011, a third volume, 'IN IT: Immersive Live Salvage', was also released by Editions Mego as a Surround sound DVD (DTS & DOLBY 5.1) and vinyl LP (UHJ Ambisonic format) set.
Haswell released the Compact Disc 'Wild Tracks' (Editions Mego) in 2009: a collection of raw recordings, originally intended for film and other media projects. A double Compact Disc, 'VALUE + BONUS', was released by NO FUN Productions in mid 2010.
An ongoing collaboration (2003 +) with Florian Hecker working on Iannis Xenakis' graphic-input 'UPIC Music Composing System' is one project: the recorded results have been presented in the form of multi channel electroacoustic diffusion sessions, for example for the Frieze Art Fair. These events use surround sound and laser lighting to create an immersive multi-sensory environment. Mego, Warner Classical, and Warp records have released Haswell & Hecker recordings.
'satanstornade', a collaboration between Masami Akita & Russell Haswell, was published by Warp Records on compact disc and vinyl. It was awarded "Record cover of the month", Vice UK.
'MiniDisc' by Gescom, (Distinction, Digital Musics, Prix Ars Electronica.) The worlds first 'independent' label released 'MiniDisc' A collaboration between Russell Haswell, Rob Brown and Sean Booth of Autechre, has been reissued by OR on Compact Disc in 2007.
Haswell was also a curator at P.S.1/MOMA, Contemporary Art Centre, New York. Responsible for large-scale exhibition curating and hanging, as well as curating a weekly (summer months only) outdoor music event, WARM UP.
In 2005 and 2006 he curated two London based 'All Tomorrow's Parties' club events, entitled 'Easy to Swallow', intended for the broad-minded, the events showcased Carl Michael von Hausswolff, Yasunao Tone + Hecker, Mark Stewart and the Maffia, Aphex Twin, Whitehouse, Surgeon + Regis Present: British Murder Boys, Lee Dorrian (ex- Napalm Death & Cathedral), Pita, Earth, Autechre, Robert Hood (ex-Underground Resistance). Both events sold out!
In November 2009 he curated 'LISTEN' at Aldeburgh Snape Maltings Concert House with Chris Watson, Bernie Krause and Tony Myatt, presenting their works on a 360° 'high-order' ambisonic surround sound system.
Haswell recently curated part of the audio program for "The Morning Line Istanbul 2010' project, European Capital of Culture 2010. Commissioned by Thyssen-Bornemisza Art Contemporary (T-B A21), working with Artists/Composers: Carl Michael von Hausswolff, Peter Zinovieff, Jana Winderen, and Yasunao Tone. These works were presented again in Vienna, 2011.
Haswell has contributed to Frieze Magazine articles on Japanese noise, computer music software and Peter Halley.
Lovebytes 2012 - Digital Spring
A Festival of Art, Science and Technology
22-24 March
Sheffield UK
Lovebytes - Digital Spring
Live performances by Bruce Gilbert, R/S, Russell Haswell
Sound Installation by Jana Winderen
Sat 24 March 7-10.30pm
Channing Hall, 45 Surrey Street, Sheffield. S1 2LG
An evening of extreme electronic music, collaboration and improvisation curated by Sheffield artists Mark Fell and Mat Steel and featuring Bruce Gilbert, Russell Haswell, and R/S (Peter Rehberg and Marcus Schmickler), plus access to a multichannel installation by Jana Winderen.
Jana Winderen is one of the world's foremost field recording artists. She talked about her work in the Upper Chapel at 3pm 24 March. This was a free event.
Jana Winderen is an artist, educated in Fine Art at Goldsmiths College in London, and with a background in mathematics and chemistry from the University in Oslo. Since 1993, she has worked as an artist, curator and producer. She currently lives and works in Oslo.
Jana Winderen researches hidden depths with the latest technology. Her work reveals the complexity and strangeness of the unseen world beneath. The audio topography of the oceans and the depth of ice crevasses is brought to the surface. She is concerned with finding sound from hidden sources, like blind field recording.
Artist Statement:
"I like the immateriality of a sound work, and the openness it can have for both associative and direct experience and sensory perception. I have been occupied with finding sounds from unseen sources of sound, like blind field recordings. Over the last seven years, I have collected recordings made by hydrophones, from rivers, shores and the ocean in Asia, Europe and America, from glaciers in Greenland, Iceland and Norway. In the depths of the oceans there are invisible but audible soundscapes about which we are largely ignorant, even if the oceans cover 70% of our planet. I am also experimenting with different types of microphones to collect sounds which are not obviously recognisable, but give room for broader, more imaginative readings or sounds that are unreachable for the human senses. I use these sounds as source material for composition in a live environment or to create installations, currently also for film, radio, CD, MC and vinyl productions."
Bruce Gilbert is perhaps best known as co-founder of post-punk legends Wire. Following their end in 1980, Gilbert demonstrated a long-standing interest in electronic and experimental music that saw him form Dome (with Graham Lewis) and yielded such classic solo albums as This Way and The Shivering Man (reissued last year by Peter Rehberg's Editions Mego, 25 years after their first appearance). Along with reissues and solo projects in recent years, Gilbert has been active with collaborative performances alongside Mika Vainio, and is planning further new material.
R/S is the electronic music duo of Peter Rehberg and Marcus Schmickler. In 2011 they released 'USA', the duo's second full length release on PAN, a follow-up to their 2007 'One (Snow Mud Rain)' on Erstwhile Records.
Peter Rehberg performs throughout the world, and has participated in many of the major festivals associated with electronic music, through both solo performances and duets with Stephen O'Malley (KTL) and Marcus Schmickler (R/S), as well as projects such as Fenn O'Berg and Peterlicker. In addition to his roles as mentor to many artists and label curator of Editions Mego, Rehberg has also collaborated with interdisciplinary artists such as choreographer Gisele Vienne and writer Dennis Cooper (Kindertotenlieder; I Apologize, Jerk, This Is How You Will Disappear).
Marcus Schmickler is a Cologne-based composer, musician and producer of modern classical, electronic and computer music. He is also known for his work with Pluramon. In addition, he works in various collaborative projects - most notably with synth wiz Thomas Lehn. More recently, he has developed an interest in an epistemic dialog with the sciences, resonating in sonifications of astrophysical data, and translating recent mathematical discoveries into the sonic. His music's gleaming, impenetrable surfaces, labyrinthine constructions and opacity suck up all the air in the room - as well as your headspace.
Russell Haswell has exhibited visual artwork at Sadie Coles HQ, London; TN Probe, Tokyo; Galerie Rudolfinum, Prague; Kunsthalle, Vienna; Stedelijk Museum, Amsterdam; Centre Regional d'Art Contemporian, Bricks & Kicks Gallery, Vienna; Galerie Poo Poo, London; Museo d'Art Moderne, Paris; Anthony d'Offay Gallery, London; Kate Bernard Gallery, London; Independent Art Space, London and Institute of Contemporary Arts, London.
He has given solo audio presentations at major Art and Music festivals and events, in art galleries, concert halls and rock venues in Austria, Belgium, Croatia, Czech Republic, Denmark, Finland, France, Germany, Holland, Italy, Japan, Latvia, Luxemburg, Norway, Slovenia, Spain, Sweden, Switzerland, UK, and USA. Including occasional live collaborations with Masami Akita, Carl Michael von Hausswolff, Florian Hecker, Zbigniew Karkowski, Toshiji Mikawa [INCAPACITANTS], Peter Rehberg, Yasunao Tone, Ilpo & Mika Vanio [PAN_SONIC], WHITEHOUSE, and Hard Disc Jockey [HDJ] duos with Richard D James [Aphex Twin].
A second edition of the 8 track compact disc catalogue 'Live Salvage 1997 - 2000' (Honorable Mention, Digital Music's, Prix Ars Electronica.) has been reissued by Mego.. In 2008, a second volume, 'Second Live Salvage', was also released by Editions Mego as a double 12" vinyl set. In 2011, a third volume, 'IN IT: Immersive Live Salvage', was also released by Editions Mego as a Surround sound DVD (DTS & DOLBY 5.1) and vinyl LP (UHJ Ambisonic format) set.
Haswell released the Compact Disc 'Wild Tracks' (Editions Mego) in 2009: a collection of raw recordings, originally intended for film and other media projects. A double Compact Disc, 'VALUE + BONUS', was released by NO FUN Productions in mid 2010.
An ongoing collaboration (2003 +) with Florian Hecker working on Iannis Xenakis' graphic-input 'UPIC Music Composing System' is one project: the recorded results have been presented in the form of multi channel electroacoustic diffusion sessions, for example for the Frieze Art Fair. These events use surround sound and laser lighting to create an immersive multi-sensory environment. Mego, Warner Classical, and Warp records have released Haswell & Hecker recordings.
'satanstornade', a collaboration between Masami Akita & Russell Haswell, was published by Warp Records on compact disc and vinyl. It was awarded "Record cover of the month", Vice UK.
'MiniDisc' by Gescom, (Distinction, Digital Musics, Prix Ars Electronica.) The worlds first 'independent' label released 'MiniDisc' A collaboration between Russell Haswell, Rob Brown and Sean Booth of Autechre, has been reissued by OR on Compact Disc in 2007.
Haswell was also a curator at P.S.1/MOMA, Contemporary Art Centre, New York. Responsible for large-scale exhibition curating and hanging, as well as curating a weekly (summer months only) outdoor music event, WARM UP.
In 2005 and 2006 he curated two London based 'All Tomorrow's Parties' club events, entitled 'Easy to Swallow', intended for the broad-minded, the events showcased Carl Michael von Hausswolff, Yasunao Tone + Hecker, Mark Stewart and the Maffia, Aphex Twin, Whitehouse, Surgeon + Regis Present: British Murder Boys, Lee Dorrian (ex- Napalm Death & Cathedral), Pita, Earth, Autechre, Robert Hood (ex-Underground Resistance). Both events sold out!
In November 2009 he curated 'LISTEN' at Aldeburgh Snape Maltings Concert House with Chris Watson, Bernie Krause and Tony Myatt, presenting their works on a 360° 'high-order' ambisonic surround sound system.
Haswell recently curated part of the audio program for "The Morning Line Istanbul 2010' project, European Capital of Culture 2010. Commissioned by Thyssen-Bornemisza Art Contemporary (T-B A21), working with Artists/Composers: Carl Michael von Hausswolff, Peter Zinovieff, Jana Winderen, and Yasunao Tone. These works were presented again in Vienna, 2011.
Haswell has contributed to Frieze Magazine articles on Japanese noise, computer music software and Peter Halley.
Lovebytes 2012 - Digital Spring
A Festival of Art, Science and Technology
22-24 March
Sheffield UK
Lovebytes - Digital Spring
Live performances by Bruce Gilbert, R/S, Russell Haswell
Sound Installation by Jana Winderen
Sat 24 March 7-10.30pm
Channing Hall, 45 Surrey Street, Sheffield. S1 2LG
An evening of extreme electronic music, collaboration and improvisation curated by Sheffield artists Mark Fell and Mat Steel and featuring Bruce Gilbert, Russell Haswell, and R/S (Peter Rehberg and Marcus Schmickler), plus access to a multichannel installation by Jana Winderen.
