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Motion graphics - compositing reel 2007 - Music: Tipper - As Thick as You Can Quink - from album Tip Hop - Tipper Music 2005
Titulos de película, para DG2 Gabriele
Película: El día de la bestia
Docentes: Carolina Pulvirenti y Damián Martone
para ver en vimeo vimeo.com/30049108
*super-gracias a Dante Leiva que me dió una super-mano con la animación y el audio :)
New Picture GIF animation, dance, dancing, girl, loop, illustration, summer, motion, sunglasses, bikini, motiongraphics, looping, cel, animatedgif, bathing suit, characteranimation, laborday, celanimation, emilieliu, motionwanderer, swimming suit, boldcolors via Giphy ift.tt/2wCqrSv
See the "Project trailer beta - Geometry" video
Work in progress. Toward finalizing the trailer, this is part of the vote at www.aswarmofangels.com/thenineorders/ The final version will be polished in Lightwave, and available (along with assets) for remixing.This video was originally shared on blip.tv by ASwarmOfAngels with a Creative Commons Attribution-NonCommercial-NoDerivs license.
Visuals creats amb motiu de la presentació del tercer disc de la banda catalana Ix! a Ca L'Estruch de Sabadell el divendres 13/01/2012
Musica: Ix!
Cançó: Immersió
Ilustracions: Eloisa López i Lluís Campmajó ( Eloole)
Animació: eloole.com
Amb la col.laboració de Jordi Jimenez
Watch this video on Vimeo. Video created by eloole.
We art directed, designed, and developed this infographics piece for Canal Isabel II, the company in charge of Madrid’s water supply.
This piece was part of a six minute video developed by different studios and produced by lalivingston. Our part explains the process cycle water goes through in La Comunidad de Madrid, from collection through to purification.
Client: Canal Isabel II - www.cyii.es
Production company: lalivingston - www.lalivingston.com
Our role: Art direction, Design, 3D & Motion graphics
Music: Metronomy 'the end of you too' - www.myspace.com/metronomy
Additional 3D modeling & texturing: Rafael Carmona - www.behance.net/carmona
Disclaimer
Music is used for presentation purposes only. The final piece has a different soundtrack.
View Project
www.binalogue.com/2010/11/canal-isabel/
©2010 Binalogue
Watch this video on Vimeo. Video created by binalogue.
Seamless, Looping Animated Virtual Set Studio of a News Room. High definition video in Quicktime format and compatible with most of the popular video editing software - Adobe After Effects, Adobe Premiere Pro, Avid DS, Grass Valley Edius, Apple Final Cut Pro, Sony Vegas Pro, etc
We can also modify these sets as a special order and also undertake custom orders for special requirements. Send us an email at redbombilstudio@gmail.com
Check out Entire Movie.
Everything is more dramatic is slow-motion. That’s a given. Mundane acts like sneezing and laughing become epic adventures in physiology. A bullet piercing an apple becomes some kind of sensual metaphor. But instead of stringing together a bunch of unrelated, clichéd shots showing off Phantom high speed HD cameras, Superfad decided to go the extra step and weave a loose narrative in this amazing promo produced for NAB.
There’s something mythical about the story. It has just enough suggestion of a narrative to keep you going: a protagonist (the woman in white), an antagonist (the dog/ink splatter) and god-like figures that watch over everything (the birds). But honestly, if this was shot at normal speed, it wouldn’t have worked at all. Superfad seems to understand the peculiar way that slow-motion implies narrative in the simplest of acts.
This didn’t give Superfad license to be sloppy, though. The piece is rife with beautiful (though slightly unorthodox) compositions that underscore the dramatic tension set forth in the music and editing. It’s lovingly crafted and full of detail.
I don’t mean to make too much of it. I’m sure many of you will scoff at my mini-dissertation above. Something about this film, though, snared me, and I don’t think it was accidental.
@ motionographer.com
VFS Digital Design's Appetizers Night is a chance for graduating students to showcase their favourite project to an industry audience on the lookout for hot young talent.
Find out more about VFS's one-year Digital Design program at vfs.com/digitaldesign.
Promo Avenida Ciudad Rock, video difundido durante festival Rock al Parque 2010
Audio: Rodrigo Benavides
Motion: Plug In
Hey Guys! Do you Love This Animation?
Feel Free to reach out-
Email: pixlovemotion@gmail.com
Project: Social Media Ads.
Category: Fashion.
Used Software: Adobe After Effects
N.B - Available For Purchase.
"This Christmas give
or give yourself,
design"
Animation for promote the new campain from Index Book. If you buy any book from Index Book during the Christmas campaign, you’ll be entered into the weekly drawing for an assortment of books.
indexbook.com
Production: Mikel Canal
Here are some design frames for animated promos created for NBC while working at LoConte Goldman in Boston
Design: Joanne Kaliontzis
Based on an initial design by Lucas Nickerson, I designed and developed these in VIZRT. They were seen on ABC and ESPN during the 2009-10 NBA Season.
Hey Guys! Do you Love This Animation?
