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Rafhan Shaukat in lightning. Rafhan Shaukat, rafhan513@gmail.com, rafhanshaukat.blogspot.com, rafhanshaukat@gmail.com, google, flickr, facebook.

Float like a butterfly, sting like a bee (Cassius Clay)

Muhammad Ali and Karen Stepps. Humanitarian Awards Banquet 1998. Atlanta Georgia

19x24 Prismacolor Pencil art

Destruction and Destroy are on my mind...

I love those old TV round markers. This is Oscar Bonavena in his 1970 loss to Muhammad Ali at Madison Square Garden.

HOPE Charter School

Black History Portrait Identification

 

February 13, 2009

 

Muhammad Ali, former boxer

 

LINK TO POSTED SHORT BIOGRAPHY HERE

 

Event sponsored by Ms. Maruffi.

Photo courtesy of Mr. Bujak.

3302 Grand Avenue

Louisville, KY

 

Born in a hospital in Louisville on January 17th, 1942, Cassius Clay grew up in this house before becoming a boxing legend. His boxing life started here at age twelve, when someone stole his bicycle. Police officer and boxing coach Joe Martin found the boy fuming, saying he’d love to “whup” the thief, and the officer said “you need to learn how to box first.” Ali took up boxing lessons and starting winning titles all over Kentucky before winning the Gold Medal in the light heavyweight division at the 1960 Summer Olympics in Rome when he was only eighteen years old.

As a young contender, Cassius Clay used this boxing gloves while training in his hometown of Louisville, Kentucky, before moving his base to Miami after winning gold int he 1960 Olympics.

 

The Sports: Leveling the Playing Field exhibit, part of the Community Galleries on the third floor of the National Museum of African American History and Culture, explores the contributions of athletes, both on and off the field. Because sports were among the first and most high-profile organizations to accept African Americans on terms of relative equality, sports have a unique role in American culture.

 

The National Museum of African American History and Culture (NMAAHC), administered by the Smithsonian Institute, was established in December 2003 and opened its permanent home in September 2016. The 350,000-square-foot, 10-story (five above and five below ground) was built to the postmodern design of Phil Freelon's Freelon Group, Sir David Adjaye's Adjaye Associates and Davis Brody Bond. The above ground floors feature an inverted step pyramid surrounded by a bronze architectural scrim, which reflects a crown used in Yoruba culture. With more than 40,000 objects in its collection, although only about 3,500 items are on display, the NMAAHC is the world's largest museum dedicated to African-American history and culture.

 

The Smithsonian Institution, an educational and research institute and associated museum complex, administered and funded by the government of the United States and by funds from its endowment, contributions, and profits from its shops and its magazines, was established in 1846. Although concentrated in Washington DC, its collection of over 136 million items is spread through 19 museums, a zoo, and nine research centers from New York to Panama.

He came to greet and entertain the troops while I was there. The man in the ring was the Division Champ. Go to large and check out the camera's, a lot of Spotmatic's

Patron, begun 1848: Muhammad 'Ali (Muhammad Ali Pasha al-Mas'ud ibn Agha) 1769-1849, Wāli of Egypt, Sudan, Sham (Greater Syria), Hejaz, Morea, Thasos, Crete (r.1805-1848).

 

Patron, completed 1857: Sa‘id (Mohamed Sa'id Pasha) 1822-1863, 4th son of Muhammad 'Ali, Wāli of Egypt & Sudan (r.1854-1863).

 

Architect: Yusuf Bushnak, an otherwise unknown Greek architect from Istanbul, who is thought to have modelled it on the Mosque of Sultan Ahmed (Blue Mosque) in Istanbul.

 

Islamic Monument #503

Gary Cooper,Yves Montand,Muhammad Ali and Alain Delon

Golden detail from the older larger wooden Minbar of the Mosque of Muhammad Ali at the Citadel in Cairo. This minbar is the largest in Egypt, incorporating significant gold in its decorations.

Patron, begun 1848: Muhammad 'Ali (Muhammad Ali Pasha al-Mas'ud ibn Agha) 1769-1849, Wāli of Egypt, Sudan, Sham, Hejaz, Morea, Thasos, Crete (r.1805-1848).

 

Patron, completed 1857: Sa‘id (Mohamed Sa'id Pasha) 1822-1863, 4th son of Muhammad 'Ali, Wāli of Egypt & Sudan (r.1854-1863).

 

Architect: Yusuf Bushnak, an otherwise unknown Greek architect from Istanbul, who is thought to have modelled it on the Mosque of Sultan Ahmed (Blue Mosque) in Istanbul.

 

Islamic Monument #503

USA. Chicago 1966. Muhammad Ali, boxing world heavy weight champion showing off his right fist. © Thomas Hoepker / Magnum Photos

Horrible shot of Micky Ward

Patron, begun 1848: Muhammad 'Ali (Muhammad Ali Pasha al-Mas'ud ibn Agha) 1769-1849, Wāli of Egypt, Sudan, Sham, Hejaz, Morea, Thasos, Crete (r.1805-1848).

 

Patron, completed 1857: Sa‘id (Mohamed Sa'id Pasha) 1822-1863, 4th son of Muhammad 'Ali, Wāli of Egypt & Sudan (r.1854-1863).

 

Architect: Yusuf Bushnak, an otherwise unknown Greek architect from Istanbul, who is thought to have modelled it on the Mosque of Sultan Ahmed (Blue Mosque) in Istanbul.

 

Islamic Monument #503

This mausoleum was moved from behind Mosque of Sayyida Zaynab to its present location in 1951.

 

Patron: Ahmad Pasha Tahir, an official in the court of Muhammad 'Ali (769-1849, r.1805-1849) and brother of Hasan Pasha Tahir.