Jana Winderen is one of the world's foremost field recording artists. She talked about her work in the Upper Chapel at 3pm 24 March. This was a free event.
Jana Winderen is an artist, educated in Fine Art at Goldsmiths College in London, and with a background in mathematics and chemistry from the University in Oslo. Since 1993, she has worked as an artist, curator and producer. She currently lives and works in Oslo.
Jana Winderen researches hidden depths with the latest technology. Her work reveals the complexity and strangeness of the unseen world beneath. The audio topography of the oceans and the depth of ice crevasses is brought to the surface. She is concerned with finding sound from hidden sources, like blind field recording.
Artist Statement:
"I like the immateriality of a sound work, and the openness it can have for both associative and direct experience and sensory perception. I have been occupied with finding sounds from unseen sources of sound, like blind field recordings. Over the last seven years, I have collected recordings made by hydrophones, from rivers, shores and the ocean in Asia, Europe and America, from glaciers in Greenland, Iceland and Norway. In the depths of the oceans there are invisible but audible soundscapes about which we are largely ignorant, even if the oceans cover 70% of our planet. I am also experimenting with different types of microphones to collect sounds which are not obviously recognisable, but give room for broader, more imaginative readings or sounds that are unreachable for the human senses. I use these sounds as source material for composition in a live environment or to create installations, currently also for film, radio, CD, MC and vinyl productions."
Bruce Gilbert is perhaps best known as co-founder of post-punk legends Wire. Following their end in 1980, Gilbert demonstrated a long-standing interest in electronic and experimental music that saw him form Dome (with Graham Lewis) and yielded such classic solo albums as This Way and The Shivering Man (reissued last year by Peter Rehberg's Editions Mego, 25 years after their first appearance). Along with reissues and solo projects in recent years, Gilbert has been active with collaborative performances alongside Mika Vainio, and is planning further new material.
R/S is the electronic music duo of Peter Rehberg and Marcus Schmickler. In 2011 they released 'USA', the duo's second full length release on PAN, a follow-up to their 2007 'One (Snow Mud Rain)' on Erstwhile Records.
Peter Rehberg performs throughout the world, and has participated in many of the major festivals associated with electronic music, through both solo performances and duets with Stephen O'Malley (KTL) and Marcus Schmickler (R/S), as well as projects such as Fenn O'Berg and Peterlicker. In addition to his roles as mentor to many artists and label curator of Editions Mego, Rehberg has also collaborated with interdisciplinary artists such as choreographer Gisele Vienne and writer Dennis Cooper (Kindertotenlieder; I Apologize, Jerk, This Is How You Will Disappear).
Marcus Schmickler is a Cologne-based composer, musician and producer of modern classical, electronic and computer music. He is also known for his work with Pluramon. In addition, he works in various collaborative projects - most notably with synth wiz Thomas Lehn. More recently, he has developed an interest in an epistemic dialog with the sciences, resonating in sonifications of astrophysical data, and translating recent mathematical discoveries into the sonic. His music's gleaming, impenetrable surfaces, labyrinthine constructions and opacity suck up all the air in the room - as well as your headspace.
Russell Haswell has exhibited visual artwork at Sadie Coles HQ, London; TN Probe, Tokyo; Galerie Rudolfinum, Prague; Kunsthalle, Vienna; Stedelijk Museum, Amsterdam; Centre Regional d'Art Contemporian, Bricks & Kicks Gallery, Vienna; Galerie Poo Poo, London; Museo d'Art Moderne, Paris; Anthony d'Offay Gallery, London; Kate Bernard Gallery, London; Independent Art Space, London and Institute of Contemporary Arts, London.
He has given solo audio presentations at major Art and Music festivals and events, in art galleries, concert halls and rock venues in Austria, Belgium, Croatia, Czech Republic, Denmark, Finland, France, Germany, Holland, Italy, Japan, Latvia, Luxemburg, Norway, Slovenia, Spain, Sweden, Switzerland, UK, and USA. Including occasional live collaborations with Masami Akita, Carl Michael von Hausswolff, Florian Hecker, Zbigniew Karkowski, Toshiji Mikawa [INCAPACITANTS], Peter Rehberg, Yasunao Tone, Ilpo & Mika Vanio [PAN_SONIC], WHITEHOUSE, and Hard Disc Jockey [HDJ] duos with Richard D James [Aphex Twin].
A second edition of the 8 track compact disc catalogue 'Live Salvage 1997 - 2000' (Honorable Mention, Digital Music's, Prix Ars Electronica.) has been reissued by Mego.. In 2008, a second volume, 'Second Live Salvage', was also released by Editions Mego as a double 12" vinyl set. In 2011, a third volume, 'IN IT: Immersive Live Salvage', was also released by Editions Mego as a Surround sound DVD (DTS & DOLBY 5.1) and vinyl LP (UHJ Ambisonic format) set.
Haswell released the Compact Disc 'Wild Tracks' (Editions Mego) in 2009: a collection of raw recordings, originally intended for film and other media projects. A double Compact Disc, 'VALUE + BONUS', was released by NO FUN Productions in mid 2010.
An ongoing collaboration (2003 +) with Florian Hecker working on Iannis Xenakis' graphic-input 'UPIC Music Composing System' is one project: the recorded results have been presented in the form of multi channel electroacoustic diffusion sessions, for example for the Frieze Art Fair. These events use surround sound and laser lighting to create an immersive multi-sensory environment. Mego, Warner Classical, and Warp records have released Haswell & Hecker recordings.
'satanstornade', a collaboration between Masami Akita & Russell Haswell, was published by Warp Records on compact disc and vinyl. It was awarded "Record cover of the month", Vice UK.
'MiniDisc' by Gescom, (Distinction, Digital Musics, Prix Ars Electronica.) The worlds first 'independent' label released 'MiniDisc' A collaboration between Russell Haswell, Rob Brown and Sean Booth of Autechre, has been reissued by OR on Compact Disc in 2007.
Haswell was also a curator at P.S.1/MOMA, Contemporary Art Centre, New York. Responsible for large-scale exhibition curating and hanging, as well as curating a weekly (summer months only) outdoor music event, WARM UP.
In 2005 and 2006 he curated two London based 'All Tomorrow's Parties' club events, entitled 'Easy to Swallow', intended for the broad-minded, the events showcased Carl Michael von Hausswolff, Yasunao Tone + Hecker, Mark Stewart and the Maffia, Aphex Twin, Whitehouse, Surgeon + Regis Present: British Murder Boys, Lee Dorrian (ex- Napalm Death & Cathedral), Pita, Earth, Autechre, Robert Hood (ex-Underground Resistance). Both events sold out!
In November 2009 he curated 'LISTEN' at Aldeburgh Snape Maltings Concert House with Chris Watson, Bernie Krause and Tony Myatt, presenting their works on a 360° 'high-order' ambisonic surround sound system.
Haswell recently curated part of the audio program for "The Morning Line Istanbul 2010' project, European Capital of Culture 2010. Commissioned by Thyssen-Bornemisza Art Contemporary (T-B A21), working with Artists/Composers: Carl Michael von Hausswolff, Peter Zinovieff, Jana Winderen, and Yasunao Tone. These works were presented again in Vienna, 2011.
Haswell has contributed to Frieze Magazine articles on Japanese noise, computer music software and Peter Halley.
Lovebytes 2012 - Digital Spring
A Festival of Art, Science and Technology
22-24 March
Sheffield UK
Lovebytes - Digital Spring
Live performances by Bruce Gilbert, R/S, Russell Haswell
Sound Installation by Jana Winderen
Sat 24 March 7-10.30pm
Channing Hall, 45 Surrey Street, Sheffield. S1 2LG
An evening of extreme electronic music, collaboration and improvisation curated by Sheffield artists Mark Fell and Mat Steel and featuring Bruce Gilbert, Russell Haswell, and R/S (Peter Rehberg and Marcus Schmickler), plus access to a multichannel installation by Jana Winderen.
Jana Winderen is one of the world's foremost field recording artists. She talked about her work in the Upper Chapel at 3pm 24 March. This was a free event.
Jana Winderen is an artist, educated in Fine Art at Goldsmiths College in London, and with a background in mathematics and chemistry from the University in Oslo. Since 1993, she has worked as an artist, curator and producer. She currently lives and works in Oslo.
Jana Winderen researches hidden depths with the latest technology. Her work reveals the complexity and strangeness of the unseen world beneath. The audio topography of the oceans and the depth of ice crevasses is brought to the surface. She is concerned with finding sound from hidden sources, like blind field recording.
Artist Statement:
"I like the immateriality of a sound work, and the openness it can have for both associative and direct experience and sensory perception. I have been occupied with finding sounds from unseen sources of sound, like blind field recordings. Over the last seven years, I have collected recordings made by hydrophones, from rivers, shores and the ocean in Asia, Europe and America, from glaciers in Greenland, Iceland and Norway. In the depths of the oceans there are invisible but audible soundscapes about which we are largely ignorant, even if the oceans cover 70% of our planet. I am also experimenting with different types of microphones to collect sounds which are not obviously recognisable, but give room for broader, more imaginative readings or sounds that are unreachable for the human senses. I use these sounds as source material for composition in a live environment or to create installations, currently also for film, radio, CD, MC and vinyl productions."
Bruce Gilbert is perhaps best known as co-founder of post-punk legends Wire. Following their end in 1980, Gilbert demonstrated a long-standing interest in electronic and experimental music that saw him form Dome (with Graham Lewis) and yielded such classic solo albums as This Way and The Shivering Man (reissued last year by Peter Rehberg's Editions Mego, 25 years after their first appearance). Along with reissues and solo projects in recent years, Gilbert has been active with collaborative performances alongside Mika Vainio, and is planning further new material.
R/S is the electronic music duo of Peter Rehberg and Marcus Schmickler. In 2011 they released 'USA', the duo's second full length release on PAN, a follow-up to their 2007 'One (Snow Mud Rain)' on Erstwhile Records.
Peter Rehberg performs throughout the world, and has participated in many of the major festivals associated with electronic music, through both solo performances and duets with Stephen O'Malley (KTL) and Marcus Schmickler (R/S), as well as projects such as Fenn O'Berg and Peterlicker. In addition to his roles as mentor to many artists and label curator of Editions Mego, Rehberg has also collaborated with interdisciplinary artists such as choreographer Gisele Vienne and writer Dennis Cooper (Kindertotenlieder; I Apologize, Jerk, This Is How You Will Disappear).
Marcus Schmickler is a Cologne-based composer, musician and producer of modern classical, electronic and computer music. He is also known for his work with Pluramon. In addition, he works in various collaborative projects - most notably with synth wiz Thomas Lehn. More recently, he has developed an interest in an epistemic dialog with the sciences, resonating in sonifications of astrophysical data, and translating recent mathematical discoveries into the sonic. His music's gleaming, impenetrable surfaces, labyrinthine constructions and opacity suck up all the air in the room - as well as your headspace.