Feel Free to reach out-
Email: pixlovemotion@gmail.com
Project: Social Media Ads.
Category: Product Sell.
Used Software: Adobe After Effects
N.B - Available For Purchase.
vimeo.com/scottgeersen/twtwb-titles
Title Sequence: Concept, Pitch, Boards, Design, Direction, Animation, Compositing, Project Management.
This Australian film by Director Stuart Beattie is an adaptation of John Marsden’s classic first novel of the “Tomorrow” series, which has been translated into 7 languages and captured the imaginations of teenagers across the globe.
Following on from a successful titles pitch (work.scottgeersen.com/twtwb-titles-pitch) to director Stuart Beattie and EP Andrew Mason, I designed and directed the main-on-end title sequence for the film, leading a team of in-house and freelance artists, as well as undertaking much of the animation and compositing work myself.
My brief, partly self-initiated and partly from the director and EP, was to represent scenes pivotal to both plot and characters in an accelerated journey that was as forceful, aggressive, and stirring as possible.
To do so, a highly stylised, almost painterly approach was chosen, referencing visual cues very familiar to teen audiences – graphic novels, comics, silhouettes, illustrations. The most striking moments from the film were reduced and broken down into iconic representations, giving them much greater emotional resonance.
Subtle use of 3D space and perspective injects depth and tension, and frames are vividly depicted in the rich orange, brown, and gold tones of the Australian summer – a palette that is simultaneously vibrant and dangerous, suggestive of idyllic bush sunsets and fiery explosions. Search- and flood-lights, explosions, and gun flashes impart sharp details to the silhouetted forms, at once highlighting and simplifying specific features of each scene.
Process:
Once production began with a team of 5 (including myself), we had only 3 weeks to produce more than 90 seconds of 2K motion graphics and 3D, mostly from scratch. While I had pitched my own visual interpretations of narrative events, Stuart was very keen to more closely represent actual shots from the film – including key images of characters. This was a tricky process, as I never managed to see a cut of the film before the cinema release! While perhaps an unusual situation for a titles designer to be in, I was helped along by the film’s editor Marcus D’Arcy, and an intimate knowledge of original novel. In the end, about 50% of shots came from my original pitch, and my team and I created additional styleframes as Stuart relayed his ideas.
To complete the project, I enlisted the help of several freelancers. Daniel Balzer was our 3D artist, working in Cinema 4D. Morten Rowley provided additional 3D in Maya, and Daniel Bavell provided painted/illustrated elements. Designer Jess Morgan set up the opening title cards and logo as well as comping the final shot of the sequence.
Credits:
Titles Director: Scott Geersen
Art Direction: Scott Geersen
Design/Animation/Compositing: Scott Geersen, Daniel Bavell, Daniel Balzer, Morten Rowley, Jess Morgan
3D: Daniel Balzer, Morten Rowley
Lab Producers: Prue Fletcher, Jayne Herrmann
still frame
TITLE:KERNEL
DIRECTOR:LEONARDOWORX
YEAR:2010
MUSIC:PETER YU-erflow
ONEMINUTESUITE
CONCEPT:
digital inputs incoming from a user that is trying to modify the true world, a conspiracy, to modify, destroying and recreate a new world.
The Art Institute of Portland's January 2009 Portfolio Show - graduating students show their portfolios to the local business community, networking, interviewing, and meeting with potential employers in creative fields.
Find out more about The Art Institute of Portland: www.artinstitutes.edu/portland
Photo: Lulu Hoeller
A motion graphic piece by Matt Luckhurst of M.I.A.'s super ultra cool hit Paper Planes. mattluckhurst.com for more.
This is a frame from a video. You can watch it on Vimeo.
Frame do video criado para a divulgação do site maps.mootiro.org
Mais // More: www.be.net/gallery/MootiroMaps/6266575
Seamless, Looping Animated Virtual Set Studio of a News Room. High definition video in Quicktime format and compatible with most of the popular video editing software - Adobe After Effects, Adobe Premiere Pro, Avid DS, Grass Valley Edius, Apple Final Cut Pro, Sony Vegas Pro, etc
We can also modify these sets as a special order and also undertake custom orders for special requirements. Send us an email at redbombilstudio@gmail.com
Video Production by Studiobfilms.com: LeapFrog hired Studio B to produce a sizzle video to play at the 2009 Dallas Toy Fair. We gave it a fresh, fun feel to reflect their newest line of toys.
Corporate Video | Motion Graphics | TV Commercial
Some behind the scenes photos from the m1 live unlimited tv commercial production
Here is the link to the Red one Video Production at Motion Media Works
Vray For Maya 2.0 Try-out project. Check the complete animation on www.mules.be
Modeling in Modo & Maya. Animation, dynamics and rendering in Maya.
Motiongraphic- / Music-Video directed by Daniel Rau & Piotr Dominik Kochalski.
Music by Chromix.
40000milesandstillcounting.blogspot.com
Watch this video on Vimeo. Video created by Daniel Rau.
Frame do video criado para a divulgação do site maps.mootiro.org
Mais // More: www.be.net/gallery/MootiroMaps/6266575