 

Islamic Monument #565

Patron, begun 1848: Muhammad 'Ali (Muhammad Ali Pasha al-Mas'ud ibn Agha) 1769-1849, Wāli of Egypt, Sudan, Sham, Hejaz, Morea, Thasos, Crete (r.1805-1848).

 

Patron, completed 1857: Sa‘id (Mohamed Sa'id Pasha) 1822-1863, 4th son of Muhammad 'Ali, Wāli of Egypt & Sudan (r.1854-1863).

 

Architect: Yusuf Bushnak, an otherwise unknown Greek architect from Istanbul, who is thought to have modelled it on the Mosque of Sultan Ahmed (Blue Mosque) in Istanbul.

 

Islamic Monument #503

'One Night in Miami' Director Carl Cofield was in Denver on Aug. 14 for pre-production meetings and to attend a meet-and-greet in his honor. To celebrate Black Philanthropy Month, more than 65 members of the Denver African American Philanthropists collaborated with The Links, The Denver Foundation and the Denver Center for the Performing Arts to host a discussion with Cofield moderated by the Theatre Company's Associate Artistic Director, Bruce Sevy. The shared purpose of the Denver Foundation is to to expand philanthropy in communities of color and support the arts. The play runs March 19-April 20, 2015. For information, go to www.denvercenter.org, or call 303-893-4100. Photos by John Moore.

  

Patron, begun 1848: Muhammad 'Ali (Muhammad Ali Pasha al-Mas'ud ibn Agha) 1769-1849, Wāli of Egypt, Sudan, Sham, Hejaz, Morea, Thasos, Crete (r.1805-1848).

 

Patron, completed 1857: Sa‘id (Mohamed Sa'id Pasha) 1822-1863, 4th son of Muhammad 'Ali, Wāli of Egypt & Sudan (r.1854-1863).

 

Architect: Yusuf Bushnak, an otherwise unknown Greek architect from Istanbul, who is thought to have modelled it on the Mosque of Sultan Ahmed (Blue Mosque) in Istanbul.

 

Islamic Monument #503

Patron, begun 1848: Muhammad 'Ali (Muhammad Ali Pasha al-Mas'ud ibn Agha) 1769-1849, Wāli of Egypt, Sudan, Sham, Hejaz, Morea, Thasos, Crete (r.1805-1848).

 

Patron, completed 1857: Sa‘id (Mohamed Sa'id Pasha) 1822-1863, 4th son of Muhammad 'Ali, Wāli of Egypt & Sudan (r.1854-1863).

 

Architect: Yusuf Bushnak, an otherwise unknown Greek architect from Istanbul, who is thought to have modelled it on the Mosque of Sultan Ahmed (Blue Mosque) in Istanbul.

 

Islamic Monument #503

This mosque became a Court (mahkamah) from the 16th cent until the reign of Muhammad 'Ali (Muhammad Ali Pasha al-Mas'ud ibn Agha) 1769-1849, Wāli of Egypt, Sudan, Sham (Greater Syria), Hejaz, Morea, Thasos, Crete (r.1805-1848).

 

Patron: al-Qadi (judge) Yahya (Yahya Zayn al-Din), an Armenian dawadar (major-domo) & Amir of Sultan Jàqmaq (al-Zaher Sayf al-Din Jàqmaq) 1373-1453, Burji (Circassian) Mamluk Sultan of Egypt (r.1438-1440).

 

Islamic Monument #344

'One Night in Miami' Director Carl Cofield was in Denver on Aug. 14 for pre-production meetings and to attend a meet-and-greet in his honor. To celebrate Black Philanthropy Month, more than 65 members of the Denver African American Philanthropists collaborated with The Links, The Denver Foundation and the Denver Center for the Performing Arts to host a discussion with Cofield moderated by the Theatre Company's Associate Artistic Director, Bruce Sevy. The shared purpose of the Denver Foundation is to to expand philanthropy in communities of color and support the arts. The play runs March 19-April 20, 2015. For information, go to www.denvercenter.org, or call 303-893-4100. Photos by John Moore.

  

Al-Rifa‘i (Ahmad ibn ʽAli al-Rifaʽi) 1119-1183, was an Iraqi Sunni Muslim preacher, ascetic, mystic, jurist, and theologian, known for being the eponymous founder of the Rifaʽi tariqa (Sufi order) of Islam. Although this mosque is named after him, the shrine contains the burials of his grandson, 'Ali Abu Shibbak al-Rifai and another Sufi mystic, 'Abd Allah al-Ansari.

 

The Mosque of al-Rifa'i replaced a zawiya (shrine) of the sufi saint, al-Rifa'i. It is also the royal mausoleum of Muhammad 'Ali's family, in addition to Hosh al-Basha (the Courtyard of the Pasha), in the Southern Cemetery.

 

Patron: commissioned by Hoshiyar Qadin (Hoşyar Kadın) ?-1885, consort to Ibrahim Pasha & Walida Pasha to their son, Isma'il Pasha.

 

Original architect: Hussein Pasha Fahmi (a distant cousin of Muhammad 'Ali), Minister of Awqaf, who died in 1880 when work stopped.

 

Construction Supervisor: Khalil Agha chief eunuch & director of estates for Isma'il Pasha.

 

Completed: work resumed in 1905 when the Khedive, Abbas II, ordered its completion. Work was supervised by architect Max Herz (Herz Miksa, Hungarian) 1856-1919, head of the Comité de Conservation des Monuments de l'Art Arabe.

 

Islamic Monument #U103

Exhibit at the National Portrait Gallery, Washington, D.C.

It was a classic fight......with some questioning the decision deeming Ali the winner.

 

These were the days before home Pay Per View...a person interested in viewing could only see it at a local venue, such as a theatre, arena, or school gym, etc. This bout was shown at the Scranton, CYC.

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