Russell Haswell has exhibited visual artwork at Sadie Coles HQ, London; TN Probe, Tokyo; Galerie Rudolfinum, Prague; Kunsthalle, Vienna; Stedelijk Museum, Amsterdam; Centre Regional d'Art Contemporian, Bricks & Kicks Gallery, Vienna; Galerie Poo Poo, London; Museo d'Art Moderne, Paris; Anthony d'Offay Gallery, London; Kate Bernard Gallery, London; Independent Art Space, London and Institute of Contemporary Arts, London.
He has given solo audio presentations at major Art and Music festivals and events, in art galleries, concert halls and rock venues in Austria, Belgium, Croatia, Czech Republic, Denmark, Finland, France, Germany, Holland, Italy, Japan, Latvia, Luxemburg, Norway, Slovenia, Spain, Sweden, Switzerland, UK, and USA. Including occasional live collaborations with Masami Akita, Carl Michael von Hausswolff, Florian Hecker, Zbigniew Karkowski, Toshiji Mikawa [INCAPACITANTS], Peter Rehberg, Yasunao Tone, Ilpo & Mika Vanio [PAN_SONIC], WHITEHOUSE, and Hard Disc Jockey [HDJ] duos with Richard D James [Aphex Twin].
A second edition of the 8 track compact disc catalogue 'Live Salvage 1997 - 2000' (Honorable Mention, Digital Music's, Prix Ars Electronica.) has been reissued by Mego.. In 2008, a second volume, 'Second Live Salvage', was also released by Editions Mego as a double 12" vinyl set. In 2011, a third volume, 'IN IT: Immersive Live Salvage', was also released by Editions Mego as a Surround sound DVD (DTS & DOLBY 5.1) and vinyl LP (UHJ Ambisonic format) set.
Haswell released the Compact Disc 'Wild Tracks' (Editions Mego) in 2009: a collection of raw recordings, originally intended for film and other media projects. A double Compact Disc, 'VALUE + BONUS', was released by NO FUN Productions in mid 2010.
An ongoing collaboration (2003 +) with Florian Hecker working on Iannis Xenakis' graphic-input 'UPIC Music Composing System' is one project: the recorded results have been presented in the form of multi channel electroacoustic diffusion sessions, for example for the Frieze Art Fair. These events use surround sound and laser lighting to create an immersive multi-sensory environment. Mego, Warner Classical, and Warp records have released Haswell & Hecker recordings.
'satanstornade', a collaboration between Masami Akita & Russell Haswell, was published by Warp Records on compact disc and vinyl. It was awarded "Record cover of the month", Vice UK.
'MiniDisc' by Gescom, (Distinction, Digital Musics, Prix Ars Electronica.) The worlds first 'independent' label released 'MiniDisc' A collaboration between Russell Haswell, Rob Brown and Sean Booth of Autechre, has been reissued by OR on Compact Disc in 2007.
Haswell was also a curator at P.S.1/MOMA, Contemporary Art Centre, New York. Responsible for large-scale exhibition curating and hanging, as well as curating a weekly (summer months only) outdoor music event, WARM UP.
In 2005 and 2006 he curated two London based 'All Tomorrow's Parties' club events, entitled 'Easy to Swallow', intended for the broad-minded, the events showcased Carl Michael von Hausswolff, Yasunao Tone + Hecker, Mark Stewart and the Maffia, Aphex Twin, Whitehouse, Surgeon + Regis Present: British Murder Boys, Lee Dorrian (ex- Napalm Death & Cathedral), Pita, Earth, Autechre, Robert Hood (ex-Underground Resistance). Both events sold out!
In November 2009 he curated 'LISTEN' at Aldeburgh Snape Maltings Concert House with Chris Watson, Bernie Krause and Tony Myatt, presenting their works on a 360° 'high-order' ambisonic surround sound system.
Haswell recently curated part of the audio program for "The Morning Line Istanbul 2010' project, European Capital of Culture 2010. Commissioned by Thyssen-Bornemisza Art Contemporary (T-B A21), working with Artists/Composers: Carl Michael von Hausswolff, Peter Zinovieff, Jana Winderen, and Yasunao Tone. These works were presented again in Vienna, 2011.
Haswell has contributed to Frieze Magazine articles on Japanese noise, computer music software and Peter Halley.
Lovebytes 2012 - Digital Spring
A Festival of Art, Science and Technology
22-24 March
Sheffield UK
Lovebytes - Digital Spring
Live performances by Bruce Gilbert, R/S, Russell Haswell
Sound Installation by Jana Winderen
Sat 24 March 7-10.30pm
Channing Hall, 45 Surrey Street, Sheffield. S1 2LG
An evening of extreme electronic music, collaboration and improvisation curated by Sheffield artists Mark Fell and Mat Steel and featuring Bruce Gilbert, Russell Haswell, and R/S (Peter Rehberg and Marcus Schmickler), plus access to a multichannel installation by Jana Winderen.
Jana Winderen is one of the world's foremost field recording artists. She talked about her work in the Upper Chapel at 3pm 24 March. This was a free event.
Jana Winderen is an artist, educated in Fine Art at Goldsmiths College in London, and with a background in mathematics and chemistry from the University in Oslo. Since 1993, she has worked as an artist, curator and producer. She currently lives and works in Oslo.
Jana Winderen researches hidden depths with the latest technology. Her work reveals the complexity and strangeness of the unseen world beneath. The audio topography of the oceans and the depth of ice crevasses is brought to the surface. She is concerned with finding sound from hidden sources, like blind field recording.
Artist Statement:
"I like the immateriality of a sound work, and the openness it can have for both associative and direct experience and sensory perception. I have been occupied with finding sounds from unseen sources of sound, like blind field recordings. Over the last seven years, I have collected recordings made by hydrophones, from rivers, shores and the ocean in Asia, Europe and America, from glaciers in Greenland, Iceland and Norway. In the depths of the oceans there are invisible but audible soundscapes about which we are largely ignorant, even if the oceans cover 70% of our planet. I am also experimenting with different types of microphones to collect sounds which are not obviously recognisable, but give room for broader, more imaginative readings or sounds that are unreachable for the human senses. I use these sounds as source material for composition in a live environment or to create installations, currently also for film, radio, CD, MC and vinyl productions."
Bruce Gilbert is perhaps best known as co-founder of post-punk legends Wire. Following their end in 1980, Gilbert demonstrated a long-standing interest in electronic and experimental music that saw him form Dome (with Graham Lewis) and yielded such classic solo albums as This Way and The Shivering Man (reissued last year by Peter Rehberg's Editions Mego, 25 years after their first appearance). Along with reissues and solo projects in recent years, Gilbert has been active with collaborative performances alongside Mika Vainio, and is planning further new material.
R/S is the electronic music duo of Peter Rehberg and Marcus Schmickler. In 2011 they released 'USA', the duo's second full length release on PAN, a follow-up to their 2007 'One (Snow Mud Rain)' on Erstwhile Records.
Peter Rehberg performs throughout the world, and has participated in many of the major festivals associated with electronic music, through both solo performances and duets with Stephen O'Malley (KTL) and Marcus Schmickler (R/S), as well as projects such as Fenn O'Berg and Peterlicker. In addition to his roles as mentor to many artists and label curator of Editions Mego, Rehberg has also collaborated with interdisciplinary artists such as choreographer Gisele Vienne and writer Dennis Cooper (Kindertotenlieder; I Apologize, Jerk, This Is How You Will Disappear).
Marcus Schmickler is a Cologne-based composer, musician and producer of modern classical, electronic and computer music. He is also known for his work with Pluramon. In addition, he works in various collaborative projects - most notably with synth wiz Thomas Lehn. More recently, he has developed an interest in an epistemic dialog with the sciences, resonating in sonifications of astrophysical data, and translating recent mathematical discoveries into the sonic. His music's gleaming, impenetrable surfaces, labyrinthine constructions and opacity suck up all the air in the room - as well as your headspace.
Russell Haswell has exhibited visual artwork at Sadie Coles HQ, London; TN Probe, Tokyo; Galerie Rudolfinum, Prague; Kunsthalle, Vienna; Stedelijk Museum, Amsterdam; Centre Regional d'Art Contemporian, Bricks & Kicks Gallery, Vienna; Galerie Poo Poo, London; Museo d'Art Moderne, Paris; Anthony d'Offay Gallery, London; Kate Bernard Gallery, London; Independent Art Space, London and Institute of Contemporary Arts, London.
He has given solo audio presentations at major Art and Music festivals and events, in art galleries, concert halls and rock venues in Austria, Belgium, Croatia, Czech Republic, Denmark, Finland, France, Germany, Holland, Italy, Japan, Latvia, Luxemburg, Norway, Slovenia, Spain, Sweden, Switzerland, UK, and USA. Including occasional live collaborations with Masami Akita, Carl Michael von Hausswolff, Florian Hecker, Zbigniew Karkowski, Toshiji Mikawa [INCAPACITANTS], Peter Rehberg, Yasunao Tone, Ilpo & Mika Vanio [PAN_SONIC], WHITEHOUSE, and Hard Disc Jockey [HDJ] duos with Richard D James [Aphex Twin].
A second edition of the 8 track compact disc catalogue 'Live Salvage 1997 - 2000' (Honorable Mention, Digital Music's, Prix Ars Electronica.) has been reissued by Mego.. In 2008, a second volume, 'Second Live Salvage', was also released by Editions Mego as a double 12" vinyl set. In 2011, a third volume, 'IN IT: Immersive Live Salvage', was also released by Editions Mego as a Surround sound DVD (DTS & DOLBY 5.1) and vinyl LP (UHJ Ambisonic format) set.
Haswell released the Compact Disc 'Wild Tracks' (Editions Mego) in 2009: a collection of raw recordings, originally intended for film and other media projects. A double Compact Disc, 'VALUE + BONUS', was released by NO FUN Productions in mid 2010.
An ongoing collaboration (2003 +) with Florian Hecker working on Iannis Xenakis' graphic-input 'UPIC Music Composing System' is one project: the recorded results have been presented in the form of multi channel electroacoustic diffusion sessions, for example for the Frieze Art Fair. These events use surround sound and laser lighting to create an immersive multi-sensory environment. Mego, Warner Classical, and Warp records have released Haswell & Hecker recordings.
'satanstornade', a collaboration between Masami Akita & Russell Haswell, was published by Warp Records on compact disc and vinyl. It was awarded "Record cover of the month", Vice UK.
'MiniDisc' by Gescom, (Distinction, Digital Musics, Prix Ars Electronica.) The worlds first 'independent' label released 'MiniDisc' A collaboration between Russell Haswell, Rob Brown and Sean Booth of Autechre, has been reissued by OR on Compact Disc in 2007.
Haswell was also a curator at P.S.1/MOMA, Contemporary Art Centre, New York. Responsible for large-scale exhibition curating and hanging, as well as curating a weekly (summer months only) outdoor music event, WARM UP.
In 2005 and 2006 he curated two London based 'All Tomorrow's Parties' club events, entitled 'Easy to Swallow', intended for the broad-minded, the events showcased Carl Michael von Hausswolff, Yasunao Tone + Hecker, Mark Stewart and the Maffia, Aphex Twin, Whitehouse, Surgeon + Regis Present: British Murder Boys, Lee Dorrian (ex- Napalm Death & Cathedral), Pita, Earth, Autechre, Robert Hood (ex-Underground Resistance). Both events sold out!
In November 2009 he curated 'LISTEN' at Aldeburgh Snape Maltings Concert House with Chris Watson, Bernie Krause and Tony Myatt, presenting their works on a 360° 'high-order' ambisonic surround sound system.
Haswell recently curated part of the audio program for "The Morning Line Istanbul 2010' project, European Capital of Culture 2010. Commissioned by Thyssen-Bornemisza Art Contemporary (T-B A21), working with Artists/Composers: Carl Michael von Hausswolff, Peter Zinovieff, Jana Winderen, and Yasunao Tone. These works were presented again in Vienna, 2011.
Haswell has contributed to Frieze Magazine articles on Japanese noise, computer music software and Peter Halley.
Lovebytes 2012 - Digital Spring
A Festival of Art, Science and Technology
22-24 March
Sheffield UK
Lovebytes - Digital Spring
Live performances by Bruce Gilbert, R/S, Russell Haswell
Sound Installation by Jana Winderen
Sat 24 March 7-10.30pm
Channing Hall, 45 Surrey Street, Sheffield. S1 2LG
An evening of extreme electronic music, collaboration and improvisation curated by Sheffield artists Mark Fell and Mat Steel and featuring Bruce Gilbert, Russell Haswell, and R/S (Peter Rehberg and Marcus Schmickler), plus access to a multichannel installation by Jana Winderen.
Jana Winderen is one of the world's foremost field recording artists. She talked about her work in the Upper Chapel at 3pm 24 March. This was a free event.
Jana Winderen is an artist, educated in Fine Art at Goldsmiths College in London, and with a background in mathematics and chemistry from the University in Oslo. Since 1993, she has worked as an artist, curator and producer. She currently lives and works in Oslo.
Jana Winderen researches hidden depths with the latest technology. Her work reveals the complexity and strangeness of the unseen world beneath. The audio topography of the oceans and the depth of ice crevasses is brought to the surface. She is concerned with finding sound from hidden sources, like blind field recording.
Artist Statement:
"I like the immateriality of a sound work, and the openness it can have for both associative and direct experience and sensory perception. I have been occupied with finding sounds from unseen sources of sound, like blind field recordings. Over the last seven years, I have collected recordings made by hydrophones, from rivers, shores and the ocean in Asia, Europe and America, from glaciers in Greenland, Iceland and Norway. In the depths of the oceans there are invisible but audible soundscapes about which we are largely ignorant, even if the oceans cover 70% of our planet. I am also experimenting with different types of microphones to collect sounds which are not obviously recognisable, but give room for broader, more imaginative readings or sounds that are unreachable for the human senses. I use these sounds as source material for composition in a live environment or to create installations, currently also for film, radio, CD, MC and vinyl productions."
Bruce Gilbert is perhaps best known as co-founder of post-punk legends Wire. Following their end in 1980, Gilbert demonstrated a long-standing interest in electronic and experimental music that saw him form Dome (with Graham Lewis) and yielded such classic solo albums as This Way and The Shivering Man (reissued last year by Peter Rehberg's Editions Mego, 25 years after their first appearance). Along with reissues and solo projects in recent years, Gilbert has been active with collaborative performances alongside Mika Vainio, and is planning further new material.
R/S is the electronic music duo of Peter Rehberg and Marcus Schmickler. In 2011 they released 'USA', the duo's second full length release on PAN, a follow-up to their 2007 'One (Snow Mud Rain)' on Erstwhile Records.
Peter Rehberg performs throughout the world, and has participated in many of the major festivals associated with electronic music, through both solo performances and duets with Stephen O'Malley (KTL) and Marcus Schmickler (R/S), as well as projects such as Fenn O'Berg and Peterlicker. In addition to his roles as mentor to many artists and label curator of Editions Mego, Rehberg has also collaborated with interdisciplinary artists such as choreographer Gisele Vienne and writer Dennis Cooper (Kindertotenlieder; I Apologize, Jerk, This Is How You Will Disappear).
Marcus Schmickler is a Cologne-based composer, musician and producer of modern classical, electronic and computer music. He is also known for his work with Pluramon. In addition, he works in various collaborative projects - most notably with synth wiz Thomas Lehn. More recently, he has developed an interest in an epistemic dialog with the sciences, resonating in sonifications of astrophysical data, and translating recent mathematical discoveries into the sonic. His music's gleaming, impenetrable surfaces, labyrinthine constructions and opacity suck up all the air in the room - as well as your headspace.
Russell Haswell has exhibited visual artwork at Sadie Coles HQ, London; TN Probe, Tokyo; Galerie Rudolfinum, Prague; Kunsthalle, Vienna; Stedelijk Museum, Amsterdam; Centre Regional d'Art Contemporian, Bricks & Kicks Gallery, Vienna; Galerie Poo Poo, London; Museo d'Art Moderne, Paris; Anthony d'Offay Gallery, London; Kate Bernard Gallery, London; Independent Art Space, London and Institute of Contemporary Arts, London.
He has given solo audio presentations at major Art and Music festivals and events, in art galleries, concert halls and rock venues in Austria, Belgium, Croatia, Czech Republic, Denmark, Finland, France, Germany, Holland, Italy, Japan, Latvia, Luxemburg, Norway, Slovenia, Spain, Sweden, Switzerland, UK, and USA. Including occasional live collaborations with Masami Akita, Carl Michael von Hausswolff, Florian Hecker, Zbigniew Karkowski, Toshiji Mikawa [INCAPACITANTS], Peter Rehberg, Yasunao Tone, Ilpo & Mika Vanio [PAN_SONIC], WHITEHOUSE, and Hard Disc Jockey [HDJ] duos with Richard D James [Aphex Twin].
A second edition of the 8 track compact disc catalogue 'Live Salvage 1997 - 2000' (Honorable Mention, Digital Music's, Prix Ars Electronica.) has been reissued by Mego.. In 2008, a second volume, 'Second Live Salvage', was also released by Editions Mego as a double 12" vinyl set. In 2011, a third volume, 'IN IT: Immersive Live Salvage', was also released by Editions Mego as a Surround sound DVD (DTS & DOLBY 5.1) and vinyl LP (UHJ Ambisonic format) set.
Haswell released the Compact Disc 'Wild Tracks' (Editions Mego) in 2009: a collection of raw recordings, originally intended for film and other media projects. A double Compact Disc, 'VALUE + BONUS', was released by NO FUN Productions in mid 2010.
An ongoing collaboration (2003 +) with Florian Hecker working on Iannis Xenakis' graphic-input 'UPIC Music Composing System' is one project: the recorded results have been presented in the form of multi channel electroacoustic diffusion sessions, for example for the Frieze Art Fair. These events use surround sound and laser lighting to create an immersive multi-sensory environment. Mego, Warner Classical, and Warp records have released Haswell & Hecker recordings.
'satanstornade', a collaboration between Masami Akita & Russell Haswell, was published by Warp Records on compact disc and vinyl. It was awarded "Record cover of the month", Vice UK.
'MiniDisc' by Gescom, (Distinction, Digital Musics, Prix Ars Electronica.) The worlds first 'independent' label released 'MiniDisc' A collaboration between Russell Haswell, Rob Brown and Sean Booth of Autechre, has been reissued by OR on Compact Disc in 2007.
Haswell was also a curator at P.S.1/MOMA, Contemporary Art Centre, New York. Responsible for large-scale exhibition curating and hanging, as well as curating a weekly (summer months only) outdoor music event, WARM UP.
In 2005 and 2006 he curated two London based 'All Tomorrow's Parties' club events, entitled 'Easy to Swallow', intended for the broad-minded, the events showcased Carl Michael von Hausswolff, Yasunao Tone + Hecker, Mark Stewart and the Maffia, Aphex Twin, Whitehouse, Surgeon + Regis Present: British Murder Boys, Lee Dorrian (ex- Napalm Death & Cathedral), Pita, Earth, Autechre, Robert Hood (ex-Underground Resistance). Both events sold out!
In November 2009 he curated 'LISTEN' at Aldeburgh Snape Maltings Concert House with Chris Watson, Bernie Krause and Tony Myatt, presenting their works on a 360° 'high-order' ambisonic surround sound system.
Haswell recently curated part of the audio program for "The Morning Line Istanbul 2010' project, European Capital of Culture 2010. Commissioned by Thyssen-Bornemisza Art Contemporary (T-B A21), working with Artists/Composers: Carl Michael von Hausswolff, Peter Zinovieff, Jana Winderen, and Yasunao Tone. These works were presented again in Vienna, 2011.
Haswell has contributed to Frieze Magazine articles on Japanese noise, computer music software and Peter Halley.
Lovebytes 2012 - Digital Spring
A Festival of Art, Science and Technology
22-24 March
Sheffield UK
Hydro's range of extruded aluminium products includes precision tubing and MPEs for heat transfer applications in the automotive industry and for customers in the heating, ventilation, air conditioning and refrigeration industry. Photo: Hydro/Dag Jenssen
Lovebytes - Digital Spring
Live performances by Bruce Gilbert, R/S, Russell Haswell
Sound Installation by Jana Winderen
Sat 24 March 7-10.30pm
Channing Hall, 45 Surrey Street, Sheffield. S1 2LG
An evening of extreme electronic music, collaboration and improvisation curated by Sheffield artists Mark Fell and Mat Steel and featuring Bruce Gilbert, Russell Haswell, and R/S (Peter Rehberg and Marcus Schmickler), plus access to a multichannel installation by Jana Winderen.
Jana Winderen is one of the world's foremost field recording artists. She talked about her work in the Upper Chapel at 3pm 24 March. This was a free event.
Jana Winderen is an artist, educated in Fine Art at Goldsmiths College in London, and with a background in mathematics and chemistry from the University in Oslo. Since 1993, she has worked as an artist, curator and producer. She currently lives and works in Oslo.
Jana Winderen researches hidden depths with the latest technology. Her work reveals the complexity and strangeness of the unseen world beneath. The audio topography of the oceans and the depth of ice crevasses is brought to the surface. She is concerned with finding sound from hidden sources, like blind field recording.
Artist Statement:
"I like the immateriality of a sound work, and the openness it can have for both associative and direct experience and sensory perception. I have been occupied with finding sounds from unseen sources of sound, like blind field recordings. Over the last seven years, I have collected recordings made by hydrophones, from rivers, shores and the ocean in Asia, Europe and America, from glaciers in Greenland, Iceland and Norway. In the depths of the oceans there are invisible but audible soundscapes about which we are largely ignorant, even if the oceans cover 70% of our planet. I am also experimenting with different types of microphones to collect sounds which are not obviously recognisable, but give room for broader, more imaginative readings or sounds that are unreachable for the human senses. I use these sounds as source material for composition in a live environment or to create installations, currently also for film, radio, CD, MC and vinyl productions."
Bruce Gilbert is perhaps best known as co-founder of post-punk legends Wire. Following their end in 1980, Gilbert demonstrated a long-standing interest in electronic and experimental music that saw him form Dome (with Graham Lewis) and yielded such classic solo albums as This Way and The Shivering Man (reissued last year by Peter Rehberg's Editions Mego, 25 years after their first appearance). Along with reissues and solo projects in recent years, Gilbert has been active with collaborative performances alongside Mika Vainio, and is planning further new material.
R/S is the electronic music duo of Peter Rehberg and Marcus Schmickler. In 2011 they released 'USA', the duo's second full length release on PAN, a follow-up to their 2007 'One (Snow Mud Rain)' on Erstwhile Records.
Peter Rehberg performs throughout the world, and has participated in many of the major festivals associated with electronic music, through both solo performances and duets with Stephen O'Malley (KTL) and Marcus Schmickler (R/S), as well as projects such as Fenn O'Berg and Peterlicker. In addition to his roles as mentor to many artists and label curator of Editions Mego, Rehberg has also collaborated with interdisciplinary artists such as choreographer Gisele Vienne and writer Dennis Cooper (Kindertotenlieder; I Apologize, Jerk, This Is How You Will Disappear).
Marcus Schmickler is a Cologne-based composer, musician and producer of modern classical, electronic and computer music. He is also known for his work with Pluramon. In addition, he works in various collaborative projects - most notably with synth wiz Thomas Lehn. More recently, he has developed an interest in an epistemic dialog with the sciences, resonating in sonifications of astrophysical data, and translating recent mathematical discoveries into the sonic. His music's gleaming, impenetrable surfaces, labyrinthine constructions and opacity suck up all the air in the room - as well as your headspace.
Russell Haswell has exhibited visual artwork at Sadie Coles HQ, London; TN Probe, Tokyo; Galerie Rudolfinum, Prague; Kunsthalle, Vienna; Stedelijk Museum, Amsterdam; Centre Regional d'Art Contemporian, Bricks & Kicks Gallery, Vienna; Galerie Poo Poo, London; Museo d'Art Moderne, Paris; Anthony d'Offay Gallery, London; Kate Bernard Gallery, London; Independent Art Space, London and Institute of Contemporary Arts, London.
He has given solo audio presentations at major Art and Music festivals and events, in art galleries, concert halls and rock venues in Austria, Belgium, Croatia, Czech Republic, Denmark, Finland, France, Germany, Holland, Italy, Japan, Latvia, Luxemburg, Norway, Slovenia, Spain, Sweden, Switzerland, UK, and USA. Including occasional live collaborations with Masami Akita, Carl Michael von Hausswolff, Florian Hecker, Zbigniew Karkowski, Toshiji Mikawa [INCAPACITANTS], Peter Rehberg, Yasunao Tone, Ilpo & Mika Vanio [PAN_SONIC], WHITEHOUSE, and Hard Disc Jockey [HDJ] duos with Richard D James [Aphex Twin].
A second edition of the 8 track compact disc catalogue 'Live Salvage 1997 - 2000' (Honorable Mention, Digital Music's, Prix Ars Electronica.) has been reissued by Mego.. In 2008, a second volume, 'Second Live Salvage', was also released by Editions Mego as a double 12" vinyl set. In 2011, a third volume, 'IN IT: Immersive Live Salvage', was also released by Editions Mego as a Surround sound DVD (DTS & DOLBY 5.1) and vinyl LP (UHJ Ambisonic format) set.
Haswell released the Compact Disc 'Wild Tracks' (Editions Mego) in 2009: a collection of raw recordings, originally intended for film and other media projects. A double Compact Disc, 'VALUE + BONUS', was released by NO FUN Productions in mid 2010.
An ongoing collaboration (2003 +) with Florian Hecker working on Iannis Xenakis' graphic-input 'UPIC Music Composing System' is one project: the recorded results have been presented in the form of multi channel electroacoustic diffusion sessions, for example for the Frieze Art Fair. These events use surround sound and laser lighting to create an immersive multi-sensory environment. Mego, Warner Classical, and Warp records have released Haswell & Hecker recordings.
'satanstornade', a collaboration between Masami Akita & Russell Haswell, was published by Warp Records on compact disc and vinyl. It was awarded "Record cover of the month", Vice UK.
'MiniDisc' by Gescom, (Distinction, Digital Musics, Prix Ars Electronica.) The worlds first 'independent' label released 'MiniDisc' A collaboration between Russell Haswell, Rob Brown and Sean Booth of Autechre, has been reissued by OR on Compact Disc in 2007.
Haswell was also a curator at P.S.1/MOMA, Contemporary Art Centre, New York. Responsible for large-scale exhibition curating and hanging, as well as curating a weekly (summer months only) outdoor music event, WARM UP.
In 2005 and 2006 he curated two London based 'All Tomorrow's Parties' club events, entitled 'Easy to Swallow', intended for the broad-minded, the events showcased Carl Michael von Hausswolff, Yasunao Tone + Hecker, Mark Stewart and the Maffia, Aphex Twin, Whitehouse, Surgeon + Regis Present: British Murder Boys, Lee Dorrian (ex- Napalm Death & Cathedral), Pita, Earth, Autechre, Robert Hood (ex-Underground Resistance). Both events sold out!
In November 2009 he curated 'LISTEN' at Aldeburgh Snape Maltings Concert House with Chris Watson, Bernie Krause and Tony Myatt, presenting their works on a 360° 'high-order' ambisonic surround sound system.
Haswell recently curated part of the audio program for "The Morning Line Istanbul 2010' project, European Capital of Culture 2010. Commissioned by Thyssen-Bornemisza Art Contemporary (T-B A21), working with Artists/Composers: Carl Michael von Hausswolff, Peter Zinovieff, Jana Winderen, and Yasunao Tone. These works were presented again in Vienna, 2011.
Haswell has contributed to Frieze Magazine articles on Japanese noise, computer music software and Peter Halley.
Lovebytes 2012 - Digital Spring
A Festival of Art, Science and Technology
22-24 March
Sheffield UK
Ars Electronica’s Deep Space 8K once again serves as a innovative development platform for shared streaming experiences: 7,680 x 4,320 pixels along with multichannel sound were transmitted live from PSNC’s labs in Poland to Deep Space 8K in Linz using a variety of cutting-edge technologies and prototype hardware and software. For the first time in history, international university teams will compete in two formulas: on-site and remotely.
Read more: ars.electronica.art/newdigitaldeal/en/immersive-multimedi...
Credit:
Poznan Supercomputing and Networking Center (PL), Spin Digital Video Technologies GmbH (DE), Ars Electronica Futurelab (AT)
Photo: Denise Hirtenfelder
The ceremony to open a multichannel network (MCN) for promoting Korean culture and welcome the newest batch of Honorary Reporters
May 20, 2020
Korea.net Open Studio, Jongno-gu, Seoul
Ministry of Culture, Sports and Tourism
Korea Culture and Information Service
Korea.net
Official Photographer : Jeon Han
This official Republic of Korea photograph is being made available only for publication by news organizations and/or for personal printing by the subject(s) of the photograph. The photograph may not be manipulated in any way. Also, it may not be used in any type of commercial, advertisement, product or promotion that in any way suggests approval or endorsement from the government of the Republic of Korea.
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한국문화 홍보 다중채널연계망 구축 기념행사 및 코리아넷 명예기자단 발대식
2020-05-20
코리아넷 오픈스튜디오
문화체육관광부
해외문화홍보원
코리아넷
전한
Lovebytes - Digital Spring
Live performances by Bruce Gilbert, R/S, Russell Haswell
Sound Installation by Jana Winderen
Sat 24 March 7-10.30pm
Channing Hall, 45 Surrey Street, Sheffield. S1 2LG
An evening of extreme electronic music, collaboration and improvisation curated by Sheffield artists Mark Fell and Mat Steel and featuring Bruce Gilbert, Russell Haswell, and R/S (Peter Rehberg and Marcus Schmickler), plus access to a multichannel installation by Jana Winderen.
Jana Winderen is one of the world's foremost field recording artists. She talked about her work in the Upper Chapel at 3pm 24 March. This was a free event.
Jana Winderen is an artist, educated in Fine Art at Goldsmiths College in London, and with a background in mathematics and chemistry from the University in Oslo. Since 1993, she has worked as an artist, curator and producer. She currently lives and works in Oslo.
Jana Winderen researches hidden depths with the latest technology. Her work reveals the complexity and strangeness of the unseen world beneath. The audio topography of the oceans and the depth of ice crevasses is brought to the surface. She is concerned with finding sound from hidden sources, like blind field recording.
Artist Statement:
"I like the immateriality of a sound work, and the openness it can have for both associative and direct experience and sensory perception. I have been occupied with finding sounds from unseen sources of sound, like blind field recordings. Over the last seven years, I have collected recordings made by hydrophones, from rivers, shores and the ocean in Asia, Europe and America, from glaciers in Greenland, Iceland and Norway. In the depths of the oceans there are invisible but audible soundscapes about which we are largely ignorant, even if the oceans cover 70% of our planet. I am also experimenting with different types of microphones to collect sounds which are not obviously recognisable, but give room for broader, more imaginative readings or sounds that are unreachable for the human senses. I use these sounds as source material for composition in a live environment or to create installations, currently also for film, radio, CD, MC and vinyl productions."
Bruce Gilbert is perhaps best known as co-founder of post-punk legends Wire. Following their end in 1980, Gilbert demonstrated a long-standing interest in electronic and experimental music that saw him form Dome (with Graham Lewis) and yielded such classic solo albums as This Way and The Shivering Man (reissued last year by Peter Rehberg's Editions Mego, 25 years after their first appearance). Along with reissues and solo projects in recent years, Gilbert has been active with collaborative performances alongside Mika Vainio, and is planning further new material.
R/S is the electronic music duo of Peter Rehberg and Marcus Schmickler. In 2011 they released 'USA', the duo's second full length release on PAN, a follow-up to their 2007 'One (Snow Mud Rain)' on Erstwhile Records.
Peter Rehberg performs throughout the world, and has participated in many of the major festivals associated with electronic music, through both solo performances and duets with Stephen O'Malley (KTL) and Marcus Schmickler (R/S), as well as projects such as Fenn O'Berg and Peterlicker. In addition to his roles as mentor to many artists and label curator of Editions Mego, Rehberg has also collaborated with interdisciplinary artists such as choreographer Gisele Vienne and writer Dennis Cooper (Kindertotenlieder; I Apologize, Jerk, This Is How You Will Disappear).
Marcus Schmickler is a Cologne-based composer, musician and producer of modern classical, electronic and computer music. He is also known for his work with Pluramon. In addition, he works in various collaborative projects - most notably with synth wiz Thomas Lehn. More recently, he has developed an interest in an epistemic dialog with the sciences, resonating in sonifications of astrophysical data, and translating recent mathematical discoveries into the sonic. His music's gleaming, impenetrable surfaces, labyrinthine constructions and opacity suck up all the air in the room - as well as your headspace.
Russell Haswell has exhibited visual artwork at Sadie Coles HQ, London; TN Probe, Tokyo; Galerie Rudolfinum, Prague; Kunsthalle, Vienna; Stedelijk Museum, Amsterdam; Centre Regional d'Art Contemporian, Bricks & Kicks Gallery, Vienna; Galerie Poo Poo, London; Museo d'Art Moderne, Paris; Anthony d'Offay Gallery, London; Kate Bernard Gallery, London; Independent Art Space, London and Institute of Contemporary Arts, London.
He has given solo audio presentations at major Art and Music festivals and events, in art galleries, concert halls and rock venues in Austria, Belgium, Croatia, Czech Republic, Denmark, Finland, France, Germany, Holland, Italy, Japan, Latvia, Luxemburg, Norway, Slovenia, Spain, Sweden, Switzerland, UK, and USA. Including occasional live collaborations with Masami Akita, Carl Michael von Hausswolff, Florian Hecker, Zbigniew Karkowski, Toshiji Mikawa [INCAPACITANTS], Peter Rehberg, Yasunao Tone, Ilpo & Mika Vanio [PAN_SONIC], WHITEHOUSE, and Hard Disc Jockey [HDJ] duos with Richard D James [Aphex Twin].
A second edition of the 8 track compact disc catalogue 'Live Salvage 1997 - 2000' (Honorable Mention, Digital Music's, Prix Ars Electronica.) has been reissued by Mego.. In 2008, a second volume, 'Second Live Salvage', was also released by Editions Mego as a double 12" vinyl set. In 2011, a third volume, 'IN IT: Immersive Live Salvage', was also released by Editions Mego as a Surround sound DVD (DTS & DOLBY 5.1) and vinyl LP (UHJ Ambisonic format) set.
Haswell released the Compact Disc 'Wild Tracks' (Editions Mego) in 2009: a collection of raw recordings, originally intended for film and other media projects. A double Compact Disc, 'VALUE + BONUS', was released by NO FUN Productions in mid 2010.
An ongoing collaboration (2003 +) with Florian Hecker working on Iannis Xenakis' graphic-input 'UPIC Music Composing System' is one project: the recorded results have been presented in the form of multi channel electroacoustic diffusion sessions, for example for the Frieze Art Fair. These events use surround sound and laser lighting to create an immersive multi-sensory environment. Mego, Warner Classical, and Warp records have released Haswell & Hecker recordings.
'satanstornade', a collaboration between Masami Akita & Russell Haswell, was published by Warp Records on compact disc and vinyl. It was awarded "Record cover of the month", Vice UK.
'MiniDisc' by Gescom, (Distinction, Digital Musics, Prix Ars Electronica.) The worlds first 'independent' label released 'MiniDisc' A collaboration between Russell Haswell, Rob Brown and Sean Booth of Autechre, has been reissued by OR on Compact Disc in 2007.
Haswell was also a curator at P.S.1/MOMA, Contemporary Art Centre, New York. Responsible for large-scale exhibition curating and hanging, as well as curating a weekly (summer months only) outdoor music event, WARM UP.
In 2005 and 2006 he curated two London based 'All Tomorrow's Parties' club events, entitled 'Easy to Swallow', intended for the broad-minded, the events showcased Carl Michael von Hausswolff, Yasunao Tone + Hecker, Mark Stewart and the Maffia, Aphex Twin, Whitehouse, Surgeon + Regis Present: British Murder Boys, Lee Dorrian (ex- Napalm Death & Cathedral), Pita, Earth, Autechre, Robert Hood (ex-Underground Resistance). Both events sold out!
In November 2009 he curated 'LISTEN' at Aldeburgh Snape Maltings Concert House with Chris Watson, Bernie Krause and Tony Myatt, presenting their works on a 360° 'high-order' ambisonic surround sound system.
Haswell recently curated part of the audio program for "The Morning Line Istanbul 2010' project, European Capital of Culture 2010. Commissioned by Thyssen-Bornemisza Art Contemporary (T-B A21), working with Artists/Composers: Carl Michael von Hausswolff, Peter Zinovieff, Jana Winderen, and Yasunao Tone. These works were presented again in Vienna, 2011.
Haswell has contributed to Frieze Magazine articles on Japanese noise, computer music software and Peter Halley.
Lovebytes 2012 - Digital Spring
A Festival of Art, Science and Technology
22-24 March
Sheffield UK
Israeli medics transport U.S. Army Pfc. James Black, a multichannel radio operator maintainer assigned to the 44th Expeditionary Signal Battalion, through a corridor at Sheba Medical Center near Beersheba, Israel, May 20, 2014, during a simulated medical evacuation as part of Juniper Cobra 14. Juniper Cobra is a bilateral computer-simulated exercise designed to improve interoperability between the U.S. European Command and Israel Defense Forces. (DoD photo illustration by Staff Sgt. Joe W. McFadden, U.S. Air Force/Released)
Hydro's range of extruded aluminium products includes precision tubing and MPEs for heat transfer applications in the automotive industry and for customers in the heating, ventilation, air conditioning and refrigeration industry. Photo: Hydro/Kåre Foss
Lovebytes - Digital Spring
Live performances by Bruce Gilbert, R/S, Russell Haswell
Sound Installation by Jana Winderen
Sat 24 March 7-10.30pm
Channing Hall, 45 Surrey Street, Sheffield. S1 2LG
An evening of extreme electronic music, collaboration and improvisation curated by Sheffield artists Mark Fell and Mat Steel and featuring Bruce Gilbert, Russell Haswell, and R/S (Peter Rehberg and Marcus Schmickler), plus access to a multichannel installation by Jana Winderen.
Jana Winderen is one of the world's foremost field recording artists. She talked about her work in the Upper Chapel at 3pm 24 March. This was a free event.
Jana Winderen is an artist, educated in Fine Art at Goldsmiths College in London, and with a background in mathematics and chemistry from the University in Oslo. Since 1993, she has worked as an artist, curator and producer. She currently lives and works in Oslo.
Jana Winderen researches hidden depths with the latest technology. Her work reveals the complexity and strangeness of the unseen world beneath. The audio topography of the oceans and the depth of ice crevasses is brought to the surface. She is concerned with finding sound from hidden sources, like blind field recording.
Artist Statement:
"I like the immateriality of a sound work, and the openness it can have for both associative and direct experience and sensory perception. I have been occupied with finding sounds from unseen sources of sound, like blind field recordings. Over the last seven years, I have collected recordings made by hydrophones, from rivers, shores and the ocean in Asia, Europe and America, from glaciers in Greenland, Iceland and Norway. In the depths of the oceans there are invisible but audible soundscapes about which we are largely ignorant, even if the oceans cover 70% of our planet. I am also experimenting with different types of microphones to collect sounds which are not obviously recognisable, but give room for broader, more imaginative readings or sounds that are unreachable for the human senses. I use these sounds as source material for composition in a live environment or to create installations, currently also for film, radio, CD, MC and vinyl productions."
Bruce Gilbert is perhaps best known as co-founder of post-punk legends Wire. Following their end in 1980, Gilbert demonstrated a long-standing interest in electronic and experimental music that saw him form Dome (with Graham Lewis) and yielded such classic solo albums as This Way and The Shivering Man (reissued last year by Peter Rehberg's Editions Mego, 25 years after their first appearance). Along with reissues and solo projects in recent years, Gilbert has been active with collaborative performances alongside Mika Vainio, and is planning further new material.
R/S is the electronic music duo of Peter Rehberg and Marcus Schmickler. In 2011 they released 'USA', the duo's second full length release on PAN, a follow-up to their 2007 'One (Snow Mud Rain)' on Erstwhile Records.
Peter Rehberg performs throughout the world, and has participated in many of the major festivals associated with electronic music, through both solo performances and duets with Stephen O'Malley (KTL) and Marcus Schmickler (R/S), as well as projects such as Fenn O'Berg and Peterlicker. In addition to his roles as mentor to many artists and label curator of Editions Mego, Rehberg has also collaborated with interdisciplinary artists such as choreographer Gisele Vienne and writer Dennis Cooper (Kindertotenlieder; I Apologize, Jerk, This Is How You Will Disappear).
Marcus Schmickler is a Cologne-based composer, musician and producer of modern classical, electronic and computer music. He is also known for his work with Pluramon. In addition, he works in various collaborative projects - most notably with synth wiz Thomas Lehn. More recently, he has developed an interest in an epistemic dialog with the sciences, resonating in sonifications of astrophysical data, and translating recent mathematical discoveries into the sonic. His music's gleaming, impenetrable surfaces, labyrinthine constructions and opacity suck up all the air in the room - as well as your headspace.
Russell Haswell has exhibited visual artwork at Sadie Coles HQ, London; TN Probe, Tokyo; Galerie Rudolfinum, Prague; Kunsthalle, Vienna; Stedelijk Museum, Amsterdam; Centre Regional d'Art Contemporian, Bricks & Kicks Gallery, Vienna; Galerie Poo Poo, London; Museo d'Art Moderne, Paris; Anthony d'Offay Gallery, London; Kate Bernard Gallery, London; Independent Art Space, London and Institute of Contemporary Arts, London.
He has given solo audio presentations at major Art and Music festivals and events, in art galleries, concert halls and rock venues in Austria, Belgium, Croatia, Czech Republic, Denmark, Finland, France, Germany, Holland, Italy, Japan, Latvia, Luxemburg, Norway, Slovenia, Spain, Sweden, Switzerland, UK, and USA. Including occasional live collaborations with Masami Akita, Carl Michael von Hausswolff, Florian Hecker, Zbigniew Karkowski, Toshiji Mikawa [INCAPACITANTS], Peter Rehberg, Yasunao Tone, Ilpo & Mika Vanio [PAN_SONIC], WHITEHOUSE, and Hard Disc Jockey [HDJ] duos with Richard D James [Aphex Twin].
A second edition of the 8 track compact disc catalogue 'Live Salvage 1997 - 2000' (Honorable Mention, Digital Music's, Prix Ars Electronica.) has been reissued by Mego.. In 2008, a second volume, 'Second Live Salvage', was also released by Editions Mego as a double 12" vinyl set. In 2011, a third volume, 'IN IT: Immersive Live Salvage', was also released by Editions Mego as a Surround sound DVD (DTS & DOLBY 5.1) and vinyl LP (UHJ Ambisonic format) set.
Haswell released the Compact Disc 'Wild Tracks' (Editions Mego) in 2009: a collection of raw recordings, originally intended for film and other media projects. A double Compact Disc, 'VALUE + BONUS', was released by NO FUN Productions in mid 2010.
An ongoing collaboration (2003 +) with Florian Hecker working on Iannis Xenakis' graphic-input 'UPIC Music Composing System' is one project: the recorded results have been presented in the form of multi channel electroacoustic diffusion sessions, for example for the Frieze Art Fair. These events use surround sound and laser lighting to create an immersive multi-sensory environment. Mego, Warner Classical, and Warp records have released Haswell & Hecker recordings.
'satanstornade', a collaboration between Masami Akita & Russell Haswell, was published by Warp Records on compact disc and vinyl. It was awarded "Record cover of the month", Vice UK.
'MiniDisc' by Gescom, (Distinction, Digital Musics, Prix Ars Electronica.) The worlds first 'independent' label released 'MiniDisc' A collaboration between Russell Haswell, Rob Brown and Sean Booth of Autechre, has been reissued by OR on Compact Disc in 2007.
Haswell was also a curator at P.S.1/MOMA, Contemporary Art Centre, New York. Responsible for large-scale exhibition curating and hanging, as well as curating a weekly (summer months only) outdoor music event, WARM UP.
In 2005 and 2006 he curated two London based 'All Tomorrow's Parties' club events, entitled 'Easy to Swallow', intended for the broad-minded, the events showcased Carl Michael von Hausswolff, Yasunao Tone + Hecker, Mark Stewart and the Maffia, Aphex Twin, Whitehouse, Surgeon + Regis Present: British Murder Boys, Lee Dorrian (ex- Napalm Death & Cathedral), Pita, Earth, Autechre, Robert Hood (ex-Underground Resistance). Both events sold out!
In November 2009 he curated 'LISTEN' at Aldeburgh Snape Maltings Concert House with Chris Watson, Bernie Krause and Tony Myatt, presenting their works on a 360° 'high-order' ambisonic surround sound system.
Haswell recently curated part of the audio program for "The Morning Line Istanbul 2010' project, European Capital of Culture 2010. Commissioned by Thyssen-Bornemisza Art Contemporary (T-B A21), working with Artists/Composers: Carl Michael von Hausswolff, Peter Zinovieff, Jana Winderen, and Yasunao Tone. These works were presented again in Vienna, 2011.
Haswell has contributed to Frieze Magazine articles on Japanese noise, computer music software and Peter Halley.
Lovebytes 2012 - Digital Spring
A Festival of Art, Science and Technology
22-24 March
Sheffield UK
A DVD-Audio of Bass Drum tracks from unconventional materials that Blue Man Group is popularly known for, in 5.1 channel.
OHAKEA, New Zealand -- United States Air Force Maj. Corey Akiyama (left) prepares to demonstrate a two-way communications check with the air crew using a multichannel tactical radio for Royal New Zealand Air Force Pilot Officer Emma Taylor (right) as she earns her U.S. Air Force drop zone control officer certification during Exercise Kiwi Flag Nov. 14 at the New Zealand Defence Force Raumai Drop Zone near Ohakea, New Zealand. United States Air Force Staff Sgt. Robert Gallagher and Chief Master Sgt. Paul Koester (center left and right) provide further mentorship during the multilateral RNZAF-sponsored tactical airlift exercise comprising of air assets from the USAF, RNZAF, Royal Australian Air Force, Republic Of Singapore Armed Forces and French Armed Forces of New Caledonia. Taylor’s certification will enhance interoperability and unified responses when New Zealand and the United States both respond to a combined effort. Akiyama is deployed as the 517th Expeditionary Airlift Squadron air mobility liaison officer. He is an AMLO for the 615th Contingency Operations Support Group at home station, Camp Henry, Korea. He hails from University Place, Wash. Taylor, an air warfare officer, is assigned to 40 Squadron, RNZAF Base Auckland. Gallagher is a joint air drop inspection specialist deployed to the 517th EAS from the 3rd Operations Support Squadron, Joint Base Elmendorf-Richardson, Alaska. Koester is deployed as the 517th EAS jumpmaster. He is the pararescue functional manager at home station, Pacific Air Forces Headquarters at Joint Base Pearl Harbor-Hickam, Hawaii. He hails from Colorado Springs, Colo. Kiwi Flag personnel are supporting Exercise Southern Katipo -- held in New Zealand’s South Island -- by managing air operations and providing cargo and passenger airlift including tactical air drops to SK participants. SK hosts nine countries involved in air, land and maritime operations. (U.S. Air Force photo by Senior Master Sgt. Denise Johnson/Released)
Hydro's range of extruded aluminium products includes precision tubing and MPEs for heat transfer applications in the automotive industry and for customers in the heating, ventilation, air conditioning and refrigeration industry. Photo: Hydro/Dag Jenssen
Pfc. Marshall O. Hughes, satellite communications operator and maintainer, Signal Company, Headquarters and Headquarters Battalion, 25th Infantry Division from Asheboro, N.C., relaxes after competing in the Modern Army Combatives Program competition on Contingency Operating Base Adder.
Aumtec Solutions offer end to end solutions for e-commerce be it website development and maintenance on all existing e-commerce platforms or any custom built interface, product listing and complete catalog management, order processing etc.
Lovebytes 2012 - Digital Spring
Smoke and Mirrors Machine (2012)
By Alex May, in collaboration with Anna Dumitriu and Professor Bruce Christianson
Part of Intuition and Ingenuity: An Art Exhibition in Celebration of the Life of Alan Turing (for Alan Turing Year 2012)
Smoke and Mirrors Machine is a kinetic and digital installation interpreting the principles of secure communication between two parties and how it may be intercepted and subverted; a subject that came under close scrutiny by Alan Turing during his tenure at Bletchley Park working as a key part of the team decoding the German’s complex Enigma Machine communications.
Inside the cube is an image of a chess pawn (in reference to Turing’s investigation into chess and artificial intelligence) created by a laser being bounced around a series of mirrors and revealed as the cube is filled with smoke. The image only appears correctly at two points in space (alluding to two parties sharing an identical message): when an observer’s eye is positioned 0.5m away from one of the two sides of the cube where you can see the series of horizontal lines that form part of the image. When the perspective projection of the pawn is viewed correctly, the brain accepts the resulting image as whole, despite the complex physical distortion occurring within the installation that has duped the visual minds of the observers into believing they are viewing the same information, when clearly the physical form of the shape has been subverted by the artists when viewed from any other physical position.
The work is inspired by the “Smoke and Mirrors Attack” described in a paper co-authored by Professor Christianson entitled “Multichannel protocols to prevent relay attacks” which investigates contemporary issues in computer security and how it is possible to be sure that you are digitally communicating with the person or device that you believe you are; a kind of extreme development of the imitation game Turing described in his 1950 paper “Computing Machinery and Intelligence”.
The Smoke and Mirrors Machine was built in partnership with Professor Bruce Christianson, as part of their on-going artistic residency at Hertfordshire University.
Lovebytes 2012
Digital Spring
A Festival of Art, Science and Technology
22-24 March
Sheffield UK
Portraits of Kim Dang for the "We are Harper" multichannel marketing campaign. Photographed in natural light in the lobby of building W.
Lovebytes 2012 - Digital Spring
Smoke and Mirrors Machine (2012)
By Alex May, in collaboration with Anna Dumitriu and Professor Bruce Christianson
Part of Intuition and Ingenuity: An Art Exhibition in Celebration of the Life of Alan Turing (for Alan Turing Year 2012)
Smoke and Mirrors Machine is a kinetic and digital installation interpreting the principles of secure communication between two parties and how it may be intercepted and subverted; a subject that came under close scrutiny by Alan Turing during his tenure at Bletchley Park working as a key part of the team decoding the German’s complex Enigma Machine communications.
Inside the cube is an image of a chess pawn (in reference to Turing’s investigation into chess and artificial intelligence) created by a laser being bounced around a series of mirrors and revealed as the cube is filled with smoke. The image only appears correctly at two points in space (alluding to two parties sharing an identical message): when an observer’s eye is positioned 0.5m away from one of the two sides of the cube where you can see the series of horizontal lines that form part of the image. When the perspective projection of the pawn is viewed correctly, the brain accepts the resulting image as whole, despite the complex physical distortion occurring within the installation that has duped the visual minds of the observers into believing they are viewing the same information, when clearly the physical form of the shape has been subverted by the artists when viewed from any other physical position.
The work is inspired by the “Smoke and Mirrors Attack” described in a paper co-authored by Professor Christianson entitled “Multichannel protocols to prevent relay attacks” which investigates contemporary issues in computer security and how it is possible to be sure that you are digitally communicating with the person or device that you believe you are; a kind of extreme development of the imitation game Turing described in his 1950 paper “Computing Machinery and Intelligence”.
The Smoke and Mirrors Machine was built in partnership with Professor Bruce Christianson, as part of their on-going artistic residency at Hertfordshire University.
Lovebytes 2012
Digital Spring
A Festival of Art, Science and Technology
22-24 March
Sheffield UK
Lovebytes 2012 - Digital Spring
Smoke and Mirrors Machine (2012)
By Alex May, in collaboration with Anna Dumitriu and Professor Bruce Christianson
Part of Intuition and Ingenuity: An Art Exhibition in Celebration of the Life of Alan Turing (for Alan Turing Year 2012)
Smoke and Mirrors Machine is a kinetic and digital installation interpreting the principles of secure communication between two parties and how it may be intercepted and subverted; a subject that came under close scrutiny by Alan Turing during his tenure at Bletchley Park working as a key part of the team decoding the German’s complex Enigma Machine communications.
Inside the cube is an image of a chess pawn (in reference to Turing’s investigation into chess and artificial intelligence) created by a laser being bounced around a series of mirrors and revealed as the cube is filled with smoke. The image only appears correctly at two points in space (alluding to two parties sharing an identical message): when an observer’s eye is positioned 0.5m away from one of the two sides of the cube where you can see the series of horizontal lines that form part of the image. When the perspective projection of the pawn is viewed correctly, the brain accepts the resulting image as whole, despite the complex physical distortion occurring within the installation that has duped the visual minds of the observers into believing they are viewing the same information, when clearly the physical form of the shape has been subverted by the artists when viewed from any other physical position.
The work is inspired by the “Smoke and Mirrors Attack” described in a paper co-authored by Professor Christianson entitled “Multichannel protocols to prevent relay attacks” which investigates contemporary issues in computer security and how it is possible to be sure that you are digitally communicating with the person or device that you believe you are; a kind of extreme development of the imitation game Turing described in his 1950 paper “Computing Machinery and Intelligence”.
The Smoke and Mirrors Machine was built in partnership with Professor Bruce Christianson, as part of their on-going artistic residency at Hertfordshire University.
Lovebytes 2012
Digital Spring
A Festival of Art, Science and Technology
22-24 March
Sheffield UK
Spc. Kerwin D. Terry, native of Chatham, Va., and Pvt. Andrew W. Kesner, a Strasburg, Va., native, both , multichannel transmission systems operator-maintainers, with A Company, 67th Signal Battalion (Expeditionary), 35th Signal Brigade (Theater Tactical), attempt to find what could be preventing them from acquiring voice and data connection at a training site Aug. 14, while working to validate the operability of their equipment during the brigade’s Field Training Exercise. (U.S. Army photo by Staff Sgt. Ashley M. Armstrong, 35th Signal Brigade (Theater Tactical) Public Affairs/Released)
www.bonnovanderputten.de/ - multichannel - bricks& clicks- private equity - investeringfonds- bonno van der putten kwikfit -interim management - groei kapitaal - herstructurering - Ecommerce - retail trends - market watch
Spc. Kerwin D. Terry, native of Chatham, Va., and Pvt. Andrew W. Kesner, a Strasburg, Va., native, both , multichannel transmission systems operator-maintainers, with A Company, 67th Signal Battalion (Expeditionary), 35th Signal Brigade (Theater Tactical), attempt to find what could be preventing them from acquiring voice and data connection at a training site Aug. 14, while working to validate the operability of their equipment during the brigade’s Field Training Exercise. (U.S. Army photo by Staff Sgt. Ashley M. Armstrong, 35th Signal Brigade (Theater Tactical) Public Affairs/Released)
This image was captured with a Nikon D-2X camera with a 70-210mm D series lens using the Nikon electronic file format (.Nef) Shot on Lexar Flash media. All file was post processed using NIKON capture. Black and white conversion done using the Versace Multichannel mixer technique and NiK SilverefexPro in Photoshop CS
© Vincent Versace 2008
Please join my Welcome to Oz Group on Flickr!! Just click the link below
www.bonno-van-der-putten.com/ - market watch - retail trends - bonno van der Putten heesch - ontslag recht - ontslag procedures - herkapitalisatie - groei kapitaal - investeringsfonds
A giant game of Connect 4 we played at our Christmas party.
This image has been used in two articles...
georgecouros.ca/blog/archives/1723
www.retailcustomerexperience.com/article/183316/Five-step...
The ceremony to open a multichannel network (MCN) for promoting Korean culture and welcome the newest batch of Honorary Reporters
May 20, 2020
Korea.net Open Studio, Jongno-gu, Seoul
Ministry of Culture, Sports and Tourism
Korea Culture and Information Service
Korea.net
Official Photographer : Jeon Han
This official Republic of Korea photograph is being made available only for publication by news organizations and/or for personal printing by the subject(s) of the photograph. The photograph may not be manipulated in any way. Also, it may not be used in any type of commercial, advertisement, product or promotion that in any way suggests approval or endorsement from the government of the Republic of Korea.
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한국문화 홍보 다중채널연계망 구축 기념행사 및 코리아넷 명예기자단 발대식
2020-05-20
코리아넷 오픈스튜디오
문화체육관광부
해외문화홍보원
코리아넷
전한
The ceremony to open a multichannel network (MCN) for promoting Korean culture and welcome the newest batch of Honorary Reporters
May 20, 2020
Korea.net Open Studio, Jongno-gu, Seoul
Ministry of Culture, Sports and Tourism
Korea Culture and Information Service
Korea.net
Official Photographer : Jeon Han
This official Republic of Korea photograph is being made available only for publication by news organizations and/or for personal printing by the subject(s) of the photograph. The photograph may not be manipulated in any way. Also, it may not be used in any type of commercial, advertisement, product or promotion that in any way suggests approval or endorsement from the government of the Republic of Korea.
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한국문화 홍보 다중채널연계망 구축 기념행사 및 코리아넷 명예기자단 발대식
2020-05-20
코리아넷 오픈스튜디오
문화체육관광부
해외문화홍보원
코리아넷
전한
This image was captured with a Nikon D-1 camera with a 70-210mm D series lens using the Nikon electronic file format (.Nef) Shot on Lexar Flash media. All file was post processed using NIKON capture. Black and white conversion done using the Versace Multichannel mixer trchnique and NiK SilverefexPro in Photoshop CS
© Vincent Versace 2008
Please join my Welcome to Oz Group on Flickr!! Just click the link below
View from the panorama circular track around the Wendelstein (1848m) summit in Upper Bavaria. You can see the transmitter mast (55m high) of Bavarian Broadcasting and one of the cuppolas of Wendestein Observatory.
The Wendelstein Observatory is situated on the summit of Mount Wendelstein, a prominent, 1848m high mountain in the bavarian Alpes. It is operated by the Institute for Astronomy and Astrophysics of the University of Munich.
Only 75 km south-east of Munich, after one hour's drive this site can easily be reached via cable car (8 min) or by means of a cog rail road (25 min.). Final access to the very top is achieved by an elevator climbing up 109 m within the mountain. The observatory owns a 20 cm Zeiss Solar Coronograph and a 80 cm DFM-Cassegrain-Telescope. While the solar instrument at present is operated mainly for demonstration purposes, the 80 cm telescope is used for scientific observing programs every clear night. It is equipped with high-tech focal instruments like high-speed multichannel photometers or a direct imaging CCD-Camera. This instrumentation has often been involved in international observing programs since.
www.wendelstein-observatorium.de:8002/wst_en.html
Blick vom Panorama Rundweg um den Gipfel des Wendelsteins auf den 55m hohen Sendemasten des Bayerischen Rundfunk und auf eine der Kuppeln der Sternwarte der Ludwig-Maximilians-Universität München.
Das Wendelstein-Observatorium des Instituts für Astronomie und Astrophysik der LMU befindet sich auf dem Gipfel des 1848m hohen Wendelsteins in den bayerischen Alpen.
Nur eine Autostunde (75 km) von München entfernt, läßt sich diese Forschungsstation leicht über eine Seilbahn oder eine Zahnradbahn erreichen, wobei der letzte Aufschwung zum Gipfel im Winter mit Hilfe eines 109 m hohen Berglifts zurückgelegt werden muß. Jahrzehntelang als weltweit bekanntes Sonnenobservatorium im Einsatz, dient diese Station seit nunmehr 10 Jahren ausschließlich der Beobachtung nächtlicher Himmelsobjekte. Hierfür wurde 1988 ein Spiegelteleskop mit 80 cm Öffnung installiert. Ausgerüstet mit high-tech Instrumenten ist das Teleskop seitdem in jeder klaren Nacht zur Durchführung wissenschaftlicher Programme im Einsatz.
Direkt neben der Sternwarte steht der 55 m hohe und 1964 errichtete Sendemast des Bayerischen Rundfunks - eine Stahlrohrkonstruktion auf einem Betonsockel. Dank seiner Lage kann er fast das gesamte bayerische Alpenvorland bis in den Raum Ingolstadt mit Fernseh- und UKW-Programmen versorgen.
The ceremony to open a multichannel network (MCN) for promoting Korean culture and welcome the newest batch of Honorary Reporters
May 20, 2020
Korea.net Open Studio, Jongno-gu, Seoul
Ministry of Culture, Sports and Tourism
Korea Culture and Information Service
Korea.net
Official Photographer : Jeon Han
This official Republic of Korea photograph is being made available only for publication by news organizations and/or for personal printing by the subject(s) of the photograph. The photograph may not be manipulated in any way. Also, it may not be used in any type of commercial, advertisement, product or promotion that in any way suggests approval or endorsement from the government of the Republic of Korea.
——————————————————————————
한국문화 홍보 다중채널연계망 구축 기념행사 및 코리아넷 명예기자단 발대식
2020-05-20
코리아넷 오픈스튜디오
문화체육관광부
해외문화홍보원
코리아넷
전한
Poznan Supercomputing and Networking Center (PL), Spin Digital Video Technologies GmbH (DE), Ars Electronica Futurelab (AT)
Ars Electronica’s Deep Space 8K once again serves as a innovative development platform for shared streaming experiences: when 7,680 x 4,320 pixels along with multichannel sound are transmitted live from PSNC’s labs in Poland to Deep Space 8K in Linz using a variety of cutting-edge technologies and prototype hardware and software, even the most experienced Ars Electronica Futurelab researchers’ excitement mounts. For the first time in history, international university teams will compete in two formulas: on-site and remotely.
Photo: Ars Electronica - Robert Bauernhansl
DAM—and more broadly, creative operations management—is a “hive” of different features and functions spanning production, management, and multichannel delivery.
Digital and Marketing Asset Management: The Real Story About DAM Technology, Regli, Theresa, 2016.
New York: Rosenfeld Media digitalrealitychecks.com/books/digital-and-marketing-asset-management
The ceremony to open a multichannel network (MCN) for promoting Korean culture and welcome the newest batch of Honorary Reporters
May 20, 2020
Korea.net Open Studio, Jongno-gu, Seoul
Ministry of Culture, Sports and Tourism
Korea Culture and Information Service
Korea.net
Official Photographer : Jeon Han
This official Republic of Korea photograph is being made available only for publication by news organizations and/or for personal printing by the subject(s) of the photograph. The photograph may not be manipulated in any way. Also, it may not be used in any type of commercial, advertisement, product or promotion that in any way suggests approval or endorsement from the government of the Republic of Korea.
——————————————————————————
한국문화 홍보 다중채널연계망 구축 기념행사 및 코리아넷 명예기자단 발대식
2020-05-20
코리아넷 오픈스튜디오
문화체육관광부
해외문화홍보원
코리아넷
전한
lipsy corner with back wall graphics: Lipsy VIP Pleated Full Skirt Lace Prom Dress, Lipsy VIP Sequin Bust Dress, Lipsy Glitter Box Bag.
Omnichannel banking—A story of universal readiness.
Cisco IBSG Omnichannel Study: Winning Strategies for OmniChannel Banking
www.cisco.com/web/about/ac79/docs/Cisco-IBSG-Omnichannel-...
One of my better images using multichannel RGB techniques. "Seeing" conditions were excellent (4/5) that night.
Details:
- Celestron 11" & Powermate 2.5x
- DMK 31 CCD imager
- Astronomik RGB and Orion Filter Wheel
- 1500 frames taken, 1000 processed for image (per channel)
Monarch Capital Partners Group is a full-service asset-management and investment banking firm that specializes in identifying small- and micro-cap investment opportunities with substantial emerging-growth potential.
The initial investment we make with our clients – whether they are individual, institutional or corporate – is always the same. It is the investment of time. It is the first brick laid in the foundation of every productive relationship we build. We take the time to ask the right questions and listen carefully to the answers to ensure that we respond with customized, targeted advice. It is one of the many ways we demonstrate our unwavering commitment to personalized service.
Rather than expecting new clients to make a blind leap of faith, Monarch Capital builds trust organically. The principals of our firm regularly invest their own money in the same independently analyzed, emerging-growth investments we make for our individual and institutional clients. This keeps our interests aligned with those of our clients. By taking a vested interest in our clients’ success, we are literally tying our fortunes to theirs. Our integrity is just as evident with our corporate Investment Banking clients. We never take our clients’ trust for granted, nor do we rest on the laurels of our past successes. Instead, we take each new day as it comes, always poised to seize new investment opportunities as they emerge and mitigate risks as they arise.
Investment markets are – by definition and by nature – dynamic and reactionary. The only constant is change. On any given day, economic experts and financial pundits can be heard loudly and authoritatively expressing differing opinions and contradictory recommendations. In this sea of confusion, Monarch Capital remains a harbor of sanity. Our long-term, value-oriented investment approach and deep understanding of market behavior help us to maintain our focus, not on the rough seas we may encounter along the way, but on reaching our clients’ ultimate financial and investment goals.
Visit us - www.monarchcapitalpartners.com
The ceremony to open a multichannel network (MCN) for promoting Korean culture and welcome the newest batch of Honorary Reporters
May 20, 2020
Korea.net Open Studio, Jongno-gu, Seoul
Ministry of Culture, Sports and Tourism
Korea Culture and Information Service
Korea.net
Official Photographer : Jeon Han
This official Republic of Korea photograph is being made available only for publication by news organizations and/or for personal printing by the subject(s) of the photograph. The photograph may not be manipulated in any way. Also, it may not be used in any type of commercial, advertisement, product or promotion that in any way suggests approval or endorsement from the government of the Republic of Korea.
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한국문화 홍보 다중채널연계망 구축 기념행사 및 코리아넷 명예기자단 발대식
2020-05-20
코리아넷 오픈스튜디오
문화체육관광부
해외문화홍보원
코리아넷
전한